Zeitschriftenartikel: „Modern“

1

Kearney, Fióna. „Moderna Museet/Modern Museum“. Circa, Nr. 97 (2001): 44. http://dx.doi.org/10.2307/25563735.

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2

Grenet, Mathieu. „Early Modern History – Histoire Moderne“. European Review of History: Revue européenne d'histoire 16, Nr. 4 (August 2009): 597–98. http://dx.doi.org/10.1080/13507480903063928.

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3

Harvey, Katherine. „Early Modern History – Histoire Moderne“. European Review of History: Revue europeenne d'histoire 16, Nr. 6 (Dezember 2009): 917–18. http://dx.doi.org/10.1080/13507480903368269.

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4

Frias, Aníbal. „Fernando Pessoa as modern and anti-modern: greatness and «decadence» of modern times“. Revista Estudos do Século XX, Nr. 10 (2010): 279–96. http://dx.doi.org/10.14195/1647-8622_10_17.

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5

Korab, M. G., M. V. Yurzhenko, V. L. Demchenko und Ye P. Mamunya. „Modern models of formation of polymer welded joints materials (Review)“. Paton Welding Journal 2023, Nr. 1 (28.01.2023): 39–46. http://dx.doi.org/10.37434/tpwj2023.01.06.

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6

Milfull, John. „Pre‐modern, post‐modern, counter‐modern?“ Debatte: Journal of Contemporary Central and Eastern Europe 4, Nr. 1 (Januar 1996): 41–48. http://dx.doi.org/10.1080/09651569608454525.

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7

Bachmann, Peter, Simon Ammann, Beat Kunz und Alfred Rupf. „Moderne forstbetriebliche Planung | Modern forest management planning“. Schweizerische Zeitschrift fur Forstwesen 153, Nr. 5 (01.05.2002): 184–89. http://dx.doi.org/10.3188/szf.2002.0184.

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With the inception of a two-step forestry plan, forest management planning takes on a new, more important, meaning. The new plan aims to optimise production performance in forestry enterprises and is strongly oriented towards economic considerations. In the medium term the emphasis is on strategic planning and operative planning takes place within the annual plan. The content of modern forest management planning is very different to prevailing management plans and calls for new solutions. The examples of forest enterprises of the City of Winterthur(2000 ha) and the Exchequer of Württemberg (5200 ha) serve to show how – apart from traditional policies – a business plan in accordance with modern management doctrine becomes the main steering instrument. In smaller forest enterprises it probably makes good sense to convert the business plan into a strategic planning instrument with a strong economic orientation which, in addition to sovereign considerations, strongly builds on the goals of ownership. Strategic planning will be an important task for the manager. The influence of the state is limited to those aspects which concern binding regulations in the public interest. The supply of information needs to be partially re-regulated with regard to survey levels, accuracy, repartition of coasts and responsibilities.

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8

Líbal, Patrik. „František Troníček, Co-Creator of the Prague City : Modern Builder and Modernist Architect“. Staletá Praha 36, Nr. 1 (15.06.2020): 2–25. http://dx.doi.org/10.56112/sp.2020.1.01.

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9

Eksteins, Modris, und Peter Conrad. „Modern Times, Modern Places“. American Historical Review 104, Nr. 5 (Dezember 1999): 1641. http://dx.doi.org/10.2307/2649368.

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10

Ahmad, Zubair. „Modern religion, modern race“. Ethnic and Racial Studies 41, Nr. 13 (15.01.2018): 2348–50. http://dx.doi.org/10.1080/01419870.2017.1420811.

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11

Heschel, Susannah. „Modern Religion, Modern Race“. Body and Religion 2, Nr. 1 (14.06.2018): 137–40. http://dx.doi.org/10.1558/bar.35775.

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12

Bravesmith, Anna. „Tate Modern: Jung modern“. Psychodynamic Counselling 7, Nr. 1 (Januar 2001): 103–7. http://dx.doi.org/10.1080/13533330010018504.

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13

Hutton, Louisa. „Modern Color/Modern Architecture“. Architectural Research Quarterly 7, Nr. 1 (März 2003): 92–93. http://dx.doi.org/10.1017/s1359135503232012.

