Auswahl der wissenschaftlichen Literatur zum Thema „Motion pictures – argentina – history“
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Zeitschriftenartikel zum Thema "Motion pictures – argentina – history"
Jennifer Tebbe-Grossman. „Medicine’s Motion Pictures“. Film & History: An Interdisciplinary Journal of Film and Television Studies 39, Nr. 1 (2009): 98–99. http://dx.doi.org/10.1353/flm.0.0076.
Der volle Inhalt der QuelleHeinemann, Julia. „Motion Pictures of the Royal Family“. French Historical Studies 44, Nr. 2 (01.04.2021): 191–216. http://dx.doi.org/10.1215/00161071-8806426.
Der volle Inhalt der QuelleSwartz, Mark E. „Motion Pictures on the Move“. Journal of American Culture 9, Nr. 4 (Dezember 1986): 1–7. http://dx.doi.org/10.1111/j.1542-734x.1986.0904_1.x.
Der volle Inhalt der QuelleAmor, Monica. „Displaced Boundaries: Geometric Abstraction from Pictures to Objects“. ARTMargins 3, Nr. 2 (Juni 2014): 101–17. http://dx.doi.org/10.1162/artm_r_00083.
Der volle Inhalt der QuelleOliver, Willard M. „Crime, History, and Hollywood: Learning Criminal Justice History through Major Motion Pictures“. Journal of Criminal Justice Education 22, Nr. 3 (September 2011): 420–39. http://dx.doi.org/10.1080/10511253.2010.519892.
Der volle Inhalt der QuelleAyers, Lee. „Book Review: Crime, history, and Hollywood: Learning criminal justice history throughmajor motion pictures“. Criminal Justice Review 39, Nr. 4 (25.06.2014): 459–61. http://dx.doi.org/10.1177/0734016814540302.
Der volle Inhalt der QuelleEckardt, Michael. „South African film history vs the history of motion pictures in South Africa“. South African Theatre Journal 25, Nr. 1 (März 2011): 72–77. http://dx.doi.org/10.1080/10137548.2011.626961.
Der volle Inhalt der QuelleDym, Jeffrey A. „Benshi and the Introduction of Motion Pictures to Japan“. Monumenta Nipponica 55, Nr. 4 (2000): 509. http://dx.doi.org/10.2307/2668250.
Der volle Inhalt der QuelleMartin L. Johnson. „Motion Pictures: A Problem to Be Co-operatively Solved“. Film History 29, Nr. 4 (2017): 157. http://dx.doi.org/10.2979/filmhistory.29.4.07.
Der volle Inhalt der QuelleELLIS, PATRICK. „A cinema for the unborn: moving pictures, mental pictures and Electra Sparks's New Thought film theory“. British Journal for the History of Science 50, Nr. 3 (September 2017): 411–28. http://dx.doi.org/10.1017/s0007087417000644.
Der volle Inhalt der QuelleDissertationen zum Thema "Motion pictures – argentina – history"
Giordano, Maria Graciela. „Más allá del trauma colectivo : represión y exilio en la narrativa de mujeres y el cine argentino“. Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100610.
Der volle Inhalt der QuelleThe purpose of this dissertation is to analyse the "social tics" which flourish in various art forms, as well as in the underpinnings of Argentine society, and come from the fact that collective suffering has created a defined present which controls the past, and, inevitably, influences the future. In turn, certain themes thus emerge from subjective and fragmented spaces of enunciation where memory plays a crucial role.
In order to do this, I concentrate here on alternative cultural productions to the official propaganda produced during and after the period of dictatorship, paying special attention to women's narratives and testimonies or memoirs of repression. Finally, I undertake an analysis of certain selected cinematographic productions which, like the contemporary literature analysed here, also form part of the movement that demonstrates the need to question Argentine reality---present and past---by foregrounding collective and individual memory in opposition to the generalized trend of amnesia/anaesthesia to point up the very real danger inherent in such "historic amnesia." Taken together, these works reveal the existence of a past that must be recaptured and redeemed, but which, given the existence of the negated and silenced "sinister" space in contemporary reality, forms only a small part of Argentine history still under construction.
