Auswahl der wissenschaftlichen Literatur zum Thema „Music technology and recording“
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Zeitschriftenartikel zum Thema "Music technology and recording"
Guo, Tingjun. „Application of Internet of Things Technology in Vocal Music Teaching Recording Equipment Assisted by Machine Learning“. Wireless Communications and Mobile Computing 2022 (25.04.2022): 1–10. http://dx.doi.org/10.1155/2022/2091387.
Der volle Inhalt der QuelleGuo, Tingjun. „Application of Internet of Things Technology in Vocal Music Teaching Recording Equipment Assisted by Machine Learning“. Wireless Communications and Mobile Computing 2022 (25.04.2022): 1–10. http://dx.doi.org/10.1155/2022/2091387.
Der volle Inhalt der QuelleChatterjee (Mukherjee), Dr Samarpita. „Music and Audio Recording Technology: An Overview“. Journal of Humanities,Music and Dance, Nr. 24 (28.07.2022): 14–24. http://dx.doi.org/10.55529/jhmd.24.14.24.
Der volle Inhalt der QuelleChatterjee (Mukherjee), Dr Samarpita. „Music and Audio Recording Technology: An Overview“. Journal of Humanities,Music and Dance, Nr. 24 (17.10.2022): 14–24. http://dx.doi.org/10.55529/jhmd24.14.24.
Der volle Inhalt der QuelleIrawan, Ricky. „Aktor Lokal, Industri Rekaman Musik, dan Musik Daerah: Peran dan Kontribusi Hila Hambala pada Gitar dan Gambus Tunggal Lampung Pesisir“. Journal of Music Science, Technology, and Industry 5, Nr. 1 (30.04.2022): 25–47. http://dx.doi.org/10.31091/jomsti.v5i1.1973.
Der volle Inhalt der QuelleManning, Peter. „The Influence of Recording Technologies on the Early Development of Electroacoustic Music“. Leonardo Music Journal 13 (Dezember 2003): 5–10. http://dx.doi.org/10.1162/096112104322750719.
Der volle Inhalt der QuelleAndiko, Benny, Benni Andika und Sabri Gusmail. „ANALISIS PROSES PEREKAMAN MUSIK DENGAN METODE DIGITAL DI SANGGAR BUANA BANDA ACEH MASA PANDEMI CIVID-19“. Gorga : Jurnal Seni Rupa 11, Nr. 2 (30.12.2022): 538. http://dx.doi.org/10.24114/gr.v11i2.38737.
Der volle Inhalt der QuelleRykunin, Vladislav Vyacheslavovich. „The first jazz gramophone record: the music of the moment which became timeless“. PHILHARMONICA. International Music Journal, Nr. 1 (Januar 2021): 14–22. http://dx.doi.org/10.7256/2453-613x.2021.1.35023.
Der volle Inhalt der QuelleWESTERN, TOM. „‘The Age of the Golden Ear’:The Columbia World Libraryand Sounding out Post-war Field Recording“. Twentieth-Century Music 11, Nr. 2 (30.07.2014): 275–300. http://dx.doi.org/10.1017/s1478572214000103.
Der volle Inhalt der QuelleThompson IV, William A., und Jeffrey Albert. „Baghdad Music Journal: A Soldier’s Move toward Technology in Music“. Leonardo Music Journal 25 (Dezember 2015): 68–72. http://dx.doi.org/10.1162/lmj_a_00938.
Der volle Inhalt der QuelleDissertationen zum Thema "Music technology and recording"
Miller, Eric R. „The Influence of Recording Technology on Music Performance and Production“. Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1367581047.
Der volle Inhalt der QuelleSztein, Baremberg Gabriella Ana. „Musical time and recording technology: A perspective from music theory“. Thesis, University of Ottawa (Canada), 1994. http://hdl.handle.net/10393/9595.
Der volle Inhalt der QuelleMeynell, Anthony. „How recording studios used technology to invoke the psychedelic experience : the difference in staging techniques in British and American recordings in the late 1960s“. Thesis, University of West London, 2017. https://repository.uwl.ac.uk/id/eprint/3837/.
Der volle Inhalt der QuelleLingard, William. „Sounds perfect : the evolution of recording technology and music's social future“. Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/367009/.
Der volle Inhalt der QuelleLubin, Tom. „An historical survey of technology used in the production & presentation of music in the 20th century /“. View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030903.112151/index.html.
Der volle Inhalt der QuelleLapp-Szymanski, Jean-Paul. „Technology inna rub-a-dub style : technology and dub in the Jamaican sound system and recording studio“. Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98547.
Der volle Inhalt der QuelleYee, Silvia. „The absent ear, a phenomenological investigation into the confluence of recording technology and musical listening“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq22561.pdf.
Der volle Inhalt der QuelleVan, Dyne Steven R. „Case Studies in Classical Location Recording Using Improvised Techniques“. Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429807114.
Der volle Inhalt der QuelleThorley, Mark. „The unexplored impact of emergent technologies on music industry stakeholders : aspirants, producers and consumers“. Thesis, Coventry University, 2016. http://curve.coventry.ac.uk/open/items/42e3ee1b-3756-494c-9f5d-adec1b485be2/1.
