Thematische Bibliographien / Modernity

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Auswahl der wissenschaftlichen Literatur zum Thema „Modernity“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 9. November 2024

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Zeitschriftenartikel zum Thema "Modernity"

Watts, Philip. „Modernism/Modernity“. South Central Review 14, Nr. 3/4 (1997): 110. http://dx.doi.org/10.2307/3190215.

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Torrance, Robert M., und Donald Keene. „Modernism and Modernity“. Journal of the Association of Teachers of Japanese 22, Nr. 2 (November 1988): 195. http://dx.doi.org/10.2307/488942.

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Schnapp, Jeffrey T. (Jeffrey Thompson), Michael Shanks und Matthew Tiews. „Archaeology, Modernism, Modernity“. Modernism/modernity 11, Nr. 1 (2004): 1–16. http://dx.doi.org/10.1353/mod.2004.0024.

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Khair, Tabish. „Modernism and modernity“. Third Text 15, Nr. 55 (Juni 2001): 3–13. http://dx.doi.org/10.1080/09528820108576910.

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Antliff, Mark. „Fascism, Modernism, and Modernity“. Art Bulletin 84, Nr. 1 (01.03.2002): 148–69. http://dx.doi.org/10.1080/00043079.2002.10787015.

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Antliff, Mark. „Fascism, Modernism, and Modernity“. Art Bulletin 84, Nr. 1 (März 2002): 148. http://dx.doi.org/10.2307/3177257.

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Thacker, Andrew. „Travel, modernism and modernity“. Studies in Travel Writing 22, Nr. 2 (03.04.2018): 232–33. http://dx.doi.org/10.1080/13645145.2018.1515708.

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MILBANK, JOHN. „SCHOLASTICISM, MODERNISM AND MODERNITY“. Modern Theology 22, Nr. 4 (Oktober 2006): 651–71. http://dx.doi.org/10.1111/j.1468-0025.2006.00338.x.

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Smith, Terry. „Modernism, Modernity and Otherness“. Australian Journal of Art 13, Nr. 1 (Januar 1996): 144–66. http://dx.doi.org/10.1080/03146464.1996.11432846.

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Wolff, J. „Modernism, Modernity and English Art“. Oxford Art Journal 21, Nr. 2 (01.01.1998): 199–202. http://dx.doi.org/10.1093/oxartj/21.2.199.

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Dissertationen zum Thema "Modernity"

Broad, Leah. „Nordic incidental music : between modernity and modernism“. Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:8a2b5571-4bbc-4bed-9b99-4b66dbd1e12d.

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This thesis argues for the centrality of incidental music in early twentieth-century music history, based on a study of Swedish and Finnish theatre music between 1908 and 1926. The central claims made are firstly, that incidental music is an integral part of music history in this period, supporting a narrative about modernity that does not focus exclusively on "high art" concert music. Second, the Nordic countries were part of a cross-continental discourse concerning modernity that did not revolve solely around, or stem from, central European capital cities such as Vienna or Paris. Third, dramatic literature was fundamental to the development of twentieth-century music in Sweden and Finland. Through an examination of productions with music by Jean Sibelius (Svanehvit, 1908, and Scaramouche, 1924), Wilhelm Stenhammar (As You Like It, 1920), and Ture RangstrÃ¶m (Till Damaskus III, 1926), the thesis demonstrates that the early 1900s in these countries were characterised by stylistic plurality. For the first two decades of the 1900s, when Sibelius composed the majority of his works, multiple modes of expression where referred to as 'modern' with no clear hierarchy between them. By the 1920s, however, 'modernism' was emerging as a term consistently used to refer to atonality and concurrent theatrical styles dominant in central Europe. Rather than adopt these stylistic languages, Stenhammar and Rangström used 'modernism' as a category to define themselves against, presenting themselves as modern but not modernist composers.

