Auswahl der wissenschaftlichen Literatur zum Thema „Melancholic subjectivity“
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Zeitschriftenartikel zum Thema "Melancholic subjectivity"
Brophy, Sarah. „Angels in Antigua: The Diasporic of Melancholy in Jamaica Kincaid's My Brother“. PMLA/Publications of the Modern Language Association of America 117, Nr. 2 (März 2002): 265–77. http://dx.doi.org/10.1632/003081202x61999.
Der volle Inhalt der QuelleKorchagin, Kirill. „Serguey Zhadan’s Melancholic Nomadism and National Imagination in Ukraine“. Przegląd Wschodnioeuropejski 9, Nr. 2 (30.11.2018): 319–27. http://dx.doi.org/10.31648/pw.3220.
Der volle Inhalt der QuelleArnold-de Simine, Silke. „Beyond trauma? Memories of Joi/y and memory play in Blade Runner 2049“. Memory Studies 12, Nr. 1 (Februar 2019): 61–73. http://dx.doi.org/10.1177/1750698018811989.
Der volle Inhalt der QuelleJeong, Boram. „The Production of Indebted Subjects: Capitalism and Melancholia“. Deleuze Studies 10, Nr. 3 (August 2016): 336–51. http://dx.doi.org/10.3366/dls.2016.0230.
Der volle Inhalt der QuelleDangaura, Mohan. „Spatial Memory and Ecologically Displaced Subjectivity in Western Tharu Folk Songs of Nepal“. Literary Studies 35, Nr. 01 (09.03.2022): 57–67. http://dx.doi.org/10.3126/litstud.v35i01.43675.
Der volle Inhalt der QuelleHood-Williams, John, und Wendy Cealey Harrison. „Trouble with Gender“. Sociological Review 46, Nr. 1 (Februar 1998): 73–94. http://dx.doi.org/10.1111/1467-954x.00090.
Der volle Inhalt der QuelleTan, Ian. „Ian McEwan’s Aesthetic Stakes in Adaptation as Political Rewriting: A Study of Nutshell (2016) and The Cockroach (2019)“. Anglia 139, Nr. 3 (01.09.2021): 564–83. http://dx.doi.org/10.1515/ang-2021-0043.
Der volle Inhalt der QuelleAbdel-Rahman Téllez, Shadia. „The Embodied Subjectivity of a Half-Formed Narrator: Sexual Abuse, Language (Un)formation and Melancholic Girlhood in Eimear McBride’s A Girl is a Half-Formed Thing“. Estudios Irlandeses, Nr. 13 (15.03.2018): 1–13. http://dx.doi.org/10.24162/ei2018-8060.
Der volle Inhalt der QuelleFaria, Ângela Beatriz De Carvalho. „A (im)possibilidade de dar corpo ao passado em Não é meia noite quem quer, de António Lobo Antunes“. Revista do Centro de Estudos Portugueses 34, Nr. 52 (31.12.2014): 103. http://dx.doi.org/10.17851/2359-0076.34.52.103-116.
Der volle Inhalt der QuelleCÓRDOVA, CHAD A. „PASCAL AND MELANCHOLY“. Modern Intellectual History 16, Nr. 02 (07.11.2017): 339–73. http://dx.doi.org/10.1017/s147924431700052x.
Der volle Inhalt der QuelleDissertationen zum Thema "Melancholic subjectivity"
Jeong, Boram. „Theory of subjectification in Gilles Deleuze : a study of the temporality in capitalism“. Electronic Thesis or Diss., Paris 8, 2017. http://www.theses.fr/2017PA080165.
Der volle Inhalt der QuelleThis dissertation looks at time as a socially or psychologically imposed ‘structure’ that determines the ways in which past, present and future are weaved together in the subject. This inquiry presents (1) a critical role of temporality in the formation of the subject, (2) a specific temporality characteristic of contemporary financial capitalism, and (3) the pathologies of time found in the subjects of capitalism. The first two chapters provide an extensive analysis of Deleuze’s passive syntheses of time given in Difference and Repetition, which reveals the subject’s passive relation to time as a structure of ‘becoming.’ The following chapters examine how this ontological structure of time interacts with socio-economic temporalities in its production of the subject. I particularly focus on the temporal structure of debt, which has become a general condition of the subjects in the current economic system. I claim that the debt-based economy produces ‘melancholic subjectivity,’ characterized by a dominance of the past and the inhibition of becoming
Stamm, Gina M. „The Context of Loss: Contextualization of the Language of Traumatic Memory in Hiroshima Mon Amour and Le Ravissement de Lol V. Stein“. Miami University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=miami1279639764.
Der volle Inhalt der QuelleDumitrescu, Laura-Ioana. „La construction de l'identité dans le Roman de Fauvel“. Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA059.
