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Thematische Bibliographien / Metrical patterns

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Auswahl der wissenschaftlichen Literatur zum Thema „Metrical patterns“

Autor: Grafiati

Veröffentlicht am 24. Juni 2021

Zuletzt aktualisiert am 17. Februar 2022

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Zeitschriftenartikel zum Thema "Metrical patterns"

1

White, Christopher. „Relationships Between Tonal Stability and Metrical Accent in Monophonic Contexts“. Empirical Musicology Review 12, Nr. 1-2 (26.09.2017): 19. http://dx.doi.org/10.18061/emr.v12i1-2.5833.

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Recent corpus analyses have provided evidence for interactions between tonal and metric hierarchies by illustrating that tonally stable pitches occur disproportionately often on strong metrical positions while tonally unstable pitches occur more frequently on weaker metrical positions. This study begins to investigate whether this observed property is salient to listeners' identification of metrical accents: by presenting participants with tonally-determined but metrically ambiguous beat patterns, we ask how tonal hierarchies might influence listeners' interpretation of these metrical-accent patterns (as measured via a tapping task). In Experiment 1, participants heard patterns alternating tonally stable and unstable pitches, and it was found that tonal stability did not affect metric interpretations. In Experiments 2 and 3, listeners heard an atonal artificial hierarchy prefaced by an exposure session using music generated by this artificial hierarchy; exposure did not influence the subsequent tapping task. Flipping the paradigm, in Experiment 4, participants heard a metrically defined but tonally-ambiguous melody, and selected the most appropriate chord. The metrical context affected participants' harmonization choices. Although a tendency to align strong beats with chord tones accounted for some of the data, further analysis shows that changing the metrical context influenced chord choices, providing evidence for a joint tonal-metric hierarchy.

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Acevedo, Stefanie, David Temperley und Peter Q. Pfordresher. „Effects of Metrical Encoding on Melody Recognition“. Music Perception 31, Nr. 4 (Dezember 2012): 372–86. http://dx.doi.org/10.1525/mp.2014.31.4.372.

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We report two experiments exploring whether matched metrical and motivic structure facilitate the recognition of melodic patterns. Eight tonal melodies were composed from binary (four-note) or ternary (three-note) motivic patterns, and were each presented within a metrical context that either matched or mismatched the pattern. On each trial, participants heard patterns twice and performed a same-different task; in half the trials, one pitch in the second presentation was altered. Performance was analyzed using signal detection analyses of sensitivity and response bias. In Experiment 1, expert listeners showed greater sensitivity to pitch change when metrical context matched motivic pattern structure than when they conflicted (an effect of metrical encoding) and showed no response bias. Novice listeners, however, did not show an effect of metrical encoding, exhibiting lower sensitivity and a bias toward responding “same.” In a second experiment using only novices, each trial contained five presentations of the standard followed by one presentation of the comparison. Sensitivity to changes improved relative to Experiment 1: evidence for metrical encoding – in the form of reduced response bias when meter and motive matched – was found. Results support the metrical encoding hypothesis and suggest that the use of metrical encoding may develop with expertise.

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Weiskott, Eric. „Systematicity, a missing term in historical metrics“. Language and Literature: International Journal of Stylistics 25, Nr. 4 (November 2016): 328–42. http://dx.doi.org/10.1177/0963947016660229.

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This essay identifies two persistent problems in the historical study of meter—nonconformant metrical patterns and metrical change—and offers a new term as a conceptual tool for understanding their interdependence. The term ‘systematic’ denotes metrical patterns that conform to synchronically operant metrical principles. The corresponding term ‘asystematic’ denotes the minority of actually occurring metrical patterns that fall outside the metrical system as such for historical reasons. All systematic patterns are necessarily metrical, but not all metrical patterns are systematic. It is argued that the systematicity/metricality distinction in historical metrics is analogous to the regularity/grammaticality distinction in historical linguistics and similarly fundamental to historical analysis. By introducing a new technical term, this essay seeks to shift the metrist’s object of study from the metrical system qua system to meter as a complex historical experience. The value of the concept of systematicity is illustrated through three case studies in asystematic metrical patterns from early English poetic traditions: verses with three metrical positions in Beowulf, lines with masculine ending in Middle English alliterative verse, and the infamous ‘broken-backed lines’ in the pentameter of John Lydgate. In each case, it is argued that the contrast between systematic and asystematic metrical patterns illuminates the diverse historical and perceptual negotiations that inevitably lie behind metered texts.

