Auswahl der wissenschaftlichen Literatur zum Thema „Motion picture industry – economic aspects“
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Zeitschriftenartikel zum Thema "Motion picture industry – economic aspects"
Thom, Michael. „Lights, Camera, but No Action? Tax and Economic Development Lessons From State Motion Picture Incentive Programs“. American Review of Public Administration 48, Nr. 1 (05.06.2016): 33–51. http://dx.doi.org/10.1177/0275074016651958.
Der volle Inhalt der QuelleHababou, Moez, Nawel Amrouche und Kamel Jedidi. „Measuring Economic Efficiency in the Motion Picture Industry: a Data Envelopment Analysis Approach“. Customer Needs and Solutions 3, Nr. 3-4 (28.11.2016): 144–58. http://dx.doi.org/10.1007/s40547-016-0069-0.
Der volle Inhalt der QuelleGutzeit, Lilly Joan, und Victor Tiberius. „Business and Management Research on the Motion Picture Industry: A Bibliometric Analysis“. Journalism and Media 4, Nr. 4 (14.12.2023): 1198–210. http://dx.doi.org/10.3390/journalmedia4040076.
Der volle Inhalt der QuelleMehr, Linda Harris. „Oscar’s very special library: the Margaret Herrick Library of the Academy of Motion Picture Arts and Sciences“. Art Libraries Journal 34, Nr. 3 (2009): 29–34. http://dx.doi.org/10.1017/s0307472200015996.
Der volle Inhalt der QuelleGarcia, Eddie, Hamed Yazdanshenas, Nicholas A. Kusnezov und Arya Nick Shamie. „Costs of Musculoskeletal Injury in the California Film and Motion Picture Industry“. Global Journal of Health Science 8, Nr. 11 (13.04.2016): 293. http://dx.doi.org/10.5539/gjhs.v8n11p293.
Der volle Inhalt der QuelleZhu, Kevin. „Internet-based Distribution of Digital Videos: The Economic Impacts of Digitization on the Motion Picture Industry“. Electronic Markets 11, Nr. 4 (01.12.2001): 273–80. http://dx.doi.org/10.1080/101967801753405562.
Der volle Inhalt der QuelleFischer, Conan. „Heavy Industry, Society and aspects of foreign Policy in the Weimar Republic“. Revue d’Allemagne et des pays de langue allemande 30, Nr. 1 (1998): 53–61. http://dx.doi.org/10.3406/reval.1998.4049.
Der volle Inhalt der QuelleShesha, Lamia Saud, und Nadia Yusuf. „The Socio-economic Potential of the Emerging Film Industry in Saudi Arabia“. European Journal of Sustainable Development 10, Nr. 1 (01.02.2021): 239. http://dx.doi.org/10.14207/ejsd.2021.v10n1p239.
Der volle Inhalt der QuelleReza, Manjurul Hossain. „The Ins and Outs of the Leather Industry in Bangladesh“. Journal La Bisecoman 3, Nr. 2 (31.03.2022): 49–58. http://dx.doi.org/10.37899/journallabisecoman.v3i2.564.
Der volle Inhalt der QuelleKIEL, DANIEL, JULIAN M. MÜLLER, CHRISTIAN ARNOLD und KAI-INGO VOIGT. „SUSTAINABLE INDUSTRIAL VALUE CREATION: BENEFITS AND CHALLENGES OF INDUSTRY 4.0“. International Journal of Innovation Management 21, Nr. 08 (Dezember 2017): 1740015. http://dx.doi.org/10.1142/s1363919617400151.
Der volle Inhalt der QuelleDissertationen zum Thema "Motion picture industry – economic aspects"
Bahmad, Jamal. „Casablanca belongs to us : globalisation, everyday life and postcolonial subjectivity in Moroccan cinema since the 1990s“. Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/19847.
Der volle Inhalt der QuelleMcKenzie, Jordi. „An economic analysis of motion pictures in the Australian cinema industry, 1997-2000“. Connect to full text, 2005. http://hdl.handle.net/2123/1794.