Der volle Inhalt der QuelleMok, Lucille Yehan. „Glenn Gould, Oscar Peterson, and New World Virtuosities“. Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13064972.
Der volle Inhalt der QuelleMusic
Bücher zum Thema "Music technology and recording"
Thom, Holmes, Hrsg. The Routledge guide to music technology. New York: Routledge, 2006.
Den vollen Inhalt der Quelle finden1943-, Badal James Jessen, Hrsg. Recording the classics: Maestros, music, and technology. Kent, Ohio: Kent State University Press, 1996.
Den vollen Inhalt der Quelle findenMark, Katz. Capturing sound: How technology has changed music. Berkeley: University of California Press, 2010.
Den vollen Inhalt der Quelle findenJacobs, Gabriel. Music and new technology: The MIDI connection. London: Sigma, 1991.
Den vollen Inhalt der Quelle findenHilvert, John. Music technology. North Mankato, Minn: Smart Apple Media, 2006.
Den vollen Inhalt der Quelle findenWilkie, Godric. The studio musician's jargonbuster: A glossary of music technology and recording. London: Musonix, 1993.
Den vollen Inhalt der Quelle findenWilkie, Godric. The studio musician's jargonbuster: A glossary of music technology and recording. London: Musonix, 1997.
Den vollen Inhalt der Quelle findenJenny, Bartlett, Hrsg. Practical recording techniques. 5. Aufl. Boston: Elsevier/Focal Press, 2008.
Den vollen Inhalt der Quelle findenJenny, Bartlett, Hrsg. Practical recording techniques. 2. Aufl. Boston: Focal Press, 1998.
Den vollen Inhalt der Quelle findenJenny, Bartlett, Hrsg. Practical recording techniques. 3. Aufl. Boston, MA: Focal Press, 2002.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Music technology and recording"
Snoman, Rick. „Recording Technology“. In Dance Music Manual, 305–14. 5. Aufl. London: Focal Press, 2024. http://dx.doi.org/10.4324/9781032646848-28.
Der volle Inhalt der QuelleHuber, David Miles, und Robert E. Runstein. „MIDI and Electronic Music Technology“. In Modern Recording Techniques, 281–335. Edition 9. | New York; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315666952-9.
Der volle Inhalt der QuelleHuber, David Miles, Emiliano Caballero und Robert E. Runstein. „MIDI and Electronic Music Technology“. In Modern Recording Techniques, 279–344. 10. Aufl. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003260530-9.
Der volle Inhalt der QuelleEargle, John M. „Principles of Sound Recording“. In Music, Sound, and Technology, 259–87. Boston, MA: Springer US, 1995. http://dx.doi.org/10.1007/978-1-4757-5936-5_13.
Der volle Inhalt der QuelleEargle, John M. „Principles of Sound Recording“. In Music, Sound, and Technology, 233–59. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-011-7070-3_13.
Der volle Inhalt der QuelleAshbourn, Julian. „High-Resolution Digital Recording and Re-Sampling“. In Audio Technology, Music, and Media, 69–72. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-62429-3_16.
Der volle Inhalt der QuelleCanfer, Tim. „Sound manipulation techniques of the recording studio“. In Music Technology in Live Performance, 42–85. London: Focal Press, 2023. http://dx.doi.org/10.4324/9781003370406-3.
Der volle Inhalt der QuelleLevi, Erik. „Technology Serves Music: Radio and Recording during the Third Reich“. In Music in the Third Reich, 124–46. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-24582-6_5.
Der volle Inhalt der QuelleLópez-Serrano, Patricio, Christian Dittmar und Meinard Müller. „Finding Drum Breaks in Digital Music Recordings“. In Music Technology with Swing, 111–22. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01692-0_8.
Der volle Inhalt der QuelleAshbourn, Julian. „Why Recordings Sound Worse Now Than They Did in the 1950s and 1960s“. In Audio Technology, Music, and Media, 107–9. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-62429-3_23.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Music technology and recording"
Alekseev, Alexander Petrovich, und Tatyana Vladimirovna Alekseeva. „Video search by image - technology "Video Color"“. In 24th Scientific Conference “Scientific Services & Internet – 2022”. Keldysh Institute of Applied Mathematics, 2022. http://dx.doi.org/10.20948/abrau-2022-2.
Der volle Inhalt der QuelleМунтяну, Анжелика Ивановна. „VIRTUAL DUET AS A SPECIAL KIND OF VOCAL DUET IN POP MUSIC“. In Socio-economics sciences & humanities: сборник статей международной научной конференции (Екатеринбург, Апрель 2023). Crossref, 2023. http://dx.doi.org/10.37539/230428.2023.36.69.004.
Der volle Inhalt der QuelleMatos, Diognei de, und Erickson R. Nascimento. „Musical Hyperlapse: A Multimodal Approach to Accelerate First-Person Videos“. In Anais Estendidos da Conference on Graphics, Patterns and Images. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/sibgrapi.est.2022.23258.
