Dissertationen zum Thema „Miroirs de bronze antiques“
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Robbiola, Luc. „Caractérisation de l'altération de bronzes archéologiques enfouis à partir d'un corpus d'objets de l'âge du bronze : Mécanismes de corrosion“. [S.l. : s.n], 1990. http://catalogue.bnf.fr/ark:/12148/cb41325973f.
Der volle Inhalt der QuelleCrowe, Alice M. „The Minoan Past in the Past: Bronze Age Objects in Early Iron Age Burials at Knossos, Crete“. University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1479809467543763.
Der volle Inhalt der QuelleLecomte-Collin, Véronique. „Etude des bronzes archéologiques de l'âge du bronze provenant du site du Fort-Harrouardéléments de continuité et de nouveauté par rapport à la tradition littéraire et iconographi : analyse élémentaire et analyse isotopique du plomb, relation avec les minerais et les procédés métallurgiques /“. [S.l. : s.n], 1990. http://catalogue.bnf.fr/ark:/12148/cb413262089.
Der volle Inhalt der QuelleBousquet, Margaux. „Musique à Suse et en Elam aux âges du Bronze et du Fer“. Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE2001.
Der volle Inhalt der QuelleThe music from earliest societies is a fascinating but poorly explored archaeological field of research. This ephemeral and intangible art par excellence leaves meager remains for archaeologists’ scrutiny. However, the remarkable discoveries of extant instruments dated from the third millennium onward, excavated in the 1920s at the Royal Cemetery of Ur, have ignited a significant interest for ancient Near-Eastern music researchers, further contributing to the emergence of an innovative perspective that came to be known as archaeomusicology.This study is devoted to the land of Elam in South-Western Iran, a region that has been neglected in Near-Eastern archaeomusicology. The main objective of this work is to propose a restitution of the Elamite instrumentarium and to identify both its evolution and its specificities while considering features with which it relates to the Near-Eastern context.Firstly, in order to set the chrono-cultural framework of this research, we have proposed a historiographic synthesis running concurrently with the current status of our knowledge about Elam. This rests on the exploration of data from early and more recent excavations, as well as from epigraphic sources. Then, the theoretical framework of the study will be defined through a presentation of the research history of ancient music, and more particularly in the Near-East, highlighting themes addressing to the musical phenomenon. This review and the assessment of the nature of the musical data available for the region – heterogeneous and disparate – permits a definition of our archaeomusicological approach. Thus, the collected corpus, mainly consisting of musical representations, led us to adopt a cross and comparative approach, combining the analysis of these iconographic sources, but also of the few remains of documented instruments, and textual sources from this region, between the Chalcolithic and the Iron Age (late 5th - mid 1st millennium BC). Most of the documentation originates from Susa, but other sites have provided musical data, which were included in our analysis (Chogha Mish, Haft Tappeh, Chogha Zanbil, Tall-i Malyan, Kul-e Farah, Arjān and Nineveh).An important part of our organological analysis lies in the classification, definition and identification of the types of instruments documented in the material culture of these sites. The detailed inventory and analysis of Susan-Elamite artifacts related to the musical sphere have therefore led to the production of a richly illustrated catalogue, which constitutes a strong basis for the study of the musical phenomenon in this cultural area. Finally, the synthesis resulting from the crossing of iconographic and historical data, and the comparison with Near-Eastern sources has lead to a restitution of the Susan-Elamite instrumentarium, highlighting its specificities and potential borrowings. These results have provided food for thought about the evolution of these instruments from a broader perspective, discussed at the end of this research. In addition to these results, and in order to contribute in a concrete way to a better understanding of the musical phenomenon in ancient Elam, we have also proposed the experimental reconstruction of a lute, the objective of which being not only the testing of hypotheses about the materials and techniques used, but also providing a reliable way to address the matter of instrumental sound dimensions in the past
Clodoré-Tissot, Tinaig. „La musique aux âges de bronze et du fer en Europe“. Paris 1, 2006. http://www.theses.fr/2006PA010550.
Der volle Inhalt der QuelleLenger, Dincer Savas. „Les monnaies grecques et provinciales romaines en bronze trouvées à Assos“. Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040217.
