Dissertationen zum Thema „Mistresses – Social aspects – Fiction“
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Binetti, Vincenzo Antonio. „Mito e letteratura : il romanzo sociale e lo scrittore borghese nella prima metà dell'Ottocento italiano“. Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29186.
Der volle Inhalt der QuelleArts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
Stewart, Robert Earl. „The catastrophe of entertainment : televisuality and post-postmodern American fiction“. Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30220.
Der volle Inhalt der QuelleRoy, André 1963. „Une lecture politique de Star trek /“. Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61800.
Der volle Inhalt der QuelleAhyicodae. „The programmer : a saint run mad“. Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1390648.
Der volle Inhalt der QuelleRevisiting ADP -- A crime of passion -- A power like God.
Department of English
Mahlangu, Songeziwe. „Penumbra“. Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1015207.
Der volle Inhalt der QuelleLau, Cheung-cheung, und 劉章璋. „A study of Manga and adolescent popular fiction in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31221142.
Der volle Inhalt der QuelleProietti, Salvatore. „The cyborg, cyberspace, and North American science fiction“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0021/NQ44558.pdf.
Der volle Inhalt der QuelleHagemann, Helen. „Silhouettes of Alice“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2006. https://ro.ecu.edu.au/theses/345.
Der volle Inhalt der QuelleGrogan, Bridget Meredith. „"Abject dictatorship of the flesh" : corporeality in the fiction of Patrick White“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001554.
Der volle Inhalt der Quelle彭文慧 und M. W. Petti Pang. „The image of physics and physicists in modern drama: portraits and social implications“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31225056.
Der volle Inhalt der QuelleTam, Pou U. „Machines in Faulkner's Mississippi garden“. Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2554101.
Der volle Inhalt der QuelleBrown, Anna Marie. „Cinerati“. PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/808.
Der volle Inhalt der QuelleFiander, Robert Owen. „Marshall McLuhan, the printed word, and nineteenth-century outcasts of literacy“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq62171.pdf.
Der volle Inhalt der QuelleMathieu, Sévérine. „Edition et best-sellers: tentative d'explication du fonctionnement du champ éditorial romanesque français contemporain“. Doctoral thesis, Universite Libre de Bruxelles, 1995. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212527.
Der volle Inhalt der QuelleRizea, Barbos Carmen Raluca. „Espaces du fantastique urbain et aspects du sacré. Le cas de Mircea Eliade, Jean Ray et Howard Phillips Lovecraft“. Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-00947719.
Der volle Inhalt der QuelleHawryluk, Lynda J. „Semi-detached“. Thesis, View thesis, 1997. http://handle.uws.edu.au:8081/1959.7/28403.
Der volle Inhalt der QuelleRibeiro, Vanessa Lopes. „Discursos sobre o universo do trabalho e da tecnologia no romance Usina, de José Lins do Rego“. Universidade Tecnológica Federal do Paraná, 2015. http://repositorio.utfpr.edu.br/jspui/handle/1/2008.
Der volle Inhalt der QuelleThis thesis consists of a dialogical analysis of the discursive constructions regarding the labor and technology universe in the novel "Sugar Mill" by José Lins do Rego, published in 1936. To conduct the proposed analysis, this research is based on the theoretical assumptions of Mikhail Bakhtin and the circle, language scholars, for whom the novel is a great statement which is born from a social-interactive space. On this same dialogical perspective, in relation to the labor and technology universe, this study seeks reflections of important thinkers, such as: Marx, Engels, Lafargue, Lukács, Sennett and Heidegger. The composition of the discourse presented in this study is structured from the selection of these authors and others, present, mostly in the syllabus of the disciplines of the Postgraduate in Technology Program (PPGTE), more specifically, in the Research Project "The discursive formalization of work and technology universe in Brazilian literary texts" that binds this thesis. The discursive constructions about work and technology are investigated from a circuit of voices present in the novel. This circuit of voices strengthens the key idea, critical synthesis of the author, his reflection on the working life on the plantations and the sugar mills, which in the ingenuity years there were more humane relations between people and between them and nature, pointing to a work as greater socialization factor, thus. The architectural of the novel is constituted by a statement which is established by the repetition of this thesis, guaranteed by the circuit of voices. This multiplicity of voices, represented by the characters and the narrator, is organized by the author so that the tone of the narrative evidences the anthropomorphization of the sugar mill. In resistance to this discourse of technological determinism, in the symbolic field, the author makes use of other discourses, such as the Christian tradition, the voice of the characters, D. Dondon, the sugar mill owner's wife, aggregates and workers from the ingenuity years, to make his thesis prevail. For this reason, the author organizes the narrative events so that the enunciation plan is evident to the reader in two moments: the rise and the decline of modern machinery at the Bom Jesus mill. In the first moment, with the modernization of the machinery of the mill which symbolizes the rise of this system, that is, working under the precepts of capitalism, the nature starts to crumble and human relations and of man with nature become less humanized in a sense of estranged labor. In the second, with business failure at the Bom Jesus sugar mill, the author signals for a humanization process in which, above all, the nature presents in a personified way, as a punitive response to human ambition.