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William Braham writes that this book has been conceived as a genealogy of modern architectural colour, explaining that he uses the term ‘genealogy’ in the (Deleuzean) sense of it automatically bringing one to an understanding of the distance travelled since the particular origins under research. Such an analysis is useful to Braham who wants to bring to the practising architect an informed view of the use of colour in architecture by investigating the discussions that have surrounded it since the 1830s.

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14

Slifkin, Meredith. „Modern Women, Modern Egypt“. Feminist Media Histories 3, Nr. 1 (01.01.2017): 5–24. http://dx.doi.org/10.1525/fmh.2017.3.1.5.

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This article places existing discourses on Egyptian cinema, revolution, and global feminism in conversation with theories of film melodrama. The text examines the tradition of Egyptian melodrama as a site for analogizing women's liberation with national modernization in the wake of the 1952 Revolution—an analogy facilitated by the careful manipulation of melodramatic vernaculars of emotionality, and the endurance of affective cultural memory. In this context melodrama functions as a specific critical tool for understanding how popular film culture then and now organizes people politically and affectively, on- and offscreen. The article further investigates the “method of contradictions” that seems necessary to think critically about comparative melodrama at three levels of discourse: melodrama in general; the Egyptian melodramatic tradition specifically; and within melodramatic scholarship that tends to resemble its object of study.

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15

Gillette, C. S. „MODERN SEARCHLIGHTS. MODERN SEARCHLIGHTS.“ Journal of the American Society for Naval Engineers 34, Nr. 4 (18.03.2009): 527–63. http://dx.doi.org/10.1111/j.1559-3584.1922.tb00458.x.

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16

Jung, Soojin. „The Modern and Post-modern of Modern Cultural Heritage“. ASIAN COMPARATIVE FOLKLORE 72 (31.10.2020): 129–60. http://dx.doi.org/10.38078/acf.2020.10.72.129.

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17

Berman, Marshall. „Marx in China: Modern Art, Modern Conflicts, Modern Workers“. Dissent 53, Nr. 2 (2006): 18–21. http://dx.doi.org/10.1353/dss.2006.0018.

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18

Gazdar, Haris. „Pre-modern, Modern and Post-modern Famine in Iraq“. IDS Bulletin 33, Nr. 4 (Oktober 2002): 63–69. http://dx.doi.org/10.1111/j.1759-5436.2002.tb00045.x.

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19

Bassett, Shirley E. „Modern garden delphiniums“. Collectanea Botanica 19 (30.12.1990): 153–60. http://dx.doi.org/10.3989/collectbot.1990.v19.123.

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20

Nazarov, Ilkhom. „Modern Educational Technologies“. Revista Gestão Inovação e Tecnologias 11, Nr. 3 (30.06.2021): 245–52. http://dx.doi.org/10.47059/revistageintec.v11i3.1934.

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21

KUCHERENKO, Yuliya. „MODERN COATING TECHNOLOGIES“. Herald of Khmelnytskyi National University. Technical sciences 309, Nr. 3 (26.05.2022): 89–91. http://dx.doi.org/10.31891/2307-5732-2022-309-3-89-91.

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The development of the country is determined by the efficiency of enterprises and organizations, which should simply survive in difficult conditions, and pursue an active strategy of transformation. Innovations in the technology of protective and decorative metal coatings create the necessary level of competition in the domestic paint and varnish coating. Innovative development of the country’s economy is one of the highest priorities of state policy. The strategy of modernization is determined by the consistent transition of the economy to an innovative model of development to solve the problem of strategic support for sustainable and long-term dynamics of innovation processes. However, today there is no necessary level of competition in the domestic innovation market and entrepreneurs are aware of the importance of innovation in creating competitive advantages, as well as an adequate legal framework governing relations in the field of innovation. In addition, the generation of knowledge takes place in the public sphere, the application of this knowledge or the implementation of the obtained scientific and technical results is in the commercial industry. Metal has been and remains the main structural material of the industry – from means of production to consumer products, and the primary consumer properties of the product include its appearance and durability. Rust can kill these qualities in a matter of months and days, so perhaps more important is the quality of the product itself, and the quality of its coating. In this paper, an analysis of modern coating technologies is carried out, the strengths and weaknesses of different coating technologies are identified.

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22

EPPS, BRAD. „“MODERN” AND “MODERNO”: MODERNIST STUDIES, 1898, AND SPAIN“. Catalan Review 14, Nr. 1-2 (01.01.2000): 75–116. http://dx.doi.org/10.3828/catr.14.1-2.5.