Der volle Inhalt der QuelleAssos is situated in the south of Troas region, on the coastline between the cities of Cap Lekton and Gargara and just opposite Lesbos Island.The coins of Greek and Roman provinces found during the excavations conducted by the leadership of Professor Ümit Serdaroğlu between the years of 1981 and 2004 constitute the subject of this thesis.The catalogue which contains the coins of all the published public and private collections and auctions together with those found in the excavation informs us about the mint policy of the city. Moreover the coins which belonged to foreign cities and kingdoms and also were acquired during the excavation take part in the thesis.The research on the coins gives us considerable information about the history of the cities in the region as well as the circulation of the coins within the city
Chrysovitsanou, Vasiliki. „L'art cycladique et sa réception : les statuettes du Bronze Ancien devant la culture moderne : archéologie et histoire de l'art“. Paris 1, 2012. http://www.theses.fr/2012PA010647.
Der volle Inhalt der QuelleAzéma, Aurélia. „Les techniques de soudage de la grande statuaire antique en bronze : étude des paramètres thermiques et chimiques contrôlant le soudage par fusion au bronze liquide“. Phd thesis, Université Pierre et Marie Curie - Paris VI, 2013. http://tel.archives-ouvertes.fr/tel-00918829.
Der volle Inhalt der QuelleEl, Morr Ziad. „La métallurgie du Levant au Bronze moyen à travers les armes“. Phd thesis, Bordeaux 3, 2011. https://extranet.u-bordeaux-montaigne.fr/memoires/diffusion.php?nnt=2011BOR30049.
Der volle Inhalt der QuelleThis work aims to study the copper base alloy metallurgy in the Middle Bronze Age Levant. The corpus is Weapons from the Lebanese sites of Byblos, Arqa, Khariji and Yanouh. The main objective of this work is the investigation of the knowhow of the MB craftsmen, thus contributing to the understanding of the technological history of this region. Several methods are used for this matter. The alloy recipes were identified with elemental analysis. Manufacture techniques were determined using metallographic observations. The collected data allowed the reconstruction of several phases of the weapon production process. Experimental work was undertaken to test the validity of the fabrication process models proposed in this study. All these results were then compared and confronted to the archaeological data (contextual evidence, written sources, and typology). This approach allowed the identification of the craftsmen’s choices and practices. Furthermore if contributed to the understanding of the role of the weapons as a cultural vector
El, Morr Ziad. „La métallurgie du Levant au Bronze Moyen à travers les armes“. Phd thesis, Université Michel de Montaigne - Bordeaux III, 2011. http://tel.archives-ouvertes.fr/tel-00770476.
Der volle Inhalt der QuelleVeseli, Sabina. „Les figurines et les vases en bronze de la période archaïque jusqu'à la période romaine retrouvés en Albanie“. Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20028.
Der volle Inhalt der QuelleThe principal objective of this thesis is the study of bronze objects, more specially figurines and vases, found in Albania, dating from the archaic period to the end of the roman period. These category of objects have never been subject of a specific study, and the majority of the objects have never been published. This thesis has proposed for the first time a complete study, in the form of a corpus of objects which comprises all the figurines and vases of bronze, found in Albania; which is based in the technology, typology, chronology and geographic distribution of each type of object. The objects are placed in their cultural context through the establishment of a corpus of sites where the objects were found. The synthesis which has analyzed the information of the two corpuses has also enriched our information for the populations by whom were utilized, their habitudes and believes, the merchandise with the other centers of the antique world, and the development of the bronze artisanat, all these issues based in an historic perspective which emphasizes attention in the evolution
Lehoërff, Anne. „Le bronze des dépositions volontaires en Italie centrale (1200-725 environ avant notre ère) : recherches pour une histoire des techniques“. Paris 1, 1999. http://www.theses.fr/1999PA010677.
Der volle Inhalt der QuellePrévalet, Romain. „La décoration des pièces d'orfèvrerie-bijouterie en Méditerranée orientale à l'âge du Bronze : techniques, productions, transmissions“. Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010575.
