Thematische Bibliographien / Michel de Criticism and interpretation

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Auswahl der wissenschaftlichen Literatur zum Thema „Michel de Criticism and interpretation“

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Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 28. Januar 2023

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Zeitschriftenartikel zum Thema "Michel de Criticism and interpretation"

Vavilov, A. V., und N. S. Sidorenko. „HEGELIANISM UNDER THE NIETZSCHEANISM’S MASK: THE SPECULATIVE INTERPRETATION OF THE FOUCAULT’S “HISTORY OF MADNESS”“. Scientific bulletin of the Southern Institute of Management 1, Nr. 1 (30.03.2016): 83–87. http://dx.doi.org/10.31775/2305-3100-2016-1-83-87.

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The article represents attempt of speculative reading of the first large work of the French philosopher Michel Foucault “Madness history during a classical era". Authors suggest to look at Foucault’s concept from the point of view of criticism of classical rationality. The consciousness is considered through a prism of a perspective of transformation of reason by Hegel.

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Sidorenko, N. S., und A. V. Vavilov. „HEGELIANISM UNDER THE NIETZSCHEANISM’S MASK: THE SPECULATIVE INTERPRETATION OF THE FOUCAULT’S “HISTORY OF MADNESS”“. Scientific bulletin of the Southern Institute of Management, Nr. 2 (30.06.2016): 69–73. http://dx.doi.org/10.31775/2305-3100-2016-2-69-73.

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Armstrong, Chris. „Philosophical Interpretation in the Work of Michael Walzer“. Politics 20, Nr. 2 (Mai 2000): 87–92. http://dx.doi.org/10.1111/1467-9256.00116.

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Walzer's work has been criticised by liberal writers on the grounds of its interpretive underpinnings, which have been equated with communitarianism. Theorists working in branches of radical political theory (such as feminism, critical theory or post-structuralism) have generally accepted this criticism and considered Walzer's work excessively conservative. Its influence on radical political theory has therefore been abbreviated. But the contention of this article is that, properly understood, the grounds on which Walzer takes issue with objectivist liberalism closely resemble those advanced within radical political theory, and therefore his work can be rescued from its conservative associations.

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Wartenberg, Thomas. „Film as Argument“. Film Studies 8, Nr. 1 (2006): 126–37. http://dx.doi.org/10.7227/fs.8.13.

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Film theorists and philosophers have both contended that narrative fiction films cannot present philosophical arguments. After canvassing a range of objections to this claim, this article defends the view that films are able to present philosophical thought experiments that can function as enthymemic arguments. An interpretation of Michel Gondry‘s Eternal Sunshine of the Spotless Mind (2004) is given in which the films criticism of the technology of memory erasure is just such a thought experiment, one that functions as a counter-example to utilitarianism as a theory for the justification of social practices.

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Vasileva, Olga A. „Michel Butor’s “Improvisations sur Rimbaud”: interpretation of the poet’s works and language“. Philological Sciences. Scientific Essays of Higher Education, Nr. 1 (Januar 2021): 44–49. http://dx.doi.org/10.20339/phs.1-21.044.

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This article discusses one relatively unknown aspect of the French writer and philosopher, Michel Butor’s works — his literary criticism through the example of “Improvisations sur Rimbaud”. Poet’s works are investigated by Butor unattainable apart from the stages of his life, and the most significant poems — in the context of the epistolary heritage of Rimbaud. Most attention is paid to the chapter “Improvisations”, dedicated to the collection of Rimbaud’s “Illuminations”: to the development of the theme of the city and its transformation, the role of structural rhyme and reprise at the beginning of the line overturning the classical system of versification, the appearance in the texts of Rimbaud mathematical structure. The new poetic language, the innovative artistic techniques of the poet , which are used in the composition of a number of texts in the collection, comprehensively explored by Butor, had an undeniable influence on the direction of the research for new literary forms in the works of Butor: his novel “Degrès”, which uses the numerical structure as a method of total description of reality as well as a number of texts written in the genre of experimental prose in which fragmentation is elevated to an aesthetic principle, the idea of synthesizing the arts is implemented and endless intertextual interactions are created.