Der volle Inhalt der QuelleTsai, Wei-Ho, Hsin-Min Wang und Dwight Rodgers. „Automatic singer identification of popular music recordings via estimation and modeling of solo vocal signal“. In 8th European Conference on Speech Communication and Technology (Eurospeech 2003). ISCA: ISCA, 2003. http://dx.doi.org/10.21437/eurospeech.2003-767.
Der volle Inhalt der QuelleMing, Tu, Xie Xiang und Jiao Yishan. „NMF based speech and music separation in monaural speech recordings with sparseness and temporal continuity constraints“. In 3rd International Conference on Multimedia Technology(ICMT-13). Paris, France: Atlantis Press, 2013. http://dx.doi.org/10.2991/icmt-13.2013.67.
Der volle Inhalt der QuelleDeif, Hatem, Derry Fitzgerald, Wenwu Wang und Lu Gan. „Separation of vocals from monaural music recordings using diagonal median filters and practical time-frequency parameters“. In 2015 IEEE International Symposium on Signal Processing and Information Technology (ISSPIT). IEEE, 2015. http://dx.doi.org/10.1109/isspit.2015.7394320.
Der volle Inhalt der QuelleROMAN, Diana. „The Actor, Between the Self from Theatre and the Other from Music“. In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0021.
Der volle Inhalt der QuelleBolya, Mátyás. „A digitális gyűjtésrekonstrukció lehetőségei: az Ethiofolk projekt“. In Networkshop. HUNGARNET Egyesület, 2023. http://dx.doi.org/10.31915/nws.2023.15.
Der volle Inhalt der QuelleFelician, Rosca, Madalina Dorgo und Cristina Struta. „ROMANIA AND THE ELEARNING MUSICAL EDUCATION SYSTEMS“. In eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-171.
Der volle Inhalt der QuelleGERZON, MA. „STEREO RECORDING OF LIVE AMPLIFIED MUSIC“. In Reproduced Sound 1987. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/22024.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Music technology and recording"
Heffner, R. H., C. D. Adams und E. L. Brosha. Giant magnetoresistance materials for magnetic recording technology. Office of Scientific and Technical Information (OSTI), Dezember 1997. http://dx.doi.org/10.2172/555556.
Der volle Inhalt der QuelleHughes, K. R., und N. L. Moore. The United States Department of Energy Office of Industrial Technology`s Technology Benefits Recording System. Office of Scientific and Technical Information (OSTI), September 1994. http://dx.doi.org/10.2172/10190543.
Der volle Inhalt der QuelleOverbay, Larry, und George Robitaille. Standardized UXO Technology Demonstration Site Open Field Scoring Recording Number 231 (Human Factors Applications, Inc.). Fort Belvoir, VA: Defense Technical Information Center, Juli 2005. http://dx.doi.org/10.21236/ada440249.
Der volle Inhalt der QuelleGupta, Ravi, und Ignacio L. De León. The Impact of Digital Innovation and Blockchain on the Music Industry. Inter-American Development Bank, November 2017. http://dx.doi.org/10.18235/0007978.
Der volle Inhalt der QuelleMayas, Magda. Creating with timbre. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.686088.
Der volle Inhalt der QuelleBuehler, David, Richard Fischer, John Wilkerson, Stacy Worley, David Smith, Emily Hockman und Stephanie Prevost. Demonstration of autonomous aerial acoustic recording systems to inventory Department of Defense bird populations. Engineer Research and Development Center (U.S.), März 2021. http://dx.doi.org/10.21079/11681/39921.
Der volle Inhalt der QuelleNucera, Diana J., und Catalina Vallejo. Media-making Pedagogies for Empowerment & Social Change: An Interview with Diana J. Nucera (AKA Mother Cyborg). Just Tech, Social Science Research Council, Februar 2022. http://dx.doi.org/10.35650/jt.3022.d.2022.
Der volle Inhalt der QuelleDi Campli San Vito, Patrizia, Stephen Brewster, Satvik Venkatesh, Eduardo Miranda, Alexis Kirke, David Moffat, Sube Banerjee, Alex Street, Jorg Fachner und Helen Odell-Miller. RadioMe: Supporting Individuals with Dementia in Their Own Home... and Beyond? CHI '22 Workshop - Designing Ecosystems for Complex Health Needs, 2022. http://dx.doi.org/10.36399/gla.pubs.267520.
Der volle Inhalt der QuelleLischer-Katz, Zack, Rashida Braggs und Bryan Carter. Investigating Volumetric Video Creation and Curation for the Digital Humanities: a White Paper Describing Findings from the Project: Preserving BIPOC Expatriates’ Memories During Wartime and Beyond. The University of Arizona Libraries, 2024. http://dx.doi.org/10.2458/10150.674673.
Der volle Inhalt der QuelleKiv, Arnold E., Vladyslav V. Bilous, Dmytro M. Bodnenko, Dmytro V. Horbatovskyi, Oksana S. Lytvyn und Volodymyr V. Proshkin. The development and use of mobile app AR Physics in physics teaching at the university. [б. в.], Juli 2021. http://dx.doi.org/10.31812/123456789/4629.
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