„書寫瘋狂: 後解嚴時期台灣小說的歷史想像“. 2012. http://library.cuhk.edu.hk/record=b5549355.
Der volle Inhalt der Quelle解嚴(1987 年)是台灣近三十年來的重大事件,亦是近年來台灣文化與本土論述的焦點所在。其影響不獨改變了政治與社會生態,亦為台灣的藝術文化帶來巨大衝擊。戒嚴成為台灣民眾不能磨滅的歷史記憶,各種異議的思想與言論遭受壓抑,直至解嚴才出現新局面,自九十年代開展多元文化思潮。當時,不少作家藉著「瘋狂」書寫另闢膜徑,重新構想歷史,揭藥文化霸權下的種種不安。台灣文學己藉由不同形式搖動一元論述的霸權,加上西方後現代、後殖民思潮的引入,學院的主動引介和翻譯,民間白發的社會運動等,皆為解嚴後的文化現象埋下種種伏線。從文學史脈絡而言,台灣的文學生產的確迅速回應了政治解禁,並以獨特的方式透露社會文化上的騷動。
為了掌握上述的歷史脈絡,本文以解嚴為時間標竿閱讀當代台灣小說,藉此分析解嚴與文學現象的互動關係,指出文學如何展示解嚴前後的歷史想像。因此,本文以「瘋狂」為切入點,分析以瘋狂為題材的書寫如何與解嚴前後己解放的議題對話,包括性別認同、身分與族群認同,挑戰政治霸權以及後工業經濟環境下的都市文化等,目的在於驗證「瘋狂」對後解嚴文學所起的作用和價值。
本文共分為七章。首章為緒論交代研究動機及方法;第二章為文獻回顧與述評,點出當前的研究成果;第三章旨在交代後解嚴時期小說場域狀況的概述,並界定「瘋狂」的文學意義,藉此論證台灣當代文學與文化的互動關係。第四章題為「國族瘋言與都市病」,借助張大春、李渝與黃凡的作品,切入認同政治與都市化問題對文學書寫的影響。第五章為「虛幻實景與不存在之存在」,旨在察看兩位小說家賀景演與紀大偉,如何藉書寫科幻來展示對未來世界與歷史景觀的想像,以展望當下發展中的文化議題。第六章為「神聖瘋狂與不可能之可能」, 旨在檢視兩位將「瘋狂」書寫演繹得淋漓盡致的作家駱以軍與舞鶴,如何在作品中借助敘述肉體與心靈的瘋狂,探討在多元文化認同觀的氣氛下重思自我主體的問題。末章結論,以總結全文與展望將來的研究方向。
本文認為,後解嚴時期小說每以「瘋狂」的視角重新認知變動的世惰。這些作品透過創造各種怪誕場景與行為,呈現個體與權力之間的角力,反省語言與書寫策略的局限,以及批判自我主體的意識,因而為台灣當代文學場域帶來豐富的收獲。
Madness has its own history among civilizations. From time to time, madness is not only simply a kind of pathological disorder, but also takes a significant cultural role to represent the voiceless, the minorities. As in contemporary Taiwan literature,madness gradually becomes a medium to express different opinions to the society. It inquires from margin to centre which is empowered by the political establishment. It is not only a common topic to be discussed, but also an important writing strategy forwriters to proclaim their historical imagination about the past, present and future.