Der volle Inhalt der QuelleGoldwork decoration has been developed since the 3rt millenium BC, sumultaneously with the control over the production of prestigious items, and through exchange networks and contacts within the Eastern Mediterranean.The use of complex processes such as the soldering and decoration using heat facilitate the production and enable the plasticity of composite items. My dissertation aims to reconstruct the techniques of fine decoration as filigree and granulation that were employed throughout the Bronze Age by craftsmen namely in Northern Levant and Crete. This study has been essentially based on macro- and microscopic examination of artifacts and experimental golden works I made in order to define the identification evidences of the technical processes, and the characterization of the craftsmen's know-how. In addition, the chaînes opératoires might be also reconstruct in order to specify the movement of the body and recognize « the hands ».On the other hand, the technical approach has lead me to explore the workshop's organization : how was it fitted out the work space and what were the tools of the filigree and granulation the experts has used to produce unique or similar items, to train apprenties to specific qualities, and expand their know-how through different places of the Eastern Mediterranean ? Gold worker-jeweller had a major rôle in the spreading of knowledge in that connected region, which has provoked the creation of hybrid objects with artistic influences such as Levantine, Minoan, Egyptian, and Mycenaean... The analyse has also insight into the importance of discussing the possibility of local creation, independently or by external stimulation, about the apparition of filigree and granulation techniques in Northern Levant and Crete
Badinjki, Oubayda. „Histoire de la civilisation ancienne du monde arabe. Les figurines masculines en terre cuite en Syrie et au Liban au Néolithique et aux âges du Bronze. Etudes de cas“. Thesis, Lille 3, 2019. http://www.theses.fr/2019LIL3H020.
Der volle Inhalt der QuelleWhy male figurines? Because archaeologists specializing in terracotta have generally targeted zoomorphic figurines and, among anthropomorphic figurines, representations of women. Until now, there is no exhaustive and detailed catalog of terracotta male models. In this vast field of investigation, I have selected two periods : Prehistory, to go back to the origins and think about the creation of terracotta male figurines, and the Bronze Age, the apogee time for this type of production. This thesis deals so with the study of terracotta male figurines (modeled figurines, molded figures and molds). The objective of this study is to make a corpus of terracotta male figurines, because there is no satisfactory body of work, to classify them, to analyze them technically, artistically, and to interpret them, and finally publishing the unpublished figures preserved in the Louvre Museum.The research problems are the following : the figurines were used as toys, as decorative elements in homes, or as amulets? Should they be related to religious customs or rites? How can one interpret the discovery of male figurines in temples? in tombs and houses, whatever thetechnique that has allowed them to spread, the general question is always the same : for what purpose did the craftsman or the user make them? The answers vary according to the chronology, since the subject covers a very long period. According to the places and archaeological contexts and of course depending on the typology, because male figures may have different positions (sitting/standing), different gestures, different types of clothing, attributes (especially weapons). Researchers have proposed a wide variety of choices, sometimes on a hypothetical basis, ethnographic comparisons, and reconciliation with literary, artistic or funerary traditions. Undoubtedly, whatever the role of these figurines, they were considered important objects in everyday life during the Neolithic period, such as pottery, stone tools and other "utilitarian" objects, and important objects, especially in religious and magical activities, during the Bronze Age
Devogelaere, Jonathan. „Les couleurs du mobilier d'apparat en bronze dans le monde gréco-romain, du IIe siècle avant notre ère au IIe siècle de notre ère : de la caractérisation technique aux valeurs symboliques“. Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0602.
Der volle Inhalt der QuelleMy thesis aims to study the colours of bronze ceremonial furniture produced by the Greco-Roman world between the 2nd century BCE and the 2nd century CE in the Mediterranean. The main objective is to characterize of colours, their technical properties, and symbolic values associated with specific production and reception contexts.Consequently, by using archaeological contexts, techno-typological and iconographic studies, the objective of this research is to characterize the specificity and originality of the use and visual impact of bronze in the elaboration of the discourse of the Greco-Roman elite, owner of this ostentatious furniture; this discourse is also aimed at this elite as other classes of Roman society.My thesis explores as much the history of techniques as that of arts and mentalities. It combines archaeological, archaeometric, and sociological methodologies for an interdisciplinary approach. 538 pieces of bronze furniture with polychrome decorations are identified and divided into different categories. Furthermore, these multiple data are also collected and linked through the creation and use of a relational database named “Iris”.The convergence of these methods has a single purpose: to appreciate the significance of colours and to investigate other surface treatments on Greek inspired luxury furnishings. The gradual acculturation of “the Greek world” as a result of Roman expansion is evident in a study of this furniture, its colours, and other treatments using the same historical perspective as defined by Paul Veyne as: an Empire where “la culture y était hellénique et le pouvoir était romain”
Aubignac, Aurélie. „Espace funéraire et identité collective en Crète du MR III C à l'époque archaïque“. Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30060.