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23

Neto, Jarbas de Mesquita. „FISIOLOGIA MODERNA E VITALISMO / MODERN PHYSIOLOGY AND VITALISM“. Brazilian Journal of Development 7, Nr. 2 (2021): 20663–71. http://dx.doi.org/10.34117/bjdv7n2-624.

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24

Knoblauch, Hubert. „Eingebaute Kritik oder: wie modern ist die Moderne?“ Soziologische Revue 43, Nr. 2 (05.06.2020): 145–52. http://dx.doi.org/10.1515/srsr-2020-0022.

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25

Creton, D. „La chirurgie moderne des varices « Modern open surgery »“. Journal des Maladies Vasculaires 40, Nr. 5 (September 2015): 289. http://dx.doi.org/10.1016/j.jmv.2015.07.038.

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26

Nicolau, Marcos Fábio Alexandre. „MODERNIDADE E RELIGIÃO“. PARALELLUS Revista de Estudos de Religião - UNICAP 10, Nr. 25 (15.04.2020): 385. http://dx.doi.org/10.25247/paralellus.2019.v10n25.p385-393.

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Como demarcar a crítica moderna frente a questão religiosa? Eis o que nosso texto vem analisar, objetivando avaliar se houve realmente a exaustão dessa perspectiva religiosa e seu ultrapassar por um novo paradigma a partir dessa crítica moderna. O estudo expôs o discurso, autodenominado moderno, que impõe limite ao religioso ao reconhecer-se dentro do contexto de uma nova construção de realidade. MODERNITY AND RELIGIONAbstractHow can we demarcate the modern criticism before the religious issue? This is exactly what our text analyses, aiming to evaluate if there was a depletion of this religious perspective and its surpass by a new paradigm from that modern criticism. The study exposed the discourse, so-called modern, which imposes limits to religious when acknowledges itself within the context of a new construction of reality.Keywords: Philosophy of Religion. Religious discourse. Natural Religion.

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27

Erlmann, Veit. „Modern, neo-modern oder postmodern?“ Historische Anthropologie 2, Nr. 1 (April 1994): 131–41. http://dx.doi.org/10.7788/ha.1994.2.1.131.

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28

Mácêl, Otakar. „Modern Architecture and Modern Furniture“. Designing Modern Life, Nr. 46 (2012): 14–19. http://dx.doi.org/10.52200/46.a.9rk52tg1.

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Modern architecture and Modern furniture originated almost during the same period of time. Modern architects needed furniture compatible with their architecture and because it was not available on the market, architects had to design it themselves. This does not only apply for the period between 1920 and 1940, as other ambitious architectures had tried before to present their buildings as a unit both on the inside and on the outside. For example one can think of projects by Berlage, Gaudí, Mackintosh or Horta or the architectures of Czech Cubism and the Amsterdam School. This phenomenon originated in the 19th century and the furniture designs were usually developed for the architect’s own building designs and later offered to the broader consumer market, sometimes through specialized companies. This is the reason for which an agreement between the architect and the commissioner was needed, something which was not always taken for granted.

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29

KOHTOH, Yousuke. „Hybrid-modern and Post-modern“. Japanese Sociological Review 48, Nr. 4 (1998): 391–406. http://dx.doi.org/10.4057/jsr.48.391.

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30

Kwon, Sang-Woo. „Modern, Post-modern and Confucianism“. Jonrnal of Social Thoughts and Culture 14 (30.11.2006): 83. http://dx.doi.org/10.17207/jstc.2006.11.14.83.

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31

Rolfe, Bari, und Thomas Leabhart. „Modern and Post-Modern Mime“. Theatre Journal 43, Nr. 2 (Mai 1991): 267. http://dx.doi.org/10.2307/3208233.

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32

Barry, Brian. „Modern Knowledge and Modern Politics“. Government and Opposition 24, Nr. 4 (01.10.1989): 387–90. http://dx.doi.org/10.1111/j.1477-7053.1989.tb00730.x.

