Thematische Bibliographien / Militärärztliche Akademie (Berlin, Germany)

Auswahl der wissenschaftlichen Literatur zum Thema „Militärärztliche Akademie (Berlin, Germany)“

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Veröffentlicht am 25. Juli 2024

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Zeitschriftenartikel zum Thema "Militärärztliche Akademie (Berlin, Germany)"

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Bader, A., A. Brodarac, R. Hetzer, A. Kurtz, C. Stamm, H. Baraki, G. Kensah et al. „3rd EACTS Meeting on Cardiac and Pulmonary Regeneration Berlin-Brandenburgische Akademie, Berlin, Germany, 14-15 December 2012“. Interactive CardioVascular and Thoracic Surgery 16, Nr. 2 (18.01.2013): S227—S236. http://dx.doi.org/10.1093/icvts/ivs561.

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Earnest, Steve. „The East/West Dialectic in German Actor Training“. New Theatre Quarterly 26, Nr. 1 (Februar 2010): 81–89. http://dx.doi.org/10.1017/s0266464x10000096.

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In this article Steve Earnest discusses contemporary approaches to performance training in Germany, comparing the content and methods of selected programmes from the former Federal Republic of Germany to those of the former German Democratic Republic. The Hochschule für Musik und Theater Rostock and the University of the Arts in Berlin are here utilized as primary sources, while reference is also made to the Bayerische Theater-akademie ‘August Everding’ Prinzregententheater in Munich, the Hochschule für Musik und Theater ‘Felix Mendelssohn Bartholdy’ in Leipzig, and Justus Leibig Universität in Giessen. The aim is to provide insight into theatre-training processes in Germany and to explore how these relate to the national characteristics that have emerged since reunification. Steve Earnest is Associate Professor of Theatre at Coastal Carolina University in Myrtle Beach, South Carolina. His publications include The State Acting Academy of East Berlin (Mellen Press, 1999) and articles in Performer Training (Harwood Publishers, 2001), New Theatre Quarterly, Theatre Journal, and Western European Stages.
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Frick, Dieter. „Public space as an element of local identity: On the notion of quality in urban design“. Ekistics and The New Habitat 73, Nr. 436-441 (01.12.2006): 84–92. http://dx.doi.org/10.53910/26531313-e200673436-441104.

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The author, after studying architecture in Munich and Berlin, and working in a large number of international architectural offices, served as Professor of Urban Design and Planning, Technische Universität Berlin, and as a member of the Deutsche Akademie für Städtebau und Landesplanung. Dr Frick is also Senior Fellow, Center for Metropolitan Planning and Research, The Johns Hopkins University, Baltimore, Maryland, USA. His numerous publications have been published extensively in Germany and internationally. He is a member of the World Society for Ekistics. The text that follows is a slightly edited and revised version of a paper presented at the international symposion on "Globalization and Local Identity, " organized jointly by the World Society for Ekistics and the University of Shiga Prefecture in Hikone, Japan, 19- 24 September, 2005.
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Ossa-Richardson, Anthony. „English architecture in 1963: a newly rediscovered view from Germany“. Architectural Research Quarterly 26, Nr. 3 (September 2022): 222–35. http://dx.doi.org/10.1017/s1359135522000252.

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This article provides an English translation of an unpublished German typescript found in the archive of the architect Julius Posener in the Akademie der Kunst, Berlin. Posener, a professor of architectural history at the Hochschule für Bildende Künste (HBK), travelled with a colleague and fifteen students to England for a fortnight in March 1963. They met several prominent architects, saw a wide selection of their current and recently completed works, and attended events at the Architectural Association school. The typescript is an account of the trip that he wrote up from notes in his diary on 29 March, two days after their return. Posener, who had previously spent almost a decade teaching architecture in London, proves to have been a sympathetic observer of the scene, eager to compare and contrast what he saw in England with contemporary work in Germany; his account evokes subtle disagreements between himself and his colleague on conceptual and historical points, and gives us an insight into the day-to-day workings of Denys Lasdun’s office, the Architectural Association, the London County Council, and the Building Research Station in Garston.
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Gross, W., und H. P. Schultze. „Zur Geschichte der Geowissenschaften im Museum für Naturkunde zu Berlin. Teil 6: Geschichte des Geologisch-Paläontologischen Instituts und Museums der Universität Berlin 1910–2004“. Fossil Record 7, Nr. 1 (01.01.2004): 5–43. http://dx.doi.org/10.5194/fr-7-5-2004.