Der volle Inhalt der QuelleVery early on in history, man regarded himself less as an individual than as a member of a structured and complex group with its own common past and shared social values that differentiated it from other groups. The social construction of the group was thus founded on two principles : the identification with a group and the differentiation from other groups The funerary ideology wholly embraces this phenomenon of ethnic crystallisation. The space of death manifests as a chrono-cultural, social, and identity space where communities affirm, perpetuate, or rewrite their old and new collective norms. These attitudes reflect a discourse on death and attest to the existence of identity strategies used by communities and groups who, whether consciously or not, referred to these discourses and images in death. This research aims to identify the phenomena of continuity and rupture, and the multiple combinations adopted by the communities of the Island of Crete between to LM III C to Archaic period, by studying the markers of the communities' more or less active approach to death and their identity strategies. Furthermore, I seek to confirm whether these discourses on death had an effect on the identity behaviours of the communities and led to a more active approach among the communities in their funeral practices. As the identity phenomenon varied in time and space, my research also attempts to demonstrate that the more powerful and stable the collective identity was, the more the different identity phenomena were intrinsically linked together, thus denoting a structured society
Onnis, Francesca. „La composante iconographique mésopotamienne dans les coupes "phéniciennes" en métal“. Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20095.
Der volle Inhalt der QuelleThis research concerns elements of Mesopotamian origin in the decoration of the so-called « Phoenician » bowls, whose eclectic nature has been long debated. My study focuses on two different aspects of this class of vessels. First, following the traditional iconographical approach, I study the formal and thematic elements of the various bowls in this series. Second, as the « Phoenician » bowls were produced within the Levantine culture, I aim to establish to what extend they reflect the way the Levantine culture assimilated and adapted Mesopotamian iconography for the expression of its own customs and values. I also intend to find out what cri-teria guided the Levantine artists in selecting which motifs to put on the bowls from the rich Mesopotamian iconographic repertoire.In addition, my approach is iconological: in order to ascertain what the Mesopotamian iconography reveals about the society where the « Phoenician » bowls were produced and used, I study the material aspects of the bowl in light of the figurative imagery, paying attention to its shape, its function, its material and symbolic value, foregrounding the historical context in which this class of vessel was produced
Hiriart, Eneko. „Pratiques économiques et monétaires entre l'Èbre et la Charente (Ve s. - Ier s. a.C.)“. Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30045.
Der volle Inhalt der QuelleFrom the fifth to the first century b.C., the space between the Ebro and the Garonne, which joins the Mediterranean to the Atlantic, is located at the crossroads of various cultural areas : the Celtic Gaul, the Iberian Peninsula, the Aquitaine, the greek cities, as well as Rome. Due to the lack of literary sources and archaeological data, our knowledge of indigenous peoples remains limited. This gap can be filled by the study of archeological materials. Among them, the coinage can provide crucial data because it represents a strong evidence of relations between the different protohistoric communities. In addition to that, owing to its symbolic value, money becomes a genuine expression of protohistoric societies. It seemed necessary to study the coinage in a new light so as to stand out from traditional numismatic approaches often restricted to iconographic and typological considerations. Those interpretations generally lead to a discourse too far from human and historical realities. The coins represent an evidence of a social reality. This work proposes a transdisciplinary point of view (archaeological, economic, numismatics, statistical and anthropological) to learn more about the complexity and the variety of monetary practices. One of the main issues remains the emergence of coinage. In this perspective, it was essential to define rhythms, modes, and also agents involved in its circulation. From various origins, the insertion of money within trade involves a series of structural changes : we try to measure their social, economic and political impacts. On the other hand, an analysis of different coinages drove us to characterize together ethnic realities, trade flows, political and cultural changes, as well as influences coming from more or less distant areas. This approach has also led us to distinguish historical trends and singular cultural fields. More generally, this approach focuses on the role of money in these protohistoric societies : which role does it play, what is its weight? What is it used for and whom does it serve? These questions aim to understand the features of trade during the second Iron Age. For the first time, this work outlines a monetary and economic panorama from the first coining to the advent of the Roman system