Auswahl der wissenschaftlichen Literatur zum Thema „Music theory History 16th century“
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Zeitschriftenartikel zum Thema "Music theory History 16th century":
Tonietti, Tito M. „The Mathematical Contributions of Francesco Maurolico to the Theory of Music of the 16th Century (The Problems of a Manuscript)“. Centaurus 48, Nr. 3 (Juli 2006): 149–200. http://dx.doi.org/10.1111/j.1600-0498.2006.00047.x.
Kendall, G. Yvonne. „Thea Vignau-Wilberg. Music for a While: Music and Dance in 16th-Century Prints Munich: Staatliche Graphische Sammlung, 1999. 89 pis. + 224 pp. DM 35. ISBN: 3- 927803-29-4.“ Renaissance Quarterly 55, Nr. 1 (2002): 329–30. http://dx.doi.org/10.2307/1512559.
Boer (book author), Erik de, und Hugues Daussy (review author). „The Genevan School of the Prophets. The congrégation of the Company of Pastors and their Influence in 16th Century Europe“. Renaissance and Reformation 36, Nr. 4 (15.03.2014): 153–55. http://dx.doi.org/10.33137/rr.v36i4.20988.
ATHANASSOPOULOU (Φ. ΑΘΑΝΑΣΟΠΟΥΛΟΥ), F. „The history of development of medicine through time: a repeated case“. Journal of the Hellenic Veterinary Medical Society 60, Nr. 2 (20.11.2017): 125. http://dx.doi.org/10.12681/jhvms.14921.
Choi, Won Sun. „Theory and Practice in 16th Century Printed Music“. Yonsei Music Research 14 (31.12.2007): 128–54. http://dx.doi.org/10.16940/ymr.2097.14.128.
Ferreirа, Manuel. „Beyond nations: A thematic history“. Muzikologija, Nr. 27 (2019): 163–86. http://dx.doi.org/10.2298/muz1927163f.
Burganova, Maria A. „LETTER FROM THE EDITOR“. Scientific and analytical journal Burganov House. The space of culture 17, Nr. 5 (10.12.2021): 8–9. http://dx.doi.org/10.36340/2071-6818-2021-17-5-8-9.
Hammond, Susan Lewis, Stanley Boorman und Stanley Boorman. „Studies in the Printing, Publishing and Performance of Music in the 16th Century“. Sixteenth Century Journal 39, Nr. 3 (01.10.2008): 759. http://dx.doi.org/10.2307/20479007.
Moody, Ivan. „Mensagens: Portuguese Music in the 20th Century“. Tempo, Nr. 198 (Oktober 1996): 2–10. http://dx.doi.org/10.1017/s0040298200005313.
Dibbets, Geert R. W. „Dutch philology in the 16th and 17th century“. Historiographia Linguistica 15, Nr. 1-2 (01.01.1988): 39–61. http://dx.doi.org/10.1075/hl.15.1-2.04dib.
Dissertationen zum Thema "Music theory History 16th century":
Rusak, Helen Kathryn. „Rhetoric and the motet passion“. Title page, table of contents and introduction only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armr949.pdf.
Iler, Devin. „Václav Philomathes’ Musicorum Libri Quattuor (1512): Translation, Commentary, and Contextualization“. Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822783/.
Wood, Sienna M. „Chansons, madrigales and motetz a 3 parties by Noe Faignient| A Composer's Debut in 16th-Century Antwerp“. Thesis, University of Colorado at Boulder, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3743677.
Chansons, madrigales & motetz a 3 parties of 1568 is one of two volumes that constitute the debut of Antwerp composer Noe Faignient (c.1537-1578). This musical collection (henceforth CM&M a 3) survives only in manuscript in three partbooks held at the Stifts- och Landsbiblioteket in Linkoping, Sweden and has never before appeared as a complete modern edition. Like its sister volume for 4, 5, and 6 voices, Faignient?s 3-voice collection contains French chansons, Italian madrigals, Latin motets, and Dutch liedekens. A multi-genre debut was well chosen for the diverse city of Antwerp, the center of commerce and culture in the Low Countries in the 16th century, and for international distribution in pursuit of patronage or permanent employment abroad. The commercial value of chansons, madrigals, and motets had been well established in Western Europe by this time, but liedekens did not share the international marketability of the other genres. Liedekens are included in CM&M a 3 not for commercial reasons, but as vehicles of political propaganda and expressions of national identity corresponding with the outbreak of the Dutch Revolt against Spanish rule of the Low Countries. Faignient?s posture of religious nonalignment in CM&M a 3 parallels early rebel propaganda, but also reveals the composer to be a careerist; one of many composers of his generation to separate his professional and creative activities from religion in order to serve his professional ambitions and his political ideals amid the turbulence of the Reformation.