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CRUZ, ALINE DUARTE DE OLIVEIRA. „MODERNITY AND MODERNISM IN LUIZ EDMUNDO´S MEMOIRE“. PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9345@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
Modernidade e modernismo nas memórias de Luiz Edmundo tem como objetivo analisar a vida de Luiz Edmundo e sua relação como jornalista e cronista com o desenvolvimento histórico da cidade do Rio de Janeiro a partir de suas memórias. Para isto, o trabalho analisa, tomando como base o material anteriormente citado, o que o autor entende como modernidade e quais foram as conseqüências sentidas pela cidade carioca e pela sua geração por conta da criação de uma mentalidade, referente aos períodos históricos nacionais entendidos pelo autor como colonial e imperial, e que seria responsável pelo atraso cultural nacional. O presente trabalho avalia, ainda, como o autor percebe o movimento de modernização da cidade, qual é a responsabilidade de sua geração literária em relação a este e, sobretudo, que relação se estabelece entre o autor e o mundo ocidental civilizado, através do conceito de cosmopolitismo.
Modernity and Modernism in Luiz Edmundo´s memoire has as principal object to show how a writer that was born in Rio de Janeiro, named Luiz Edmundo, in 1878, thinks about the historical process which was responsible for the colonial image of the city of Rio de Janeiro in his days of youth. In those days, working as a reporter and going to places in the town when most of the young people went for discuss about the most modern literature´s tendencies, Luiz Edmundo develops a way to understand the modern days and how his generation should act socially for embrace the cause of de Modernity in Rio de Janeiro. As principal concepts, the presented work talks about life and literature, Rio de Janeiro city before and after it´s modernization process and what for the author means being a modern man and a cosmopolitan.

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Evans, Victoria Louise, und n/a. „Douglas Sirk, aesthetic modernism, and the culture of modernity“. University of Otago. Department of Media, Film and Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080707.122544.

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In this dissertation, I argue that Douglas Sirk was attempting to dissolve the boundaries of the cinematic medium by assimilating elements of avant-garde art, architecture and design into the colour, composition and settings of many of his most popular studio produced films. While the exaggerated artifice of this director�s formal style has often been remarked upon, it has yet to be interpreted in the light of his detailed cognisance of the major art and architectural movements of the period, which include German Expressionist painting and Machine Age Modernist design. This is a lacuna that my thesis should at least partially fill, since I have shown that Sirk�s highly self conscious visual approach was deeply influenced by the artistic debates that were taking place in Europe during the 1920s and �30s and in America after World War II. To my mind, there is no doubt that this director�s syncretic mise-en-scène was the result of an interdisciplinary, transnational dialogue, and I have sought to illuminate some of the social, philosophical and political meanings that it seems to convey.

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Hercock, Edwin Henry Frederick. „Modernist objects/objects under modernity : a philosophical reading of Discrete series“. Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54335/.

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This thesis is the first book-length treatment of the poems in George Oppen's Discrete Series (1934), providing a counterbalance to critical readings of Oppen's work which have to date focused on work published after his return to poetry (i.e. from 1962 onwards). It is a philosophical presentation of the work which argues that the poems are themselves philosophical presentations of objects, and by those objects and that presentation, of the historical circumstances of those objects and the poems themselves. Its method is Adornian in three senses: first, it holds that literature is not only subject-matter for a (sub)subset of philosophy but a potential mode of participation within it; second, the philosophical writing with which the thesis puts the poems into dialogue is not a single authorship nor strictly aesthetic, but a broad range of writings by Kant, Hegel, Marx and Nietzsche (with a special emphasis on Hegel); and third, continual recourse is made to Adorno's own writings on art and objecthood. After a brief account of the pre-history of Objectivism, of Oppen's connection with Ezra Pound, and the circumstances of the work's production and appearance, the poems are analysed in depth alongside more thoroughly institutionally validated works by, among others, Pound and T.S. Eliot. The main focus of these readings is on the physical objects represented: their nature, type, consistency, and the fact and manner of their presentation. These objects are characterised by their resolute materiality – their distinctive hardness and their uniform impenetrable surfaces. These properties are analysed from literary-historical, historical and philosophical perspectives, i.e. in the contexts of modernist hardness and its precursors; industrial production and the individual; and the causes and consequences, in thought, of the experience of bare materiality that the poems present. Finally it considers how the poems, as well as registering a particular mode of object experience, themselves seek to produce it.

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Jackson, Mark Simon. „Foucault's Askesis, the ethical work of thinking modernity against modernity“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0006/MQ34311.pdf.

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Choi, Seoyoon. „The Ghost of Modernity: Normative Power of Modernity as Propaganda“. Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2139.

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This thesis explores how domestic factions and authoritarian regimes in Japan and Korea in the period from the 1850s to 1970s appropriated the concept of “modernity” to gain normative superiority over their competitors. The appropriating entity revised the concept of modernity to suit its own worldview. Across the case studies, the propaganda of modernity created a hierarchy that privileged those who are “more modern,” encouraged martial masculinity, and attached itself to existing domestic norms, such as ethno- nationalism. Under authoritarian regimes, modernity helped justify the mobilization of capital, manpower, and other critical resources in the name of nation-building or defense. Many factions and demagogues may have initially used the concept of modernity for domestic gains, but using this narrative later devolved into foreign conquests and imperialist expansion, for otherwise, their call for modernization would have become an empty promise in the eyes of the masses. This paper examines five cases along these dimensions, namely the rise of reformist samurais in feudal-era Japan, the failure of Joseon Korea’s ruling regime to adopt modernity in a timely manner, Imperial Japan’s colonial practices in Korea and Manchuria, the ideological divergences among factions in Colonial Korea, and a South Korean dictator’s attempts to gain legitimacy following a coup d’etat. Each case follows how domestic factions or individuals were motivated by an inferiority complex and how they produced their own version of modernity that favored their ascendance.

