Auswahl der wissenschaftlichen Literatur zum Thema „Music – california – history and criticism“
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Zeitschriftenartikel zum Thema "Music – california – history and criticism"
Тарускин, Р. „"'Everybody Gotta be Someplace' (on Context)"“. Музыкальная академия, Nr. 2(782) (26.06.2023): 52–83. http://dx.doi.org/10.34690/308.
Der volle Inhalt der QuelleBotstein, Leon. „On Criticism and History“. Musical Quarterly 79, Nr. 1 (1995): 1–5. http://dx.doi.org/10.1093/mq/79.1.1.
Der volle Inhalt der QuelleMarcus, K. H. „Nineteenth Century California Sheet Music“. Journal of American History 98, Nr. 1 (01.06.2011): 308. http://dx.doi.org/10.1093/jahist/jar137.
Der volle Inhalt der QuelleBotstein, L. „Witnessing Music: The Consequences of History and Criticism“. Musical Quarterly 94, Nr. 1-2 (01.03.2011): 1–8. http://dx.doi.org/10.1093/musqtl/gdr001.
Der volle Inhalt der QuelleRadice, Mark A. „Reader's Guide to Music: History, Theory, Criticism (review)“. Notes 58, Nr. 1 (2001): 66. http://dx.doi.org/10.1353/not.2001.0165.
Der volle Inhalt der QuelleVojvodić Nikolić, Dina D. „PREDLOG ODREĐENjA POJMA MUZIČKA KRITIKA I TIPOLOGIJE KRITIČKIH TEKSTOVA MEĐURATNOG DOBA U SRBIJI“. Nasledje Kragujevac XX, Nr. 55 (2023): 299–312. http://dx.doi.org/10.46793/naskg2355.299vn.
Der volle Inhalt der QuelleFoote, Thelma Wills. „Music of African Americans in California“. Pacific Historical Review 69, Nr. 1 (01.02.2000): 89–95. http://dx.doi.org/10.2307/3641239.
Der volle Inhalt der QuelleTukova, Iryna, Valentina Redya und Iryna Kokhanyk. „Ukrainian Music Criticism of the 2010s: General Situation, Problems, Directions of Development (Based on the Examples From Contemporary Art Music Scene)“. Studia Universitatis Babeş-Bolyai Musica 67, Nr. 2 (20.12.2022): 129–43. http://dx.doi.org/10.24193/subbmusica.2022.2.07.
Der volle Inhalt der QuelleMajer-Bobetko, Sanja. „Between music and ideologies: Croatian music criticism from the beginning to World War II“. Muzyka 63, Nr. 4 (31.12.2018): 55–64. http://dx.doi.org/10.36744/m.344.
Der volle Inhalt der Quellekang, sun ha. „The Problems an Improvement Direction of High School Music Appreciation and Criticism Textbook“. Korean Association For Learner-Centered Curriculum And Instruction 23, Nr. 17 (15.09.2023): 1–15. http://dx.doi.org/10.22251/jlcci.2023.23.17.1.
Der volle Inhalt der QuelleDissertationen zum Thema "Music – california – history and criticism"
Hilliard, Howard (Howard Louis). „The History of Horn Playing in Los Angeles from 1920 to 1970 : a Lecture Recital, Together With Three Recitals of Selected Works for Horn by M. Haydn, Franz, Britten, Mozart, Koetsier, Hindemith, Herzogenberg, Rossini, Stevens and others“. Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc1038828/.
Der volle Inhalt der QuelleKirilov, Kalin Stanchev. „Harmony in Bulgarian Music“. Thesis, University of Oregon, 2007. http://hdl.handle.net/1794/13533.
Der volle Inhalt der QuelleThis study focuses on the development of harmonic vocabulary in Bulgarian music. It analyzes the incorporation of harmony in village music from the 1930s to the 1990s, "wedding music" from the 1970s to 2000, and choral and instrumental arrangements (obrabotki, creations of the socialist period (1944-1989). This study also explains that terms which are frequently applied to Bulgarian music, such as "westernization," "socialist-style arrangements," or "Middle Eastern influence," depict sophisticated networks of codified and non-codified rules for harmonization which to date have not been studied. The dissertation classifies different approaches to harmony in the above mentioned styles and situates them in historical and cultural contexts, examines existing principles for harmonizing and arranging Bulgarian music, and establishes new systems for analysis. It suggests that the harmonic language of the layers of Bulgarian music is based upon systems of rules which can be approached and analyzed using Western music theory. TV1y analysis of harmony in Bulgarian music focuses on representative examples of each style discussed. These selections are taken from the most popular and well-received compositions available in the repertoire.
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Ram, Deepak. „A portfolio of original compositions exploring syncretism between Indian and western music“. Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002320.
Der volle Inhalt der QuelleSchmid, William A. (William Albert). „An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature“. Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.
Der volle Inhalt der QuelleBrownlee, Jane. „The Transmission of Traditional Fiddle Music in Australia“. Master's thesis, Sydney Conservatorium of Music, 2009. http://hdl.handle.net/2123/13919.
Der volle Inhalt der QuelleBrownlee, Jane. „The transmission of traditional fiddle music in Australia“. Master's thesis, Sydney Conservatorium of Music, 2009. http://hdl.handle.net/2123/7913.
Der volle Inhalt der QuelleStewart, Shawna Lynn. „Charles C. Hirt at the University of Southern California| Significant contributions and an enduring legacy“. Thesis, University of Southern California, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3564029.