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Die Entwicklung des Geologisch-Paläontologischen Instituts und Museums der Universität Berlin von einer Institution, die Geologie zusammen mit Paläontologie als eine Einheit vertrat, über eine Institution, die eine geotektonische Ausrichtung hatte, zu einer auf Paläontologie konzentrierten Institution wird nachvollzogen. Die beiden Institutsdirektoren am Anfang des 20sten Jahrhunderts waren Vertreter der allumfassenden Geologie des 19ten Jahrhunderts, während die beiden folgenden Direktoren eine Geologie ohne Paläontologie vertraten. Das führte zu einer Trennung der beiden Richtungen, und nach der III. Hochschulreform der DDR 1968 verblieb allein die sammlungsbezogene Paläontologie am Museum. Nach der Wiedervereinigung wurde ein Institut für Paläontologie mit biologischer Ausrichtung mit zwei Professuren, einer für Paläozoologie und einer für Paläobotanik, eingerichtet. <br><br> The development of the Geologisch-Paläontologisches Institut und Museum of the Museum für Naturkunde at the Humboldt University (formerly Friedrich-Wilhelm-Universität) in Berlin from a geology-paleontology institution to a pure paleontology institution is described. The first two directors of the department in the beginning of the 20th century, Prof, von Branca and Prof. Pompeckj, represented a 19th century concept of a geology, which included paleontology, even vertebrate paleontology as the crown jewel of geology. They fought sometimes vigorously against a separation of paleontology from geology. The next two directors. Prof. Stille and Prof, von Bubnoff, were the leading geologists in Germany; to be a student of Stille was a special trade mark in geology of Germany. They represented a geology centered on tectonics. The separation of paleontology as separate section was prepared. The destructions of the Second World War, the following restaurations and the division of Germany into two States influenced strongly their directorships. The education of geologists at the Museum für Naturkunde ended with the III. University Reform of the German Democratic Republik in 1968. Paleontology was represented by the international renown vertebrate paleontologist, Prof. Dr. W. Gross, up to 1961. Since 1969, paleobotany was strengthened by the inclusion of the paleobotany unit of the Akademie der Wissenschaften into the museum. After reunification of Germany n 1990, the department was rebuild as a Institut für Palaontologie with close connection to biology, a unique situation in Germany. Two professorships, one for paleozoology, Prof. Schultze. and one for paleobotany, Prof. Mai, were established. The number of curators increased to ten from one under the first director of the 20th century. <br><br> doi:<a href="http://dx.doi.org/10.1002/mmng.20040070103" target="_blank">10.1002/mmng.20040070103</a>
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Benz, E. „Lebenserwartungen in Deutschland, Norwegen und Schweden im 19. und 20. Jahrhundert. By Arthur Imhof (Berlin, Germany: Akademie Verlag, 1994. 724pp.)“. Journal of Social History 32, Nr. 2 (01.12.1998): 425–27. http://dx.doi.org/10.1353/jsh/32.2.425.

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Jahns, Juergen. „J. Turunen and F. Wyrowski (eds.), Diffractive Optics for Industrial and Commercial Applications, Akademie Verlag, Berlin, Germany, 1997. 426 pp.“ Laser and Particle Beams 17, Nr. 1 (Januar 1999): 139–41. http://dx.doi.org/10.1017/s0263034699171118.

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The field of diffractive optics is at the same time old and young. Diffraction gratings have been known for two centuries and used extensively in spectroscopy, for example. Also the theoretical understanding of the basic properties of grating diffraction has been well developed since that time. Until the 1960s, the technological foundation of grating manufacture used to be precision mechanics. It was then, when with the advent of the laser, things gradually started to change. On the one hand, laser interferometry became an additional tool to fabricate grating structures with very small periods. On the other hand, many new applications for optics started to develop based on the use of different types of laser sources. Some examples that may be mentioned are—besides modern spectroscopic techniques—areas like material processing, optical communications and information processing, optical data storage, etc. Consequently, the term “diffractive optics” has obtained a different flavor during the past 20–30 years. New types of diffractive elements were being developed with new technologies. This started in the mid-1960s with the invention of computer-generated holography which allowed to create “arbitrary” wavefronts (this means, within practical limits) by diffracting a light wave at an irregular binary structure. The computation and fabrication of computer-generated holograms was made possible by then newly available digital computers and plotting equipment. Since the early 1970s, people started to make diffractive elements using microfabrication techniques (lithography, etching, etc.) adapted from the processing of electronic circuits. These ideas were initially demonstrated in industrial research laboratories like Philips and Thomson-CSF.
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Santora, Norman J. „Asymptotics and Extrapolation By Guido Walz. Akademie Verlag: Berlin, Germany. 330 pp 1996. $85.00. ISBN 3-05-501732-3. Hardcopy.“ Journal of Chemical Information and Computer Sciences 38, Nr. 5 (September 1998): 939. http://dx.doi.org/10.1021/ci980421o.

