Dissertationen zum Thema „Movies – Hong Kong“

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1

Lau, Tsz-wan Christal. „Ethics in the production of Hong Kong movies“. Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/HKUTO/record/B39559105.

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2

Lau, Tsz-wan Christal, und 劉芷韻. „Ethics in the production of Hong Kong movies“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B39559105.

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3

CERDA, Alexandre. „Triad movies and young people's perception of triads in Hong Kong“. Digital Commons @ Lingnan University, 2013. https://commons.ln.edu.hk/soc_etd/36.

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Triads are Chinese organized crime groups based in Hong Kong. Their origin remains uncertain despite the many different versions given. As they are secret and illegal, many facts remain unknown about them. Even though they have been associated with values such as honor and loyalty in the past, they are nowadays involved mainly in vice related activities such as gambling and prostitution. Their goal which is supposed to have been nationalistic also seems to have changed to only be profit making. Despite the fact that the scope of their activities have decreased since the 1970`s they are still active nowadays. The police force and the government describe them as dangerous criminals. Since the mid 1980`s, many movies used the criminal underworld as a setting and Triad members as main protagonists. Triad Movies became extremely popular in Hong Kong during this period. Typical Triad protagonists in Triad movies are associated with values such as honor and loyalty despite their criminal affiliation. They are also often rich and powerful which can lead to think that Triad movies portray Triad members in an appealing way. Al Bandura`s Social Learning Theory explains that through vicarious experimentation, people tend to endorse actions made by others when those actions are successful. By watching movies, people can change their attitudes regarding a topic or a group of people especially if they are young. This study analyzes the values attributed to Triad members in Triad movies and how the portrayal of Triad members in movies can influence young people `s perception of real life Triad members. This is a two part study, in the first part, the 10 most popular Triad movies at the Hong Kong box office have been analyzed and coded in order to find which values are associated to Triads in movies. Based on these results, a questionnaire to assess people`s perception of Triads has been developed. In the second part of the experiment, a pre questionnaire is given to a group of young students before the presentation of a Triad movie and after the presentation, a post questionnaire containing the same items is given to the students, the results are then analyzed.
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4

Yip, Wing-see Audrey, und 葉泳詩. „Conserved in celluloid: an approach to the contextual understanding of urban Hong Kong through post-war movies“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B47092816.

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This dissertation shows the way in which movies, as a form of popular culture and contemporary medium, can be used as a tool for facilitating an alternatively impressionable approach in understanding social history in context, which can be complementary to the purely historical approach in conducting research in the field of heritage conservation. 6 representative post-war Hong Kong movies from the 1950’s to 2000’s are selected for discussion through textual analysis of key cinematic frames based on 5 specific criteria. The ‘cinematic reality’ of each is discussed against the ‘historical reality’ of the year of its release, so as to facilitate a contextual understanding of the social-economic, architectural-geographical and ideological-political conditions of Hong Kong for the past 5 decades.
published_or_final_version
Conservation
Master
Master of Science in Conservation
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5

Liu, Ka-wang Angus, und 廖家泓. „Popular culture in Hong Kong: discourse of law and order in the gangster movies of the 1990s“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952756.

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6

Liu, Ka-wang Angus. „Popular culture in Hong Kong : discourse of law and order in the gangster movies of the 1990s /“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22198969.

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7

吳月華. „歌影拍和 : 粤語青春歌舞片歌曲與電影的關係 (1966-1969) = Songs in tune with movies : the relationship of movie songs and Cantonese youth musicals in 1966-1969“. HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/687.

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8

楊舒恒. „戲裏戲外 : 香港六十年代國語電影女星的螢幕再現與現實生活 = Inside/outside the movies: Hong Kong Mandarin film actresses of the 1960s : their representations on screen and their real lives“. HKBU Institutional Repository, 2008. http://repository.hkbu.edu.hk/etd_ra/926.

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9

Xu, Kai, und 徐锴. „On a slow moving slope in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B4715939X.