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Jacobs, Andrew S. „"Solomon's Salacious Song": Foucault's Author Function and the Early Christian Interpretation of the Canticum Canticorum“. Medieval Encounters 4, Nr. 1 (1998): 1–23. http://dx.doi.org/10.1163/157006798x00016.

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AbstractThe transformation of the erotic Song of Songs into a mystical tract on the soul's love for Christ was surely one of the great exegetical feats of late ancient Christianity. Recent work on the politics of meaning leads us to interrogate more closely the processes by which early Christian exegetes achieved that feat, and how their interpretations encoded and produced particular forms of socially mediated power and knowledge. Michel Foucault has proposed for modern literary criticism the interpretive mode of the "author function," by which literary critics can domesticate or reject a text that is potentially transgressive. This "author function" supplied one method by which difficult canonical texts, like the Song of Songs, were tamed, and furthermore produced authoritative (and authorial) meaning that mediated contested boundaries of Christian cultural identity.

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Małecki, Wojciech. „“If happiness is not the aim of politics, then what is?”: Rorty versus Foucault“. Foucault Studies, Nr. 11 (01.02.2011): 106. http://dx.doi.org/10.22439/fs.v0i11.3209.

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In this paper, I present a new account of Richard Rorty’s interpretation of Michel Foucault, which demonstrates that in the course of his career, Rorty presented several diverse (often mutually exclusive) criticisms of Foucault’s political thought. These give different interpretations of what he took to be the flaws of that thought, but also provide different explanations as to the sources of these flaws. I argue that Rorty’s specific criticisms can be divided into two overall groups. Sometimes he saw Foucault’s rejection of bourgeois democracies and bourgeois utopias as a specific case of his general critique regarding the structures of social life as inherently oppressive. At other times he seemed to attribute to Foucault a view that—while not all forms of social life are inherently oppressive—bourgeois democracies certainly are, in a very specific and radical way. In conclusion I show that Rorty’s interpretation of Foucault should be understood in the context of his approach toward the ‘American Cultural Left.’

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Gada, Muhammad Yaseen. „Raymond Farrin – Structure and Quranic Interpretation: A Study of Symmetry and Coherence in Islam’s Holy text“. ICR Journal 9, Nr. 1 (15.01.2018): 128–31. http://dx.doi.org/10.52282/icr.v9i1.151.

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The coherence (nazm) and symmetry of the Quran have remained one of the most debated and discussed topics in the field of Quranic Studies; whether or not the Quranic surah or/and the whole Quran exhibit an organic unity has produced a plethora of books. The book under review seeks to refute the longstanding criticism of disjointedness in the Quran, aiming to illustrate how a better understanding of the Qurans structure will in turn help in our textual interpretation of it (p. xvi). The book draws mainly, among others, on Amin Ahsan Islahi (d. 1997) and Michel Cuypers. According to the former, each Quranic chapter is characterised by a degree of unity or a central theme, Amud, that runs through a whole Surah. The Quran is not therefore a random text, as some believe but one which exhibits a precise structural plan, with a majority of chapters occuring in pairs; one chapter forms a pair with its adjacent chapter; pairs form chapter groups, and finally the chapter groups form the Quran as an organic unity. Cuypers, on the other hand, believes that there is a degree of symmetry among a group of chapters arranged in a concentric order.

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Kubok, Dariusz. „Kant and Zetetic Scepticism“. Ruch Filozoficzny 78, Nr. 3 (05.12.2022): 7–25. http://dx.doi.org/10.12775/rf.2022.020.

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This article examines Immanuel Kant’s criticism from the perspective of the preceding tradition of critical thought, with particular emphasis on Greek philosophy. Kant himself views criticism as a way to go beyond dogmatism and scepticism. On the other hand – as many researchers point out – Kant’s philosophy develops certain themes present in ancient scepticism. In the literature, there are numerous studies demonstrating Kant’s debt to the Pyrrhonian scepticism characteristic of Sextus Empiricus (ephecticism and epechism). In this article, I try to show that two different interpretations of scepticism can be formed on the basis of Sextus’ writings: zetetic scepticism and ephectic scepticism. Theinterpretation considers ἐποχή and ἰσοσθένεια as key ideas for scepticism and it is this latter option that is recognized in Kant’s thought by scholars, especially by Michael Forster. In my opinion, however, it is the first interpretation, not yet sufficiently recognized, that constitutes at least an equally strong complement to the first and may even be regarded as the proper source of Kant’s critical philosophy.