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Keller, Peter E., und Denis K. Burnham. „Musical Meter in Attention to Multipart Rhythm“. Music Perception 22, Nr. 4 (2005): 629–61. http://dx.doi.org/10.1525/mp.2005.22.4.629.

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Performing in musical ensembles can be viewed as a dual task that requires simultaneous attention to a high priority �target� auditory pattern (e.g., a performer�s own part) and either (a) another part in the ensemble or (b) the aggregate texture that results when all parts are integrated. The current study tested the hypothesis that metric frameworks (rhythmic schemas) promote the efficient allocation of attentional resources in such multipart musical contexts. Experiment 1 employed a recognition memory paradigm to investigate the effects of attending to metrical versus nonmetrical target patterns upon the perception of aggregate patterns in which they were embedded. Experiment 2 required metrical and nonmetrical target patterns to be reproduced while memorizing different, concurrently presented metrical patterns that were also subsequently reproduced. Both experiments included conditions in which the different patterns within the multipart structure were matched or mismatched in terms of best-fitting meter. Results indicate that dual-task performance was best in matched-metrical conditions, intermediate in mismatched-metrical conditions, and worst in nonmetrical conditions. This suggests that metric frameworks may facilitate complex musical interactions by enabling efficient allocation of attentional resources.

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Kehoe, Margaret, und Carol Stoel-Gammon. „Truncation Patterns in English-Speaking Children's Word Productions“. Journal of Speech, Language, and Hearing Research 40, Nr. 3 (Juni 1997): 526–41. http://dx.doi.org/10.1044/jslhr.4003.526.

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This study examines English-speaking children's truncation patterns (i.e., syllable deletion patterns) in multisyllabic words to determine if they are consistent with metrical constraints or perceptual biases. It also examines segmental influences on children's truncations. Children, age 22–34 months, produced three-syllable novel and real words and four-syllable real words, which varied across stress and segmental pattern. Results revealed a significant stress pattern effect on truncation rate, but findings were not consistent with metrical or perceptual salience predictions. The clearest account of the findings came from an analysis of truncation rate across individual words: Children truncated WSW (weak-strong-weak) words and words that contained intervocalic sonorants more frequently than other words. Analysis of truncation patterns in SWW and SWSW words revealed that final unstressed syllables were more frequently preserved than nonfinal unstressed syllables. Findings support the interaction between metrical, syllabic, and acoustic salience factors in children's multisyllabic word productions.

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Schwartz, Richard G., und Lisa Goffman. „Metrical Patterns of Words and Production Accuracy“. Journal of Speech, Language, and Hearing Research 38, Nr. 4 (August 1995): 876–88. http://dx.doi.org/10.1044/jshr.3804.876.

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This investigation examined the influence of metrical patterns of words (syllable stress and serial position) on the production accuracy of 20 children (22 to 28 months). The data were productions of six pairs of individualized two-syllable experimental words that referred to unfamiliar objects. Members of each pair differed only in the placement of stress (e.g., ['soti] vs. [so'ti]). Unstressed syllables were much more likely to be omitted, particularly at the beginning of words. Very few stressed syllables and unstressed second position syllables were omitted. One fourth of the word initial unstressed syllables were omitted. Consonant omissions, though few in number, tended to occur in initial position. Assimilation errors were not influenced by stress or serial position. When segmental errors due to syllable omissions were excluded, other consonant errors were not affected by stress or serial position. These findings indicate that young children's productions of syllables are influenced by the metrical patterns of words. However, the trochaic pattern of English is a statistical tendency, not an absolute constraint on two-syllable words. Metrical pattern also does not affect the consonant accuracy in syllables produced.

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Temperley, David, und Christopher Bartlette. „Parallelism as a Factor in Metrical Analysis“. Music Perception 20, Nr. 2 (2002): 117–49. http://dx.doi.org/10.1525/mp.2002.20.2.117.

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A model is proposed of the effect of parallelism on meter. It is wellknown that repeated patterns of pitch and rhythm can affect the perception of metrical structure. However, few attempts have been made either to define parallelism precisely or to characterize its effect on metrical analysis. The basic idea of the current model is that a repeated melodic pattern favors a metrical structure in which beats are placed at parallel points in each occurrence of the pattern. By this view, parallelism affects the period of the metrical structure (the distance between beats) rather than the phase (exactly where the beats occur). This model is implemented and incorporated into the metrical program of D. Temperley and D. Sleator (1999). Several examples of the model's output are presented; we examine problems with the model and discuss possible solutions.