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This thesis investigates the mechanism of a slow moving landslide through a case study based on a full-scale field monitoring conducted in a slow moving natural slope. The slope is gentle and located within a southwest-trending valley which is about 500 meters long with an average slope angle of 17°. The slope is mainly consisted of a thin colluvium top layer and a thick completely decomposed andesite layer underneath. The slope was intersected by a natural drainage channel at its toe. Previous records indicate that the slope moved slowly during or after rainfall but there is still lack of sufficient information allowing one to fully understand the mechanism. To characterize soil properties of the slope, a detailed site investigation and laboratory tests were carried out prior to the instrumentation. The full-scale comprehensive field instrumentation had been completed at the end of 2007. The real-time monitoring system was consisted of a rain gauge, vibrating wire piezometers, moisture probes, WTDRs (water time-domain reflectometry), jet-fill tensiometers, in-place inclinometers and an automatic data acquisition system with wireless transmission ability. Field monitoring of the slope was successfully conducted for two years between 2008 and 2009. With the monitored data, spatial distribution of groundwater levels in two years was obtained. The variations of groundwater levels were analyzed with hourly rainfall; groundwater responses during selected rainfall events were also analyzed. Moisture contents and matric suctions within the shallow soils at the site were monitored and analyzed. Field measured Soil-water Characteristic Curves (SWCCs) were obtained and compared with the laboratory measured SWCCs. Variations of moisture contents measured in deep soils were also analyzed. Based on the monitored results of the hydrogeological responses; a hypothetical conceptual hydrogeological model was proposed. The subsurface deformations recorded by the inclinometers were analyzed and the deformation mode of the site was also discussed. A coupled seepage and deformation analysis was conducted based on the finite element program ABAQUS. Then, the numerical simulation results were compared with field monitored data. Consequently, the simulation results verified the hypothetical conceptual hydrogeological model. It is believed that the deformation of the slope is mainly associated with the quick rise of the groundwater table during or after the heavy rainfalls. Finally, conclusions and recommendations for future research on natural terrain landslide were given. It is hoped that the study of the slow moving slope can provide a useful reference for the future research.
published_or_final_version
Civil Engineering
Doctoral
Doctor of Philosophy
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10

Wang, Zheng Grace. „Code-switching in the Hong Kong gangster movie series :Infernal Affairs“. Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3953537.

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11

Law, Hoy-yan Helen, und 羅凱欣. „Moving toward a more sustainable built environment for Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31255565.

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12

Pong, Yu-ling Benni, und 龐宇靈. „Imageability of urban landscape moving across alleys in city fabrics“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43085623.

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13

Sy, Kin-man, und 施健文. „A moving heritage : Hong Kong tramcars as an iconic urban heritage“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/208071.

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This year is the 110th Anniversary of Hong Kong Tramways. Serving Hong Kong Island for 110 years, Hong Kong Tramways has not only been a means of local transportation, but also an urban heritage contributing to our collective attachment and the identity of our city. The tramlines largely maintained its original alignment with minor adjustments mainly owing to the relocation of tram depots. However, the rapid urban development along the northern shore of Hong Kong Island had been constantly changing the context of the tramway. Hills were leveled and harbour was reclaimed. The tramway undoubtedly witnesses the changing urban landscape of Hong Kong Island. The tramway is a unique urban feature with great contribution to the legibility of our city. It not only takes us navigate through our city, but also provides a useful reference for us in finding our direction in the urban areas of Hong Kong Island. The moving tramcar is an iconic urban heritage of our city. Its fleet is the only one in the world that exclusively operates double-deckers without government subsidies. As a fully commercial tram system, it has to improve continuously to keep abreast of the society and compete with other means of transportation. Modernization of the fleet inevitably is imperative. However, how can the tramcars be rehabilitated and upgraded with modern technology yet maintain its heritage values? This dissertation aims to maintain the heritage significance of the tramcar by identifying its character-defining elements through the votes of Hong Kong people.
published_or_final_version
Conservation
Master
Master of Science in Conservation
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14

Mok, Wai-man Karina, und 莫慧敏. „Planning for Hong Kong: a world city moving into the 21st century“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31259029.

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15

Mok, Wai-man Karina. „Planning for Hong Kong : a world city moving into the 21st century /“. Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B14799844.

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16

Wong, William Chi Wai. „A study of female sex workers in Hong Kong : moving beyond sexual health“. Thesis, University of Edinburgh, 2007. http://hdl.handle.net/1842/25333.

