Dissertationen zum Thema „Mosses in literature“
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Eisenman, Matthew S. „Hawthorne's Transcendental Ambivalence in Mosses from an Old Manse“. Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_theses/114.
Der volle Inhalt der QuelleAvery, Joan. „Moses Rosenkranz, the Bukovina and the concept of Sprache als Heimat“. Thesis, Queen Mary, University of London, 2009. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1379.
Der volle Inhalt der QuelleXavier, Antônio José Rodrigues. „Musas e moscas na produção poética de Lucy Brandão : contracultura, tensão dissonante e hibridismo cultural“. Universidade Federal de Alagoas, 2006. http://repositorio.ufal.br/handle/riufal/470.
Der volle Inhalt der QuelleA poesia de Lucy Brandão, produzida entre as décadas de 70, 80 e 90, caracteriza-se como evento da modernidade alagoana, por seu movimento expansionista, emancipador, renovador e democratizador, na acepção de Néstor Garcia Canclini (2003). Portadora de uma negatividade lírica dissonante, já estudada por Hugo Friedrich (1978), fazendo uso de várias linguagens, Lucy Brandão performatizava seus repentes urbanos e produzia outros objetos artísticos híbridos em uma relação visceral com uma ética e estética da existência, rara em seu tempo. Nessa perspectiva, torna-se adepta da grande recusa que foi o movimento da contracultura no mundo ocidental, em uma atitude de vanguarda, integrando uma frente de artistas maceioenses pós-60 que se nutriu de reservas utópicas advindas do século XIX e início do século XX. Sua voz registra, no espaço urbano maceioense, um acontecimento estético singular que coloca em transe transculturador a atualização da tradição e da ruptura.
Moster-Eichberger, Monika [Verfasser]. „Dissonanzen : Der libanesische Bürgerkrieg (1975-1990) und die libanesische Literatur französischer Sprache zwischen Erinnerung und Neuanfang / Monika Moster-Eichberger“. Aachen : Shaker, 2006. http://d-nb.info/1170530494/34.
Der volle Inhalt der QuelleEvangelista, Ana Shirley de Vasconcelos Oliveira. „Do discurso da resist?ncia ? resist?ncia do discurso: as constru??es identit?rias de Mossor? nos enunciados da literatura de cordel“. Universidade Federal do Rio Grande do Norte, 2014. http://repositorio.ufrn.br/handle/123456789/19568.
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Este estudo tem por objetivo compreender as constru??es identit?rias de Mossor?, nos enunciados da literatura de cordel. Tendo como fio condutor o epis?dio da resist?ncia citadina ao bando de Lampi?o no dia treze de junho de mil novecentos e vinte e sete, a nossa empiria constituiu-se dos enunciados presentes em nove cord?is, produzidos entre o espa?o-tempo de 1927 e 2007, ano em que a cidade comemorou oitenta anos do epis?dio. Ciente de que o tema extrapolou os limites dos meios comunicacionais da ?poca e passou a integrar o cotidiano dos mossoroenses, produzindo na mem?ria coletiva a imagem de uma cidade da resist?ncia em nomes de ruas, nomes de empresas, nas r?dios com a ?FM resist?ncia?, nos discursos pol?ticos, na sede da prefeitura cujo nome ? ?Pal?cio da Resist?ncia?, a quest?o central que orienta nossa investiga??o congrega a discuss?o em torno das rela??es dial?gicas travadas nos enunciados sobre o tema em tela. Nesse vi?s, a pesquisa elegeu como categorias de an?lise o conceito de vozes sociais e cronotopia, considerando que as diferentes identidades s?o produzidas em fun??o dos posicionamentos tomados pelos sujeitos, bem como, pelos contextos de produ??o. Inscrita na ?rea da Lingu?stica Aplicada (LA) e na linha de pesquisa Linguagem e pr?ticas sociais, a pesquisa articula as teoriza??es provindas da ?rea dos Estudos Culturais (sobretudo no que se refere ? identidade) com os referenciais te?ricos do C?rculo bakhtiniano (no tocante a concep??o s?cio-hist?rica da linguagem e em seu car?ter dial?gico). Os resultados indicam que, apesar de haver uma mov?ncia axiol?gica em torno das representa??es de Mossor? e do epis?dio de vinte e sete, os enunciados dos cord?is convergem para o discurso hegem?nico, corroborando com o perfil identit?rio da resist?ncia veiculado ao longo de oito d?cadas