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Paoli, Bruno. „Meters and formulas“. Linguistic Approaches to Poetry 15 (31.12.2001): 113–36. http://dx.doi.org/10.1075/bjl.15.09pao.

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This paper deals with the metrical and rhythmical foundations of the formulaic style of ancient Arabic poetry. It is first shown how proper formulas can match different verse-patterns, by means of slight modifications such as the adjunction, deletion or substitution of conjunctions, prepositions, interrogative pronouns or aspectual markers, which partly behave like “stop-gaps”, keeping the meaning unchanged while modifying the metrical pattern of the formula. The analysis is then extended to “rhythmical formulas”, i.e. to combined metrical and word-stress patterns which serve as models for a great number of “formulaic expressions”. Word boundaries may be specified, as well as some morphological and syntactical informations, so that expressions derived from a same rhythmical formula can be classified into a number of more or less abstract subcategories. Finally, the syntagmatic combination of rhythmical formulas into lines leads to the identification of a small number of prototypical verse-instances underlying the various actual instances of a same verse-pattern.

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Velleman, Shelley L., und Lawrence D. Shriberg. „Metrical Analysis of the Speech of Children With Suspected Developmental Apraxia of Speech“. Journal of Speech, Language, and Hearing Research 42, Nr. 6 (Dezember 1999): 1444–60. http://dx.doi.org/10.1044/jslhr.4206.1444.

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Previous studies have shown that metrical analysis accounts for syllable omissions in young normally developing children better than prior perspectives. This approach has not yet been applied to children with disorders. Inappropriate sentential stress has been proposed as a diagnostic marker for a subgroup of children with suspected developmental apraxia of speech (SD-DAS), suggesting that the application of metrical perspectives to this population may be appropriate. This report extends the goal of identifying diagnostic markers for SD-DAS using analytic procedures from metrical phonology. The lexical metrical patterns of children with SD-DAS were compared to those of a group of children with speech delay (SD) to verify the applicability of metrical constructs to children with disorders while at the same time seeking lexical stress characteristics that might be useful for differential diagnosis. The lexical stress errors of children in both the SD and SD-DAS disorder groups were found to conform to patterns identified in metrical studies of younger normally developing children, confirming the applicability of this approach to children with disorders. Lexical metrical patterns did not differentiate the groups from each other. However, syllable omissions persisted to much later ages in the SD-DAS subjects, especially those children previously identified as having inappropriate phrasal stress. Further metrical studies of the speech of children with suspected SD-DAS are needed, both at the lexical and the sentential level, using both perceptual and acoustic measures.

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Hammerschmidt, David, und Clemens Wöllner. „Sensorimotor Synchronization with Higher Metrical Levels in Music Shortens Perceived Time“. Music Perception 37, Nr. 4 (11.03.2020): 263–77. http://dx.doi.org/10.1525/mp.2020.37.4.263.

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The aim of the present study was to investigate if the perception of time is affected by actively attending to different metrical levels in musical rhythmic patterns. In an experiment with a repeated-measures design, musicians and nonmusicians were presented with musical rhythmic patterns played at three different tempi. They synchronized with multiple metrical levels (half notes, quarter notes, eighth notes) of these patterns using a finger-tapping paradigm and listened without tapping. After each trial, stimulus duration was judged using a verbal estimation paradigm. Results show that the metrical level participants synchronized with influenced perceived time: actively attending to a higher metrical level (half notes, longer intertap intervals) led to the shortest time estimations, hence time was experienced as passing more quickly. Listening without tapping led to the longest time estimations. The faster the tempo of the patterns, the longer the time estimation. While there were no differences between musicians and nonmusicians, those participants who tapped more consistently and accurately (as analyzed by circular statistics) estimated durations to be shorter. Thus, attending to different metrical levels in music, by deliberately directing attention and motor activity, affects time perception.

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Dissertationen zum Thema "Metrical patterns"

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Shea, Rebecca Lynn. „The effectiveness of a prosodic intervention on children's metrical patterns /“. abstract and full text PDF (UNR users only), 1999. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1395238.