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Rodin, Kirill. „Witgenstein on intention and theory of action“. RL. 2020. vol.1. no. 2 1, RL. 2020. vol.1. no. 2 (10.12.2020): 88–94. http://dx.doi.org/10.47850/rl.2020.1.2.88-94.

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In the article we examine Wittgenstein's notes on several action theories in general context of intentional states. We show (based on the articles of Michael Scott) that the kinesthetic theory of action and theories of innervation, which were the object of criticism of Wittgenstein, do not play an essential role for understanding Wittgenstein's texts and therefore in this case the influence of historical and philosophical reconstruction on the understanding of Wittgenstein's corresponding notes can be considered insignificant. Late Wittgenstein's texts are directed against comparatively universal methodological and metaphysical principles. And therefore, criticism of theories of action can only serve as an optional illustration and an optional precondition for interpretation and understanding.

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Dissertationen zum Thema "Michel de Criticism and interpretation"

Nicholson, Karen. „Des structures mytho-initiatiques chez Michel Tournier“. Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69654.

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According to the structuralist Claude Levi-Strauss, all myth has but one same structure. The purpose of this study is to expose the mythico-initiatory edifice that informs Vendredi ou les limbes du Pacifique, Le Roi des Aulnes, as well as Les Meteores, Michel Tournier's "trilogy".
To write, according to Tournier, cannot be a matter of literary creation, but simply of literary renewal. Vendredi ou les limbes du Pacifique, Le Roi des Aulnes and Les Meteores represent literary reflections on the primordial importance of Myth, for the Artist and above all, for Man; it is this mythic dimension that makes Tournier's entire oeuvre an "autobiography", or rather an autohagiography, according to Tournier's neologism. The three protagonists, Robinson, Tiffauges and Paul Surin, literary avatars of Tournier as Author, embark on a Quest for this lost mythic Unity; we will see that the voyage each makes is but one and the same, an allegorical odyssey toward the light$ ...$ of the City of the Sun.

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Girard, Stéphane. „Sémiotique tensive de l'abjection chez Michel Butor“. Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19507.

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According to Julia Kristeva, abjection is an unconscious process (a cut) every human being has to operate to be able to autonomize her or himself from the dyadic relationship with the mother. An autonomous subject then has access to what « sémiotique tensive » (influenced by the phenomenology of perception andstructuralism) calls « field of presence » from where she or he can enunciate and thus enter the Symbolic order. In this thesis, I posit that the field of presence changes from modernity to postmodernity, and that some avant-garde authors, such as Michel Butor in the 1960's, are articulating the shift from one to the other and modifying the relationship between subject and abject. My textual analyses focus on two of Butor's most innovative books : Mobile. Étude pour une représentation des États-Unis (published in 1962) and 6 810 000 litres d'eau par seconde. Étude stéréophonique (usually referred to by critics as Niagara, the title of its English translation, published in 1965). My hypothesis is that, on the level of enunciation, Mobile shows traces of a modem field of presence, where the margins are highly dysphoric (abject), while Niagara tends to represent a more postmodern one, using différent discursive stratégies to defuse the abject threat. I close with a reflection on the state of abjection as a subjectivity inducing process, the subject it exhausts in postmodern times, and the new relationship to the body (therefore, to perception and enunciation) it imposes.

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Vaillant, David. „De l’homme historique à l’enfant atemporel dans les romans de Tournier“. Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37376.