In 1987, a significant political issue, the Martial Law, was put to an end in Taiwan. After that, due to the liberation of freedom of speech, a booming trend of multiculturalism appeared and brought out great influences to all parts of the society, especially the field ofliterature. Many writers started to change their narration style and inclined their focus on minorities. In order to have a good grasp of this forming trend, hence, this study aims to trace back to the development of Taiwan literature after 1987, and examine how novel writers make use of the narratives of madness to state their own opinion on several topics, including the relationship between the subjectivity of one-self and the identity of the communities.
There are seven chapters in this paper. The introduction states the framework and methodology of the study. In chapter two, a literature review gives an insight into the direction in current research and discussion on the post-Martial Law era, in addition to the narrative of madness. Chapter three investigates the field of Taiwan literature after 1987 in order to discuss the interaction of culture and literature. In the fourth chapter, it studies on the fictions written by Li Yu (李渝, 1941- ), Chang Ta-chuen (張大春, 1957- ) and Huang Fan (黃凡, 1950- ), related to the issue on national identity and their ironic practices. In chapter five, it discusses the science fiction by He Jing-bing (賀景濱, 1958- ) and Chi Ta-wei (紀大偉, 1972-), to find out the projection about future based on the up coming and shifting cultural trend. The sixth chapter focuses on how the writers such as Wu He (舞雀, 1951- ) and Luo Yi-jun (路以軍, 1967- ) contributes to sanctification and internalization of madness, as well as enhance its value for a reflexive purpose. The last chapter concludes the overall findings and projects further research directions of the relevant topics.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
鄺梓桓.
Sumitted date: 2011年11月.
Sumitted date: 2011 nian 11 yue.
Thesis (Ph.D.)--Chinese University of Hong Kong, 2012.
Includes bibliographical references (leaves 203-222)
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstracts in Chinese and English.
Kuang Zihuan.
Chapter 第一章 --- 緒論 --- p.1
Chapter 第一節 --- 研究動機與目的 --- p.1
Chapter 第二節 --- 研究範團與方法 --- p.6
Chapter 第三節 --- 篇章概述 --- p.15
Chapter 第二章 --- 文獻回顧及評述 --- p.18
Chapter 第一節 --- 前行研究述評 --- p.18
Chapter 第二節 --- 相關文獻述評 --- p.25
Chapter 第三章 --- 世紀末的瘋狂-解嚴後台灣小說場域的狀況 --- p.37
Chapter 第一節 --- 何謂瘋狂 --- p.37
Chapter 第二節 --- 解嚴後台灣小說場城的狀況 --- p.42
Chapter 第四章 --- 國族瘋言與都市病 --- p.48
Chapter 第一節 --- 張大春論:國族瘋言與譜妄 --- p.50
Chapter 第二節 --- 李渝論:都市病 --- p.71
Chapter 第三節 --- 黃凡論:政治躁鬱症 --- p.87
Chapter 第四節 --- 小結 --- p.93
Chapter 第五章 --- 虛幻實景與不存在之存在 --- p.94
Chapter 第一節 --- 後解嚴時期的科幻小說 --- p.94
Chapter 第二節 --- <李伯夢三部曲>的敘事實驗 --- p.101
Chapter 第三節 --- <膜> 的性別與生命辯證 --- p.116
Chapter 第四節 --- <去年在阿魯吧>的虛擬實境 --- p.128
Chapter 第五節 --- 小結 --- p.138
Chapter 第六章 --- 神聖瘋狂與不可能之可能 --- p.141
Chapter 第一節 --- 駱以軍論:回歸自我之不可能 --- p.141
Chapter 第二節 --- 舞鶴論:走在不可能的邊緣之上 --- p.167
Chapter 第三節 --- 小結 --- p.196
Chapter 第七章 --- 結論 --- p.197
Chapter 第一節 --- 總結:讓瘋狂說話 --- p.197
Chapter 第二節 --- 研究反思與前瞻 --- p.199
參考書目 --- p.203
Wilkinson, Zizke Rolenda. „Social fiction: an imaginary journey through the Alexandra-Sandton corridor: temporarily subverting everyday acceptance“. Thesis, 2017. http://hdl.handle.net/10539/23025.