Juz, Breno de Souza. „Representações cinematográficas da Argentina em crise (1999-2004)“. [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278677.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-17T03:34:33Z (GMT). No. of bitstreams: 1 Juz_BrenodeSouza_M.pdf: 1163692 bytes, checksum: 6c0b8fbf38ea1c317a16fc9a53be04d2 (MD5) Previous issue date: 2010
Resumo: No final dos anos 1990 e início do século XXI, o cinema argentino viveu uma vigorosa retomada na produção nacional com o surgimento de novos realizadores, conquistando diversos prêmios em festivais e ampla repercussão internacional. Este cinema atraiu o interesse da crítica e do público devido a uma série de fatores, entre os quais cabe destacar uma exemplar e instigante renovação da linguagem. A isso se soma a viabilização de produção independente calcada no baixo orçamento. A retomada da produção vivida pelo cinema argentino na virada de século XXI foi simultânea à crise social, econômica e institucional ocorrida a partir de dezembro de 2001. Este fato potencializou as significações do nuevo cine argentino devido à capacidade de diálogo que certas obras apresentaram em relação ao momento histórico vivido pelo país. Este trabalho tem como objetivo analisar, a partir de obras referenciais, as representações da Argentina no cinema argentino contemporâneo, investigando quais as estruturas narrativas e estilos cinematográficos foram utilizados na construção dessas obras e da crise por elas representadas. Busca-se também perceber os sujeitos, tramas, relações com os espaços e instituições escolhidos no constructo da Argentina contemporânea e sua crise. Com isso, é possível analisar a historicidade dessa cinematografia, e os desdobramentos implicados nas representações construídas pela escrita cinematográfica
Abstract: In the late 1990s and early twenty-first century, the Argentine cinema has experienced a vigorous recovery in its national production in which there was the emergence of new filmmakers who won several awards at festivals and got a wide world repercussions and notoriety. This cinema has attracted the interest from critics and audiences for a variety of factors, among which we highlight an exemplary and exciting renewal of its language. In addition, the viability of independent production grounded on low costs. This resumption of production experienced by the Argentine cinema at the turn of the century was simultaneously a social, economic and institutional crisis occurred in December 2001. This fact has enhanced the meanings of Argentine nuevo cine because of the capacity of dialoguing that certain works presented in relation to the historical moment experienced by the country. Thus, this dissertation aims to analyze, using reference works, the representations of contemporary Argentine cinema in Argentina, investigating which narrative structures and cinematographic styles were used in the construction of these works and the crisis that they represent. The aim is also to understand the subjects, plots, spaces and relations with the institutions selected in the construct of contemporary Argentina and its crisis. Thus, it is possible to analyze the historicity of this cinema, and the ramifications involved in the representations constructed by cinematographic writing
Mestrado
Historia Cultural
Mestre em História
Triquell, Ximena. „Projecting history : a socio-semiotic approach to the representations of the military dictatorship (1976-1983) in the cinematic discourses of Argentine democracy“. Thesis, University of Nottingham, 2000. http://eprints.nottingham.ac.uk/11710/.
Der volle Inhalt der QuelleOlder, Aguilar Sarah Michelle. „Witnessing media the reproduction and transmission of history in Southern Cone post-dictatorship fiction /“. Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1872211281&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleNogueira, Julia C. „Film and Video Festivals in South America:A Contemporary Analysis of Flourishing Cultural Phenomena“. Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1230612139.
Der volle Inhalt der QuelleFalicov, Tamara Leah. „The contemporary Argentine film industry, 1983-1998 : state cultural policy within a global market /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9956448.
Der volle Inhalt der QuelleGalt, Rosalind. „Redrawing the map of Europe space, history and spectacle in new European cinema /“. [S.l. : s.n.], 2002. http://books.google.com/books?id=kV9ZAAAAMAAJ.
Der volle Inhalt der QuelleWilliams, Danielle E. Winn J. Emmett. „Local motion picture exhibition in Auburn, for 1894-1928 a cultural history from a communication perspective /“. Auburn, Ala., 2004. http://repo.lib.auburn.edu/EtdRoot/2004/SUMMER/Communication_and_Journalism/Thesis/willide_31_Williams.pdf.
Der volle Inhalt der QuelleHaywood, Keene McDonald. „Beyond Words: The Use of the Non-Verbal Genre in Natural History Filmmaking“. Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/haywood/HaywoodK0807.pdf.
Der volle Inhalt der QuellePang, Lai Kwan. „China's left-wing cinema movement, 1932-1937 history, aesthetics, and ideology /“. online access from Digital Dissertation Consortium access full-text, 1997. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9807778.