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Mikko, Evelina. „Bolts of Melody : The Poetic Meter and Form in Poetry of Emily Dickinson“. Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-36462.

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This essay analyses a selection of poems written by the American poet Emily Dickinson. The essay aims to explore the function of the meter in Emily Dickinson’s poetry. Earlier studies have combined Emily Dickinson’s poetry with meter, but the research of metrical pattern and form has not been sufficient enough to show Emily Dickinson’s full potential with the different meters. The purpose of this essay is to analyse how the metrical patterns are used by the poet as metrical strategies to impact the reader’s perception. One assumption is that structure and form are fundamental to her writing style. It justifies the reading of her poetry in relation to meter. The main focus was the physical structures of the poems, such as line length, metrical patterns, and systematic rhymes. The second most important aim was to analyse her other poetic devices, such as dashes and capitalizations. The findings were analysed together with the vocabulary and figurative language. The analysis shows Emily Dickinson’s poetic artistry in meter and rhyme and clarifies how she creates poetry with lyrical qualities. The result is important because it also shows that she can create poetry with metrical patterns, without in that sense being bound to meter.

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Tembe, Waibhav D. „Proximity Metrics for Contextual Pattern Recognition“. University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1096665126.

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Chang, Hong. „Semi-supervised distance metric learning /“. View abstract or full-text, 2006. http://library.ust.hk/cgi/db/thesis.pl?COMP%202006%20CHANG.

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Widengren, Mattias. „EXPLORING THE LIMITS OF BEAT TEMPO WITH AN ILLUSION OF INFINITE TEMPO CHANGE IN A METRICAL PATTERN“. Thesis, Umeå universitet, Institutionen för psykologi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-159935.

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Humans have the ability to synchronise with sounds divided by equal intervals and predict when the next sound is coming, as opposed to reacting to them. By creating a pulse within ourselves based on these recurrent sounds we are able to, for instance, play music and dance. A stable pulse can be maintained accurately even without external stimuli for up to about two seconds. Previous research showed that this limit could be extended to about eight seconds if the pulse was supported by a sound pattern with a facilitating temporal structure, which also seemed to be slowing down infinitely. The present study used the same type of multi-level pattern, but with longer playing time and stricter instructions for the participants. Just as in the seminal study the participants had to hit a drumstick against a drum pad according to their inner representation of the pulse when hearing the stimuli, for both increasing and decreasing tempi. In addition, the present study featured four different rates of tempo change. The results showed that the produced time interval could be extended to around 16 seconds for decreasing tempo with the slowest rate of change.
Människor har förmågan att synkronisera med ljud separerade av lika långa tidsintervalleroch förutse när nästa ljud kommer, istället för att bara reagera på dem. Genom att skapa en inre puls baserad på dessa återkommande ljud kan vi till exempel spela musik och dansa. En stabil puls kan upprätthållas även utan externa stimuli i upp till omkring två sekunder. Tidigareforskning visade att denna gräns kunde förlängas till omkring åtta sekunder om pulsenstöddesav ett ljudmönster med en underlättande temporal struktur, som också verkade sakta ner i oändlighet. Den aktuella studien använde sig av samma typ av stimuli, men med längre speltid och striktare instruktioner till deltagarna. Precis som i den första studien var deltagarnas uppgift att slå en trumstock mot en trumplatta baserat på deras inre representation av pulsen när dom hörde stimulit, för både ökande och avtagandetempo. Dessutom så innehöllden aktuella studienfyra olika grader av tempoändringar.Resultaten visade att det producerade tidsintervallet kunde ökas till nästan 16 sekunderför avtagandetempo med den långsammaste graden av ändring.

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Ruan, Yang. „Smooth and locally linear semi-supervised metric learning /“. View abstract or full-text, 2009. http://library.ust.hk/cgi/db/thesis.pl?CSED%202009%20RUAN.

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Confer, William James. „The activity metric for low resource, on-line character recognition“. Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Fall/Dissertation/CONFER_WILLIAM_33.pdf.

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Wu, Yongfeng. „New Statistical Methods to Get the Fractal Dimension of Bright Galaxies Distribution from the Sloan Digital Sky Survey Data“. Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/WuY2007.pdf.

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Aydinoz, Baris. „The Effect Of Design Patterns On Object-oriented Metrics And Solfware Error-proneness“. Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/2/12607591/index.pdf.

