Auswahl der wissenschaftlichen Literatur zum Thema „Musée de Valence (France)“
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Zeitschriftenartikel zum Thema "Musée de Valence (France)"
Thiesse, Anne-Marie. „L'Histoire de France en musée.“ Raisons politiques 37, Nr. 1 (2010): 103. http://dx.doi.org/10.3917/rai.037.0103.
Der volle Inhalt der QuelleSIGAL-KLAGSBALD, Laurence. „Vers un nouveau musée juif en France“. Revue des Études Juives 151, Nr. 3 (01.07.1992): 429–40. http://dx.doi.org/10.2143/rej.151.3.2012674.
Der volle Inhalt der QuelleAlbera, François. „Pour un musée du cinéma en France !“ 1895, Nr. 44 (01.12.2004): 87–91. http://dx.doi.org/10.4000/1895.2082.
Der volle Inhalt der QuellePoulot, Dominique. „Le musée d’histoire en France entre traditions nationales et soucis identitaires“. Anais do Museu Paulista: História e Cultura Material 15, Nr. 2 (Dezember 2007): 293–316. http://dx.doi.org/10.1590/s0101-47142007000200021.
Der volle Inhalt der QuelleConseil d’administration de. „Pétition pour un musée du cinéma en France !“ 1895, Nr. 43 (01.06.2004): 86–87. http://dx.doi.org/10.4000/1895.1582.
Der volle Inhalt der QuelleDe L'Estoile, Benoît. „Post-ethnographic museums: Changing relationships between museum and anthropology in France“. Anuac 4, Nr. 2 (05.08.2016): 78–105. http://dx.doi.org/10.7340/anuac2239-625x-1979.
Der volle Inhalt der QuelleDelaplace, Andréa. „Le Musée de l'histoire de l'immigration à Paris: une collection et un musée en devenir“. Anais do Museu Paulista: História e Cultura Material 23, Nr. 2 (Dezember 2015): 239–64. http://dx.doi.org/10.1590/1982-02672015v23n0209.
Der volle Inhalt der QuelleBen Azzouna, Nourane. „« L’Orient » entre la France et l’Allemagne. Les collections d’arts de l’Islam au Musée des arts décoratifs de Strasbourg“. Source(s) – Arts, Civilisation et Histoire de l’Europe, Nr. 12 (19.10.2022): 13–34. http://dx.doi.org/10.57086/sources.219.
Der volle Inhalt der Quellede Puma, Richard Daniel, und J. M. Gran Aymerich. „Corpus Vasorum Antiquorum. France 31, Musée du Louvre 20“. American Journal of Archaeology 89, Nr. 1 (Januar 1985): 179. http://dx.doi.org/10.2307/504787.
Der volle Inhalt der QuelleDuclos, Jean-Claude. „Musée camarguais, mas du Pont-de-Rousty, Arles, France“. Museum International (Edition Francaise) 32, Nr. 1-2 (24.04.2009): 24–33. http://dx.doi.org/10.1111/j.1755-5825.1980.tb01853.x.
Der volle Inhalt der QuelleDissertationen zum Thema "Musée de Valence (France)"
Vidal, Geneviève. „L'appropriation sociale du multimédia de musée : les interactions entre pratiques de musée et de multimédia de musée“. Paris 8, 1999. http://www.theses.fr/1999PA081637.
Der volle Inhalt der QuelleGonzález, Llovera Wilbert de Jesús. „Histoire critique du Musée National d'Ethnographie : des origines jusqu'au Musée des Arts et Traditions Populaires“. Paris 1, 2002. http://www.theses.fr/2002PA010537.
Der volle Inhalt der QuellePeyrouzère, Frédérique. „Le musée en partage : Etat et musée sous le ministère de Jean Zay (1936-1939)“. Paris 1, 1999. http://www.theses.fr/1999PA010529.
Der volle Inhalt der QuelleThis work is an analysis of the French political approach for national museums under the front populaire ; ministry of Jean Zay from 1936 to 1939. Socially, intellectually, administratively and politically it recounts one of the highlights of French museums during this period. These one which prepared throughout the reflexions engaged as well as an international, national and local scale, the context, the administrative framework and the approach of the contempory museums' action plans regarding social affairs. This study comprises three main axis. The first is what we call a projet populaire ; and points to one of the new political major targets which was to popularise ; the museums, giving access to all citizens. The second axis approaches the state's will to spread the museum's activities throughout France, trying to even-out the differences between Paris and the countryside. It is thanks to this national project ; and it's unifying vocation that the state succeeded. The third axis results from the first two. It is formed around the notion of the projet pour l'art vivant ;. It confirms the state's wish to introduce museums in the social environnement implicating its' contemporaries and especially the art vivant ; this art moderne ; which during the 1930's was not represented on the museum walls
Meyer, Anne-Doris. „Le "musée personnel" de la collection privée au Musée public : parcours de l'objet d'art en France au XIXème siècle“. Strasbourg 2, 2001. http://www.theses.fr/2001STR20001.
