Dissertationen zum Thema „Motion pictures, Chinese – China – Hong Kong“
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Yu, Gwo-chauo. „China, Hong Kong, and Taiwan: The Convergence and Interaction of Chinese Film“. Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc501002/.
Der volle Inhalt der QuelleWong, Shuk-han Mary, und 黃淑嫻. „New Chinese cinemas and feminine writings“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B43894410.
Der volle Inhalt der QuelleTam, Siu-yan Xavier, und 譚兆仁. „Between penumbrae and shadow: contextualizingtransnational queer Chinese cinemas“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44142663.
Der volle Inhalt der Quelle黃曉恩. „華人院商家族與香港戲院業變遷, 1930-1930年代 = Chinese cinema operators and cinema business in Hong Kong, 1930s-1960s“. HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1373.
Der volle Inhalt der QuelleNg, Hoi-shan Crystal, und 吳海珊. „Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951697.
Der volle Inhalt der QuelleLaw, Yuk-wa, und 羅玉華. „On time and festivity: a study of Chinese newyear films“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38301155.
Der volle Inhalt der Quelle吳月華. „歌影拍和 : 粤語青春歌舞片歌曲與電影的關係 (1966-1969) = Songs in tune with movies : the relationship of movie songs and Cantonese youth musicals in 1966-1969“. HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/687.
Der volle Inhalt der QuelleLau, Wai-sim, und 劉慧嬋. „Chinese martial arts stardom in participatory cyberculture“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50533824.
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Comparative Literature
Doctoral
Doctor of Philosophy
Lam, Nga Li. „The poetics and sexual politics of the Shaws' huangmeidiao films“. HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/699.
Der volle Inhalt der QuelleBarbieri, Maria. „Film censorship in Hong Kong“. Thesis, Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B1947118X.
Der volle Inhalt der QuelleWong, Wai-kit, und 黃蔚潔. „Macau in Hong Kong films“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952872.
Der volle Inhalt der QuelleChan, Kim-mui Eileen, und 陳劍梅. „Postmodernity and recent Hong Kong cinema“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B3121390X.
Der volle Inhalt der QuelleLee, Sin-man, und 李善雯. „Adaptation of Hong Kong films in 1990's“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952689.
Der volle Inhalt der QuelleLai, Suet-fun Betsy, und 賴雪芬. „Nanbei (south-north) comedies in Hong Kong cinema : transregional film industry and Hong Kong identity“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/208079.
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Literary and Cultural Studies
Master
Master of Arts
Wong, Wai-kit. „Macau in Hong Kong films“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22199974.
Der volle Inhalt der QuelleSuen, Pak-kin, und 宣柏健. „Filming gay representations: male homosexuality in Hong Kong and Taiwanese cinema“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31225160.
Der volle Inhalt der QuelleLuk, Siu-leng, und 陸小玲. „The dialogics of representation: Shanghai in contemporary Hong Kong films“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B38628752.
Der volle Inhalt der QuelleLau, Tsz-wan Christal, und 劉芷韻. „Ethics in the production of Hong Kong movies“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B39559105.
Der volle Inhalt der QuelleChen, Fangyu. „The post-2000 Hong Kong film workers“. HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/751.
Der volle Inhalt der QuelleHo, Chui-fun Selina, und 何翠芬. „Ann Hui as a female filmmaker: in search of Hong Kong culture“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951636.
Der volle Inhalt der QuelleWalsh, Lau Man Yee Eliza, und 劉敏儀. „In search of identity: Hong Kong as seen through its cinema from the 1950s to the early 1980s“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31213728.
Der volle Inhalt der QuelleLam, Hon-kong Derek, und 林瀚光. „The cinema of development: class factors and global trends in Hong Kong cinema“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B49858725.
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Comparative Literature
Doctoral
Doctor of Philosophy
Ho, Chui-fun Selina. „Ann Hui as a female filmmaker in search of Hong Kong culture /“. Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/hkuto/record/B31951636.
Der volle Inhalt der QuelleLeung, Nim-ming, und 梁念明. „A study of marginality in Ann Hui's films“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952719.
Der volle Inhalt der QuelleSo, Mei-fong, und 蘇美芳. „The feasibility of implementing industry self-regulation of film censorship in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B36411255.
Der volle Inhalt der QuelleLee, Shuk-man, und 李淑敏. „From cold war politics to moral regulation : film censorship in colonial Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/197504.