Der volle Inhalt der QuelleABSTRACT The aim of this dissertation is to explore alternative ways of looking at architecture through the use of theory, the type of theory, alternative building programme development, representing architecture and how architecture is implemented. By doing so, an intervention is designed to expose various social truths, stimulating self reflection and adding value to the Alexandra-Sandton corridor context. This research project utilises the spirit of carnivals as subversive and radical events to change a community’s behaviour. This dissertation explores Bakhtin’s theory of the “carnivalesque”. This theory was used as the theoretical framework based on four characteristics. Throughout the research process these are used to analyse site context and create an intervention. The four carnivalesque characteristics are: - Usurping of hierarchies; - Pushing taboos; - Unusual connections; - Eccentric behaviour. The social inequalities along the Alexandra-Sandton corridor are broken down into every day activities and juxtaposed to amplify and expose hidden rules that we have come to accept in Johannesburg. The intervention acts as a commentary on the future connection of the two contrasting communities for spectacle and self reflection, transcending the everyday experience into a surreal playground through virtual reality and other means. Architecturally, Social Fiction has three main design strands 1. Theoretical exploration; 2. Architecture as emotional stimulus; 3. Virtual reality as fictional representation. Social Fiction is a project that bridges architecture, politics, socioeconomics and philosophy, using the medium of virtual reality and comic book fantasy as an open and accessible way, challenging the traditional plan, section elevation as a means of communication.
GR2017
„SomeThing (un)desirable: serial killers in selected contemporary bestsellers and films“. 1999. http://library.cuhk.edu.hk/record=b5889924.
Der volle Inhalt der QuelleThesis (M.Phil.)--Chinese University of Hong Kong, 1999.
Includes bibliographical references (leaves 118-127).
Abstracts in English and Chinese.
Abstract --- p.i
Table of Contents --- p.v
Acknowledgments --- p.vi
Chapter Chapter One --- Introduction: The Empire of the Serial Killers --- p.1
Chapter Chapter Two --- Stereotyping in Serial Killer Movies and Bestsellers --- p.26
Chapter Chapter Three --- Inter-serial-textuality --- p.68
Chapter Chapter Four --- Controversies --- p.103
Conclusion --- p.113
Works Cited --- p.118
Appendix --- p.128
Craig, Jen. „Disgusting woundedness : anorexia and the transgenerational transmission of trauma“. Thesis, 2017. http://hdl.handle.net/1959.7/uws:45999.
Der volle Inhalt der QuelleScott, Ron. „Artificial intelligence and cyberpunk“. Thesis, 1997. http://hdl.handle.net/1957/33211.
Der volle Inhalt der QuelleGraduation date: 2000
„晚清「新小說」的都市想像“. 2013. http://library.cuhk.edu.hk/record=b5884254.
Der volle Inhalt der QuelleThesis (Ph.D.)--Chinese University of Hong Kong, 2013.
Includes bibliographical references (leaves 126-133).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstract in Chinese and English.
Chen Pengxin.
Jewell, Melinda R., University of Western Sydney, College of Arts und School of Communication Arts. „The representation of dance in Australian novels : the darkness beyond the stage-lit dream“. 2008. http://handle.uws.edu.au:8081/1959.7/39463.
Der volle Inhalt der QuelleDoctor of Philosophy (PhD)
Hawryluk, Lynda J., University of Western Sydney und Faculty of Humanities and Social Sciences. „Semi-detached“. 1997. http://handle.uws.edu.au:8081/1959.7/28403.
Der volle Inhalt der QuelleMaster of Arts (Hons) Writing
Linscott, James Alfred. „Voices form the margins : an analysis of the cultural politics of E.M. Forster's fiction“. Thesis, 2002. http://hdl.handle.net/10413/3398.
Der volle Inhalt der QuelleThesis (M.A.) - University of Natal, Pietermaritzburg, 2002.
Buchman, Ilan Leon. „Narcissistic elements in Lermontov's work“. Thesis, 2015. http://hdl.handle.net/10539/16470.
Der volle Inhalt der QuelleGoldfarb, Nancy D. „"Charity Never Faileth": Philanthropy in the Short Fiction of Herman Melville“. Thesis, 2014. http://hdl.handle.net/1805/6298.