Der volle Inhalt der QuelleSaëz-Guérif, Nicole. „Le Musée Grévin (1882-2001) : cire, histoire et loisir parisien“. Paris 4, 2002. http://www.theses.fr/2001PA040220.
Der volle Inhalt der QuelleThe Musée Grévin was inaugurated with great pomp on 5th June 1882. Arthur Meyer, the founder, wanted to create a popular attraction and a money-business. The role of Grévin, the designer, was insignificant. The Musée Grévin, adhered to wax-modelling traditions a thousand years old and soon became the only rival to Madame Tussaud's. The museum's ideal position on a Parisien Boulevard, enabled it to become a distraction equal to the theatre or panoramas. The popularity of the museum also owes much to Gabriel Thomas, whose family continued to direct the Musée Grévin for four generations. The morbid attraction of death and the wish to create historical and pedagogical scenes are a possible explanation for the lasting success of the institution, which at the height of its fame possessed seven franchised museums in France. Modernisation came in 1999, when the museum was bought by Asterix Group
Floriant, Sonia. „La collection de musée comme objet sémiotique : La Réunion, la collection du Musée Léon Dierx“. Besançon, 2002. http://www.theses.fr/2002BESA1036.
Der volle Inhalt der QuelleLatouille, Jean-Jacques Avanzini Guy. „L'université de Valence en Dauphiné (1452-2000)“. Lyon : Université Lumière Lyon 2, 2003. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2003/latouille_jj.
Der volle Inhalt der QuelleJonchery, Anne. „Quand la famille vient au musée : des pratiques de visites aux logiques culturelles“. Paris, Muséum national d'histoire naturelle, 2005. http://www.theses.fr/2005MNHN0050.
Der volle Inhalt der QuellePeople going to museums as families is an important and growing segment for attendance. The research presented here––which is drawn from two quantitative and qualitative surveys at three museums in Paris––describes the people making up family groups who visit museums and shows their motivations, strategies and visiting habits. The composition of these groups reflects the change in structure of modern families, particularly the move back to the nuclear family, in whatever configuration. Visiting is a particular context and just one of many options for spending time. It calls into point and questions the aesthetics of museum facilities. Given this diversity, the motivations for visiting can be broken down into three broad categories: the museum as an educational experience, the museum as a means for sharing and the museum experience as way toward self-discovery. In this way, going to museums contributes to both making children members of society and their personal growth. It also adds to various aspects of family building. Family visits to museums require time and experience. They come about in stages. These visits are also an identity confirming behaviour, involving the individuality and status of each person as a family member. As identity related issues may generate tensions during a visit, it also transforms the apprehension of museums on the part of adults. Parental status equally impacts on relationships to museums as institutions. Though in quantitative terms families are shown to be as elitist as visitors as a whole, on the qualitative side, their roles as parents enables those with less education or who are unfamiliar with museums to attend. Visiting has been shown to be a key time for negotiating relationships within families. It also affords an opportunity for initiating the younger members, and, for parents, an occasion for rediscovery (or discovering for the first time). Taking this into account constitutes a major stake in the cultural policy of museums
Alary, Luc. „De l'art vivant à l'art moderne : genèse du Musée national d'Art moderne“. Paris 1, 1997. http://www.theses.fr/1997PA010526.
Der volle Inhalt der QuelleThis doctoral thesis deals with the process of formation of the "Musée national d'Art moderne" from the creation of the "galerie royale destinée aux artistes vivants" in 1818 until the opening of the "Musée national d'Art moderne" in 1947. The history of the institution, through its successive definitions, brings into light the birth of a museological consciousness for modern art, closely connected with political change, architectural and technical improvements, debates about classifying methods. As a whole, this thesis could be an alternative history of modern art as a part of national patrimony
Bompis-Dartout, Annie. „La mise en musée in situ du patrimoine naturel dans le domaine des sciences de la Terre : analyse muséologique d'un musée de site, l'Espace Pierres Folles - St-Jean des Vignes (69)“. Lyon 1, 1995. http://www.theses.fr/1995LYO10219.
Der volle Inhalt der QuelleBücher zum Thema "Musée de Valence (France)"
Moulin, Hélène. Musée de Valence: Guide des collections art. Valence: Musée de Valence, 2015.
Den vollen Inhalt der Quelle findenMusée de Valence (Valence, Drôme, France). Dessins XVIIIe, XIXe, XXe siècles de la collection du musée. Valence: Musée de Valence, 1997.
Den vollen Inhalt der Quelle findenMusée de Valence (Valence, Drôme, France). Dessins XVIIIe, XIXe, XXe siècles de la collection du musée. Valence: Musée de Valence, 1997.