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The child appears in Michel Tournier's literary work as an opposites resolving principle. These contraries are the cause of the disharmony within the protagonists: Robinson Crusoe, Abel Tiffauges and Paul Surin, the three main characters of, respectively, Vendredi ou les limbes du Pacifique, Le Roi des Aulnes and Les Météores. The destiny of those three heroes is to resolve this duality. The fulfillment of that destiny is characterized by its progression in time. The variation in the time dimension is actually the main characteristic of this duality with which the protagonists hâve to deal. As a matter of fact, they switch between historic and atemporal states according to regular and specific conditions. A real or symbolic child appears with angelic and solar features when the protagonists fulfill their destiny, reaching a state where neither historicity nor eternity exist. The child, to which Tournier gives a synthesizing power, represents the recovered unity, the perfect plenitude.
L'enfant, dans l'oeuvre romanesque de Michel Tournier, agit comme principe de résolution des contraires, qui sont à l'origine de la disharmonie existant chez les protagonistes: Robinson Crusoé, Abel Tiffauges et Paul Surin, les trois personnages principaux de Vendredi ou les limbes du Pacifique, Le Roi des Aulnes et Les Météores respectivement. Leur destinée consiste justement à résoudre cette dualité. L'accomplissement de ce destin est caractérisé par une progression à travers le temps. D'ailleurs, la dualité présente chez ces trois héros se manifeste surtout dans la variation de la dimension temporelle. En effet, ils alternent, dans des conditions régulières et spécifiques, entre un état historique et un état atemporel. Lorsque les protagonistes atteignent une sphère où ni l'historicité ni l'éternité n'existent, accomplissant de la sorte leur destin, un enfant, concret ou abstrait, apparaît sous des signes angéliques et solaires. L'enfant, à qui Tournier confère un grand pouvoir de synthèse, symbolise alors l'unité retrouvée, la parfaite plénitude. fr

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Morin, Claude. „L'émergence de l'individualité dans les romans de Michel Tremblay“. Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60014.

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The subject matter of this thesis is concerned with a series of novels written by Michel Tremblay referred to as "Les Chroniques du Plateau Mont-Royal"; and more specifically, it is limited to the first four in the series. In these, Tremblay deals with the phenomena of human nature as it unfolds between birth and death. The gradual emergence of the wholeness and uniqueness of the individual during this process is a major theme developed sequentially in these four novels. This has been clearly demonstrated and critically evaluated in this thesis both somatically by using Ovid's Theory of Metamorphosis and psychologically by using Jung's Theory of Individuation. It has been concluded as a result of such analyses; firstly, that the unfolding process of human nature is a central theme, and secondly, these four novels are importantly interrelated in the development of this theme.

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Nadeau, Simon 1982. „La philosophie comme roman idéel : introduction à l'œuvre de Michel Morin“. Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116125.

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This study is about Michel Morin's opera omnia, a contemporary Quebec essayist and philosopher. The first part analyzes Morin's work with a sustained attention given to the question of the essay as a specific literary and philosophical genre (with references to Vigneault, Lukacs, Adorno, Barthes). Morin's work is for us the occasion to develop a reflection on the relationship between literature and philosophy (with references to Nietzsche, Kierkegaard, Bergson, Heidegger). Finally, going forward, we elaborate the concept of philosophy as Ideational Novel to read Morin's work, a concept that describes Morin's intellectual adventure and involvement in the reflexive text. The second part proposes a more detailed analysis of Michel Morin's reflexive adventure through four distinct moments. All Morin's essays will be studied. Issues and beacons-ideas will be analyzed without ever losing sight of the genuine style of his writing.

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Slavik, Daniela Zuzana. „Le détournement du Petit Poucet, de Charles Perrault par Pierrette Fleutiaux et Michel Tournier : ; suivi de, Contes : écrits et réécrits“. Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99607.

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The critique part of this thesis explores two rewritings of the fairytale Tom Thumb by Charles Perrault, written by Pierrette Fleutiaux and Michel Tournier. Firstly, modifications to the original fairytale will be shown, followed by the presence of the newly introduced themes of sexuality and religion. It will be established that binary combinations are an integral part of the structure of a traditional fairytale, before examining the manner in which these writers use the new themes in order to blur the separating lines of the binary combinations. Bearing in mind the dismantling of the structure of the original fairytale, we will try to see if these two texts can still be considered as fairytales.
The creative section of the thesis is composed of five fairytales: original works and rewritings which play with structure, characters and themes of the fairytale.

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Lacharité, Marie-Josée. „La dynamique d'enfermement dans les Chroniques du Plateau Mont-Royal de Michel Tremblet [sic] /“. Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112404.