Der volle Inhalt der QuelleThis dissertation analyzes the critique of charity and philanthropy implicit in Melville’s short fiction written for periodicals between 1853 and 1856. Melville utilized narrative and tone to conceal his opposition to prevailing ideologies and manipulated narrative structures to make the reader complicit in the problematic assumptions of a market economy. Integrating close readings with critical theory, I establish that Melville was challenging the new rhetoric of philanthropy that created a moral identity for wealthy men in industrial capitalist society. Through his short fiction, Melville exposed self-serving conduct and rationalizations when they masqueraded as civic-minded responses to the needs of the community. Melville was joining a public conversation about philanthropy and civic leadership in an American society that, in its pursuit of private wealth, he believed was losing touch with the democratic and civic ideals on which the nation had been founded. Melville’s objection was not with charitable giving; rather, he objected to its use as a diversion from honest reflection on one’s responsibilities to others.
(9869672), R. Franks. „Blood on their hands : representations of class, gender and ethical questions attendant on the act of murder in Australian crime fiction, 1830-1980“. Thesis, 2011. https://figshare.com/articles/thesis/Blood_on_their_hands_representations_of_class_gender_and_ethical_questions_attendant_on_the_act_of_murder_in_Australian_crime_fiction_1830-1980/13461755.
Der volle Inhalt der QuelleGallagher, Gina Marie. „TIME SKIPS AND TRALFAMADORIANS: CULTURAL SCHIZOPHRENIA AND SCIENCE FICTION IN KURT VONNEGUT’S SLAUGHTERHOUSE-FIVE AND THE SIRENS OF TITAN“. Thesis, 2012. http://hdl.handle.net/1805/3085.
Der volle Inhalt der QuelleIn his novels Slaughterhouse-five and The Sirens of Titan, Kurt Vonnegut explores issues of cultural identity in technologically-advanced societies post-World War II. With the rise of globalization and rapid technological advancements that occurred postwar, humans worldwide were mitigating the effects of information overload and instability in cultural identity. The influx of cultural influences that accompany a global society draws attention to the fluidity and inevitability of cultural change. A heightened awareness of cultural influences—past and present—creates anxiety for the generation living postwar and before the dawn of the Information Age. This generation suffers from “cultural schizophrenia”: a fracturing of the psyche characterized by anxiety over unstable cultural identities and agency. With the characters of Billy Pilgrim and Winston Niles Rumfoord, Vonnegut explores the different reactions to and consequences of cultural schizophrenia. His unique writing style is an effective hybrid of science fiction conventions and the complexities of human culture and society. Ultimately, Vonnegut explores the dangers of detachment and the complicated nature of agency with novels that are both innovative and accessible.
Suranukkharin, Todsapon. „The construction of cultural ideologies in award-winning Thai and Australian children's picture books (1987-2006)“. Phd thesis, 2013. http://hdl.handle.net/1885/155848.
Der volle Inhalt der QuelleKohaly, Dawn Felicity. „The Nollybook phenomenon“. Diss., 2015. http://hdl.handle.net/10500/19843.
Der volle Inhalt der QuelleOpperman, Susan. „Ethical and stylistic issues of translating Bosman's English short stories into Afrikaans“. Thesis, 2018. http://hdl.handle.net/10500/24546.
Der volle Inhalt der QuelleHerman Charles Bosman (1905–1951) remains a popular South African writer, despite the frequent occurrence of the offensive k-word for black people in his writings. Although the discipline of Translation Studies is presently dominated by ethical considerations, there are reasons to believe that ethical issues have been neglected in recent translations of Bosman’s English short stories into Afrikaans. His translators, Griebenow and De Lange, have conformed to a simplistic fidelity-driven perception of ethics, while more attention should have been paid to “sensitive” aspects of the original. The research problem is how this gap that exists in translation practice can be addressed, which in turn raises the question: How would one translate Bosman’s stories in an ethically responsible manner for the twenty-first century? This study not does deal with all of Bosman’s short stories but focuses on the Oom Schalk Lourens ones as these demonstrate the research problem best. Thus, the data consist of existing texts in printed form. The following stories have been selected for comparative analysis: “Makapan’s Caves”, “The Rooinek”, “The Gramophone”, “Mafeking Road”, “Splendours from Ramoutsa”, “Unto Dust”, and “Funeral Earth”. Since excerpts from the original and their corresponding translations are compared, translator style is inevitably included in the discussion. A committed approach, which considers translation as an activist and interventionist cultural activity (Brownlie 2011), forms the analytical framework of this study. The analyses indicate that Griebenow and De Lange have retained the offensive racial epithets of the source texts, rather than toning them down for modern target-text readers. Thus, the translators have been faithful to a dead author, instead of taking the socio-cultural and political context of reception into consideration. From a committed stance, I would strongly recommend that derogatory racial epithets, found in older texts, should be subdued in current translations. Otherwise, it may be better not to translate at all, as Pym (2012) suggests. Owing to translators’ responsibility for the effects of their translations on their readers, and South Africa’s political transformation to a democracy in which all people are deemed equal before the law, the use of racist language, is totally unwarranted.