Den vollen Inhalt der Quelle findenMoulin, Hélène. Hubert Robert: Embarcadère pour le Musée de Valence. Lyon: Fage éditions, 2014.
Den vollen Inhalt der Quelle findenRobert, Hubert. Les Hubert Robert de la collection Veyrenc au Musée de Valence. [Valence]: Le Musée, 1985.
Den vollen Inhalt der Quelle findenSoubigou, Gilles. Valence: Le groupe cathédral. Vénissieux]: La Passe du vent, 2018.
Den vollen Inhalt der Quelle findenJanand, Marie-Caroline. Estampes XVIe-XXe siècle de la collection du Musée. Valence: Musée de Valence, 2004.
Den vollen Inhalt der Quelle findenBurgard, Chrystèle. Le paysage. [Valence]: Musée de Valence, 1990.
Den vollen Inhalt der Quelle findenValence, Musée de. Voyage, de l'exotisme aux non-lieux: [Exposition organisée par le musée de Valence et l'Institut d'art contemporain-FRAC Rhône-Alpes au musée de Valence, Valence, 14 mai-30 août 1998]. Valence: Musée de Valence, 1998.
Den vollen Inhalt der Quelle findenStrauch, Caroline. Musée Würth France Erstein. Künzelsau: Swiridoff, 2009.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Musée de Valence (France)"
Laprade, Albert, und Léon Jaussely. „Musée de la France d’Outre-mer 1927–1931“. In Paris, 30–31. Wiesbaden: Vieweg+Teubner Verlag, 1992. http://dx.doi.org/10.1007/978-3-322-86033-0_8.
Der volle Inhalt der QuelleMladenović, Velimir. „Un nouveau musée d’art en Europe: la réception des beaux-arts classiques et modernes Serbes dans Les Lettres françaises (1945–1970)“. In La France et la Serbie les défis de l’amitié éternelle, 357–74. Belgrade: Institut d'études politiques, 2023. http://dx.doi.org/10.18485/ips_frsr_defis.2023.ch16.
Der volle Inhalt der QuelleSallois, Jacques. „À la Direction des musées de France“. In Autopsie du musée, 97–105. CNRS Éditions, 2016. http://dx.doi.org/10.4000/books.editionscnrs.29137.
Der volle Inhalt der QuelleOlivier, Laurent. „5. Du musée des Antiquités nationales au musée d’Archéologie nationale“. In La fabrique de l'archéologie en France, 79–100. La Découverte, 2009. http://dx.doi.org/10.3917/dec.chris.2009.01.0079.
Der volle Inhalt der Quelle„BRUNET RESIDENTIAL BUILDING, VALENCE, FRANCE“. In Building for Everyday Life / Bauen für den Alltag 2010–2025, 140–45. De Gruyter, 2024. http://dx.doi.org/10.1515/9783035628395-015.
Der volle Inhalt der QuelleLabourdette, Anne. „Le musée de Douai pendant l’Occupation“. In Culture, occupation et résistance en Belgique et dans le nord de la France. Publications de l’Institut de recherches historiques du Septentrion, 2024. http://dx.doi.org/10.4000/books.irhis.8199.
Der volle Inhalt der QuelleLoyau, Anne. „Le Musée d’Ethnographie du Trocadéro et ses transformations, 1878-1935 : configurations, espaces muséaux et réseaux“. In La France savante, 234–59. Éditions du Comité des travaux historiques et scientifiques, 2017. http://dx.doi.org/10.4000/books.cths.2714.
Der volle Inhalt der QuellePriego, Hélène. „Pourquoi un musée de la Résistance à Bondues ?“ In De Gaulle, Vendroux, la Résistance dans le Nord de la France, 157–59. Artois Presses Université, 2013. http://dx.doi.org/10.4000/books.apu.688.
Der volle Inhalt der QuelleBlowen, Sarah. „5. Lest we forget: memories, history and the Musée de la Résistance et de la Déportation de l'Isère“. In Recollections of France, 68–88. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781782389880-008.
Der volle Inhalt der QuellePodvin, Jean-Louis. „La collection égyptienne du Musée Sandelin à Saint-Omer (France)“. In Proceedings of the XI International Congress of Egyptologists, Florence, Italy 23-30 August 2015, 506–12. Archaeopress Publishing Ltd, 2017. http://dx.doi.org/10.2307/j.ctv177tjnf.95.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Musée de Valence (France)"
Albore, Alexandre, Saverio Malatesta und Christelle Molinié. „Open Cultural Data and MediaWiki Software for a Museum: The Use Case of Musée Saint-Raymond (Toulouse, France)“. In ArcheoFOSS 2019. Basel Switzerland: MDPI, 2021. http://dx.doi.org/10.3390/environsciproc2021010010.
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