Auswahl der wissenschaftlichen Literatur zum Thema „Mural painting and decoration – 21st century“
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Zeitschriftenartikel zum Thema "Mural painting and decoration – 21st century"
GAO, Xiaotian. „WALL PAINTING IN THE NON-CANONICAL TYPOLOGY OF THE GENRE-SPECIES STRUCTURE OF CHINESE FINE ART“. HUDPROM: The Ukrainian Art and Design Journal 2023, Nr. 2 (15.10.2023): 87–95. http://dx.doi.org/10.33625/hudprom2023.02.087.
Der volle Inhalt der QuelleVojvodic, Dragan. „Wall paintings of the Davidovica monastery: Additions to the thematical programme and dating“. Zograf, Nr. 39 (2015): 177–92. http://dx.doi.org/10.2298/zog1539177v.
Der volle Inhalt der QuelleLysun, Yaryna. „Monumental painting in stone Catholic churches of Eastern Galicia in the second half of XVIII century. Topography, compositional types and techniques of illusionistic monumental art“. Almanac "Culture and Contemporaneity", Nr. 1 (31.08.2021): 200–204. http://dx.doi.org/10.32461/2226-0285.1.2021.238622.
Der volle Inhalt der QuelleKlimkina, Tatiana V. „The Modern Religious architecture and monumental painting: synthesis (on the example of Russia and the Republic of Mordovia)“. Finno-Ugric World 10, Nr. 4 (24.12.2018): 88–97. http://dx.doi.org/10.15507/2076-2577.010.2018.04.088-097.
Der volle Inhalt der QuellePereira, M., T. de Lacerda-Arôso, M. J. M. Gomes, A. Mata, L. C. Alves und Philippe Colomban. „Ancient Portuguese Ceramic Wall Tiles (“Azulejos”): Characterization of the Glaze and Ceramic Pigments“. Journal of Nano Research 8 (September 2009): 79–88. http://dx.doi.org/10.4028/www.scientific.net/jnanor.8.79.
Der volle Inhalt der QuelleМельникова, Екатерина Александровна. „The Mezen Horse: Between Tradition and Brand“. ТРАДИЦИОННАЯ КУЛЬТУРА, Nr. 1 (24.04.2021): 85–96. http://dx.doi.org/10.26158/tk.2021.22.1.007.
Der volle Inhalt der QuelleStarodubcev, Tatjana. „Physician and miracle worker. The cult of Saint Sampson the Xenodochos and his images in eastern Orthodox medieval painting“. Zograf, Nr. 39 (2015): 25–46. http://dx.doi.org/10.2298/zog1539025s.
Der volle Inhalt der QuelleBardik, Maryna. „Academicism in the Kyiv-Pechersk Lavra Mural Painting the Late 19th and Early 21st Centuries“. NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD, Nr. 4 (20.12.2023). http://dx.doi.org/10.32461/2226-3209.4.2023.293722.
Der volle Inhalt der QuelleBardik, Maryna. „Traditionalism in Development of Painting Decoration of the Kyiv-Pechersk Lavra’s Great Church in the 18th – 21st Centuries“. Almanac "Culture and Contemporaneity", Nr. 1 (01.09.2023). http://dx.doi.org/10.32461/2226-0285.1.2023.286792.
Der volle Inhalt der QuelleBardik, Maryna. „The Great Pechersk Church’ Mural Paintings of the Late 19th Century as the Interpretation of Its Old Russian Image“. National Academy of Managerial Staff of Culture and Arts Herald, Nr. 3 (16.11.2021). http://dx.doi.org/10.32461/2226-3209.3.2021.244412.
Der volle Inhalt der QuelleDissertationen zum Thema "Mural painting and decoration – 21st century"
Guisset, Jacqueline. „Les travaux des peintres de la Société de l'art monumental: leurs antécédents et leurs prolongements“. Doctoral thesis, Universite Libre de Bruxelles, 1995. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212513.
Der volle Inhalt der QuelleOgonovszky, Judith. „La peinture monumentale d'histoire dans les édifices civils en Belgique (1842-1923): naissance, histoire, caractéristiques“. Doctoral thesis, Universite Libre de Bruxelles, 1994. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212666.
Der volle Inhalt der QuelleSchizas, Nicholas. „A theological study of the frescoes painted by Spyridon Papaloukas in the cathedral of Amfissa“. Thesis, University of Wales Trinity Saint David, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683253.
Der volle Inhalt der QuelleHolford, Stephen Charles John. „Cocteau in London: the Lady Chapel, Notre-Dame de France“. Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/12327.
Der volle Inhalt der QuelleEftekharian, Sâyeh. „Le rayonnement international des gravures flamandes aux XVIe et XVIIe siècles: les peintures murales des églises Sainte-Bethléem et Saint-Sauveur à la Nouvelle-Djoulfa, Ispahan“. Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210802.
Der volle Inhalt der QuelleL’auteur démontre qu’il existe également une autre source, à savoir l’album Thesaurus veteris et novi Testamenti de l’éditeur anversois de confession calviniste G. de Jode, dont la première publication date de 1579 et dont les planches furent reprises, entre autres, dans l’album Theatrum Biblicum publié à Amsterdam à partir de 1639 par l’éditeur C. J. Visscher. Une comparaison avec des miniatures de l’école de la Nouvelle-Djoulfa conservés au Matenadaran et à la BNF permet de confirmer que ces deux albums sont parvenus dans la cité arménienne. Enfin, la thèse recense plusieurs estampes isolées qui ont aussi servi de modèle aux peintures murales.