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Budathoki, Aakash. „Modernity & Migration“. Thesis, Karlstad University, Faculty of Social and Life Sciences, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-2807.

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Summery

The main objective of this essay is to analyze the challenges caused by today’s modern phenomenon of change in our society and to discuss it in relationship to the process of migration. In doing so I focus on questions like, “what does it really mean when a person becomes a migrant and what does it mean to be the host country?” Becoming a migrant or a host country is a complex process which involves variety of challenges both for individuals and the locality. New inventions are made in the field of science and technology. Societies and social institutions are subjected to change and we undergo several changes or modifications to fit in to this changing system. This makes intigration process more difficult and complex. I feel that the process of accepting and adopting begins from the very first moment in the new society. The one who comes in also brings in new cultural perspectives, new ideologies and beliefs. This establishes the background of plurality which has both positive and negative consequences.

I believe that every factor from bigger social institutions to minute incidents associated with an individual are of equal importance in understanding society as a whole. So I approach my research question here by considering both micro and macro theorists. I have also referred to migrations history of Sweden which provides general idea of types and mode of migration in the past few decades.

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Budathoki, Aakash. „Migration & Modernity“. Thesis, Karlstad University, Faculty of Social and Life Sciences, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-2809.

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The main objective of this essay is to analyze the challenges caused by today's modern phenomenon of change in our society and to discuss it in relationship to the process of migration. In doing so I focus on questions like, "what does it really mean when a person becomes a migrant and what does it mean to be the host country?" Becoming a migrant or a host country is a complex process which involves variety of challenges both for individuals and the locality. New inventions are made in the field of science and technology. Societies and social institutions are subjected to change and we undergo several changes or modifications to fit in to this changing system. This makes integration process more tedious and complex. I feel that the process of accepting and adopting begins from the very first moment in the new society. The one who comes in also brings in new cultural perspectives, new ideologies and beliefs. This establishes the background of plurality which has both positive and negative consequences.

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Stafford, Johnathan. „A martime modernity?“ Thesis, Kingston University, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658598.

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Leonard, John. „Lyric and modernity /“. Online version, 1994. http://bibpurl.oclc.org/web/22516.

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Bücher zum Thema "Modernity"

Conference on Modernism and Modernity. Modernity, modernism, postmodernism. Herausgegeben von Barbeito José Manuel ed und Eagleton Terry aut. [Santiago de Compostela]: Universidade de Santiago de Compostela, 2000.

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Burt, Ramsay, und Michael Huxley. Dance, Modernism, and Modernity. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429457845.

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1943-, Eagleton Terry, und Barbeito Manuel, Hrsg. Modernity, modernism, postmodernism: Essays. [Santiago de Compostela, Spain]: Universidade de Santiago de Compostela, 2000.

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Laura, Doyle, und Winkiel Laura A, Hrsg. Geomodernisms: Race, modernism, modernity. Bloomington: Indiana University Press, 2005.

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Jones, Andrew Richard. August Sander: Portraiture, modernity and modernism. [Derby: University of Derby], 1997.

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Agwuele, Augustine. Development, modernism and modernity in Africa. New York: Routledge, 2012.

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Jonathan, Goldman, und Jaffe Aaron, Hrsg. Modernist star maps: Celebrity, modernity, culture. Burlington, VT: Ashgate Pub. Company, 2010.

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Punter, David. Modernity. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-1-137-05030-4.

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Punter, David. Modernity. New York: Palgrave Macmillan, 2007.

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Vancouver Conference on Modernism (1981). Modernism and modernity: The Vancouver conference papers. 2. Aufl. Halifax, N.S: Press of the Nova Scotia College of Art and Design, 2004.

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Buchteile zum Thema "Modernity"

Punter, David. „Modernity and Modernism“. In Modernity, 36–49. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-1-137-05030-4_4.

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Soufas, C. Christopher. „Conclusion: Modernity/Modernism“. In Subject, Structure, and Imagination in the Spanish Discourse on Modernity, 171–76. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137532862_11.

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Jerath, Kavita S. „Modernity and Modernism“. In Science, Technology and Modernity, 31–47. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80465-7_3.