Der volle Inhalt der QuelleTitle from title screen (viewed 27th June, 2007). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Discipline of Economics, University of Sydney. Degree awarded 2006?; thesis submitted 2005. Includes bibliographical references. Also issued in print.
Street, Sarah. „Financial and political aspects of state intervention in the British film industry, 1925-1939“. Thesis, University of Oxford, 1985. http://ora.ox.ac.uk/objects/uuid:aeedf404-aa82-4a7e-a1b7-feb626ffff81.
Der volle Inhalt der QuelleBrown, Anna Marie. „Cinerati“. PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/808.
Der volle Inhalt der QuelleLam, Sui-kwong Sunny, und 林萃光. „The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment?“ Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B29902289.
Der volle Inhalt der QuelleMills, Jane Kathryn. „Hollywood and its others : porous borders and creative tensions in the transnational screenscape“. Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/19823.
Der volle Inhalt der QuelleNambiar, Gleema. „Using identity politics to address artworld issues : a case study of the New Initiatives in Film program at the National Film Board of Canada“. Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85192.
Der volle Inhalt der QuelleHall, Martin. „Theories of the subject : British cinema and 1968“. Thesis, University of Stirling, 2018. http://hdl.handle.net/1893/28597.
Der volle Inhalt der Quelle„Image capital: a case study of the spatialization and semioticization processes at Hengdian World Studios“. 2012. http://library.cuhk.edu.hk/record=b5549512.
Der volle Inhalt der Quelle透過考察橫店影視城一個結合影視生產及遊的中國影城生產地域化及經濟符號化的過程,本文嘗試對「影像/形象資本」的概作深入的分析。沿著布爾迪卮的框架,影視城被視為一個由擁有同影像/形象資本的能動者構成的場域,而這些能動者自在地及跨境的生產及消費網絡。在橫店影視城生產、積與轉換的過程的探中,本文嘗試回答:一)影像/形象在文化場域中的功能及其轉換為經濟或其他資本的條件;二) 影像/形象資本在國際文化分工成員中的分佈以及其結構對影像資本的價值及轉換的影響。第一條問題旨在闡釋經濟符號化的過程,第二條問題則希望剖析影像/形象與資本主義結下的地域分工以及動政治。作為一個可以同時探究影像帶的可能性及限制的概,影像/形象資本把媒介影像的研究,從批判學派對影像呈現的控制及霸權形成,展至影像對同能動者、以至在符號經濟時代中冒升的社會機構所產生的建設性及壓迫性的權的多重探索。
This thesis develops the concept of image capital to investigate the relationship between image, capital and power. Image capital is built on Bourdieu's concept of cultural capital, but looks specifically into how visual and imagery resources becomes a power at stake in the cultural field at the juncture of the economies of signs and space featured by growing convergence of culture and the economy and subsequent blurring of the boundaries between base/superstructure and production/consumption.
The concept of image capital is examined through the case study of the spatialization and the semioticization processes of Hengdian World Studios, a China studio complex that serves domestic and international film and TV productions and operates film studio tourism. The studio, as a case, is theorized as a field which is constituted by different agents with various forms of image capital, including those embedded in local as well as transnational production and consumption networks. The processes of production, accumulation and conversion of image capital at the field of Hengdian World Studios are investigated to chart 1) how image functions as a form of capital at stake in the cultural field and how it can be converted into other forms of capital; 2) how the distribution of image capital is structured amongst agents in the field and how this structure influences the value and conversion rate image capital to other forms of capital. The first question aims at studying the semioticization process, whilst the second attempts to scrutinize the spatialization and the labor politics underpinning the alliance of image and capitalism. By theorizing image as Bourdieusean form of capital and examining both its enabling possibilities and constraints, this thesis sheds light on the study of media images by steering beyond ideological control to both the productive and repressive power of images onto different agents as well as the social intuitions of the up and rising economies of sign and space.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Chow, Pui Ha.
Thesis (Ph.D.)--Chinese University of Hong Kong, 2012.
Includes bibliographical references (leaves [419-439]).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstract also in Chinese.