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This thesis study investigates the connection between design patterns, OO metrics and software error-proneness. The literature on OO metrics, design patterns and software error-proneness is reviewed. Different software projects and synthetic source codes have been analyzed to verify this connection.

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Choy, Tze Leung. „Sparse distance metric learning“. Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:a98695a3-0a60-448f-9ec0-63da3c37f7fa.

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A good distance metric can improve the accuracy of a nearest neighbour classifier. Xing et al. (2002) proposed distance metric learning to find a linear transformation of the data so that observations of different classes are better separated. For high-dimensional problems where many un-informative variables are present, it is attractive to select a sparse distance metric, both to increase predictive accuracy but also to aid interpretation of the result. In this thesis, we investigate three different types of sparsity assumption for distance metric learning and show that sparse recovery is possible under each type of sparsity assumption with an appropriate choice of L1-type penalty. We show that a lasso penalty promotes learning a transformation matrix having lots of zero entries, a group lasso penalty recovers a transformation matrix having zero rows/columns and a trace norm penalty allows us to learn a low rank transformation matrix. The regularization allows us to consider a large number of covariates and we apply the technique to an expanded set of basis called rule ensemble to allow for a more flexible fit. Finally, we illustrate an application of the metric learning problem via a document retrieval example and discuss how similarity-based information can be applied to learn a classifier.

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Bücher zum Thema "Metrical patterns"

1

Aldrich, Winifred. Metric pattern cutting. 3. Aufl. Oxford: Blackwell Science, 1997.

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Metric pattern cutting. 3. Aufl. Oxford: Blackwell Scientific Publications, 1994.

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Aldrich, Winifred. Metric pattern cutting. London: Bell & Hyman, 1985.

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Aldrich, Winifred. Metric pattern cutting. Oxford: Blackwell Scientific, 1992.

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Metric pattern cutting. 4. Aufl. Oxford, U.K: Blackwell Pub., 2004.

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Beryl, Hodges, und Turner Judy 1947-, Hrsg. Metric quiltmaking. Rozelle, NSW, Australia: S. Milner Pub., 1993.

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Aldrich, Winifred. Metric pattern cutting for menswear. 5. Aufl. Chichester, West Sussex: J. Wiley & Sons, 2011.

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Metric pattern cutting for women's wear. 5. Aufl. Boston, MA: Blackwell Pub., 2008.

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Hausman, Warren H. Global logistics indicators, supply chain metrics, and bilateral trade patterns. [Washington, D.C: World Bank, 2005.

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Metric pattern cutting for menswear: Including unisex casual clothes. London: Collins, 1985.

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Buchteile zum Thema "Metrical patterns"

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Jourlin, Michel, Isabelle Fillere, Jean-Marie Becker und Marie-José Labouré. „Shapes and metrics“. In Computer Analysis of Images and Patterns, 254–58. Berlin, Heidelberg: Springer Berlin Heidelberg, 1993. http://dx.doi.org/10.1007/3-540-57233-3_34.

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Bergel, Alexandre, Romain Robbes und Walter Binder. „Visualizing Dynamic Metrics with Profiling Blueprints“. In Objects, Models, Components, Patterns, 291–309. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-13953-6_16.

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Jones, Capers. „The Mess of Software Metrics“. In Software Development Patterns and Antipatterns, 105–74. Boca Raton: Auerbach Publications, 2021. http://dx.doi.org/10.1201/9781003193128-6.

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Jones, Capers. „Function Points as a Universal Metric“. In Software Development Patterns and Antipatterns, 369–466. Boca Raton: Auerbach Publications, 2021. http://dx.doi.org/10.1201/9781003193128-16.

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Amir, Amihood, Ohad Lipsky, Ely Porat und Julia Umanski. „Approximate Matching in the L 1 Metric“. In Combinatorial Pattern Matching, 91–103. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/11496656_9.

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Conejero, José M., Eduardo Figueiredo, Alessandro Garcia, Juan Hernández und Elena Jurado. „Early Crosscutting Metrics as Predictors of Software Instability“. In Objects, Components, Models and Patterns, 136–56. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-02571-6_9.

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Juan, A., und E. Vidal. „Fast median search in metric spaces“. In Advances in Pattern Recognition, 905–12. Berlin, Heidelberg: Springer Berlin Heidelberg, 1998. http://dx.doi.org/10.1007/bfb0033318.

