Dissertationen zum Thema „Motion picture industry“
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Jansen, Christian. „The German motion picture industry“. Doctoral thesis, Humboldt-Universität zu Berlin, Wirtschaftswissenschaftliche Fakultät, 2002. http://dx.doi.org/10.18452/14767.
Der volle Inhalt der QuelleThis work deals with the economic impact of regulations on the German film industry, focusing in particular on the effects of three pieces of legislation central to Germany's public debate on film politics. The legislation considered is the Film Act (Filmförderungsgesetz - FFG), the amendments to the Copyright Law (Urheberrechtsgesetz - UrhG), and the Inter-State Agreement on Broadcasting (Rundfunkstaatsvertrag - RStV). The inquiry examines how these statutes affect economic efficiency. In addition, major market and institutional characteristics of the German motion picture industry are studied. The analysis is partly embedded in a broadly disposed regression analysis of the determinants of performance of German movies in the theatrical market. The work indicates that the regulations considered generally detract from economic efficiency.
Wang, Ting. „Global Hollywood and China's filmed entertainment industry“. online access from Digital Dissertation Consortium access full-text, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3230167.
Der volle Inhalt der QuelleMcKenzie, Jordi. „An economic analysis of motion pictures in the Australian cinema industry, 1997-2000“. Connect to full text, 2005. http://hdl.handle.net/2123/1794.
Der volle Inhalt der QuelleTitle from title screen (viewed 27th June, 2007). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Discipline of Economics, University of Sydney. Degree awarded 2006?; thesis submitted 2005. Includes bibliographical references. Also issued in print.
Huggett, Nancy. „A cultural history of cinema-going in the Illawarra (1900-50)“. Connect to this title online, 2002. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050317.111523/.
Der volle Inhalt der QuelleTitle from PDF title page (viewed on Aug. 14, 2005). Ill. in print version lacking in electronic version. Includes bibliographical references (p. 285-301).
Carter, Sandra Gayle. „Moroccan cinema : what Moroccan cinema? /“. Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Der volle Inhalt der QuelleYu, Gwo-chauo. „China, Hong Kong, and Taiwan: The Convergence and Interaction of Chinese Film“. Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc501002/.
Der volle Inhalt der QuelleTosaka, Yuji. „Hollywood goes to Tokyo American cultural expansion and imperial Japan, 1918-1941 /“. Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1060967792.
Der volle Inhalt der QuelleDocument formatted into pages; contains ix, 416 p. Includes bibliographical references (p. 394-416). Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2006 Aug. 15.
司若. „中國電影大片路 = The high concept movies in China“. HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/799.
Der volle Inhalt der QuelleCarman, Emily Susan. „Independent stardom female stars and freelance labor in 1930s Hollywood /“. Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1666151841&sid=33&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuellePope, Naomi Elizabeth. „Beyond Hollywood the social and spatial division of labor in the motion picture industry /“. Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1579190531&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleNg, Siu-hong Ryan. „Film Complex : Resuscitation of film in commercial society /“. Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946821.
Der volle Inhalt der QuelleGunckel, Colin. „"A theater worthy of our race" the exhibition and reception of Spanish language film in Los Angeles, 1911-1942 /“. Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1997008061&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleOverpeck, Deron. „Out of the dark American film exhibition : political action and industrial change, 1966-1986 /“. Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1459904671&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleRyu, Jae Hyung. „Reality & effect a cultural history of visual effects /“. unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-03292007-172937/.
Der volle Inhalt der QuelleTitle from file title page. Ted Friedman, committee chair; Kathy Fuller-Seeley, Angelo Restivo, Jung-Bong Choi, Alisa Perren, committee members. Electronic text (249 p.) : digital, PDF file. Description based on contents viewed Oct. 29, 2007. Includes bibliographical references (p. 236-249).
Yung, Wai-kei, und 戎偉基. „Pictorial representations of "Hong Kong": a study of 1980s and 90s Hong Kong films“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951788.
Der volle Inhalt der QuelleWedzielewski, Daniel. „The impact of blind bidding on market structure and performance in the U.S. motion picture industry“. Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 134 p, 2009. http://proquest.umi.com/pqdweb?did=1654492601&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Der volle Inhalt der QuelleYung, Wai-kei. „Pictorial representations of "Hong Kong" : a study of 1980s and 90s Hong Kong films /“. Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20059760.
Der volle Inhalt der QuelleWatkins, Jessica. „From fallen women to risen heroines representations of gender and sexuality in American film, 1929-1942 /“. Huntington, WV : [Marshall University Libraries], 2005. http://www.marshall.edu/etd/descript.asp?ref=539.
Der volle Inhalt der QuelleUrquhart, Peter. „1979 : reading the tax-shelter boom in Canadian film history“. Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85211.