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THIS THOUGHT-PROVOKING SYMPOSIUM ORIGINATED IN A small conference organized at the London School of Economics by Government and Opposition and the papers printed here have been revised — in many cases extensively — by their authors in the light of the discussion there. With a single exception (Sir Arthur Knight) all the contributors are members of the Editorial Board or the Advisory Board of Government and Opposition, and the idea for the symposium was first put forward by one of the Editors, Professor Isabel de Madariaga.The central issue addressed in the symposium is the adequacy or otherwise of the sciences, natural and social, in providing the information required by people in various capacities — as citizens, business leaders, politicians, judges, and so on — if they are to act intelligently.

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33

Gonzalez, Nancie L. „The Modern Caribbean:The Modern Caribbean.“ Latin American Anthropology Review 3, Nr. 2 (Dezember 1991): 78. http://dx.doi.org/10.1525/jlat.1991.3.2.78.

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34

Fosdick, Bailey K., und G. Brooke Anderson. „Modern Statistics for Modern Biology“. American Statistician 74, Nr. 3 (02.07.2020): 309–11. http://dx.doi.org/10.1080/00031305.2020.1790218.

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35

Beck, Ulrich. „How Modern is Modern Society?“ Theory, Culture & Society 9, Nr. 2 (Mai 1992): 163–69. http://dx.doi.org/10.1177/026327692009002011.

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36

Poulsen, M., J. Forrest und R. Johnston. „From Modern to Post-modern?“ Cities 19, Nr. 3 (Juni 2002): 161–72. http://dx.doi.org/10.1016/s0264-2751(02)00013-6.

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37

Knowles, Ric. „The Modern in Modern Times“. Canadian Theatre Review 139 (Juli 2009): 63–68. http://dx.doi.org/10.3138/ctr.139.009.

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“Modern Times” is, perhaps, a strange name for a theatre company that, in its early years, was dedicated to staging adaptations of ancient Persian fables, and whose current mandate focuses on the blending of Middle-Eastern and western theatrical forms.1 But the name is appropriate: central to the company’s activity is the rethinking of modernism itself. Indeed, Modern Times Stage Company can be understood to be working, in its modest way, towards the completion of what Jurgen Habermas in 1980 famously (and controversially) called “the unfinished project of modernity” – the extension of the larger humanist project of Enlightenment through the creation of a rational and democratic public sphere, one that includes the arts as well as science and morality. According to Habermas, modernism held “the extravagant expectation that the arts and sciences would not merely promote the control of the forces of nature but also the understanding of self and world, moral progress, justice in social institutions, and even human happiness” (45). Habermas is sceptical about the project’s potential success, citing “Three Conservatisms”–antimodernism, pre-modernism, and postmodernism – that work against it (53). Modern Times is more optimistic, and, circumventing many of the critiques levelled at Habermas’s gender blindness and his Eurocentric defence of the Enlightenment and its ravages, extends this extravagant expectation to all of the world’s peoples, whatever their genders, sexualities, races or ethnicities.

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38

Dutkowski, Marek. „The Pre-Modern, Modern, and Post-Modern Metaphors of Nature“. EUROPEAN RESEARCH STUDIES JOURNAL XXVI, Issue 4 (01.10.2023): 462–71. http://dx.doi.org/10.35808/ersj/3297.

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39

Baratbayev, Bekzod Botirovich. „Structural Directions Of Modern Concepts Of National Development Models Of Uzbekistan And Russia“. American Journal of Political Science Law and Criminology 03, Nr. 01 (20.01.2021): 15–20. http://dx.doi.org/10.37547/tajpslc/volume03issue01-03.

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Each country's national development model is unique and covers its current and future goals and interests. In both Uzbekistan and Russia, it can be seen that the concepts of national development are expressed in terms of decisions, decrees, instructions, programs, regulations, plans, strategies, as mentioned above. This article provides a comparative analysis of the structural aspects of these concepts, the processes and events that occur on their basis.

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40

Rewald, Sabine, Jane Adlin, Wolfram Koeppe, Harold Koda, Jared Goss, Anne L. Strauss, Magdalena Dubrowski et al. „Modern“. Metropolitan Museum of Art Bulletin 61, Nr. 2 (2003): 41. http://dx.doi.org/10.2307/3269118.

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41

Ives, Colta, Gary Tinterow, Sabine Rewald, Harold Koda, H. Barbara Weinberg, Anne L. Strauss, J. Stewart Johnson et al. „Modern“. Metropolitan Museum of Art Bulletin 59, Nr. 2 (2001): 56. http://dx.doi.org/10.2307/3258903.