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Hoffer, Elad, und Nir Ailon. „Deep Metric Learning Using Triplet Network“. In Similarity-Based Pattern Recognition, 84–92. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-24261-3_7.

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Yang, Yanling, Kaizhong Zhang, Xiong Wang, Jason T. L. Wang und Dennis Shasha. „An approximate oracle for distance in metric spaces“. In Combinatorial Pattern Matching, 104–17. Berlin, Heidelberg: Springer Berlin Heidelberg, 1998. http://dx.doi.org/10.1007/bfb0030784.

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Ohmori, K., und E. Tanaka. „A Unified View on Tree Metrics“. In Syntactic and Structural Pattern Recognition, 85–100. Berlin, Heidelberg: Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/978-3-642-83462-2_6.

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Konferenzberichte zum Thema "Metrical patterns"

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Martínez Martínez, Jordi, Gemma Bel Enguix und Liliana Torres Floress. „Observations on phonetic and metrical patterns in Spanish-language proverbs“. In EUROPHRAS 2017 - Computational and Corpus-based Phraseology: Recent Advances and Interdisciplinary Approaches. Editions Tradulex, Geneva, Switzerland, 2017. http://dx.doi.org/10.26615/978-2-9701095-2-5_026.

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Parsinejad, Payam, und Rifat Sipahi. „Assessment of Human Vulnerability in a Touch-Screen Game; Metrics and Analysis“. In ASME 2015 Dynamic Systems and Control Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/dscc2015-9961.

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Assistive machine design based on human physiological measurements offers variety of opportunities in both civilian and military applications. In such settings the machine would need to compute certain metrics associated with these measurements to decide how to assist the humans. In this paper, we study a set of metrics pertaining to human behavioral patterns in easy and difficult tasks taken on a touch screen computer game. Analysis of these metrics reveal that some of them can be utilized as indicators of task difficulty showing promise for their use by machines. The metric results are also compared with task performance metrics, as well as a reliable and established metric called pNN50 calculated from subjects’ heart rate measurements and serving as the baseline.

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Chen, Li, Simon Li und Ashish Macwan. „Towards Rapid Redesign: Decomposition Patterns for Large-Scale and Complex Redesign Problems“. In ASME 2005 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/detc2005-84887.

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In an effort to develop a decomposition-based rapid redesign methodology, this paper introduces the basis of such a methodology on decomposition patterns for a general redesign problem that is computation-intensive and simulation-complex. In particular, through pattern representation and quantification, this paper elaborates the role and utility of the decomposition patterns in decomposition-based rapid redesign. In pattern representation, it shows how a decomposition pattern can be used to capture and portray the intrinsic properties of a redesign problem. Thus, through pattern synthesis, the collection of proper decomposition patterns allows one to effectively represent in a concise form the complete body of redesign knowledge covering all redesign problem types. In pattern quantification, it shows how a decomposition pattern can be used to extract and convey the quantum information of a redesign problem using the pattern characteristics. Thus, through pattern analysis, the formulation of an index incorporating two redesign metrics allows one to efficiently predict in a simple manner the amount of potential redesign effort for a given redesign problem. This work represents a breakthrough in extending the decomposition-based solution approach to computational redesign problems.

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Maggioni, Stefano, und Francesca Arcelli. „Metrics-based detection of micro patterns“. In the 2010 ICSE Workshop. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1809223.1809229.

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Pauli, Guinther de B., und Eduardo K. Piveta. „Searching for Refactoring Opportunities to apply the Strategy Pattern“. In X Simpósio Brasileiro de Sistemas de Informação. Sociedade Brasileira de Computação - SBC, 2014. http://dx.doi.org/10.5753/sbsi.2014.6127.

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It is difficult to maintain and to adapt poorly written code presenting shortcomings in its structure. Refactoring techniques are used to improve thecode and the structure of applications, making them better and easier to modify. Design patterns are reusable solutions used in similar problems in object-oriented systems, so there is no need to recreate the solutions. Applying design patterns in the context of refactoring in a corrective way becomes a desired activity in the life cycle of a specific software system. However, in large-scale projects, the manual examination of artefacts to find problems and opportunities to apply a design pattern is a hard task. In this context, wepresent a metric-based heuristic function to detect where the Strategy designpattern can be applied in a given project. To evaluate the heuristic functionand its results we have also built a tool to show the results. This tool canexamine source code using ASTs (Abstract Syntax Trees), searching for opportunities to apply the Strategy pattern, indicating the exact location in the source code where the pattern is suggested, also showing some evidences usedin the detection.