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lanza, alcides. „Ludger Brümmer: CRI Compact disc, 1996, Akademie der Künste/Production Sender Freies Berlin, edel 0014522TLR; available from Akademie der Künste, Hanseatenweg 10, D-10557 Berlin-Tiergarten, Germany; telephone +30 390-76-0; electronic mail info@adk.de; World Wide Web www.adk.de“. Computer Music Journal 25, Nr. 1 (März 2001): 81–82. http://dx.doi.org/10.1162/comj.2001.25.1.81.

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Cousin, Geraldine. „From Travelling with Footsbarn to ‘Wandertheater’ with Ton und Kirschen“. New Theatre Quarterly 14, Nr. 56 (November 1998): 299–310. http://dx.doi.org/10.1017/s0266464x00012380.

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The first issue of NTQ in February 1985 included a feature on the Footsbarn Travelling Theatre Company which traced the development of the group from its formation in Cornwall in 1971, through its development of a distinctive narrative-based performance style – strong in physicality, visual imagery, and knockabout humour – to its status as an internationally acclaimed company, based now in France but touring extensively in Europe. Geraldine Cousin, the compiler of that feature, provided an update in NTQ33 (February 1993), which focused on Footsbarn's work since 1985, culminating in the ‘Mir Caravan’ project, in which eight theatre groups toured to the Soviet Union and through Eastern and Western Europe. In May 1992, two members of the group, David Johnston and Margarete Biereye, left to establish a new theatre company in Germany – the Wandertheater Ton und Kirschen, now well established, with actors drawn from Germany, France, England, Morocco, Spain, Colombia, Poland, and Australia. Though based in a small German village, Ton und Kirschen has built up its reputation in a number of European countries, and in 1998 was awarded the prize for Performing Arts from the Akademie der Künste, Berlin. Ton und Kirschen is funded partly by the Ministerium für Wissenschaft, and partly by the local district and the town of Potsdam, with a further portion of its income deriving from ticket sales and foreign tours. In December 1997 Margarete and David talked to Geraldine Cousin about their reasons for leaving Footsbarn, and their work with the new company. Geraldine Cousin is Senior Lecturer in Theatre Studies at the University of Warwick, and is author of Churchill the Playwright (Methuen), King John in the ‘Shakespeare in Performance’ series (Manchester University Press), and Women in Dramatic Place and Time (Routledge). She has recently completed a book for Harwood which documents productions by Sphinx Theatre, Scarlet Theatre, and Foursight Theatre.
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Dissertationen zum Thema "Militärärztliche Akademie (Berlin, Germany)"

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Davies, Peter. „Divided loyalties : East German writers and the politics of German division, 1945-1953 /“. London : Maney : for the Modern humanities research association : the Institute of Germanic studies, University of London School of advanced study, 2000. http://catalogue.bnf.fr/ark:/12148/cb37122184j.

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Bücher zum Thema "Militärärztliche Akademie (Berlin, Germany)"

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Heinz, Goerke, Hrsg. Die Kaiser Wilhelms-Akademie für das militärärztliche Bildungswesen: Von 1895 bis 1910. Hildsheim: OLMS, 1995.

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Akademie der Künste (Berlin, Germany). Akademie der Künste in Berlin. Herausgegeben von Gleiss Marita. Berlin: Akademie der Künste, 2005.

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3

1922-, Behnisch Günter, und Akademie der Künste (Berlin, Germany), Hrsg. Berlin Pariser Platz: Neubau der Akademie der Künste. Berlin: Jovis, 2005.

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4

Akademie der Künste (Berlin, Germany), Hrsg. Nachrufe 19997/1998, Akademie der Künste. Berlin: Akademie der Künste, 1999.

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5

Scheffler, Karl. "... das Wort, dem alle Mühe galt, die Kunst": Karl Scheffler (1869-1951). Berlin: Akademie der Künste, Archiv, 2006.

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6

Hannesen, Hans Gerhard. Die Akademie der Künste in Berlin: Facetten einer 300jährigen Geschichte. Berlin: Akademie der Künste, 2005.

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Akademie der Künste (Berlin, Germany). Stiftung Archiv. Die Stiftung Archiv der Akademie der Künste: Eine Bestandsaufnahme. Herausgegeben von Gleiss Marita und Diekmann Silvia. Berlin: Akademie der Künste, 1995.

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Schulenburg, Rosa von der, und Karl Blechen. Carl Blechen: Mit Licht gezeichnet : das Amalfi-Skizzenbuch aus der Kunstsammlung der Akademie der Künste. 2. Aufl. Berlin: Akademie der Künste, 2010.

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9

Behnisch, Günter. Der Pariser Platz: Die Akademie der Künste. Berlin: Jovis, 1997.

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Gaa, Karin. Künstler im Gespräch: Die West-Berliner Akademie der Künste. Berlin: Ripperger & Kremers Verlag, 2015.

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