Auswahl der wissenschaftlichen Literatur zum Thema „Miroirs de bronze antiques“
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Zeitschriftenartikel zum Thema "Miroirs de bronze antiques"
Deraisme, Aurélie, und Jean-Noël Barrandon. „L'hétérogénéité des teneurs en plomb dans les monnaies de bronze antiques“. Revue numismatique 6, Nr. 161 (2005): 5–15. http://dx.doi.org/10.3406/numi.2005.2588.
Der volle Inhalt der QuelleBarringer, Judith. „François Queyrel. La Sculpture hellénistique I: forms, themes et fonctions.“ Journal of Greek Archaeology 3 (01.01.2018): 492–94. http://dx.doi.org/10.32028/jga.v3i.554.
Der volle Inhalt der QuelleGileva, Kseniya A. „FERDINAND BARBEDIENNE’S BRONZE FOUNDRY PRODUCTS AND URAL MEAL CASTING ART. ON THE ATRIBUTION OF URAL CAST-IRON ARTWORKS“. Architecton: Proceedings of Higher Education, Nr. 3(71) (29.09.2020): 22. http://dx.doi.org/10.47055/1990-4126-2020-3(71)-22.
Der volle Inhalt der QuelleDe Vigenère (book author), Blaise, Aline Magnien (book editor), Michel Magnien (book collaborator) und Richard Crescenzo (review author). „La Description de Callistrate de quelques statues antiques tant de marbre comme de bronze (1602)“. Renaissance and Reformation 34, Nr. 4 (20.09.2012): 133–36. http://dx.doi.org/10.33137/rr.v34i4.18658.
Der volle Inhalt der QuelleEinstein, Carl. „Exposition de statuettes de bronze antiques antérieures à notre ère (art hittite, étrusque, égyptien, grec), 1933“. Gradhiva, Nr. 14 (30.11.2011): 234–51. http://dx.doi.org/10.4000/gradhiva.2208.
Der volle Inhalt der QuelleAntoniadis, Vyron. „Heirloom or Antique? Import or Imitation? Objects with Fictive “Biographies” in Early Iron Age Knossos“. Tekmeria 15 (16.02.2021): 73–107. http://dx.doi.org/10.12681/tekmeria.26161.
Der volle Inhalt der QuelleRodríguez Oliva, Pedro. „Un busto en bronce del "Pseudo-Vitelio" de la antigua colección de El Retiro de Churriana (Málaga)“. BAETICA. Estudios de Historia Moderna y Contemporánea, Nr. 35 (16.04.2015): 167–207. http://dx.doi.org/10.24310/baetica.2013.v0i35.63.
Der volle Inhalt der QuelleVích, David, Jan Jílek, Jiří Kmošek, Marcin J. Biborski, Mateusz R. Biborski und Jan Martínek. „Soubor kovových předmětů z doby římské z Boršova na Moravskotřebovsku An Assemblage of Metal Roman Iron Age Artefacts from Boršov in the Moravská Třebová Region“. Památky archeologické 111 (07.12.2020): 159–92. http://dx.doi.org/10.35686/pa2020.4.
Der volle Inhalt der QuelleShin, Juhye. „Ming and Qing Dynasty ‘Hundred Antiques(bógǔ)’ Export Ceramics for the European Market in the Seventeenth and Eighteenth Centuries“. Korean Journal of Art History 313 (31.03.2022): 121–54. http://dx.doi.org/10.31065/kjah.313.202203.005.
Der volle Inhalt der QuelleBraemer, François. „Les statues en bronze de l'époque romaine. À propos du IXe colloque international sur les bronzes antiques, « Statuettes et grands bronzes grecs et romains », Vienne, avril 1986.“ Revue des Études Anciennes 87, Nr. 3 (1985): 367–73. http://dx.doi.org/10.3406/rea.1985.4217.
Der volle Inhalt der QuelleDissertationen zum Thema "Miroirs de bronze antiques"
Robbiola, Luc. „Caractérisation de l'altération de bronzes archéologiques enfouis à partir d'un corpus d'objets de l'âge du bronze : Mécanismes de corrosion“. [S.l. : s.n], 1990. http://catalogue.bnf.fr/ark:/12148/cb41325973f.
Der volle Inhalt der QuelleCrowe, Alice M. „The Minoan Past in the Past: Bronze Age Objects in Early Iron Age Burials at Knossos, Crete“. University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1479809467543763.
Der volle Inhalt der QuelleLecomte-Collin, Véronique. „Etude des bronzes archéologiques de l'âge du bronze provenant du site du Fort-Harrouardéléments de continuité et de nouveauté par rapport à la tradition littéraire et iconographi : analyse élémentaire et analyse isotopique du plomb, relation avec les minerais et les procédés métallurgiques /“. [S.l. : s.n], 1990. http://catalogue.bnf.fr/ark:/12148/cb413262089.