Herman Charles Bosman (1905–1951) bly ʼn gewilde Suid-Afrikaanse skrywer, ten spyte van die gereelde voorkoms van die neerhalende k-woord vir swart mense in sy werk. Hoewel die dissipline, Vertaalkunde, tans deur etiese vraagstukke oorheers word, is daar rede om te vermoed dat etiese kwessies afgeskeep is in die onlangse vertalings van Bosman se Engelse kortverhale in Afrikaans. Die vertalers, Griebenow en De Lange, vereenselwig etiek met getrouheid aan die skrywer, in plaas daarvan om meer aandag te skenk aan “sensitiewe” aspekte van die oorspronklike. Die navorsingsprobleem is hoe om hierdie gaping in vertaalpraktyk aan te spreek: Hoe behoort Bosman se verhale op ʼn etiese, verantwoordelike wyse vertaal te word vir die een-en-twintigste eeu? Hierdie studie fokus op Bosman se oom Schalk Lourens-verhale wat die navorsingsprobleem die beste illustreer. Die data is derhalwe saamgestel uit bestaande tekste in gedrukte vorm. Die volgende verhale is vir vergelykende ontleding gekies: “Makapan’s Caves”, “The Rooinek”, “The Gramophone”, “Mafeking Road”, “Splendours from Ramoutsa”, “Unto Dust”, en “Funeral Earth”. Aangesien grepe uit die brontekste en die vertalings daarvan vergelyk word, is vertalerstyl noodwendig deel van die bespreking. ʼn Betrokke benadering waarvolgens vertaling as ʼn aktivistiese en intervensionistiese kulturele aktiwiteit beskou word (Brownlie 2011), vorm die ontledingsraamwerk van die studie. Die ontledings dui daarop dat Griebenow en De Lange die rassistiese skeldname van die oorspronklike behou het, in plaas daarvan om dit “sagter” uit te druk vir hedendaagse doeltaallesers. Die vertalers was getrou aan ʼn afgestorwe skrywer, eerder as om die sosiokulturele en -politiese konteks van resepsie in ag te neem. Vanuit ʼn betrokke standpunt sou ek sterk aanbeveel dat neerhalende, rassistiese benamings wat in ouer tekste voorkom, gedemp moet word in hedendaagse vertalings. Anders sou dit beter wees om hoegenaamd nie te vertaal nie, soos Pym (2012) voorstel. Vanweë vertalers se verantwoordelikheid vir die effek van hul vertalings op hul lesers, en Suid-Afrika se politiese transformasie in ʼn demokrasie waar alle mense gelyk geag word voor die wet, is die gebruik van rassistiese taal verregaande.