This study has as objective to investigate the identity constructions of Mossor?, at the statements of the string literature. Having as thread the episode of resistance of the city against the group of Lampi?o at June the thirteenth of nineteen twenty seven, our study built itself at the statements present in nine strings, produced between the space-time of 1927 and 2007, year that Mossor? celebrated eighty years of the episode. Aware that the theme extrapolated the limits of the means of communication of the time and it became part of the everyday of the people from Mossor?, producing at the collective memory the image of a resistance city at the street?s names, at companies? names, at radios? names with the ?FM Resistance?, at the discourses of the politicians, at the city hall which name is ?Palace of the Resistance?, the central question that guides our investigation congregates the discussion around the dialogical relations done at the statements about the theme in vogue. This bias, the research elected as categories of analysis the concept of social voices and chronology, considering that the different identities are produced according to placements made by the subjects, as well as, by the context of production. Admitted at the area of Applied Linguistics (AL) and its line language and pratic of social the research articulates the theorizations provided from the area of Cultural Studies (especially regarding identity) with the theoretical framework of the bakhitinian Circle (regarding the social-historical conception of language and in its dialogical character). The results indicate that even existing an axiological movement around the representations of Mossor? and of the episode of 1927, the statements of the strings converge to a hegemonic discourse, corroborating with the identity profile of resistance transported over eighty decades
Miller, Marc 1969. „The persona "Moyshe-Leyb" in the poetry of M.L. Halpern“. Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24096.
Der volle Inhalt der QuelleNassif, Bassam Antoine. „"On the confirmation of the law of Moses, the gospel and Orthodoxy" a treatise written in Arabic by Theodore Abū Qurrah, Bishop of Harran (c.755-c.829) ; translation into English, with introduction and analysis /“. Theological Research Exchange Network (TREN), 1996. http://www.tren.com.
Der volle Inhalt der QuelleHjalmarson, Karin. „Nya kvinnor och ny samhällskritik : en feministisk läsning av Anne Charlotte Lefflers Tre komedier“. Thesis, Södertörn University College, School of Gender, Culture and History, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1428.
Der volle Inhalt der QuelleMy essay is about the latter period of Anne Charlotte Leffler’s authorship. In Part I of my essay, I describe her path from the 1880s, where she described femininity as a shortcoming, as writes Ingeborg Nordin-Hennel, towards the 1890s and towards describing femininity as a possibility. This development took place on two levels – on an outer level, where all the woman writers in the late 1880s were influenced and where they were pushed out by the male writers, and on an inner level with Leffler herself.
Her late literary works depict new and more independent types of women, and eroticism is given a more prominent position. In Part II, I study Tre komedier (Three Comedies) which was published in 1891 and which includes the plays Den kärleken (Love is Strange), Familjelycka (Family Happiness), and Moster Malvina (Aunt Malvina). In my opinion, they are early expressions of the New Woman fiction. For my analysis, I use the criteria of genre for the New Woman fiction that is defined by Ebba Witt-Brattström. New Woman fiction is a lost link between the literature of social protest of the 1880s and female modernism. That characterizes, among other things, a new type of woman, who is intellectually and sexually aware. The plot is often contradictory and open-ended which allows scope for interpretation. The protagonist usually has a girlfriend or another woman, whom she can use as a mirror, and there is a new women’s “sistership” emerging, and the urban setting is yet another characteristic. The protagonist often stays at a boarding house or is out on a journey. The new male character is a weakling as opposed to the bourgeois masculinity. These features are distinct in Tre komedier. However, I have discovered a few more criteria.