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Jervis, John. „Modernity and Modernism: Key Themes“. In Modernity Theory, 11–31. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-49676-8_2.

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Cubitt, Sean. „Video, Modernity and Modernism“. In Videography, 19–35. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-23099-0_2.

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Acheraïou, Amar. „Modernism, Modernity and Imperialism“. In Rethinking Postcolonialism, 115–20. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583573_7.

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Weller, Shane. „Introduction: Modernity, Modernism, Nihilism“. In Modernism and Nihilism, 1–14. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230294622_1.

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Cook, Malcolm. „Perception, Modernism and Modernity“. In Early British Animation, 95–135. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73429-3_4.

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Newall, Diana, und Grant Pooke. „Formalism, modernism and modernity“. In Art History, 31–54. 2. Aufl. Second edition. | Abingdon, Oxon ; New York : Routledge, 2021. | Series: The basics: Routledge, 2021. http://dx.doi.org/10.4324/9781315727851-21a.

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Cicalò, Enrico, und Michele Valentino. „Modernism/Modernisms. The Two Souls of Modernity Before Modernity“. In Digital Modernism Heritage Lexicon, 23–33. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76239-1_2.

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Konferenzberichte zum Thema "Modernity"

Margolin, Victor. „Brazilian Graphic Design in the ‘20s and ‘30s: Modernism and Modernity“. In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-099.

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Rymar, Svetlana. „NATIONAL PROBLEMS AND MODERNITY“. In SGEM 2014 Scientific SubConference on POLITICAL SCIENCES, LAW, FINANCE, ECONOMICS AND TOURISM. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b21/s4.034.

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Luzginova, Alevtina Ivanovna, und Aleksandr Vladimirovich Luzginov. „Montessori pedagogy and modernity“. In III International Scientific and Practical Conference. TSNS Interaktiv Plus, 2017. http://dx.doi.org/10.21661/r-464763.

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„Japan, from modernity to today“. In The 10th EAAE/ARCC International Conference. Taylor & Francis Group, 6000 Broken Sound Parkway NW, Suite 300, Boca Raton, FL 33487-2742: CRC Press, 2017. http://dx.doi.org/10.1201/9781315226255-126.

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Жукова, Людмила Николаевна. „YUKAGIR BOATS: TRADITIONS AND MODERNITY“. In Народы и культуры Северной Азии в контексте научного наследия Г.М. Василевич. Якутск: Институт гуманитарных исследований и проблем малочисленных народов Севера Сибирского отделения РАН, 2020. http://dx.doi.org/10.25693/vasilevich.2020.014.

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Romanov, YU A. „Russian federalism: history and modernity“. In Scientific achievements of the third millennium. LJournal, 2019. http://dx.doi.org/10.18411/scienceconf-05-2019-43.

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Бубликов, Василий, und Юлия Батвинова. „SLAVIC PEOPLES: HISTORY AND MODERNITY“. In Slavic ethnic groups, languages and cultures in the modern world. Baskir State University, 2021. http://dx.doi.org/10.33184/seyaikvsm-2021-09-23.2.

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da Costa Marques, Ivan. „Modernity and betterment of life“. In the symposium. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/238339.238361.

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Морева, Марина Валентиновна. „«NEVYANSK TOWER - HISTORY, LEGENDS, MODERNITY»“. In Международная научно-практическая конференция «Музеефикация фортификационных сооружений. проблемы и пути их решения». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.36.74.004.

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В старинном уральском городе Невьянске находится уникальный памятник истории и архитектуры - Наклонная башня Демидовых. Построенная в 1722-1732 годах по приказу заводчика Акинфия Демидова она является в настоящее время является официальным символом города. Многофункциональное, сложное сооружение, башня, уже давно стала объектом множества легенд и преданий. В настоящее время она является смысловым центром историко-архитектурного комплекса, созданного на территории Демидовского завода, превратившись в культурный и туристский бренд Невьянска. In the ancient Ural city of Nevyansk there is a unique monument of history and architecture - the Demidov Leaning Tower. Built in 1722-1732 by order of the breeder Akinfiy Demidov, it is currently the official symbol of the city. A multifunctional, complex structure, the tower, has long been the object of many legends and legends. Currently, it is the semantic center of the historical and architectural complex created on the territory of the Demidov factory, having turned into a cultural and tourist brand of Nevyansk.

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Qi, Chunyan. „Post-Modernity in Falling Man“. In 7th International Conference on Education, Management, Information and Mechanical Engineering (EMIM 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/emim-17.2017.400.