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Góes, Daniel A., und Nelson D. A. Mascarenhas. „Low-Dose Computed Tomography Filtering Using Geodesic Distances“. In Conference on Graphics, Patterns and Images. Sociedade Brasileira de Computação, 2020. http://dx.doi.org/10.5753/sibgrapi.est.2020.12983.

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Due to the concerns related to patient exposure to X-ray, the dosage used in computed tomography must be reduced (Low-dose Computed Tomography - LDCT). One of the effects of LDCT is the degradation in the quality of the final reconstructed image. In this work, we propose a method of filtering LDCT sinograms that are subject to signal-dependent Poisson noise. To filter this type of noise, we use a Bayesian approach, changing the Non-local Means (NLM) algorithm to use geodesic stochastic distances for Gamma distribution, the conjugate prior to Poisson, as a similarity metric between each projection point. Among the geodesic distances evaluated, we found a closed solution for the Shannon entropy for Gamma distributions. We compare our method with the following methods based on NLM: PoissonNLM, Stochastic Poisson NLM, Stochastic Gamma NLM and the original NLM after Anscombe transform. We also compare with BM3D after Anscombe transform. Comparisons are made on the final images reconstructed by the Filtered-Back Projection (FBP) and Projection onto Convex Sets (POCS) methods using the metrics PSNR and SSIM.

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Heyman, Thomas, Riccardo Scandariato, Christophe Huygens und Wouter Joosen. „Using Security Patterns to Combine Security Metrics“. In 2008 Third International Conference on Availability, Reliability and Security. IEEE, 2008. http://dx.doi.org/10.1109/ares.2008.54.

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Mohammadyari, Fatemeh, Mir Mehrdad Mirsanjari, Jūratė Sužiedelytė Visockienė und Ardavan Zarandian. „Evaluation of Change in Land Usage and Land Cover in Karaj, Iran“. In 11th International Conference “Environmental Engineering”. VGTU Technika, 2020. http://dx.doi.org/10.3846/enviro.2020.649.

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In this study, classification results were derived from remote sensing data and the Support Vector Machine (SVM) algorithm used in this process, which classifies Landsat land-cover images. The accuracy of image classifications was evaluated by calculation of the Kappa coefficient. The area of study is Karaj, the capital of Alborz province, in north-central Iran. It is situated in the foothills of the Alborz Mountains and occupies a fertile agricultural plain. Landsat data used in the classification of land cover were collected from USGS websites, and multi-temporal images from the data were geometrically corrected. After this process, we calculated 11 metrics at the landscape and class-level scales: five metrics of class level and six metrics of landscape. The results showed that the landscape patterns in Karaj were changed due to the process of urbanization over an 11-year period. At the class level, for all classifications, the AI metric increased and the PD and NP metrics decreased. At the landscape level, the PD, ED, NP, and SHDI metrics decreased, and LPI and AI increased. These results provide insights about urban development policies and about whether the expansion of urban areas is beneficial for environmental sustainability in Iran and elsewhere in the world.

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Dong, Jiyao, Badong Chen, Na Lu, Haixian Wang und Nanning Zheng. „Correntropy induced metric based common spatial patterns“. In 2017 IEEE 27th International Workshop on Machine Learning for Signal Processing (MLSP). IEEE, 2017. http://dx.doi.org/10.1109/mlsp.2017.8168132.

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Rarnachandra Reddy, B., und Aparajita Ojha. „Discrimination of Inheritance Patterns: An Improved Metric“. In 2018 8th International Conference on Cloud Computing, Data Science & Engineering (Confluence). IEEE, 2018. http://dx.doi.org/10.1109/confluence.2018.8442763.

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Berichte der Organisationen zum Thema "Metrical patterns"

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Koodli, R., und R. Ravikanth. One-way Loss Pattern Sample Metrics. RFC Editor, August 2002. http://dx.doi.org/10.17487/rfc3357.

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Graves, Mark R., und Scott G. Bourne. Landscape Pattern Metrics at Fort Benning, Georgia. Fort Belvoir, VA: Defense Technical Information Center, Oktober 2002. http://dx.doi.org/10.21236/ada408457.

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