ABSTRACT
摘要
ACKNOWLEDGMENTS
TABLE OF CONTENT
Chapter CHAPTER I --- Introduction --- p.1
Chapter CHAPTER II --- Image and Capitalism --- p.21
Marx's capital and critical media theories on image studies --- p.21
Political economies of signs and the media --- p.26
Implications of the political economy of signs on critical Marxist media theories --- p.31
Alternative frameworks for the study of image and capitalism: End of Production and Labor or NICL? Or Bridging capital and labor in image production and consumption? --- p.38
Chapter CHAPTER III --- Bourdieu's Capital, Field and Habitus --- p.51
Bourdieu's concept of Capital --- p.52
Field and Habitus --- p.63
Theoretical implications of habitus and field of Bouredieusean capital --- p.71
Chapter CHAPTER IV --- Field Theory of Cultural Production and the Political Economy of Signs --- p.76
The field of cultural production --- p.77
The field of cultural production and the political economies of signs and space --- p.91
Image Capital and the political economies of signs and space --- p.105
Chapter CHAPTER V --- Image Capital, Field and Film Studio --- p.112
Intercontextuality: Contextual knowledge, globalization and field --- p.113
Film Studio, image capital and field --- p.117
Research question, design and method --- p.124
Chapter CHAPTER VI --- The Development of Film Studio Complex --- p.135
The emergence of film studio complex in the global field --- p.135
Transformation of China's National Field of Cultural Production --- p.144
Conclusion: Studio complex, image capital, and field of cultural production --- p.170
Chapter CHAPTER VII --- Spatialization: Hengdian as a Field of Cultural Production --- p.176
Iron Road: co-production, image capital, and boundaries negotations --- p.179
Hengdian World Studios as Image Factory --- p.192
Conclusion: the image factory flying beyond the place --- p.219
Chapter CHAPTER VIII --- Semioticization: Capitalizing Image and the Mediation of Production and Consumption --- p.227
Image capital and film-induced tourism --- p.228
Capitalizing image at Hengdian World Studios --- p.237
Key Image Labors --- p.252
Chinese Hollywood: the negotiations and struggles in the capitalization of the global and the national imagination --- p.261
Conclusion --- p.271
Chapter CHAPTER IX --- Image Capital and Tourist Consumption: Gaze, Class and Prosumption --- p.275
Image capital and tourist consumption --- p.276
Tourist gaze at Hengdian World Studios --- p.284
Image Capital, class and prosumption --- p.314
Chapter CHAPTER X --- Image Capital and Place-Making --- p.339
Hardware make-up: physical infrastructure engineering --- p.341
Software make-up: lifestyle formation --- p.345
Place branding --- p.365
Chapter CHAPTER XI --- Conclusion: Image, Capital and Power --- p.372
Image as capital --- p.374
Forms of image capital --- p.376
Functions of image capital --- p.382
Image capital: semioticization and spatialization --- p.400
Sebok, Bryan Robert 1978. „Convergent Hollywood, DVD, and the transformation of the home entertainment industries“. Thesis, 2007. http://hdl.handle.net/2152/3679.
Der volle Inhalt der QuelleBücher zum Thema "Motion picture industry – economic aspects"
Centre for Development of Information Technology (India), Hrsg. Economic aspects of film industry in Kerala. Thiruvananthapuram: Centre for Development of Information Technology, 1999.
Den vollen Inhalt der Quelle findenPerretti, Fabrizio. Economia del cinema: Principi economici e variabili strategiche del settore cinematografico. Milano: ETAS, 2003.
Den vollen Inhalt der Quelle findenOommen, M. A. Economics of Indian cinema. New Delhi: Oxford & IBH Pub. Co., 1991.
Den vollen Inhalt der Quelle findenConfederation, Irish Business and Employers. The economic impact of film production in Ireland 1994. [Dublin]: Irish Business and Employers Confederation, 1995.
Den vollen Inhalt der Quelle findenCreton, Laurent. Economie du cinéma: Perspectives stratégiques. 3. Aufl. Paris: Nathan, 2001.
Den vollen Inhalt der Quelle findenCreton, Laurent. Cinéma et marché. Paris: A. Colin, 1997.