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The aim of the present thesis is to study the theme of confinement in Michel Tremblay's Chroniques du Plateau Mont-Royal in regards of its subjacent dynamic. We start with the hypothesis according to which this dynamic, based on the succession "confinement-escape-return/re-creation of same", constitutes the frame of the text, giving it cohesion and structuring the narrative plot. Using thematic analysis tools, we attempt, first of all, to demonstrate the recurrent presence of the theme in the tremblayen text in line with two quite precise angles, that of spatial and family confinement in which the protagonists live. While underlining the different demonstrations of the theme, our analysis of the writing work aims to show that the author uses confinement, and precisely the confinement dynamic, as a dramatic motor (narrative function). Creating "la loi du roman", this never-ending structure on which would rest the tremblayen text, while preventing all escape attempts from the protagonists, would condemn them to wander eternally in search of a unreachable happiness.

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Tapley, Lance. „A Universal and Free Human Nature: Montaigne, Thoreau, and the Essay Genre“. Fogler Library, University of Maine, 2002. http://www.library.umaine.edu/theses/pdf/TapleyL2002.pdf.

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Boucher, François-Emmanuël. „Montaigne et l'herméneutique des guerres de religion“. Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28248.

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The purpose of the research paper is to study and analyze the criticism expressed by Montaigne on different doxic themes that pervade the social discourse of his time. To do so, we consider two problems connected and coextensive to the second part of the XVI century.
The first one that extends over the first two chapters analyzes the way by which the religious wars of the era have found their justification in God. In the first chapter, we try to analyze the discursive vector of the divine ire whereas in the second chapter, we investigate the relationship between the tide of a battle and the elect sign that is supposed to give to the winner.
The second problem, that deals with various attempts of pacification, forms the third chapter of this paper. It focuses on the efforts undertaken by some "well intentioned" jurists to end "fratricidal" wars by royal by-laws (edits) whose unfortunate results are to stir up hatred among different ideological factions.
The fourth chapter is a reflection on some criticism stated by XVI century thinkers who perceived actual wars as lacking religious foundation, and even as a carnage where nobody really knew why the fighting was going on.
Finally, we put forward some hypotheses on the specificity of the Essais in the sociodiscursive context of this age.

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Keet, Emma Alice. „New title : traversing uncertain co-ordinates in search of alternative trajectories“. Thesis, Stellenbosch : Stellenbosch Universitty, 2015. http://hdl.handle.net/10019.1/96935.

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Thesis (MA)--Stellenbosch University, 2015.
ENGLISH ABSTRACT: This thesis traverses the complexities and entanglement of theoretical and practical processes in a Post-structural age. Through the deconstruction of stable systems of knowledge and thought, this age has become synonymous with uncertainty. In an attempt to navigate a time of continual change, Foucault proposes a toolkit. Foucault advocates deconstruction, critical engagement and reflection. In addition to these tools, this thesis moves through genealogical, mapping, archaeological and glass (blowing) methodologies. My practice cannot be separated from theory, it is excavated concurrently. Foucault, Derrida, Nietzsche, Deleuze and Guattari open up knowledge systems in an effort to uncover alternative thought trajectories and create a space in which complexity can exist. Knowledge circulating in this space is not fixed, it manifests in moments. My practical project, Fleeting Certainty, also aims to create an open space. It does not culminate in one, autonomous work, but is rather an archive of moments. Viewers will also be equipped with a toolkit of light and lenses with which to create moments of their own. Therefore moments will generate continuously. These theoretical and practical processes do not culminate in a coherent conclusion. There is a pause, a comma, but there are many more trajectories or lines to follow.
AFRIKAANSE OPSOMMING: Hierdie tesis deurkruis die ingewikkeldhede en verstrengeling van teoretiese en praktiese prosesse binne ’n Post-strukturele tydperk. Hierdie tydperk het, deur die dekonstruksie van stabiele stelsels van kennis en denke, gelykstaande aan onsekerheid geword. In a poging om ’n tydperk van voortdurende verandering te verken, stel Foucault sekere hulpmiddels voor. Foucault bepleit, dekonstruksie, kritiese betrokkenheid en besinning. Benewens hierdie hulpmiddels, maak hierdie tesis gebruik van genealogiese, karterings-, argeologiese en glas (blaas) metodologieë. Die praktiese komponent van my werk hou ten nouste verband met die teoretiese en kan nie van mekaar geskei word nie. Foucault, Derrida, Nietzsche, Deleuze and Guattari stel kennisstelsels oop in ’n poging om alternatiewe gedagtegange te ontbloot en skep ’n ruimte waarin kompleksiteit kan bestaan. Kennis wat in hierdie ruimte bestaan, is nie vas of bepaald nie, maar kom in oomblikke voor. My praktiese projek, Fleeting Certainty, poog ook om ’n ‘oop’ ruimte te skep. Die projek loop nie uit op een selfstandige werk nie, maar dien as ’n versameling of argief van oomblikke. Kykers sal ook toegerus word met hulpmiddels in die vorm van lig en lense waarmee hulle oomblikke van hul eie kan skep. Oomblikke sal dus voortdurent geskep word. Hierdie teoretiese en praktiese prosesse loop ook nie op ’n samehangende gevolgtrekking uit nie. Daar is ’n pouse, ’n komma, maar daar is baie meer bane of lyne om te volg.