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Berichte der Organisationen zum Thema "Modernity"

Spolaore, Enrico, und Romain Wacziarg. Fertility and Modernity. Cambridge, MA: National Bureau of Economic Research, Juni 2019. http://dx.doi.org/10.3386/w25957.

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Los, Josyp. TOP ANALYTICS OF OPINION JOURNALISM: HISTORY AND MODERNITY. Ivan Franko National University of Lviv, Februar 2022. http://dx.doi.org/10.30970/vjo.2022.51.11405.

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The article investigates the immortality of books, collections, including those, translated into foreign languages, composed of the publications of publications of worldview journalism. It deals with top analytics on simulated training of journalists, the study of events and phenomena at the macro level, which enables the qualitative forecast of world development trends in the appropriate contexts for a long time.

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Maltese, Louis. For the Hard of Hearing: A Catholic Novelist Confronts Modernity. Portland State University Library, Januar 2014. http://dx.doi.org/10.15760/honors.88.

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Barrett, Roby C. Saudi Arabia: Modernity, Stability, and the Twenty-First Century Monarchy. Fort Belvoir, VA: Defense Technical Information Center, Juni 2015. http://dx.doi.org/10.21236/ada620023.

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Kelshaw, Christopher J. From Mao toward Modernity: The Increasing Westernization of the People's Liberation Army. Fort Belvoir, VA: Defense Technical Information Center, Mai 2014. http://dx.doi.org/10.21236/ada612233.

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Carpenter, Chris. Building stories: modernity, socialization and failure in works of Franz Kafka and Hannah Arendt. Portland State University Library, Januar 2013. http://dx.doi.org/10.15760/honors.8.

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Gietel-Basten, Stuart. “Catching up with ‘compressed modernity”’ - How the values of Millennials and Gen-Z’ers could reframe gender equity and demographic systems. Verlag der Österreichischen Akademie der Wissenschaften, Juli 2020. http://dx.doi.org/10.1553/populationyearbook2020.deb03.

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Filip, Grażyna, und Justyna Majchrowska. Internet Post as an Element of E-Branding. Linguistic Analysis. Ivan Franko National University of Lviv, Februar 2022. http://dx.doi.org/10.30970/vjo.2022.51.11401.

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E-branding of Lidl brand is a wide-ranging marketing strategy, which purpose is to keep the current customers and gain new. The authors of advertisments posts, that includes information regarding a specific product (name, information about it, price, reason of showcasing in the specific moment), use semantic (mostly nature, price, tradition, modernity, comfort, luxury), grammatical and non-linguistic categories to convince the receivers to themselves. Such communicational process enables also to read the needs of customers, who – by liking the brand’s page – want (actively) to participate in the whole sales process, want to be informed and to have a chance to use the offer.

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Markov, Smilen. COVID-19 and Orthodoxy: Uncertainty, Vulnerability, and the Hermeneutics of Divine Economy. Analogia 17 (2023), März 2023. http://dx.doi.org/10.55405/17-4-markov.

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COVID-19 was a great challenge for Orthodox Christians worldwide. As all natural disasters in modernity, the pandemic was explained and combatted on the basis of science. There could be no doubt that death, pain, suffering, despair, imprisonment (the quarantine can indeed be experienced as an imprisonment) are opportunities for the Church to bear witness to Christ. To be ashamed of one’s vulnerability and to neglect the communal aspect of suffering means to render oneself less capable of bearing witness. Hence, it is important to find the conceptual ground for calibrating the truthful reaction to the pandemic in terms of the Christian ethos. To achieve this, we need the proper interpretative lens through which to examine the disaster of the pandemic.

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Estrada, Jorge. Ruthless Desires of Living Together in Roberto Bolaño’s 2666: Conviviality between Potestas and Potentia. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, März 2022. http://dx.doi.org/10.46877/estrada.2022.42.

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A desire to live together is perhaps a key idea in Roberto Bolaño’s narratives. His characters are constantly negotiating their involvement in diverse societies amid the historical catastrophes of the twentieth century, so this desire becomes highly differentiated. It undergoes perspectival shifts and creates “mirror games”, which express scepticism towards universalising forms and trigger reflections on history and modernity. In this working paper, I examine how, in 2666, the cosmopolitan desire of a self-legislating and self-authorizing individual is disassembled and superseded by a convivial framework and a relational subject that is crossed by diverse determining forces. This transition is correlated to Bolaño’s diagnosis of late capitalism, in which a matrix of domination that worked with the logic of potestas is replaced by the channelling of potentia, i.e. an apparatus for capturing a flow of lives whose features only come to light in forensic discourse and project the fictional city of Santa Teresa.

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