Der volle Inhalt der QuelleBousquet, Margaux. „Musique à Suse et en Elam aux âges du Bronze et du Fer“. Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE2001.
Der volle Inhalt der QuelleThe music from earliest societies is a fascinating but poorly explored archaeological field of research. This ephemeral and intangible art par excellence leaves meager remains for archaeologists’ scrutiny. However, the remarkable discoveries of extant instruments dated from the third millennium onward, excavated in the 1920s at the Royal Cemetery of Ur, have ignited a significant interest for ancient Near-Eastern music researchers, further contributing to the emergence of an innovative perspective that came to be known as archaeomusicology.This study is devoted to the land of Elam in South-Western Iran, a region that has been neglected in Near-Eastern archaeomusicology. The main objective of this work is to propose a restitution of the Elamite instrumentarium and to identify both its evolution and its specificities while considering features with which it relates to the Near-Eastern context.Firstly, in order to set the chrono-cultural framework of this research, we have proposed a historiographic synthesis running concurrently with the current status of our knowledge about Elam. This rests on the exploration of data from early and more recent excavations, as well as from epigraphic sources. Then, the theoretical framework of the study will be defined through a presentation of the research history of ancient music, and more particularly in the Near-East, highlighting themes addressing to the musical phenomenon. This review and the assessment of the nature of the musical data available for the region – heterogeneous and disparate – permits a definition of our archaeomusicological approach. Thus, the collected corpus, mainly consisting of musical representations, led us to adopt a cross and comparative approach, combining the analysis of these iconographic sources, but also of the few remains of documented instruments, and textual sources from this region, between the Chalcolithic and the Iron Age (late 5th - mid 1st millennium BC). Most of the documentation originates from Susa, but other sites have provided musical data, which were included in our analysis (Chogha Mish, Haft Tappeh, Chogha Zanbil, Tall-i Malyan, Kul-e Farah, Arjān and Nineveh).An important part of our organological analysis lies in the classification, definition and identification of the types of instruments documented in the material culture of these sites. The detailed inventory and analysis of Susan-Elamite artifacts related to the musical sphere have therefore led to the production of a richly illustrated catalogue, which constitutes a strong basis for the study of the musical phenomenon in this cultural area. Finally, the synthesis resulting from the crossing of iconographic and historical data, and the comparison with Near-Eastern sources has lead to a restitution of the Susan-Elamite instrumentarium, highlighting its specificities and potential borrowings. These results have provided food for thought about the evolution of these instruments from a broader perspective, discussed at the end of this research. In addition to these results, and in order to contribute in a concrete way to a better understanding of the musical phenomenon in ancient Elam, we have also proposed the experimental reconstruction of a lute, the objective of which being not only the testing of hypotheses about the materials and techniques used, but also providing a reliable way to address the matter of instrumental sound dimensions in the past
Clodoré-Tissot, Tinaig. „La musique aux âges de bronze et du fer en Europe“. Paris 1, 2006. http://www.theses.fr/2006PA010550.
Der volle Inhalt der QuelleLenger, Dincer Savas. „Les monnaies grecques et provinciales romaines en bronze trouvées à Assos“. Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040217.
Der volle Inhalt der QuelleAssos is situated in the south of Troas region, on the coastline between the cities of Cap Lekton and Gargara and just opposite Lesbos Island.The coins of Greek and Roman provinces found during the excavations conducted by the leadership of Professor Ümit Serdaroğlu between the years of 1981 and 2004 constitute the subject of this thesis.The catalogue which contains the coins of all the published public and private collections and auctions together with those found in the excavation informs us about the mint policy of the city. Moreover the coins which belonged to foreign cities and kingdoms and also were acquired during the excavation take part in the thesis.The research on the coins gives us considerable information about the history of the cities in the region as well as the circulation of the coins within the city
Chrysovitsanou, Vasiliki. „L'art cycladique et sa réception : les statuettes du Bronze Ancien devant la culture moderne : archéologie et histoire de l'art“. Paris 1, 2012. http://www.theses.fr/2012PA010647.
Der volle Inhalt der QuelleAzéma, Aurélia. „Les techniques de soudage de la grande statuaire antique en bronze : étude des paramètres thermiques et chimiques contrôlant le soudage par fusion au bronze liquide“. Phd thesis, Université Pierre et Marie Curie - Paris VI, 2013. http://tel.archives-ouvertes.fr/tel-00918829.
Der volle Inhalt der QuelleEl, Morr Ziad. „La métallurgie du Levant au Bronze moyen à travers les armes“. Phd thesis, Bordeaux 3, 2011. https://extranet.u-bordeaux-montaigne.fr/memoires/diffusion.php?nnt=2011BOR30049.
