Zeitschriftenartikel zum Thema „Music theory History 16th century“
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Tonietti, Tito M. „The Mathematical Contributions of Francesco Maurolico to the Theory of Music of the 16th Century (The Problems of a Manuscript)“. Centaurus 48, Nr. 3 (Juli 2006): 149–200. http://dx.doi.org/10.1111/j.1600-0498.2006.00047.x.
Kendall, G. Yvonne. „Thea Vignau-Wilberg. Music for a While: Music and Dance in 16th-Century Prints Munich: Staatliche Graphische Sammlung, 1999. 89 pis. + 224 pp. DM 35. ISBN: 3- 927803-29-4.“ Renaissance Quarterly 55, Nr. 1 (2002): 329–30. http://dx.doi.org/10.2307/1512559.
Boer (book author), Erik de, und Hugues Daussy (review author). „The Genevan School of the Prophets. The congrégation of the Company of Pastors and their Influence in 16th Century Europe“. Renaissance and Reformation 36, Nr. 4 (15.03.2014): 153–55. http://dx.doi.org/10.33137/rr.v36i4.20988.
ATHANASSOPOULOU (Φ. ΑΘΑΝΑΣΟΠΟΥΛΟΥ), F. „The history of development of medicine through time: a repeated case“. Journal of the Hellenic Veterinary Medical Society 60, Nr. 2 (20.11.2017): 125. http://dx.doi.org/10.12681/jhvms.14921.
Choi, Won Sun. „Theory and Practice in 16th Century Printed Music“. Yonsei Music Research 14 (31.12.2007): 128–54. http://dx.doi.org/10.16940/ymr.2097.14.128.
Ferreirа, Manuel. „Beyond nations: A thematic history“. Muzikologija, Nr. 27 (2019): 163–86. http://dx.doi.org/10.2298/muz1927163f.
Burganova, Maria A. „LETTER FROM THE EDITOR“. Scientific and analytical journal Burganov House. The space of culture 17, Nr. 5 (10.12.2021): 8–9. http://dx.doi.org/10.36340/2071-6818-2021-17-5-8-9.
Hammond, Susan Lewis, Stanley Boorman und Stanley Boorman. „Studies in the Printing, Publishing and Performance of Music in the 16th Century“. Sixteenth Century Journal 39, Nr. 3 (01.10.2008): 759. http://dx.doi.org/10.2307/20479007.
Moody, Ivan. „Mensagens: Portuguese Music in the 20th Century“. Tempo, Nr. 198 (Oktober 1996): 2–10. http://dx.doi.org/10.1017/s0040298200005313.
Dibbets, Geert R. W. „Dutch philology in the 16th and 17th century“. Historiographia Linguistica 15, Nr. 1-2 (01.01.1988): 39–61. http://dx.doi.org/10.1075/hl.15.1-2.04dib.
REGEV, Shaul. „The Attitude towards theconversosin 15th-16th Century Thought“. Revue des Études Juives 156, Nr. 1 (01.07.1997): 117–34. http://dx.doi.org/10.2143/rej.156.1.519374.
Metan, Saskia. „Editorische Verflechtungen“. Zeitschrift für Slawistik 64, Nr. 4 (30.10.2019): 507–19. http://dx.doi.org/10.1515/slaw-2019-0029.
Krummel, D. W. „Studies in the Printing, Publishing, and Performance of Music in the 16th Century. Stanley Boorman“. Papers of the Bibliographical Society of America 100, Nr. 2 (Juni 2006): 297. http://dx.doi.org/10.1086/pbsa.100.2.24293677.
Gürkan, Emrah. „The efficacy of Ottoman counter-intelligence in the 16th century“. Acta Orientalia Academiae Scientiarum Hungaricae 65, Nr. 1 (März 2012): 1–38. http://dx.doi.org/10.1556/aorient.65.2012.1.1.
Santangelo, Paolo. „A Neo-Confucian Debate in 16Th Century Korea“. T'oung Pao 76, Nr. 4 (1990): 234–70. http://dx.doi.org/10.1163/156853290x00083.
Gouk, Penelope. „Transforming Matter, Refining the Spirit: Alchemy, Music and Experimental Philosophy around 1600“. European Review 21, Nr. 2 (30.04.2013): 146–57. http://dx.doi.org/10.1017/s1062798712000324.
Monteiro, Jesus Alexandre Tavares, und Danilo Ferreira Soares. „Each toada represents a missing: a brief history about the use of caipira music in the study of human and social sciences in new high school“. Revista Tempos e Espaços em Educação 15, Nr. 34 (14.12.2022): e17862. http://dx.doi.org/10.20952/revtee.v15i34.17862.