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Bücher zum Thema "Michel de Criticism and interpretation"

Schjørring, Maren Aarup. Michels krop: Læsninger i Michel Houellebecqs forfatterskab. Odense: Syddansk Universitetsforlag, 2005.

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1951-, Fremont Christiane, Hrsg. Michel Serres. Paris: Herne, 2010.

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Gauteur, Claude. Michel Simon. Monaco: Rocher, 2005.

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Michel Tournier. Paris: Julliard, 1995.

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Skimao. Michel Butor. Lyon: La Manufacture, 1988.

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Michel Tournier. Boston: Twayne Publishers, 1985.

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Gauteur, Claude. Michel Simon. Paris: Edilig, 1987.

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Michel Tournier. Paris: Artefact, 1986.

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Henry, Martine. Michel Colin. [Colmar]: Do Bentzinger, 1993.

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Knöpker, Sebastian. Michel Henry. Düsseldorf]: Onomato Verlag, 2012.

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Buchteile zum Thema "Michel de Criticism and interpretation"

Bogel, Fredric V. „New Formalist Interpretation“. In New Formalist Criticism, 102–52. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137362599_4.

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Cohen, Ralph. „Literary Criticism and Artistic Interpretation“. In Reason and Imagination, 279–306. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003222996-14.

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Bonelli, Paolo, Giorgio Guidotti, Enrico Paolini und Giulio Spinucci. „Pacemaker Stimulation Criticism at ECG“. In New Concepts in ECG Interpretation, 175–85. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91677-4_16.

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Wang, Fengzhen. „Marxist Literary Criticism in China“. In Marxism and the Interpretation of Culture, 715–22. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_49.

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Capellmann, Herbert. „Later Criticism of the Copenhagen Interpretation“. In SpringerBriefs in History of Science and Technology, 77–81. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61884-5_10.

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Amesbury, Richard. „Norms, Interpretation, and Decision-Making: Derrida on Justice“. In Morality and Social Criticism, 46–64. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230507951_3.

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Mallinson, Jane. „Objects of Attention: The Literary Criticism“. In T.S. Eliot’s Interpretation of F.H. Bradley, 23–34. Dordrecht: Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-017-0411-3_3.

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Gutiérrez Pozo, Antonio. „Subjectivity and Transcendence: Husserl’s Criticism of Naturalistic Thought“. In Man’s Self-Interpretation-in-Existence, 379–85. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-1864-1_30.

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Barrett, Michèle. „The Place of Aesthetics in Marxist Criticism“. In Marxism and the Interpretation of Culture, 697–713. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_48.

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Davis, Todd F., und Kenneth Womack. „Introduction: Moving beyond the Politics of Interpretation“. In Formalist Criticism and Reader-Response Theory, 1–10. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-4039-1916-8_1.

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Konferenzberichte zum Thema "Michel de Criticism and interpretation"

Al-dabbagh, Asma. „The Nature of Interpretation in Architectural criticism“. In INTERNATIONAL CONFERENCE ON ARCHITECTURAL AND CIVIL ENGINEERING 2020. Cihan University-Erbil, 2021. http://dx.doi.org/10.24086/aces2020/paper.256.