Der volle Inhalt der QuelleThis work aims to study the copper base alloy metallurgy in the Middle Bronze Age Levant. The corpus is Weapons from the Lebanese sites of Byblos, Arqa, Khariji and Yanouh. The main objective of this work is the investigation of the knowhow of the MB craftsmen, thus contributing to the understanding of the technological history of this region. Several methods are used for this matter. The alloy recipes were identified with elemental analysis. Manufacture techniques were determined using metallographic observations. The collected data allowed the reconstruction of several phases of the weapon production process. Experimental work was undertaken to test the validity of the fabrication process models proposed in this study. All these results were then compared and confronted to the archaeological data (contextual evidence, written sources, and typology). This approach allowed the identification of the craftsmen’s choices and practices. Furthermore if contributed to the understanding of the role of the weapons as a cultural vector
El, Morr Ziad. „La métallurgie du Levant au Bronze Moyen à travers les armes“. Phd thesis, Université Michel de Montaigne - Bordeaux III, 2011. http://tel.archives-ouvertes.fr/tel-00770476.
Der volle Inhalt der QuelleBücher zum Thema "Miroirs de bronze antiques"
1940-, Kawakatsu Mamoru, Hrsg. Sankakubuchi shinjūkyō to Higashi Ajia sekai: Zoku. Tōkyō: Kyūko Shoin, 2015.
Den vollen Inhalt der Quelle findenauthor, An Su 1983, Hrsg. Huaxia long jian. Shanghai Shi: Shanghai shu hua chu ban she, 2020.
Den vollen Inhalt der Quelle findenPernot, M. Techniques antiques du bronze: 2 : Méthodes d'étude : procédés de fabrication. Dijon, France: Université de bourgogne, 1999.
Den vollen Inhalt der Quelle findenClaude, Rolley, Hrsg. Techniques antiques du bronze: Faire un vase, faire un casque, faire une fibule. Dijon: Université de Bourgogne, Centre de recherches sur les techniques gréco-romaines, 1988.
Den vollen Inhalt der Quelle findenRoger, Padiou, Hrsg. Les miroirs de bronze anciens: Symbolisme & tradition : collection des auteurs et pièces de musées. Paris: G. Trédaniel, 1989.
Den vollen Inhalt der Quelle findenVigenère, Blaise de. La description de Callistrate de quelques statues antiques tant de marbre comme de bronze (1602). Paris: Éditions La Bibliothèque, 2010.
Den vollen Inhalt der Quelle finden(Firm), Pandolfini. Importanti mobili, arredi e oggetti d'arte. Firenze: Pandolfini, 2014.
Den vollen Inhalt der Quelle findenJohn, Boardman. Greek gems and finger rings: Early Bronze Age to late Classical. London: Thames & Hudson, 2001.
Den vollen Inhalt der Quelle findenauthor, Gao Ning 1992, Hrsg. Song Yuan Ming Qing jing ming tu ji. Shanghai Shi: Shanghai shu hua chu ban she, 2021.
Den vollen Inhalt der Quelle findenWu hou zheng : Zhejiang min jian shou cang jing pin zou jin bo wu guan shi zhou nian ji nian zhan (2014 Zhejiang Sheng bo wu guan). Wu hou zheng: Xu Guowen zhen cang gu dai yu qi. Beijing Shi: Wen wu chu ban she, 2014.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Miroirs de bronze antiques"
„INVENTAIRE DES SITES ET DES MIROIRS ASSOCIÉS“. In Le miroir en Egee a l'age du Bronze recent, 49–142. Peeters Publishers, 2023. http://dx.doi.org/10.2307/jj.10574838.7.
Der volle Inhalt der Quelle„LES TRÉSORS DE MONNAIES DE BRONZE D’APOLLONIA“. In Tresors de monnaies antiques trouves en Albanie (Ve-Ier siecle av. J.-C.), 289–314. Peeters Publishers, 2019. http://dx.doi.org/10.2307/j.ctv1q26kgh.30.
Der volle Inhalt der QuellePetřeková, Eliška. „Luxury Souvenir or Precious Original: The Case of the Bronze Tripod from the Real Museo Borbonico“. In Collecting Antiquities from the Middle Ages to the End of the Nineteenth Century: Proceedings of the International Conference Held on March 25-26, 2021 at the Wrocław University Institute of Art History, 331–46. Ksiegarnia Akademicka Publishing, 2021. http://dx.doi.org/10.12797/9788381385862.15.
Der volle Inhalt der QuellePlackinger, Andreas. „Blaise de Vigenère. La Description de Callistrate de quelques statues antiques tant de marbre comme de bronze“. In Stein, 331–42. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110688702-038.
Der volle Inhalt der QuelleHallett, Christopher H. „‘Corinthian Bronzes’“. In Forgery Beyond Deceit, 44—C1F27. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192869586.003.0003.
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