Der volle Inhalt der QuelleDr. Charles Hirt and the Department of Church and Choral Music at the University of Southern California (USC) produced some of America's most successful choral conductors and administrators. Many of those students are conducting or administrating at the finest colleges and universities, secondary schools, churches, and community choral organizations in the nation. From the earliest moments of his career, Charles Hirt himself received a seemingly endless string of accolades. Always focused on the betterment and future of the choral arts, he was a "founding father" of significant choral organizations such as the American Choral Directors Association (ACDA), Choral Conductors Guild of California, and the International Federation of Choral Music. It was also his visionary mindset that served as a hallmark of his tenure at USC and arguably earned him the right to stand as an equal alongside the greatest of American choral conductors.
It is the aim of this study to examine Hirt's significant contributions to the University of Southern California and his legacy as it continues on in his students and the subsequent generation of choral leaders they generated.
Williams, Stephanie E. (Stephanie Evangeline). „On folk music as the basis of a Jamaican primary school music programme“. Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63211.
Der volle Inhalt der QuelleSarmast, Ahmad Naser. „A survey of the history of music in Afghanistan, from ancient times to 2000 A.D., with special reference to art music from c.1000 A.D“. Monash University, School of Music-Conservatorium, 2004. http://arrow.monash.edu.au/hdl/1959.1/9685.
Der volle Inhalt der QuellePapanikolaou, Dimitris. „Singing poets : literature and popular music in France and Greece /“. London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Der volle Inhalt der QuelleBücher zum Thema "Music – california – history and criticism"
Haslam, Gerald W. Workin' man blues: Country music in California. Berkeley: University of California Press, 1999.
Den vollen Inhalt der Quelle findenWood, Jack. Surf city: The California sound. New York: Friedman/Fairfax Publishers, 1995.
Den vollen Inhalt der Quelle findenReyes, David. Land of a thousand dances: Chicano rock 'n' roll from Southern California. Albuquerque: University of New Mexico Press, 1998.
Den vollen Inhalt der Quelle findenReyes, David. Land of a thousand dances: Chicano rock 'n' roll from Southern California. Albuquerque: University of New Mexico Press, 1998.
Den vollen Inhalt der Quelle findenReyes, David. Land of a thousand dances: Chicano rock 'n' roll from Southern California. Albuquerque: University of New Mexico Press, 1998.
Den vollen Inhalt der Quelle findenCountry Music Hall of Fame & Museum (Nashville, Tenn.), Hrsg. The Bakersfield sound: Buck Owens, Merle Haggard, and California country. Nashville, Tenn: Country Music Foundation Press Country Music Hall of Fame, 2012.
Den vollen Inhalt der Quelle findenYang, Mina. California polyphony: Ethnic voices, musical crossroads. Urbana: University of Illinois Press, 2008.
Den vollen Inhalt der Quelle findenYang, Mina. California polyphony: Ethnic voices, musical crossroads. Urbana: University of Illinois Press, 2008.
Den vollen Inhalt der Quelle findenYang, Mina. California polyphony: Ethnic voices, musical crossroads. Urbana: University of Illinois Press, 2008.
Den vollen Inhalt der Quelle findenFowley, Kim. California confidential: A small taste of California dreamin' and California schemin' : in conversation with Kim Fowley. 2. Aufl. North Strathfield, N.S.W: CMusic Books, 2001.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Music – california – history and criticism"
Wehrs, William. „Affect and Film Music: A Brief History“. In The Palgrave Handbook of Affect Studies and Textual Criticism, 735–52. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63303-9_28.
Der volle Inhalt der QuelleBrüstle, Christa. „Gender Issues as Criticism Within (New) Music Institutions“. In New Music and Institutional Critique, 49–68. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_3.
Der volle Inhalt der QuelleIddon, Martin. „Darmstadt and Its Discontents“. In New Music and Institutional Critique, 69–84. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_4.
Der volle Inhalt der QuelleLockhart, Ellen. „Giuditta Pasta and the History of Musical Electrification“. In Animation, Plasticity, and Music in Italy, 1770-1830. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520284432.003.0006.
Der volle Inhalt der QuelleKramer, Lawrence. „History“. In Interpreting Music, 96–112. University of California Press, 2010. http://dx.doi.org/10.1525/california/9780520267053.003.0006.
Der volle Inhalt der Quelle„History and Criticism“. In Italian Ars Nova Music, 13–74. 2. Aufl. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8306149.10.
Der volle Inhalt der QuelleDahl, Per. „Music Criticism in Norway“. In The Cambridge History of Music Criticism, 392–407. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.021.
Der volle Inhalt der QuelleSolie, Ruth A. „Beethoven as Secular HumanistIdeology and the Ninth Symphony in Nineteenth-Century Criticism“. In Music in Other WordsVictorian Conversations, 5–43. University of California Press, 2004. http://dx.doi.org/10.1525/california/9780520238459.003.0002.
Der volle Inhalt der QuelleKarnes, Kevin C. „MUSIC CRITICISM AS LIVING HISTORY“. In Music, Criticism, and the Challenge of History, 48–76. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195368666.003.0003.
Der volle Inhalt der QuelleFrey, Emily. „Music Criticism in Imperial Russia“. In The Cambridge History of Music Criticism, 208–28. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.012.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Music – california – history and criticism"
Kolomiets, G. „ON THE QUESTION OF MUSICAL HERMENEUTICS IN AESTHETICS“. In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2548.978-5-317-06726-7/65-69.
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