Winkel, Laurens. „Francisco de Vitoria on just war on both sides and on the legal position of Burgundy“. Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 75, Nr. 3 (2007): 355–62. http://dx.doi.org/10.1163/157181907783054950.
Antipov, Ilya V. „The So-Called Faceted Palace (1433) and the Architecture of Novgorod from the Middle of the 15th to the First Quarter of the 16th Century“. Vestnik of Saint Petersburg University. Arts 11, Nr. 2 (2021): 310–26. http://dx.doi.org/10.21638/spbu15.2021.208.
Agustono, Budi, und Muh Takari. „CONTINUITIES AND CHANGES MUSICAL CULTURE OF MELAYU DELI“. Grenek Music Journal 8, Nr. 2 (15.07.2019): 78. http://dx.doi.org/10.24114/grenek.v8i2.14022.
Gessele, Cynthia M. „Base d'harmonie: A Scene from Eighteenth-Century French Music Theory“. Journal of the Royal Musical Association 119, Nr. 1 (1994): 60–90. http://dx.doi.org/10.1093/jrma/119.1.60.
George Mariscal. „Theory and History of Ideological Production: The First Bourgeois Literatures (the 16th Century) (review)“. Arizona Journal of Hispanic Cultural Studies 7, Nr. 1 (2003): 285–86. http://dx.doi.org/10.1353/hcs.2011.0222.
Dehqan, Mustafa, und Vural Genç. „Kurds as spies: Information-gathering on the 16th-century Ottoman–Safavid frontier“. Acta Orientalia Academiae Scientiarum Hungaricae 71, Nr. 2 (Juni 2018): 197–230. http://dx.doi.org/10.1556/062.2018.71.2.5.
Matyjaszczyk, Joanna. „Struggles with Dramatic Form in 16th-Century English Biblical Plays“. Anglica. An International Journal of English Studies, Nr. 31/1 (Oktober 2022): 5–27. http://dx.doi.org/10.7311/0860-5734.31.1.01.
Wright, O. „Çargâh in Turkish classical music: history versus theory“. Bulletin of the School of Oriental and African Studies 53, Nr. 2 (Juni 1990): 224–44. http://dx.doi.org/10.1017/s0041977x00026057.
Kuzmina, Marina D. „“Alphabet Scribe” in the History of Russian Literature“. Philology 19, Nr. 9 (2020): 87–101. http://dx.doi.org/10.25205/1818-7919-2020-19-9-87-101.
Ismail, Noorilham, Mohd Kasturi Nor Abd Aziz und Zarifah Arsani. „Idea Pembentukan Pemerintahan Ibn Khaldun dan Asas Pembinaan Kesultanan Melaka dari Kurun Ke-15 hingga 16“. Journal of Al-Tamaddun 16, Nr. 2 (13.12.2021): 31–47. http://dx.doi.org/10.22452/jat.vol16no2.3.
Young, James O. „Assessing the Ethos Theory of Music“. Disputatio 13, Nr. 62 (01.12.2021): 283–97. http://dx.doi.org/10.2478/disp-2021-0015.
Svyrydenko, N. „Music in museum (second half of 20th century, Ukraine)“. Musical art in the educological discourse, Nr. 3 (2018): 61–65. http://dx.doi.org/10.28925/2518-766x.2018.3.6165.
Milin, Melita. „Ancient Greek mythology mediated by Latin culture: On Vlastimir Trajkovic’s arion and Zephyrus returns“. Muzikologija, Nr. 12 (2012): 165–82. http://dx.doi.org/10.2298/muz120130008m.
Chondros, Thomas. „The development of mechanics and engineering design and machine theory since the rennaissance“. FME Transactions 49, Nr. 2 (2021): 291–307. http://dx.doi.org/10.5937/fme2102291c.
Buza, János. „The exchange rates of the Hungarian and Turkish ducats in the mid-16th century“. Acta Orientalia Academiae Scientiarum Hungaricae 60, Nr. 1 (März 2007): 33–54. http://dx.doi.org/10.1556/aorient.60.2007.1.3.
Gürkan, Emrah Safa. „Hile ü hud’a: Deception, Dissimulation and Manipulation of Information in 16th-century Ottoman Empire“. Acta Orientalia Academiae Scientiarum Hungaricae 72, Nr. 4 (Dezember 2019): 437–54. http://dx.doi.org/10.1556/062.2019.72.4.4.