I also discuss how Leffler, in the comedic form, delivers a pronounced criticism of society. In Tre komedier, the bourgeois matrimony, the bourgeois family, and the treatment of unmarried women are focused upon and criticized. The three plays differ very much from one another in the dramatic forms. Lynn R Wilkinson considers that they are among the first modernistic comedies, and they point forward to authors such as Wilde, Shaw, and Chekhov.
Knijnik, Ivy Judensnaider. „A imortalidade da alma na obra do Rabino Mosseh Rephael d'Aguilar: a contribuição da releitura renascentista dos clássicos gregos para o debate sobre a dualidade entre corpo e alma“. Pontifícia Universidade Católica de São Paulo, 2005. https://tede2.pucsp.br/handle/handle/13363.
Der volle Inhalt der QuelleCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
The concept of soul, implied in The Treatise about the Immortality of the Soul written by Rabi Mosseh Rephael d Aguilar, is a by-product of the specific social and historical conditions that surrounded the Jewish community in Holland, by the time of the Renaissance in the 1600. It is also the result of the arguments among the natural philosophers of the time about the old and the modern . By combining natural philosophy and religion, added to the magic character provided by the Cabala and hermetic writings, the efforts of the renaissance magician can be seen clearly, as his attempts to blend different views, and finding the unity underlying the differences. The net of relations among Aristotelian, Platonic and neo-Platonic schools, as well as the magic that perpetuated the Renaissance through the hermetic writings, sets the tone to the Treatise, and explains much of the rationale used by Rabi Mosseh Rephael d Aguilar in proving the immortality of the soul
A concepção de alma implícita no Tratado sobre a Imortalidade da Alma, de autoria do Rabino Mosseh Rephael d Aguilar, é resultado de condições específicas do entorno histórico-social da comunidade judaica na Holanda renascentista, nos Seiscentos. Também é fruto do debate sobre o antigo e moderno entre os filósofos naturais do período. A combinação da filosofia natural com a religião natural, adicionada ao caráter mágico advindo dos textos herméticos e da Cabala, evidenciam o esforço do mago renascentista em conciliar distinções, acolhendo a unidade subjacente às diferenças. As redes de relações entre aristotelismo, platonismo e neoplatonismo, bem como a magia que impregnou a Renascença através dos textos herméticos, dá o tom ao Tratado e explica muitos dos argumentos usados pelo Rabino Mosseh Rephael d Aguilar para provar a imortalidade da alma
Kaffler, Regina Célia. „Da Bíblia à tela: os dez mandamentos de Cecil B. Demille“. Master's thesis, Universidade de Évora, 2013. http://hdl.handle.net/10174/11323.
Der volle Inhalt der QuelleHoward, David G. „The hard-boiled detective personal relationships and the pursuit of redemption /“. Connect to resource online, 2010. http://hdl.handle.net/1805/2189.
Der volle Inhalt der QuelleTitle from screen (viewed on July 19, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Robert Rebein, Jonathan Eller, William Touponce. Includes vitae. Includes bibliographical references (leaves 84-86).
Tagaro, Andersson Anna. „Jag uppfinner en plats i dikten där vi kan vara tillsammans : En litterär studie i förlusten av ett modersmål“. Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-162383.
Der volle Inhalt der QuelleTownsend, Colby. „Rewriting Eden With The Book of Mormon: Joseph Smith and the Reception of Genesis 1-6 in Early America“. DigitalCommons@USU, 2019. https://digitalcommons.usu.edu/etd/7681.
Der volle Inhalt der QuelleFonseca, Jorge Manuel Botelho. „"GORDURA É FORMUSURA" OU "MAGREZA É BELEZA" NA TRADUÇÃO AUTOMÁTICA ESTATÍSTICA?. Estudo de caso de tradução de textos clínicos de aplicação informática de saúde com Moses for Mere Mortals e Google Tradutor“. Master's thesis, 2014. https://repositorio-aberto.up.pt/handle/10216/78073.