Der volle Inhalt der QuelleI begin by presenting the received wisdom, the existing account, on the period. This is followed by a chapter which situates the tax-shelter boom in a history of state intervention in the feature film industry. Following this, I provide analysis of the contexts surrounding the tax-shelter boom, including critical discussion of articles and reviews from the contemporaneous popular press, and of the industry discourse. I then turn my attention to the texts themselves, which the received wisdom more or less ignores, and provide three thematically-organized chapters of textual analysis: the first organized around readings of gender and genre in the films, the second on the prevalent theme of "selling out," which is central to numerous films of the period, and a third chapter which explores the place of Quebec in the films of the period.
The thesis concludes with an analysis of the material effects of the government policies which led to the boom, and concludes that in this respect too, the received account of the period---once again, as a failure---needs to be reexamined.
Owen, Richard. „Motion picture production : A micro-budget model“. Thesis, Federation University Australia, 2016. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/159080.
Der volle Inhalt der QuelleDoctor of Philosophy
Lévy, Michaël D. (Michaël David). „A competitive analysis of the U.S. motion picture industry“. Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/14112.
Der volle Inhalt der QuelleLifshitz, Judith. „Completion guarantees and the financing of entertainment projects in the province of Quebec“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ50946.pdf.
Der volle Inhalt der QuelleTang, Yi. „A bird known by its note : identity legitimacy, network dynamics, and actor performance in the Hong Kong film industry, 1970-1997 /“. View abstract or full-text, 2009. http://library.ust.hk/cgi/db/thesis.pl?MGTO%202009%20TANG.
Der volle Inhalt der QuelleOrfall, Blair. „Bollywood retakes : literary adaptation and appropriation in contemporary Hindi cinema /“. Connect to title online (ProQuest), 2009. http://proquest.umi.com/pqdweb?did=1883677651&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.
Der volle Inhalt der Quelle黃曉恩. „華人院商家族與香港戲院業變遷, 1930-1930年代 = Chinese cinema operators and cinema business in Hong Kong, 1930s-1960s“. HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1373.
Der volle Inhalt der QuelleShresthova, Sangita. „Between cinema and performance globalizing Bollywood dance /“. Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1621833861&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleReid, Mary Anne. „Success factors in Australian cinema in the 1990s“. Thesis, Queensland University of Technology, 2000.
Den vollen Inhalt der Quelle findenConor, Bridget. „Hollywood, Wellywood or the backwoods? this thesis is submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Communication Studies), 2004“. Full thesis. Abstract, 2004.
Den vollen Inhalt der Quelle findenNatividad, Gabriel Andres. „Essays in corporate finance and strategy“. Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1562109651&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleNiemand, Ella Catharina. „Reinventing cinema a perspective on the implications of the Internet on the cinema industry /“. Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-11082004-134651/.
Der volle Inhalt der QuelleLam, Sui-kwong Sunny. „The impact of translated Japanese comics on Hong Kong cinematic production : cultural imperialism or local redeployment? /“. Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18598389.
Der volle Inhalt der QuelleVermaak, Janelle Leigh, und Subeshini Moodley. „Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe“. Thesis, Nelson Mandela University, 2017. http://hdl.handle.net/10948/13938.
Der volle Inhalt der QuelleDrake, Philip Justin. „Stardom after the star system economies of performance in contemporary Hollywood cinema /“. Connect to e-thesis, 2002. http://theses.gla.ac.uk/942/.
Der volle Inhalt der QuellePh.D. thesis submitted to the Department of Theatre, Film and Television Studies, University of Glasgow, 2002. Includes bibliographical references. Print version also available.
Prime, Rebecca Lynn. „Intimate strangers blacklisted filmmakers in postwar Europe /“. Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1779835961&sid=4&Fmt=2&clientId=48051&RQT=309&VName=PQD.
Der volle Inhalt der QuelleSa, Neto Arthur Autran Franco de. „O pensamento industrial cinematografico brasileiro“. [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285100.
Der volle Inhalt der QuelleTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-04T03:27:30Z (GMT). No. of bitstreams: 1 SaNeto_ArthurAutranFrancode_D.pdf: 11882720 bytes, checksum: db30cbb6ee1df82ebd19160092a2442e (MD5) Previous issue date: 2004
Resumo: Esta tese versa sobre o pensamento industrial cinematográfico brasileiro no período que vai de 1924 a 1990. Partindo da constatação da centralidade para o meio cinematográfico das discussões em tomo da formação de uma indústria de cinema no Brasil e de que esta nunca chegou a se configurar plenamente, investigam-se quais as propostas para sua constituição, analisando desde as promessas aí contidas até suas limitações e contradições. Para realizar tal pesquisa foram utilizados livros, artigos, entrevistas, memórias e os próprios filmes nos quais diretores, críticos, produtores e políticos expõem suas idéias sobre como formar a indústria cinematográfica e quais devem ser os seus objetivos econômicos e culturais. Também foram realizadas comparações com o rádio e a televisão, a fim de se delinear diferenças presentes no ideário das três áreas passíveis de explicar, ainda que parcialmente, os motivos pelos quais o cinema não se desenvolveu economicamente tanto quanto aquelas indústrias culturais
Abstract: Not informed.