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International research from the early 90s has convincingly shown that sex work per se is not a major vector in the spread of HIV in developed regions. Instead self-determination, autonomy and control are crucially important when it comes to HIV risks as well as the general health and well-being of the female sex workers (FSWs). A 30-minute face-to-face interview was conducted in 89 women by direct approach and snowballing through a well- established non-government organisation (NGO), followed by a focus group discussion drawn from the participants of the questionnaire in 2003-4. In 2004, an outreach Well-women clinic was set up at another NGO and using the rate of abnormal PAP smears identified and follow-up rates we wanted to assess whether it was a feasible option for early detections of pre-invasive cervical cancer in FSWs in Hong Kong. The FSWs surveyed scored significantly lower in physical, psychological, and environmental health domains in WHOQOL-BREF (HK) questionnaire when compared to non-sex workers of the same age group and sex in Hong Kong. After controlling for background characteristics, a number of factors that were inherent to the sex industry were significantly associated with poor psychological health and suicidality. In the supplementary focus group discussion some sex workers described the experience of being abused at work but at the same they could not seek any protection from .the police. While these FSWs’ perception of personal health was good, a considerable proportion had suffered from illnesses. Many street workers experienced difficulty in utilising health service in Hong Kong. When they did, it was mainly for acute problems. Affordable access to public health services was excluded and many found private services unaffordable due to the high price charged. It was common for these women to self-medicate, delay -seeking help, or travel back to China for treatment. This project identifies problems and difficulties faced by FSWs in Hong Kong and we use these findings to design a service that may improve their health. An outreach Well-women clinic seems a feasible option and an effective way in the early detection of cervical cancer for some FSWs.
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Yu, Gwo-chauo. „China, Hong Kong, and Taiwan: The Convergence and Interaction of Chinese Film“. Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc501002/.

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This study focuses on the evolution of the movie industries in Taiwan, Hong Kong, and China in the late 1980s and early 1990s, with an emphasis on the interaction and cooperation in movie production among these three areas. The study consists of three sections: a general description of the development of Chinese cinema before 1949; an overview of the movie industries in Taiwan, Hong Kong, and China after the civil war; and an intensive study of the recent changes, interactions, and connections among these industries. In the third section, three models are proposed to explain the changing practices in movie production in these three areas. Obstacles preventing further cooperation and the significance of the reconstruction and integration of Chinese cinema are discussed.
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Bunton, David Rowland. „Linguistic and textual problems in Ph.D and M.Phil theses: an analysis of genre moves and metatext“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31238142.

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19

袁勤昌 und Kan-cheong Podi Yuen. „Moving concepts towards a meaningful reality: an inquiry into user-responsive innovation and visualization inurban design“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31980521.

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20

Lee, Chi-on, und 李子安. „Sustainable development and integrated transport planning: "Is Hong Kong moving towards a more sustainable transportsystem for new development areas?"“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31259959.

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21

Chan, Fong Kun. „The profitability of simple moving average trading rules in the Hong Kong stock market“. Thesis, University of Macau, 2001. http://umaclib3.umac.mo/record=b1636208.

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22

Hui-Lo, Jenny Man Chun. „Moving Towards a Contextual and Cultural Specific Understanding of Parent Involvement in Kindergarten Education in Hong Kong“. Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514296.

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23

Lai, Jonathan Ping Wah. „A study of the main character's speech transformation in the Cantonese movie : the Great lover“. HKBU Institutional Repository, 1995. http://repository.hkbu.edu.hk/etd_ra/38.

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24

Lee, Chi-on. „Sustainable development and integrated transport planning : "Is Hong Kong moving towards a more sustainable transport system for new development areas?" /“. Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2104238X.

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25

Chiu, Po Hing. „Implications of ’moving with the times’ : construing a response to budget cuts at City University of Hong Kong“. Thesis, University of Bristol, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434764.

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26

Kung, Sze-chung Charles, und 龔詩宗. „Cinema park“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983388.

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27

Lo, Shu-Chuan, und 羅淑娟. „Research on Marketing Effects of Hong Kong Tourism Generated from Movies“. Thesis, 2009. http://ndltd.ncl.edu.tw/handle/49184443320245508600.