Der volle Inhalt der QuelleFonseca, Jorge Manuel Botelho. „"GORDURA É FORMUSURA" OU "MAGREZA É BELEZA" NA TRADUÇÃO AUTOMÁTICA ESTATÍSTICA?. Estudo de caso de tradução de textos clínicos de aplicação informática de saúde com Moses for Mere Mortals e Google Tradutor“. Dissertação, 2014. https://repositorio-aberto.up.pt/handle/10216/78073.
Der volle Inhalt der QuelleKremnitzer, Yuval. „How to Believe in Nothing: Moses Mendelssohn's Subjectivity and the Empty Core of Tradition“. Thesis, 2017. https://doi.org/10.7916/D8NK3SBX.
Der volle Inhalt der QuelleSalama, Sulaiman Abdullah. „Cultural context adaptions of children's literature : A case study of The joining“. Thesis, 2008. http://hdl.handle.net/10539/5871.
Der volle Inhalt der QuelleSchiffer, Gundula [Verfasser]. „Beredtheit der Form : die (graphische) Deutung biblisch-hebräischer Poesie in der deutschen Übersetzung von Moses Mendelssohn, 1783 erkundet anhand des 68. Psalms / vorgelegt von Gundula Schiffer“. 2010. http://d-nb.info/1009725610/34.
Der volle Inhalt der QuelleHamdi, Houda. „Faulkner revisited : narrating property, race, gender and history in William Faulkner's Go Down, Moses, Toni Morrison's Song of Solomon and Gloria Naylor's Mama Day“. Thèse, 2015. http://hdl.handle.net/1866/16011.
Der volle Inhalt der QuelleMa thèse est une étude comparative entre William Faulkner, Toni Morrison et Gloria Naylor. Elle me permet d’explorer comment les protagonistes males construisent leur identités en se référant à la possession matérialiste et en se basant sur la subordination de la femme, qui est une autre forme de possession, afin de consolider leur masculinité. Dans leurs textes respectifs, Go Down, Moses, Song of Solomon, et Mama Day, les trois auteurs, malgré leur différences culturelles et même littéraires, partagent l’idée que l’identité, l’histoire, et la vérité ne sont que des construits culturels et sociales. On se basant sur la théorie de Judith Butler et d’autres théoriciens poststructuralistes et contemporains, ma thèse reflète qu’il n’y a pas d’identité « naturelle » ou de réalité objective. La perception identitaire n’est qu’une illusion imaginaire et idéologique ou le sujet ne fait que répéter et performer le discours de son environnent. Faulkner, Morrison, et Naylor basent leurs oeuvres sur le thème de la liberté. Ils explorent comment, à partir de leurs corps, leurs caractères se conforment ou bien se détachent de l’idéologie qui confine leurs identités sexuelles, raciales et sociales. En critiquant, non seulement l’identité’ mais aussi l’histoire, ma thèse montre que les trois écrivains détruisent la perception que la vérité est objective surtout dans les documents historiques. Ainsi, la vérité devient qu’une forme de distorsion qui consolide une certaine idéologie. Ma thèse montre que les trois auteurs mettent en valeur la voix de la femme Afro-Américaine. Elle joue le rôle d’une médiatrice pour les protagonistes males. Elle rejette le discours matérialiste et sexiste. Cette voix féminine représente le thème de l’amour et la survie de sa communauté noire et la résistance raciale. La femme Afro-Américaine préserve la culture Africaine à travers son attachement à la tradition orale et à la connaissance intuitive. En se basant sur la tendance subversive de l’art et de la littérature postcoloniale qui est promulguée par les théories de Henry Louise Gates, Paul Gilroy, W. E. B Du Bois, James Clifford et Arjun Appadurai, je montre qu’à travers Toni Morrison et Gloria Naylor, le texte de Faulkner reste logocentrique et essentialiste dans sa vision hiérarchique de l’identité raciale et sexuelle. Morrison et Naylor se référant au mythe de l’Africain volant afin de justifier qu’il n’y a pas d’identité fixe et stable, donnant ainsi la voix a une identité hybride et fluide. En se basant sur l’article, « Parler en Langues » de Mae Gwendolyn Henderson, ma thèse explore comment en réécrivant d’autres textes, Gloria Naylor déconstruit non seulement Faulkner, mais aussi le sexisme qui demeure résident dans le texte de Toni Morrison. L’histoire de Willow Springs se base sur le mythe féminin d’une ex esclave Sapphira Wade, qui en étant volatile, son histoire et son identité résistent toute forme de catégorisations. En étudiant l’hybridité’ dans la culture Afro-Américaine, ma thèse montre que le Sud qui est décrit dans l’oeuvre de Mama Day est plus hybride que celui de Faulkner et Morrison.