Par une étude stylistique comparée mettant en évidence la transformation caractéristique de certains modèles utilisés, l’auteur établit que les peintres impliqués dans la décoration de l’église Sainte-Bethléem et de la cathédrale Saint-Sauveur sont des artistes de la cité, dont l’un au moins a une connaissance approfondie des techniques et des conventions de l’art pictural occidental. Dans le même temps, elle fait ressortir le fait que l’influence de la gravure flamande sur l’art pictural arménien se traduit à la fois par un renouvellement des formes et par une évolution de certains contenus et signale que le rayonnement de la Nouvelle-Djoulfa en prolonge les effets tant en Arménie que dans d’autres communautés de la diaspora arménienne.
Enfin, en fournissant plusieurs exemples inédits témoignant de l’influence internationale de l’art flamand de cette époque – et tout particulièrement des œuvres de Maarten De Vos – par le truchement de la gravure, l’auteur ouvre des pistes de recherche tant en Perse que dans d’autres zones géographiques.
Doctorat en philosophie et lettres, Orientation histoire de l'art et archéologie
info:eu-repo/semantics/nonPublished
Chuzeville, Sylvain. „Vie, œuvre et carrière de Jean-Antoine Morand, peintre et architecte à Lyon au XVIIIe“. Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20076/document.
Der volle Inhalt der QuelleBorn in 1727, Jean-Antoine Morand is 14 years old when he embraces an artistic career, following his father’s death. Having settled down in Lyon, he establishes his own painter’s workshop in 1748. Receiving public and private commissions and working for the theatre on a regular basis, he specializes in trompe l’œil painting and stage-setting, including machinery. In the late 1750s, spurred on by Soufflot, he turns to architecture and city-planning, as various aspects of his previous career could have prompted him to.As an autodidactic architect, Morand suffers from a lack of legitimacy against which he pursues public recognition. But his successes, which include the building of a privately-owned bridge across the Rhône, aren’t enough. Morand’s career is torn between entrepreneurial pride and his longing for tenure. His public image is marred by the alleged opposition between land speculation and the defense of public good. This concerns mostly his great work, a project for the extension of Lyon on the left bank of the Rhône, included in a circular general city plan.Morand hasn’t built much and very little remains of his pictorial work. This thesis is based on an extensive private archive that allows us to explore this otherwise unsung architect’s intentions, relations and psychology
Jessop, Lesley Patricia. „Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome“. Thesis, 1993. https://dspace.library.uvic.ca//handle/1828/9654.
Der volle Inhalt der QuelleGraduate
Seastrand, Anna Lise. „Praise, Politics, and Language: South Indian Murals, 1500-1800“. Thesis, 2013. https://doi.org/10.7916/D8ZS2WJB.
Der volle Inhalt der QuelleBücher zum Thema "Mural painting and decoration – 21st century"
Riscica, Rossella. Treviso urbs picta: Frescoed facades of the city from the 13th to the 21st century : knowledge and future of a common good. Treviso: Fondazione Benetton studi ricerche, 2018.
Den vollen Inhalt der Quelle findenWharton, Annabel Jane. Tokali Kilise: Tenth-century metropolitan art in Byzantine Cappadocia. Washington, D.C: Dumbarton Oaks Research Library and Collection, 1986.
Den vollen Inhalt der Quelle findenCovi, Dario A. The inscription in fifteenth century Florentine painting. New York: Garland Pub., 1986.
Den vollen Inhalt der Quelle findenSolcanu, Ion I. Romanian art and society: 14th-18th century. București: Editura Enciclopedică, 2004.
Den vollen Inhalt der Quelle findenM, Schwartzbaum Paul, Hrsg. Tokalı Kilise: Tenth-century metropolitan art in Byzantine Cappadocia. Washington, D.C: Dumbarton Oaks Research Library and Collection, 1986.
Den vollen Inhalt der Quelle findenTronzo, William. The Via Latina catacomb: Imitation and discontinuity in fourth-century Roman painting. University Park (Pa.): Published for the College Art Association of America by the Pennsylvania State University Press, 1985.
Den vollen Inhalt der Quelle findenCardinal Mejı̀a ... etc., Jorge Maria., Hrsg. The fifteenth century frescoes in the Sistine Chapel. Vatican city state: Musei vaticani, 2003.
Den vollen Inhalt der Quelle findenCardinal, Mejı̀a Jorge Maria, Buranelli Francesco und Duston Allen, Hrsg. The fifteenth century frescoes in the Sistine Chapel. Vatican City State: Musei Vaticani, 2003.
Den vollen Inhalt der Quelle findenPeterson, Jeanette F. The paradise garden murals of Malinalco: Utopia and empire in sixteenth-century Mexico. Austin: University of Texas Press, 1993.
Den vollen Inhalt der Quelle findenPeterson, Jeanette Favrot. The paradise garden murals of Malinalco: Utopia and empire in sixteenth-century Mexico. Austin: University of Texas Press, 1993.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Mural painting and decoration – 21st century"
Alaverdov, Emilia. „Religious Tourism as a Source of Knowledge Sharing and Trading“. In Accelerating Knowledge Sharing, Creativity, and Innovation Through Business Tourism, 132–48. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3142-6.ch008.
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