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碩士
國立體育大學
休閒產業經營學系碩士班
97
Movie is the best marketing drive to promote a city, for there is certain connection between the movie and the city being shot, and also for the move itself is the essence of the cultural creativeness, that allows audience to observe the richness, abundance of the city as well as transforms the impression it was made for those who do not dwell in it.  Hong Kong has the reputation of being “The Eastern Hollywood”, it is the second biggest movie-outputting center, the exquisite cultural background, the unique scene, and the lifestyle were expressed to the whole world through the movie screen, which stands out the flavor and the attraction of Hong Kong to travelers all over the world.  According to the statistical data made by Hong Kong Tourism Board, of all visitors traveling to Hong Kong, Taiwan is second largest among all other countries; hence, thus this research aims at Taiwanese people who in the past 2 decades have seen Hong Kong movies or visited Hong Kong. Important findings are as followings: 1.It is found through watching Hong Kong movies,     interviewees pay the most attention to its “Diet culture”, in the meanwhile have the greatest impression on its “Commercialization” and the charm of “Diet culture”. It is also found the more times they watch Hong Kong movies, the stronger impression of Hong Kong gained from it. 2.It is also found, the better impression that interviewees have of Hong Kong, the stronger motive they would have of travelling, and besides this, the “Diet culture”, the “Terms of staying Hong Kong” and the “Movie atrraction” are the important motives of travelling Hong Kong. 3.In research of the motives of Hong Kong traveling, interviewees have present the strongest interest in experience its “Diet culture”. Accordingly, the “Local flavor” has become the number one reason when choosing a travel destination. over 60% interviewees respond that the impressions they had from Hong Kong movies are just the same as what they felt when actually visiting Hong Kong. 4.58 interviewees had visited the actual movie shooing scenes, and most of those scenes have been introduced or presented by Hong Kong Tourism Board. Interviewees were all agree that they had profound impression when visiting the movie shooing senses.
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Hung, Chia-Hung, und 洪嘉鴻. „Using the Cultural Proximity Perspective to Examine the Cultural Values Existing in the Co-Produced Movies by Mainland China, Hong Kong and Taiwan“. Thesis, 2015. http://ndltd.ncl.edu.tw/handle/xa6x7a.

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碩士
國立交通大學
傳播研究所
103
Co-produced movies either by Hong Kong and Mainland China or by Taiwan and Mainland China have become prevalent due to the huge profits existing in the Great China market. However, there still exist cultural differences among the three areas, Mainland China, Hong Kong, and Taiwan. Therefore, co-produced movies do not always achieve their expected profits. Adopting the cultural proximity perspective, this study investigated the relationships between Chinese cultural values and box office receipts by co-produced movies in the three areas. Based on box office receipts, this study purposely selected 50 co-produced movies by Mainland China and Hong Kong and 17 co-produced movies by Mainland China and Taiwan. This study adopted the method of content analysis to examine Chinese cultural values existing in these movies. The data from content analysis were used to investigate how cultural values were associated with box office receipts in the three areas. The data analysis shows that the preferred Chinese cultural values differed significantly in the three areas and more detailed findings were discussed in the thesis.
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Cho, Allan. „The Hong Kong Wuxia movie : identity and politics, 1966-1976“. Thesis, 2004. http://hdl.handle.net/2429/15563.

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In analyzing the production and reception of the wuxia movie in Hong Kong during the 1960s and 1970s, this paper argues that the popularity of the genre was not solely due to its entertainment value; rather, its warm reception by audiences not only in Hong Kong, but in large parts of the Chinese diaspora, was because the wuxia pian belongs to a long historical literary and political culture that traces back to China's imperial past. Far from a novelty, the wuxia pian was a modernized visual medium with themes and characters that were already familiar to people who read and watched plays, operas, and wuxia novels. Moreover, wuxia filmmakers were not mere imitators of the latest cinematic advances from Hollywood, but instead were innovators interested in recreating the splendor of the past through cinema, drawing inspiration from traditional stories, music, and fighting techniques while experimenting with western film technology and theory.
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Yo, Kai-lu, und 游凱如. „The Visual Rhetorics of Taiwan and Hong Kong Movie Posters“. Thesis, 2010. http://ndltd.ncl.edu.tw/handle/45741972644872918016.