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The expressive systems in architecture consists of two components: the system of forms and the system of meanings, these systems are linked together by unwritten rules, which are a matrix of correlations / implications that determine any meanings associated with any forms. The designer remains unsure of the possible interpretations of his design, because of the variation in the nature of meaning, discovered by the recipient, and this stems from the variation of reliance on the theory of interpretation in this regard. Many studies of architectural semiology indicate some of these theories; Classical theory believes in the natural meaning, which influenced by form's geometry, Pragmatic theory believes in the common meaning, which stems from the use of form within different contexts and according to social custom. The research attempts to explore the aspects of interpretation adopted by two critics, in order to determine the theory adopted by them, so the designer will be aware to the nature and type of meaning comprehended by viewers. The results showed the adoption of common and inclusive meanings, also showed the variation in the role of architectural Expressions in confirming or multiplying the meaning, influenced by contexts and signal types. The conclusion emphasized the importance of historical references, stylistic trend, and spatial contexts in form interpretation.

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„Interpretation of "Wuthering Heights" from the Perspective of Eco-criticism“. In 2018 4th International Conference on Economics, Management and Humanities Science. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ecomhs.2018.126.

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Kenyhercz, Róbert. „Interpretation of data and sources in etymological research“. In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/39.

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The aim of the paper is to emphasize the importance of source criticism in etymological research. It is widely known that the main sources for the early history of toponyms in the Carpathian Basin are the charters created in the medieval Hungarian Kingdom, because these official documents contained a large number of vernacular proper names embedded in the Latin text. However, it is important to mention that the medieval charters were produced by the chancery and places of authentication along specific principles and needs. I argue that this circumstance must always be considered during the interpretation of the data. I will show some examples illustrating that – in certain cases – we have to take into account the nature of the sources in the reconstruction of the genesis of place names. My goal is to offer a brief outline of this issue through my own investigations.

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Verner, Inna. „The legacy of Maximus the Greek in the biblical revision of Euthymius Chudovsky (1680s)“. In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.04.

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The paper explores the use by Euthymius Chudovsky of Maximus the Greek’s achievements in the linguistic revision of biblical texts. Correction and translation of the New Testament by Euthymius in the 1680s demonstrates not only the appeal to the texts translated by Maximus as language patterns, but also the development of his philological criticism of the text of Holy Scripture and its interpretation.

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Fateeva, I. „“AN EVERLASTING DAY” (IN RELATION TO THE PAINTING “HUNTERS IN THE SNOW” BY PIETER BRUEGEL)“. In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2554.978-5-317-06726-7/93-96.

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The article gives an aesthetic interpretation of the art criticism judgment - “An everlasting day” in relation to the painting “Hunters in the Snow” by the Dutch artist, representative of the Northern Renaissance (16th century) Pieter Bruegel (Muzhitsky). In the context of the ideas of phenomenological aesthetics, the type of painting is determined, a conclusion is made about the applicability of the considered judgment to paintings of a certain type, examples of such works from Russian art are given.

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LU, Tingying, Jiali LI und Ning PENG. „Heterotopic space characteristics of urban village in China: Take Guandongdian district in Beijing as an example“. In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6034.

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Heterotopic space characteristics of urban village in China: Take Guandongdian district in Beijing as an example Lu Tingying¹, Li Jiali2, Peng Ning2 ¹Center of Architecture Research and Design. University Of Chinese Academy Of Sciences. UCAS Youth Apartment, No. 80 Zhongguancun Street, Haidian District, Beijing, China 2Center of Architecture Research and Design. University Of Chinese Academy Of Sciences. UCAS Youth Apartment, No. 80 Zhongguancun Street, Haidian District, Beijing, China E-mail: 1102684155@qq.com, lijiali020020@163.com, pengning18@sina.com Keywords: Heterotopias, space characteristics, urban village, Guandongdian, diversification Conference topics and scale: Urban form and social use of space For the first time in the history of China, more of its mainland population are living in cities than in rural villages. The land acquisition and real estate development have caused rapid disappearance and decline of a large number of traditional villages, resulting in "urban villages" in China. They seem chaotic, but contain rich and colorful social life. The living environment is really harsh, but people always maintain close relationship with each other. They are different from neither the modern urban nor traditional villages, but they have their own unique vitality. Such heterogeneous space is always a symbol of historical change and cultural collision which, according to the French philosopher Michel Foucault, can be called Heterotopias. In order to study this heterotopic phenomenon, the triangular area of Guandongdian district in Beijing has been chosen as the object of this case study. With the in-depth investigation of interviews, observation, statistics and sketches, this paper is trying to interpret the characteristics of the heterotopic state of the urban village from three aspects of social form, urban morphology and architectural feature. Eventually, in order to keep the complexity and diversification of urban village, several strategies are put forward for reference to future transforming practice. References Foucault, M. (1967) Of Other Spaces: Utopias and Heterotopias, Trans. Miskoviec, J.(1984), Architecture /Mouvement /Continuité (http://foucault.info/documents/heteroTopia/foucault.heteroTopia.en.html) Selina Abraham. (2013) ‘The heterotopic space of Chirag Delhi’, unpublished research paper, Guru Gobind Singh Indraprastha University, Delhi. WANG Su. (2013) ‘Heterotopias versus Cultural Imagination: An Interpretation of the Metropolitan Space of Tianjin from the Perspective of Michel Foucault’ s Of Other Spaces (Heterotopias)’ Journal of Nanyang Normal University 12, 50-53.