UHerman Charles Bosman (1905-1951) ngomnye wababhali abaphume izandla baseMzantsi Afrika, nangona iincwadi zakhe zizele ligama elingamkelekanga eliqala ngo-k elibhekiselele kubantu abantsundu. Nangona Izifundo Zoguqulo zikuthathela ingqalelo ukunanzwa kweenqobo ezisesikweni xa kuguqulelwa, kukho izizathu ezibangela ukuba kukholeleke ukuba imiba engeenqobo ezisesikweni iye yatyeshelwa xa bekuguqulelwa kwiAfrikaans amabali amafutshane kaBosman abhalwe ngesiNgesi. UGriebenow noDe Lange abangabaguquli bathande ukulandela uluvo olubonisa intembeko kumbhali, endaweni yokugxila kwimiba “enobuethe-ethe” ekwisicatshulwa sentsusa. Injongo yolu phando kukufumana indlela esinokuvalwa ngayo esi sikhewu kwimisebenzi yoguqulelo, nto leyo ebangela ukuba kubekho imibuzo ethi: Umntu angawaguqula njani amabali amafutshane kaBosman kwinkulungwane yamashumi amabini ananye apho umguquli azithathela ingqalelo iinqobo ezisesikweni. Olu phando aluwahlautyi onke amabali amafutshane kaBosman, koko lugxila kuphela kula ka-Oom Schalk Lourens kuba ingawo ayivelisa kakuhle le ngxaki/njongo yophando. Izicatshulwa ezihlalutywayo zezishicilelweyo kuphela. Amabali akhethelwe ukuthelekiswa nokuhlalutywa ngala: “Makapan’s Caves”, “The Rooinek”, “The Gramophone”, “Mafeking Road”, “Splendours from Ramoutsa”, “Unto Dust”, and “Funeral Earth”. Njengoko kuthelekiswa iziqendwana ezikula mabalana neenguqulelo zawo, isimbo sokubhala sabaguquli siyaqukwa kolu hlalutyo. Isakhelo sohlalutyo esisetyenzisiweyo kolu phando seso sisekelwe kwiingcamango zikaBrownlie (2011) ezihlela uguqulelo njengesenzo senkcubeko sokuphembelela nokungenelela. Uhlalutyo lubonisa ukuba uGriebenow noDe Lange bawagcinile amagama ocalucalulo ngokobuhlanga anyelisayo asetyenziswe kwizicatshulwa zentsusa, endaweni yokuwatshintsha ngelokulungiselela abafundi ekujoliswe kubo beli xesha. Abaguquli ke ngoko baye bathembeka kakhulu kumbhali owaswelekayo endaweni yokuthathela ingqalelo imeko yokwamkelekileyo ngokwezopolitiko nentlalo. Ndiphakamisa ukuba amagama anyelisayo ocalucalulo ngokobuhlanga asetyenziswe kwiimbalo zakudala athonyalaliswe okanye atshintshwe kwiinguqulelo zangoku. Kungenjalo, kungcono kungenziwa nguqulelo kwaphela njengoko ecebisa uPym (2012). Ngenxa yoxanduva olusemagxeni abaguquli ngeziphumo zeenguqulelo zabo kubafundi bazo, nokutshintsha kwemeko yezopolitiko yoMzantsi Afrika itshintshela kwidemokhrasi apho abantu balinganayo ngokomthetho, ukusetyenziswa kolwimi olucalulayo akwamkelekanga.
Linguistics and Modern Languages
D. Litt. et Phil. (Linguistics with specialisation in Translation Studies)
Ntombela, Sipho Albert. „Amasu asetshenziswa ngomasikandi besizulu emculweni wabo“. Thesis, 2011. http://hdl.handle.net/10500/10622.
Der volle Inhalt der QuelleAfrican Languages
D. Litt. et Phil. (African Languages)
Grobler, Susanna Elizabeth. „Letterkunde en die reg : die verhoor as romangegewe in enkele tekste van Andre P. Brink“. Diss., 2014. http://hdl.handle.net/10500/18482.
Der volle Inhalt der QuelleIn hierdie navorsingsverslag word die representasie van die reg en die verskynsel van die verhoor as romangegewe in enkele tekste van André P. Brink ondersoek. Die studie vind plaas binne die interdissiplinêre konteks van die reg en die letterkunde. Die studie: (i) fokus op die rol wat die reg in die literêre teks vervul; (ii) ondersoek uitbeeldings van die verhoor soos wat dit in Brink se romankuns aangetref word; en (iii) ondersoek die fiksionalisering van historiese en dokumentêre regsbronne met spesifieke verwysing na sekere eksemplariese Brink-‐romans.
In this research report, representations of the law and of the trial, as embedded in certain novels by André P. Brink, are explored. The study is structured within the interdisciplinary field of law and literature. This study: (i) focuses on the role of law within the literary text; (ii) explores the legal delineation of a trial in novels by Brink; and (iii) explores the fictionalisation of historic and documentary judicatory resources with specific reference to exemplary texts by Brink.
Afrikaans & Theory of Literature
M.A. (Afrikaans)