Botelho, Lynn Ann. „English housewives in theory and practice, 1500-1640“. PDXScholar, 1991. https://pdxscholar.library.pdx.edu/open_access_etds/4293.
Kranias, Alison. „Verovio's keyboard intabulations and domestic music making in the late Renaissance“. Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98544.
莊小屛 und Siu-ping Amy Chong. „The chansons of Claudin de Sermisy in Attaingnant's Chansons nouvellesand other early collections“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31225871.
Le, Cocq Jonathan. „French lute-song, 1529-1643“. Thesis, University of Oxford, 1997. https://ora.ox.ac.uk/objects/uuid:1a712369-836c-45e4-9f84-91045f297b3f.
Flores, Carlos A. (Carlos Arturo). „Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors“. Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331988/.
Lefcoe, Andrew. „Kuhn's paradigm in music theory“. Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21231.
Murray, Russell Eugene. „The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1“. Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc331433/.
Bücher zum Thema "Music theory History 16th century":
Smith, Charlotte. A manual of sixteenth-century contrapuntal style. Newark: University of Delaware Press, 1989.
Lowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York, NY: Da Capo Press, 1990.
Palisca, Claude V. Music and ideas in the sixteenth and seventeenth centuries. Chicago: University of Chicago Press, 2006.
Haar, James. The science and art of Renaissance music. Princeton, N.J: Princeton University Press, 1998.
Walker, Paul. Theories of fugue from the age of Josquin to the age of Bach. Rochester, NY: University of Rochester Press, 2000.
Toft, Robert. Aural images of lost traditions: Sharps and flats in the sixteenth century. Toronto: University of Toronto Press, 1992.
Stoquerus, Gaspar. Musica verbali libri duo =: Two books on verbal music. Lincoln: University of Nebraska Press, 1988.
Baumann, Ulrike. Ioannes Stomius, prima ad musicen instructio: Edition, Übersetzung, Kommentar. Bern: Peter Lang, 2010.
Joachim, Burmeister. Musical poetics. New Haven: Yale University Press, 1993.
Vicentino, Nicola. Ancient music adapted to modern practice. New Haven: Yale University Press, 1996.
Buchteile zum Thema "Music theory History 16th century":
Christensen, Thomas. „Music Theory and Pedagogy“. In The Cambridge History of Sixteenth-Century Music, 414–38. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9780511675874.013.
London, Justin. „Rhythm in twentieth-century theory“. In The Cambridge History of Western Music Theory, 695–725. Cambridge University Press, 2002. http://dx.doi.org/10.1017/chol9780521623711.024.
Lester, Joel. „Rameau and eighteenth-century harmonic theory“. In The Cambridge History of Western Music Theory, 753–77. Cambridge University Press, 2002. http://dx.doi.org/10.1017/chol9780521623711.026.
Barnett, Gregory. „Tonal organization in seventeenth-century music theory“. In The Cambridge History of Western Music Theory, 407–55. Cambridge University Press, 2002. http://dx.doi.org/10.1017/chol9780521623711.015.
Bernstein, David W. „Nineteenth-century harmonic theory: the Austro-German legacy“. In The Cambridge History of Western Music Theory, 778–811. Cambridge University Press, 2002. http://dx.doi.org/10.1017/chol9780521623711.027.
Klumpenhouwer, Henry. „Dualist tonal space and transformation in nineteenth-century musical thought“. In The Cambridge History of Western Music Theory, 456–76. Cambridge University Press, 2002. http://dx.doi.org/10.1017/chol9780521623711.016.
Hodžić, Muamer. „O fenomenu kahve i mjestima gdje se pila u Bosni u 16. i 17. stoljeću“. In Kulturno-historijski tokovi u Bosni 15-19. stoljeća, 165–83. Univerzitet u Sarajevu - Orijentalni institut, 2022. http://dx.doi.org/10.48116/zb.khb22.165.
Auerbach, Brent. „A History of Motives—Theory and Analysis“. In Musical Motives, 55–102. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197526026.003.0003.
Feldman, Walter. „The Position of Music Within the Mevleviye“. In From Rumi to the Whirling Dervishes, 135–61. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474491853.003.0007.
Surján, György. „The Cultural History of Medical Classifications“. In Handbook of Research on Distributed Medical Informatics and E-Health, 48–83. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-002-8.ch004.
Konferenzberichte zum Thema "Music theory History 16th century":
YANG, LING, und SHENG-DONG YUE. „AN ANALYSIS OF THE CHARACTERISTICS OF MUSIC CREATION IN MEFISTOFELE“. In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35726.