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History
Master
Master of Philosophy
Tan, Jeffery. „The Shaw Brothers' exploitation of sex in Hong Kong films of the early 1970s“. Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609580.
Der volle Inhalt der QuelleMui, Yee-man, und 梅綺雯. „The Hong Kong soundscape: music and sound in Johnnie To's PTU“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44517087.
Der volle Inhalt der QuelleYip, Wing-see Audrey, und 葉泳詩. „Conserved in celluloid: an approach to the contextual understanding of urban Hong Kong through post-war movies“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B47092816.
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Conservation
Master
Master of Science in Conservation
Ng, Yan-chak Grace, und 吳恩澤. „Nostalgia in Hong Kong cinema: when the insipid becomes Tantalizing“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29782892.
Der volle Inhalt der Quelle郭賢偉 und Yin-wai Joseph Kwok. „The construction of gender identity in Hong Kong cinema“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B30257384.
Der volle Inhalt der QuelleCheung, William, und 張鳳麟. „An evaluation of the new wave cinema in Hong Kong through the study offour directors: Patrick Tam, Allen Fong, AnnHui and Tsui Hark“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31240033.
Der volle Inhalt der QuelleFreudenberg, Benjamin. „Yin as the specificity of Hong Kong cinema: mediated tradition and critical potential“. HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/188.
Der volle Inhalt der QuelleLam, Hei Lawrence, und 林晞. „Hong Kong Film Academy“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31982906.
Der volle Inhalt der QuellePoon, Ka Yan. „Co-producing a cold war cosmopolitan fantasy: collaboration and competition between Hong Kong and Japanese Cinema in the 1950s and 1960s“. HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/548.
Der volle Inhalt der QuelleChan, Yiu-hung, und 陳耀雄. „The construction of sexuality of Hong Kong cinema in the 90's“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951612.
Der volle Inhalt der Quelle陳振國 und Chun-Kwok Chan. „The silver-screened images of city: film as an alternative tool for planning and development in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31260706.
Der volle Inhalt der QuelleMak, Hoi-shan Anson, und 麥海珊. „BI AII means: the trouble with Tong Zhi discourse : beyond queer looks in the East is red and Swordsman II“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31223163.
Der volle Inhalt der QuelleLam, Sui-kwong Sunny, und 林萃光. „The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment?“ Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B29902289.
Der volle Inhalt der QuelleWong, Suet-lan. „Hong Kong cinema made international : the action cinema of Bruce Lee and Jackie Chan /“. Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20059796.
Der volle Inhalt der QuelleYeung, Chun. „The colour spectrum : radical (mis)representation as identity construction in HK cinema from 1970s to the present“. HKBU Institutional Repository, 2010. http://repository.hkbu.edu.hk/etd_ra/1180.
Der volle Inhalt der QuelleBaldwin, Jillian. „Room 2046: A Political Reading of Wong Kar-Wai's Chow-Mo Wan Trilogy through Narrative Elements and Mise-en-scene“. Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5482/.
Der volle Inhalt der QuelleLam, Suk-yin, und 林淑燕. „The construct of masculinity and femininity in John Woo and Stanley Kwan's films“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31951144.
Der volle Inhalt der QuelleHo, Ka-hang Jason, und 何家珩. „Reinterpreting a queer experience: a study ofStanley Kwan's films and their reception“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B34877642.
Der volle Inhalt der QuellePearson, Fiona Elisabeth. „Learning English through film: a case study of the effect on S4 students' attitudes“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B4517653x.
Der volle Inhalt der QuelleNg, Hoi-shan Crystal. „Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark“. Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20272662.
Der volle Inhalt der QuelleLai, Jonathan Ping Wah. „A study of the main character's speech transformation in the Cantonese movie : the Great lover“. HKBU Institutional Repository, 1995. http://repository.hkbu.edu.hk/etd_ra/38.
Der volle Inhalt der Quelle楊舒恒. „戲裏戲外 : 香港六十年代國語電影女星的螢幕再現與現實生活 = Inside/outside the movies: Hong Kong Mandarin film actresses of the 1960s : their representations on screen and their real lives“. HKBU Institutional Repository, 2008. http://repository.hkbu.edu.hk/etd_ra/926.
Der volle Inhalt der QuelleWong, Wei-him Ivan. „Film Academy in Aberdeen“. Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25949408.
Der volle Inhalt der QuelleCheung, Wai Yee Ruby. „Hong Kong cinema 1982-2002 : the quest for identity during transition“. Thesis, St Andrews, 2008. http://hdl.handle.net/10023/516.
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