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42

Fineman, Mia, Sabine Rewald, Lisa M. Messinger, J. Stewart Johnson, Jared Goss, Jeff L. Rosenheim, Anne L. Strauss et al. „Modern“. Metropolitan Museum of Art Bulletin 60, Nr. 2 (2002): 39. http://dx.doi.org/10.2307/3263909.

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43

Rao, B. Surendra. „The 'Modern' in Modern Indian History“. Social Scientist 29, Nr. 5/6 (Mai 2001): 3. http://dx.doi.org/10.2307/3518296.

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44

Larrington, Carolyne, und Fay Hield. „Making ‘Modern Fairies’: Making Fairies Modern“. Folklore 132, Nr. 1 (02.01.2021): 72–96. http://dx.doi.org/10.1080/0015587x.2020.1804728.

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45

ENACHE, Maria Cristina. „Modern Learning for Modern Learners: Microlearning“. Annals of Dunarea de Jos University of Galati. Fascicle I. Economics and Applied Informatics 28, Nr. 1 (30.04.2022): 135–39. http://dx.doi.org/10.35219/eai15840409255.

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46

Burns, Christy L., und Margaret A. Rose. „Parody: Ancient, Modern, and Post-Modern.“ MLN 109, Nr. 5 (Dezember 1994): 986. http://dx.doi.org/10.2307/2904719.

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47

Malanima, Paolo. „Past growths: pre-modern and modern“. Journal of Global History 16, Nr. 2 (23.06.2021): 301–8. http://dx.doi.org/10.1017/s1740022820000418.

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48

Maltsev, S. V., und G. S. Mansurova. „VITAMIN D: MODERN TIMES, MODERN VIEW“. Pediatria. Journal named after G.N. Speransky 99, Nr. 4 (17.08.2020): 195–200. http://dx.doi.org/10.24110/0031-403x-2020-99-4-195-200.

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49

Campbell, Jim, Ailsa Mckay und Emily Thomson. „How ‘Modern’ is the Modern Apprenticeship?“ Local Economy: The Journal of the Local Economy Policy Unit 20, Nr. 3 (August 2005): 294–304. http://dx.doi.org/10.1080/02690940500190945.

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Despite the fact that some sectors of industry are facing major skills shortages, the Scottish labour market continues to be characterised by occupational segregation and a large disparity between the wages of women and men. The concentration of individuals in occupations and training based on their gender effectively restricts the pool of potential recruits to industry and is unlikely to make the best use of human capital. Moreover, it obstructs the pursuit of gender equality by reinforcing the gender pay gap and restricting individual career choices. This paper reports on the government's flagship training policy, the Modern Apprenticeship programme, from a gender perspective. It concludes that, ten years on from its introduction, the scheme represents something of a ‘missed opportunity’ to tackle occupational segregation and its deleterious effects in the wider economy and in society at large. It is recommended that the government and organisations involved in the development and delivery of Modern Apprenticeships adopt a more conscious and cohesive approach to promoting non-traditional choices at the vocational level.

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50

Prihutomo, Amanda. „Post Modern Soul in Modern Body“. Advanced Science Letters 21, Nr. 4 (01.04.2015): 626–30. http://dx.doi.org/10.1166/asl.2015.5978.

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These days people demand more from design for a valuable offer, a design that could understand them more. And this sort of things happen in fashion design too, people need more than just a fancy and extravagant clothes and it becomes a new challenge for fashion designer to explore the design and combine it with the need of the future market. The idea on focusing on function as added value in fashion design has already emerged since the early Modernism in the early 60’s. In Modernism, the beauty of aesthetic formulated based on function and material/structure exploration considered to be the future of effective design. But as time goes by, Modernism was considered to be rigid, dull and cliché, their beauty esthetic regarded as inhuman and less personal. The market demand seemed to be shifted to something more personal and have a “soul” in design, which later answered by Post Modernism that bloom in late 70’s until today. So the question of how Modernism approached design, which in the beginning was actually based on human needs, technology, effectiveness and function to offer, have failed the market? How Postmodern with personal touch that less effective can answer the need of soul for humanist design in the future? But in the end are both Modernism and Post Modernism really an opposite?

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Zeitschriftenartikel zum Thema „Modern“

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