Der volle Inhalt der QuelleBücher zum Thema "Motion pictures – argentina – history"
The film industry in Argentina: An illustrated cultural history. Jefferson, N.C: McFarland, 2004.
Den vollen Inhalt der Quelle findenEl cine argentino en la historia Argentina, 1958-1998. Rosario, Argentina: Ediciones del Arca Editorial, 1999.
Den vollen Inhalt der Quelle findenCurubeto, Diego. Babilonia gaucha: Hollywood en la Argentina, la Argentina en Hollywood. Buenos Aires: Planeta, 1993.
Den vollen Inhalt der Quelle findenRiva, Lucía Rodríguez. Diálogos cinematográficos entre España y Argentina. España: Asociación Shangrila Textos Aparte, 2019.
Den vollen Inhalt der Quelle findenIribarren, María. La imagen argentina: Episodios cinematográficos de la historia nacional. CABA [Buenos Aires]: Cultura Argentina, Ministerio de Cultura, Presidencia de la Nación Argentina, 2017.
Den vollen Inhalt der Quelle findenThompson, Currie Kerr. Picturing Argentina: Myths, movies, and the Peronist vision. Amherst, New York: Cambria Press, 2014.
Den vollen Inhalt der Quelle findenAguilar, Gonzalo. New Argentine film: Other worlds. Basingstoke: Palgrave Macmillan, 2011.
Den vollen Inhalt der Quelle findenElner, David A. Bibliografía sobre cine y teatro en Argentina. Buenos Aires: Ediciones S.J.L., 1987.
Den vollen Inhalt der Quelle findenElner, David A. Bibliografía sobre cine y teatro en Argentina. Buenos Aires: Ediciones S.J.L., 1987.
Den vollen Inhalt der Quelle findenElner, David A. Bibliografía sobre cine y teatro en Argentina. Buenos Aires: Ediciones S.J.L., 1987.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Motion pictures – argentina – history"
Czitrom, Daniel. „Early Motion Pictures“. In Communication in History, 158–66. 8. Aufl. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003250463-26.
Der volle Inhalt der QuelleCzitrom, Daniel. „Early Motion Pictures“. In Communication in History, 175–83. Seventh edition. | New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315189840-26.
Der volle Inhalt der QuelleMolenda, Michael H. „History and Development of Instructional Design and Technology“. In Handbook of Open, Distance and Digital Education, 1–18. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0351-9_4-1.
Der volle Inhalt der QuelleMolenda, Michael H. „History and Development of Instructional Design and Technology“. In Handbook of Open, Distance and Digital Education, 57–74. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-2080-6_4.
Der volle Inhalt der Quelle„Early Motion Pictures, Daniel Czitrom“. In Communication in History, 175–82. Routledge, 2015. http://dx.doi.org/10.4324/9781315664538-32.
Der volle Inhalt der QuelleLethem, Jonathan. „1888 The introduction of motion pictures“. In A New Literary History of America, 406–10. Harvard University Press, 2012. http://dx.doi.org/10.4159/9780674054219-087.
Der volle Inhalt der QuelleAbel, Richard, und Amy Rodgers. „Early Motion Pictures and Popular Print Culture“. In The Oxford History of Popular Print Culture, 191–210. Oxford University Press, 2011. http://dx.doi.org/10.1093/acprof:osobl/9780199234066.003.0010.
Der volle Inhalt der QuellePowers, Stephen, David J. Rothman und Stanley Rothman. „Hollywood's History and the Politics of Motion Pictures“. In Hollywood's America, 14–39. Routledge, 2018. http://dx.doi.org/10.4324/9780429493720-2.
Der volle Inhalt der Quelle„A History Long Overdue: The Public Library and Motion Pictures“. In Useful Cinema, 149–77. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822394167-009.
Der volle Inhalt der QuelleCostanzo, William V. „Comedy, History, and Culture“. In When the World Laughs, 69–86. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190924997.003.0005.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Motion pictures – argentina – history"
Mathias, Yehoshua. „USING MOTION PICTURES TO FOSTER HISTORICAL THINKING: A PROPOSAL FOR HISTORY TEACHERS' EDUCATION“. In 15th annual International Conference of Education, Research and Innovation. IATED, 2022. http://dx.doi.org/10.21125/iceri.2022.1817.
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