Doutorado
Multimeios
Doutor em Multimeios
Yap, Soo Ei. „Migration and film industry : Chua Boon Hean in Singapore“. HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/881.
Der volle Inhalt der QuelleSimpson, Catherine. „Imagined geographies: women's negotiation of space in contemporary Australian cinema, 1988-98“. Thesis, Simpson, Catherine (2000) Imagined geographies: women's negotiation of space in contemporary Australian cinema, 1988-98. PhD thesis, Murdoch University, 2000. https://researchrepository.murdoch.edu.au/id/eprint/312/.
Der volle Inhalt der QuelleSimpson, Catherine. „Imagined geographies : women's negotiation of space in contemporary Australian cinema, 1988-98 /“. Simpson, Catherine (2000) Imagined geographies: women's negotiation of space in contemporary Australian cinema, 1988-98. PhD thesis, Murdoch University, 2000. http://researchrepository.murdoch.edu.au/312/.
Der volle Inhalt der QuelleSin, Yat-lun Marconi. „Experimental studio of cinematography in Temple Street : an urban subtext /“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25948222.
Der volle Inhalt der QuelleRoy, Srabanti. „Changing trends of new wave cinema in India and the emergence of an "unconventional" Indian cinema in the early phase of the twenty-first century“. Thesis, University of Wales Trinity Saint David, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683056.
Der volle Inhalt der QuelleNorris-Schwinn, Vivian. „Globalization and anarchy in cinema : who wins and who loses in the entertainment war /“. Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/6632.
Der volle Inhalt der QuelleBoden, Susan, und n/a. „'an unsettled state': the real and the imainary in Australian cinematic and designed landscapes“. University of Canberra. Design, 2002. http://erl.canberra.edu.au./public/adt-AUC20060426.161116.
Der volle Inhalt der QuelleJohnston, Jacob H. „The Sherwood Method creating an independent Christian feature film /“. Lynchburg, Va. : Liberty University, 2009. http://digitalcommons.liberty.edu.
Der volle Inhalt der QuelleTu, Haijing. „A Chinese director and his transition from critical banned filmmaker to box office success“. Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/master's/TU_HAIJING_25.pdf.
Der volle Inhalt der QuelleChristy, June Beverley. „Prospects for a feature film industry in British Columbia“. Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31230.
Der volle Inhalt der QuelleApplied Science, Faculty of
Community and Regional Planning (SCARP), School of
Graduate
Meeuf, Russell W. „Wayne's world : John Wayne, transnational stardom, and global Hollywood in the fifties /“. Connect to title online (ProQuest), 2009. http://proquest.umi.com/pqdweb?did=1883679191&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.
Der volle Inhalt der QuelleTaylor, Paul. „Responding to the shock of the new : trade, technology, and the changing production axis in film, television, and new media /“. Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/6202.
Der volle Inhalt der QuelleBellego, Christophe. „Three empirical essays on movie admissions in the french motion picture industry“. Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01E060.
Der volle Inhalt der QuelleAt the frontier between entertainment industries and cultural production, vital content provider of digital economy, the motion picture industry raises several interesting questions in the field of economics and marketing. This dissertation tackles three important empirical questions in the motion picture industry using different methods (panel data models, difference-in-differences, and structural econometrics) and brings a new theoretical development about the nested logit model. The first chapter deals with online consumer reviews, also known as electronic word of mouth (eWOM), and focuses on the extent to which prerelease information alters the effect of eWOM on movie sales. The second chapter studies the collateral damages of the French anti-piracy law known as Hadopi on box office performances of movies, by carefully ruling out alternative explanations of the result. The third chapter investigates on seasonality in the French movie industry. The analysis separately identifies and decomposes movie sales into the number and quality of available movies, underlying seasonal demand, weather shocks, and national sales promotion by estimating a three-level nested logit model of weekly demand accounting for congestion on movie theaters' screens. The model is used to identify optimal release periods depending on the types of movie
Choudhury, Sharmin (Tinni). „Loculus : an ontology-based information management framework for the motion picture industry“. Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/41546/1/Sharmin_Choudhury_Thesis.pdf.
Der volle Inhalt der QuelleHope, Cathy. „A history of the Sydney and Melbourne Film Festivals, 1945-1972 negotiating between culture and industry /“. Connect to this title online Connect to this title online (alternate address), 2004. http://cicada.canberra.edu.au/public/adt-AUC20050630.130907/.
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