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Xu, Manyan. „A New Interpretation of Chinese Versions of Stray Birds Based on Reiss's Translation Criticism A Case Study of the Translations by Feng Tang and Zheng Zhenduo“. In Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/cesses-19.2019.128.

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Aravot, Iris. „An Attempt at Making Urban Design Principles Explicit“. In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.42.

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Since its rise as an autonomous field in the seventies, Urban Design has been a conglomerate of diverse concepts and value outlooks.The present approach, which is an a posteriori propositional expression of applications in actual practice and education, presents both theory and method by means of ten points. The approach is basically generated by formal considerations, thus originating in and focussing on aspects which cannot be expressed through theory and methods of other disciplines. It starts with systematic, conventional and objective studies which are then connected to a system of manipulations – the rules of game – which emphasize interpretation and are clarified by narrative and formal metaphors. The ‘rules of game’ set a framework of no a priori preferred contents, which is then applied according to local characteristics, needs and potentials. This conceptual – interpretative framework imposes a structural, consistent and hierarchical system on the factual data, so as to assure the realization of two apparently opposed values: (1) unity and phenomenological qualities and (2) free development and unfolding of the design that .The propositional expression of the approach aims at its exposure to explicit evaluation and criticism.

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Aslandogan, Y. Alp. „PRESENT AND POTENTIAL IMPACT OF THE SPIRITUAL TRADITION OF ISLAM ON CONTEMPORARY MUSLIMS: FROM GHAZALI TO GÜLEN“. In Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/mnsp5562.

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Western analysts of trends in the contemporary Islamic world often overestimate the impact of contemporary Sufi orders and/or underestimate the impact of the spiritual tradition of Islam. Among the elements of the spiritual tradition conducive to religious pluralism is the ‘mirror’ concept: every human is seen as a mirror of God in three aspects: reflecting the at- tributes and names of God as His work of art, reflection through dependence on God, and reflection through actions God commands or commends. Since only the last aspect is vol- untary, every human, regardless of creed, is a mirror of God in at least the first two aspects. This is a potent argument for peaceful coexistence in religious diversity. The perspective of the spiritual tradition is emphatically inclusive and compassionate and naturally lends itself to non-violence, going beyond mere tolerance to hospitality and friendship. There are impor- tant impediments that prevent this perspective from having a greater impact: (1) the literalist opposition to flexible interpretation of concepts from the Qur’an and the Prophetic tradition, and the wide definition of innovation or heresy (‘bid`a’); (2) deviations of some Sufi orders and subsequent criticisms by orthodox Muslims; and (3) the impact of the politicisation of religion by some groups and political moves by certain Sufi orders. This paper argues that the only approach that has a chance of influencing the majority of contemporary Muslims in positive ways without being open to criticism is the ‘balanced’ spiritual tradition, after the style of the Companions, sometimes called tasawwuf, which strives to harmonise the outer dimensions of Islamic law and worship with the inner dimen- sion of spiritual disciplines firmly rooted in the Qur’an and Prophetic tradition. This paper will present an analysis of this ‘balanced’ spiritual tradition in Islam, from Ghazali, through Rumi, to Gülen.

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