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碩士
雲林科技大學
視覺傳達設計系碩士班
98
The purpose of this research was aimed at the early phase of Taiwan and Hong Kong movie poster images. It inducted a suitable visual rhetoric for thinking with images and the adornment based on the language rhetoric as well as the design style of Chinese culture. It can be divided into eight types: whodunit, society ethical film, chick flick, Folk opera pieces, comedy, Musicals,martial art film, and other types. This study was the combination of an applicable for visual rhetoric on the pattern vision; it also illustrated and the uses of the visual rhetoric movie posters of Taiwan and Hong Kong in an early phase, and compares the similarity and differences between them. After analyzing the combination of different types, the results indicated that it can be probed into the Asian culture and society from the characters in the movie posters. During the process analysis, it can be found out the formerly techniques of narrative and performance styles indeed. Through the application of visual rhetoric of movie posters in Taiwan and Hong Kong, the segmentations are diachronic, formal consideration, and emphatic visual rhetoric. The application in two areas is similar, therefore, both utilize the visual rhetoric of contrast, apposition, Trip, center, repetition , and division. They are some differences in the rhetoric. The whodunit takes advantages of concealment rhetoric in Taiwan, while martial art film employs substitution rhetoric in Hong Kong. The study found that with the art values of visual rhetoric movie posters, it also played a succeed role marketing the movies in the information conservative age.
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„Agora: the moving destination. bk.1“. 2001. http://library.cuhk.edu.hk/record=b5890983.

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bk. 1. Pre-design -- bk. 2. Design intervention.
Kwong Mei Ying Rosetta.
"Advanced design studio, design report, Department of Architecture, The Chinese University of Hong Kong, year of graduation, May 2001."
Includes bibliographical references (v. 2, leaves 229-232).
Book 1
Content
Prologue --- p.1
Introduction --- p.2
Inception
catalyst --- p.3
preceding --- p.4
Research --- p.6
movement
defining --- p.7
2nd level of movement --- p.12
the tram
quality of tram --- p.25
tram and the street --- p.37
pre-design --- p.60
street section --- p.64
structure of tram --- p.66
visual sightline --- p.73
tramline --- p.73
Program --- p.93
Precedent --- p.111
Book 2
Content
Architectural Intervention
introduction --- p.127
node analysis --- p.157
development --- p.184
final design --- p.206
Acknowledgement --- p.228
Blibiography --- p.229
Book 1
Content
Prologue --- p.1
Introduction --- p.2
Inception
catalyst --- p.3
preceding --- p.4
Research --- p.6
movement
defining --- p.7
2nd level of movement --- p.12
the tram
quality of tram --- p.25
tram and the street --- p.37
pre-design --- p.60
street section --- p.64
structure of tram --- p.66
visual sightline --- p.73
tramline --- p.75
Program --- p.93
Precedent --- p.111
Book 2
Content
Architectural Intervention
introduction --- p.127
node analysis --- p.157
development --- p.184
final design --- p.206
Acknowledgement --- p.228
Blibiography --- p.229
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„The evolution of Hong Kong as a regional movie production and export centre“. Chinese University of Hong Kong, 1993. http://library.cuhk.edu.hk/record=b5887805.

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by Grace Leung Lai-kuen.
Thesis (M.Phil.)--Chinese University of Hong Kong, 1993.
Includes bibliographical references (leaves 120-124).
Preface --- p.ii
Abstract --- p.iii
Contents --- p.iv
Chapter Chapter 1. --- Introduction --- p.1
Chapter Chapter 2. --- Theoretical Review and Method of Study --- p.5
Chapter i) --- An Anomaly to Media Imperialism
Chapter ii) --- Inadequacies of Non-Marxists Theories
Chapter iii) --- Analytical Framework
Chapter iv) --- Research Questions and Research Design
Chapter Chapter 3. --- Hong Kong as a Regional Movie Production & Export Centre -- a Statistical Review --- p.19
Chapter i) --- Hong Kong as a Movie Production Centre
Chapter ii) --- Hong Kong as a Movie Export Centre
Chapter Chapter 4. --- Evolution of the Movie Industry in Hong Kong -- a socio-historical analysis --- p.44
Chapter i) --- An Overview
Chapter ii) --- Stages of Development
Chapter 1) --- Initial Period
Chapter 2) --- Nascent Period
Chapter 3) --- Growing Period
Chapter 4) --- Developing Period
Chapter 5) --- Quiescent Period
Chapter 6) --- Reconstruction Period
Chapter 7) --- Prosperity Period
Chapter 8) --- Declining Period
Chapter 9) --- Revival Period
Chapter Chapter 5. --- In Search of an Explanatory Framework --- p.77
Chapter Chapter 6. --- Conclusion --- p.111
Appendices --- p.118
Reference --- p.120
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„Moving towards a cashless era in 2000: design a marketing strategy for Mondex, an electronic cash, in Hong Kong“. Chinese University of Hong Kong, 1996. http://library.cuhk.edu.hk/record=b5888658.