Den vollen Inhalt der Quelle findenLangl, Barbara. Film made in Austria: Finanzierung, Produktion, Verwertung. Innsbruck: StudienVerlag, 2003.
Den vollen Inhalt der Quelle findenCorsi, Barbara. Con qualche dollaro in meno: Storia economica del cinema italiano. Roma: Editori riuniti, 2001.
Den vollen Inhalt der Quelle findenḤasanayn, Nāṣir Jalāl. al- Abʻād al-iqtiṣādīyah li-azmat ṣināʻat al-sīnimā al-Miṣrīyah. [Cairo]: al-Hayʾah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 1995.
Den vollen Inhalt der Quelle findenBoschetti, Carlo. Risorse e strategia d'impresa: Il caso delle imprese cinematografiche. Bologna: Società editrice Il mulino, 1999.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Motion picture industry – economic aspects"
Yuan, Shufan. „Attaining Bargaining Power over the Intermediate Firm from Supplier-Buyer Alliance: A Case from the Motion Picture Industry“. In Proceedings of the 2022 4th International Conference on Economic Management and Cultural Industry (ICEMCI 2022), 1678–85. Dordrecht: Atlantis Press International BV, 2023. http://dx.doi.org/10.2991/978-94-6463-098-5_189.
Der volle Inhalt der QuelleMuchunku, Charles, und Georg Heinemann. „Identifying Effective Electrification Approaches and Combinations Thereof to Meet Universal Electricity Access Targets in Eastern Africa“. In Energiepolitik und Klimaschutz. Energy Policy and Climate Protection, 177–232. Wiesbaden: Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-38215-5_9.
Der volle Inhalt der Quelle„Movie stars and the distribution of financially successful films in the motion-picture industry“. In An Economic History of Film, 234–55. Routledge, 2004. http://dx.doi.org/10.4324/9780203358047-13.
Der volle Inhalt der QuelleSheen, Erica. „Economic Iron Curtains“. In Geopolitical Shakespeare, 71–90. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191995163.003.0004.
Der volle Inhalt der QuelleSkliarenko, Roman Petrovich. „Preodolenie protivorechii razvitiia mirovoi obshchekhoziaistvennoi i tovarnoi koniunktury na osnove additivnykh i kognitivnykh tekhnologii v ramkakh modeli ekonomicheskogo iadra i periferii“. In Principles of the New Ecosystem Formation: economic aspects, 39–53. Publishing house Sreda, 2023. http://dx.doi.org/10.31483/r-108652.
Der volle Inhalt der QuelleGillespie, Michael Patrick. „Gothic Forms in Irish Cinema“. In Irish Gothic, 83–97. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399500555.003.0005.
Der volle Inhalt der QuelleLupack, Barbara Tepa. „Seeking “Old Opportunity”“. In Silent Serial Sensations, 14–31. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501748189.003.0002.
Der volle Inhalt der QuelleProcter, Ben. „Hollywood, San Simeon, and Expansion“. In William Randolph Hearst, 129–52. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195325348.003.0006.
Der volle Inhalt der QuelleJackson, Robert H. „That Man As Economist“. In That Man, 119–34. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195168266.003.0007.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Motion picture industry – economic aspects"
Ventikos, Nikolaos P., Lokukaluge P. Perera, Panagiotis Sotiralis, Emmanouil Annetis und Eirini V. Stamatopoulou. „A Life-Cycle Cost Framework for Onboard Emission Reduction Technologies: The Case of the Flapping-Foil Thruster Propulsion Innovation“. In ASME 2022 41st International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/omae2022-79031.
Der volle Inhalt der QuellePaltrinieri, Nicola, Gabriele Landucci und Pierluigi Salvo Rossi. „Real-Time Data for Risk Assessment in the Offshore Oil and Gas Industry“. In ASME 2017 36th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/omae2017-61486.
Der volle Inhalt der QuelleSierra, Leopoldo, und Connor Lovingfoss. „Hydraulic Fracturing Design Considerations for Carbon Capture, Utilization, and Storage (CCUS)“. In SPE Hydraulic Fracturing Technology Conference and Exhibition. SPE, 2024. http://dx.doi.org/10.2118/217816-ms.
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