Moore, Joseph R. „Niagara“. 2021. https://scholarworks.umass.edu/englmfa_theses/143.
Der volle Inhalt der QuelleDayan, Shoshana. „Poets and the Canadian Jewish community: three portraits“. Thesis, 2000. http://hdl.handle.net/2429/10456.
Der volle Inhalt der QuelleNtshangase, Sicelo Ziphozonke. „The influences of traditional medicine in relation to its various use by the African societies : a review of Zulu novels“. Thesis, 2000. http://hdl.handle.net/10413/5741.
Der volle Inhalt der QuelleThesis (M.A.)-University of Natal, Durban, 2000.
Howard, David George. „THE HARD-BOILED DETECTIVE: PERSONAL RELATIONSHIPS AND THE PURSUIT OF REDEMPTION“. Thesis, 2010. http://hdl.handle.net/1805/2189.
Der volle Inhalt der QuelleBy start of the 1920s, the United States had seen nearly forty years of vast accumulations of wealth by a small group of people, substantial financial speculation and a mass change in the economic base from agricultural to industrial. All of this ended in 1929 in a crushing depression that spread not only across the country, but also around the world. Hard-Boiled detective fiction first reached the reading public early in the decade initially as adventure stories, but quickly became a way for authors to express the stresses these changes were causing on people and society. The detective is the center of the story with the task of reestablishing a certain degree of order or redemption. An important character hallmark of this genre is that he is seldom able to do this, or that the cost is so high a terrible burden remains. His decisions and judgments in this attempt are formed by his relationship with the people or community around him. The goal of this thesis is to look at the issues raised in the context of how the detective relates to a person or community in the story. For analysis, six books were chosen arranged from least level of personal relationship by the detective to the most intimate. The books are Red Harvest, by Dashiell Hammett, The Big Sleep, by Raymond Chandler, The Galton Case, by Ross MacDonald, Cotton Comes to Harlem, by Chester Himes, Devil in a Blue Dress, by Walter Mosley, and I, the Jury, by Mickey Spillane. In the study of these books, a wide range of topics are presented including political ideologies, corruption, racial discrimination and family strife. Each book provided a wealth of views on these and other subjects that are as relevant today as when they were written.
(9719168), Michael James Greenan. „AFRICAN AMERICAN SPIRITUALS AND THE BIBLE: SELECTING TEXTS FOR SECONDARY EDUCATION INSTRUCTION“. Thesis, 2020.
Den vollen Inhalt der Quelle findenThe research in this thesis attempts to select texts from the African American Spirituals and the Bible that are appropriate for secondary language arts instruction, specifically for grades 9-12. The paper first gives an overview of legal justifications and educational reasons for teaching religious literature in public schools. Then, relevant educational standards are discussed, and, using the standards as an initial guide, I identify common themes within the Spirituals and Bible, which, from my analysis of various literatures, are slavery, chosenness, and coded language. Next, I describe my systematic effort to choose texts from the Spirituals and the Bible. To help accomplish this, I draw primarily from two tomes: Go Down Moses: Celebrating the African-American Spiritual and Biblical Literacy: The Essential Bible Stories Everyone Needs to Know. After I describe the research process of selecting texts, I form judgments about which biblical passages and African American Spirituals are particularly worthy of study, along with their applicable and mutual themes.