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by Li Chun-Kit Patrick.
Thesis (M.B.A.)--Chinese University of Hong Kong, 1996.
Includes bibliographical references (leaves [87-90]).
ACKNOWLEDGEMENT --- p.ii
ABSTRACT --- p.iii
TABLE OF CONTENTS --- p.vi
LIST OF TABLES --- p.viii
INTRODUCTION --- p.1
LITERATURE REVIEW - DEVELOPMENT OF SMART CARD --- p.4
Terminology --- p.4
General Application of Smart Card --- p.6
DESCRIPTION OF MONDEX --- p.14
History of Mondex --- p.14
Description of Mondex and Its Accessories --- p.16
Advantages of Mondex --- p.20
Disadvantages of Mondex --- p.22
COMPETITOR ANALYSIS --- p.24
Maestro --- p.25
Credit Card --- p.27
Electronic Payment System (EPS) --- p.29
RESEARCH METHODOLOGY --- p.35
Research Objective --- p.35
Research Design and Method --- p.36
RESEARCH FINDINGS --- p.39
Data analysis on the Whole Sample Basis --- p.39
Data Analysis by Type of Adopter --- p.50
RECOMMENDATION --- p.58
Characteristics of Potential Adopters --- p.58
Product --- p.59
Promotion --- p.63
LIMITATION --- p.70
APPENDIX 1: DIAGRAMS
APPENDIX 2: CHINESE QUESTIONNAIRE
APPENDIX 3: ENGLISH QUESTIONNAIRE
APPENDIX 4: FIGURES
APPENDIX 5: TABLES
BIBLIOGRAPHY
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CHOU, HSIN-YI, und 周欣怡. „A study on the critical success factors of Hong Kong people moving to Taiwan for a restaurant business“. Thesis, 2019. http://ndltd.ncl.edu.tw/handle/894hzu.

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碩士
國立高雄餐旅大學
飲食文化暨餐飲創新研究所
107
According to a poll conducted by the Hong Kong Institute of Asia-Pacific Studies of the Chinese University of Hong Kong in 2018, it is pointed out that about 40% of the respondents have immigration plans, and Taiwan is one of the immigrant destinations mentioned by the respondents. According to the statistics of the Ministry of Communications,the number of tourists from Hong Kong and Macao to Taiwan has reached more than 1.6 million in 2018. Hong Kong and Taiwan are geographically close, with similar language, culture, and political background. Besides, compared with Hong Kong's high rents and restaurant consortiums, Taiwan's life pace is slow, with a unique natural environment, rich human nature, low price standards, etc., are all reasons for Hong Kong people who want to have different imaginations about life coming to Taiwan to live and start a business. This study first explores the types of restaurants opened by Hong Kong people coming to Taiwan to start a restaurant businesses. Then from the perspective of the restaurant operators, explore how the operators adapt and integrate into the local food culture in Taiwan. Besides, the difficulties encountered in the entrepreneurial process a focused as well.Moreover, how to respond to the needs of consumers without losing the characteristics of Hong Kong. Research begins with literature discussion and organizes possible essential factors that affect restaurant entrepreneurship and management, and then uses the modified Delphi method to design the questionnaire to collect expert opinions. Also, the hierarchical analysis method is used to analyze the relative importance of each factor and to find the best reference for the immigrant entrepreneurial model and development strategy. The results show that the four main factors are ranked by internal factors (0.460), external factors (0.244), entrepreneurial spirit (0.173) and cultural characteristics (0.123). Besides, the top five absolute weighted factors are the choice of ingredients (0.161, internal factors), services (0.144, internal factors), management (0.117, internal factors), control of uncertainty risks (0.105, external factors) and Creating a local cultural atmosphere (0.043, cultural characteristics) is a crucial success factor for a restaurant business.
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