Guinle, Francis. „Review: Book: Poetry and Music in Seventeenth-Century England“. Cahiers Élisabéthains: A Journal of English Renaissance Studies 54, Nr. 1 (Oktober 1998): 156–57. http://dx.doi.org/10.1177/018476789805400130.
Alsop, James. „‘More like a tavern than a school house’: Family strife, religious change, and the founding of Oundle Grammar School, 1556–1578“. Cahiers Élisabéthains: A Journal of English Renaissance Studies 107, Nr. 1 (05.01.2022): 24–38. http://dx.doi.org/10.1177/01847678211069466.
Yeon, Sang-Chun. „A Study of Music History of the 18th Century on the Basis of Dahlhaus's Music Historical Theory“. Yonsei Music Research 19 (30.11.2012): 73–97. http://dx.doi.org/10.16940/ymr.2012.19.73.
Žiemelis, Darius. „The problem of the application of the term second serfdom in the history of Central Eastern Europe: the case of Lithuanian economy in the 16th-19th (until 1861)“. Romanian Journal for Baltic and Nordic Studies 7, Nr. 1 (15.08.2015): 123–49. http://dx.doi.org/10.53604/rjbns.v7i1_6.
Friedberg, Josh. „“This Music Begins on the Auction Block”“. James Baldwin Review 8, Nr. 1 (27.09.2022): 147–63. http://dx.doi.org/10.7227/jbr.8.8.
Clarke, David. „Editorial: Twentieth-Century Music – Plural“. Twentieth-Century Music 1, Nr. 2 (September 2004): 155–59. http://dx.doi.org/10.1017/s1478572205000010.
Novak, Maria O., und Yana A. Penkova. „Cyril of Jerusalem catechetical lectures: To linguistic and textual history of the 13th century Tolstovskii manuscript“. Vestnik of Saint Petersburg University. Language and Literature 19, Nr. 2 (2022): 334–52. http://dx.doi.org/10.21638/spbu09.2022.208.
Eamon, William. „Cannibalism and Contagion: Framing Syphilis in Counter-Reformation Italy*“. Early Science and Medicine 3, Nr. 1 (1998): 1–31. http://dx.doi.org/10.1163/157338298x00013.
Burmistrov, Konstantin Yu. „Moshe Cordovero’s Kabbalah and its reception in Europe at the end of the 17th century“. Philosophy Journal 15, Nr. 1 (2022): 21–36. http://dx.doi.org/10.21146/2072-0726-2022-15-1-21-36.
Gjerdingen, R. O. „The Art of Partimento: History, Theory, and Practice/The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera“. Journal of Music Theory 57, Nr. 1 (01.03.2013): 119–29. http://dx.doi.org/10.1215/00222909-2017124.
Roberts, H. „Narrative Worlds: Essays on the 'Nouvelle' in 15th and 16th Century France“. French Studies 61, Nr. 4 (01.10.2007): 498. http://dx.doi.org/10.1093/fs/knm181.
McKinney, Timothy R. „:Music in the Mirror: Reflections on the History of Music Theory and Literature for the Twenty-First Century“. Music Theory Spectrum 31, Nr. 1 (April 2009): 199–209. http://dx.doi.org/10.1525/mts.2009.31.1.199.
Zhumagazin, Zhanbolat. „Evolution of opera at early stages of development as a musical theater“. Pedagogy and Psychology 42, Nr. 1 (30.03.2020): 230–36. http://dx.doi.org/10.51889/2020-1.2077-6861.29.
Scherer, Savitri. „Globalisation in Java in the 16th Century. A Review of Pramoedya's Arus Balik“. Archipel 55, Nr. 1 (1998): 43–60. http://dx.doi.org/10.3406/arch.1998.3441.
Karolewski, Janina. „What is Heterodox About Alevism? The Development of Anti-Alevi Discrimination and Resentment“. Die Welt des Islams 48, Nr. 3 (2008): 434–56. http://dx.doi.org/10.1163/157006008x364767.
Golenishcheva, Ekaterina E., und Olga I. Kulapina. „From the History of 19th Century Russian Folk Music Studies: from Empirical Study to Theory“. Music Scholarship / Problemy Muzykal'noj Nauki, Nr. 1 (März 2016): 90–96. http://dx.doi.org/10.17674/1997-0854.2016.1.090-096.
Girón-Negrón, Luis M. „“Your Dove-Eyes Among Your Hairlocks:” Language and Authority in Fray Luis De León's Respuesta Que Desde Su Prisón da a sus Émulos*“. Renaissance Quarterly 54, Nr. 4-Part1 (2001): 1197–250. http://dx.doi.org/10.2307/1261971.