Der volle Inhalt der QuelleIdentity construction in Le Roman de FauvelThis dissertation aims at discussing the authors’ identity construction in Le Roman de Fauvel by means of the relations between melancholy, “allegorical consciousness”, and subjectivity. Those three elements are set against the background of 14th century literature, where allegory, didacticism, and the edifying discourse are privileged modes of expression. Gervais de Bus and Chaillou de Pesstain’s major claim is that their testimony on the fall of Fauvel’s court is true, and witnessed with their own eyes. Therefore, the sight is the sense most heavily mobilized in this extensive narration which, formally, resembles a documentary, and yet it is strictly a work of fiction. My research explores the relationship between the melancholic (i.e., emotional) subjectivity, the voir dit, and an allegorical construction with set landmarks.The first chapter relies on the anthropology of emotions in order to define the relationship between allegory and melancholy. The second chapter uses the pragmatics of discourse in order to highlight the functioning of the voir dit. And finally, by means of an iconographic approach, my analysis emphasizes the authors’ marks in the visual discourse of the manuscript 146 at the Bibliothèque Nationale de France. The reason for choosing this late medieval manuscript as a research topic is the direct affective relationship between the authors and the main character in the novel. This relationship is intensely emotional: Gervais de Bus et Chaillou de Pesstain hate Fauvel and wish him dead. My main hypothesis is therefore that the considerable energy they spend in expressing their feelings might well represent a way of speaking about themselves and asserting their authority in a novel that conveys their own sensibility rather than merely constructing a story
Coutinho, Márcio José. „A RETOMADA DO ROMANTISMO ALEMÃO EM KEIN ORT. NIRGENDS E DIE NEUEN LEIDEN DES JUNGEN W.: O ROMANCE COMO RESISTÊNCIA“. Universidade Federal de Santa Maria, 2007. http://repositorio.ufsm.br/handle/1/9956.
Der volle Inhalt der QuelleDurante a década de 70, verifica-se na literatura da República Democrática Alemã (RDA) o surgimento de um conjunto de obras caracterizadas pela retomada de elementos e valores referentes ao período romântico alemão. O país vive sob o Socialismo imposto à força pela URSS, e o Estado exerce sobre o povo forte opressão, censura e repressão, além de impor um programa de base realista a ser seguido pelos escritores, com o fito de consolidar os princípios ideológicos do regime o Realismo socialista, criado a partir das concepções de realismo de Georg Lukács. Em resposta a esse contexto, pode-se considerar que algumas obras literárias funcionam como resistência, ao adotar formas e técnicas não miméticas de escrita. Neste sentido, a presente dissertação visa a realizar uma análise comparativa entre os romances Kein Ort. Nirgends, de Christa Wolf e Die neuen Leiden des jungen W., de Ulrich Plenzdorf, tendo em vista o possível papel de temas como a subjetividade, a melancolia e o voltar-se para o passado para as aspirações político-socias dos escritores vinculados à referida tendência literária. O conceito de Romantismo deve ser entendido de acordo com os significados históricos particulares resultantes em função da discussão em torno da herança cultural e literária. O principal aporte crítico e teórico empregado como base para essa pesquisa advém dos ensaios de Christa Wolf, Bertolt Brecht, Theodor Adorno, Walter Benjamin e Anatol Rosenfeld
MacDonald, Tanis. „The daughter's consolation : melancholia and subjectivity in Canadian women's paternal elegies“. 2005. http://hdl.handle.net/1828/809.
Der volle Inhalt der QuelleVillarreal, Marlene Sofia Prescott Laurence E. „The short novel and the representation of subjectivity Manhunt by Alejo Carpentier and Memory of my melancholy whores by Gabriel García Márquez /“. 2009. http://etda.libraries.psu.edu/theses/approved/WorldWideIndex/ETD-3866/index.html.
Der volle Inhalt der QuelleBücher zum Thema "Melancholic subjectivity"
Anselm, Sigrun. Vom Ende der Melancholie zur Selbstinszenierung des Subjekts. Pfaffenweiler: Centaurus, 1990.
Den vollen Inhalt der Quelle findenSzymanski, Adam. Cinemas of Therapeutic Activism. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463723121.
Der volle Inhalt der QuelleGill, Denise. Melancholic Modalities. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190495008.001.0001.
Der volle Inhalt der QuelleAnderson, David. Landscape and Subjectivity in the Work of Patrick Keiller, W.G. Sebald, and Iain Sinclair. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198847199.001.0001.
Der volle Inhalt der QuelleMilbank, Alison. God & the Gothic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824466.001.0001.
Der volle Inhalt der QuelleMunos, Delphine. After Melancholia: A Reappraisal of Second-Generation Diasporic Subjectivity in the Work of Jhumpa Lahiri. Rodopi B.V. Editions, 2013.
Den vollen Inhalt der Quelle findenMunos, Delphine. After Melancholia: A Reappraisal of Second-Generation Diasporic Subjectivity in the Work of Jhumpa Lahiri. BRILL, 2013.
Den vollen Inhalt der Quelle findenAssael, Brenda. Epilogue. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817604.003.0008.
Der volle Inhalt der QuelleSzymanski, Adam. Cinemas of Therapeutic Activism. Amsterdam University Press B.V., 2020. http://dx.doi.org/10.5040/9789048561681.
Der volle Inhalt der QuelleWickerson, Erica. The Architecture of Narrative Time. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.001.0001.
Der volle Inhalt der QuelleBuchteile zum Thema "Melancholic subjectivity"
Flax, Jane. „Politics for Fallen Angels: Subjectivity, Democratic Citizenship, and Undoing Race/Gender Melancholia“. In Resonances of Slavery in Race/Gender Relations, 97–128. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230117464_6.
Der volle Inhalt der QuelleHackett, Helen. „‘A book, and solitariness’: Melancholia, Gender and Literary Subjectivity in Mary Wroth’s Urania“. In Renaissance Configurations, 64–85. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230378667_3.
Der volle Inhalt der QuelleGana, Nouri. „Melancholy Islam“. In Melancholy Acts, 234–76. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531503499.003.0007.
Der volle Inhalt der QuelleLópez González, Luis F. „“Mano en Mexilla”: The Lovesick Poet in Libro de buen amor“. In The Aesthetics of Melancholia, 138–62. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192859228.003.0007.
Der volle Inhalt der Quelle„Nichts passiert. Phänomenologie der Melancholie“. In Investigating Subjectivity, 235–51. BRILL, 2012. http://dx.doi.org/10.1163/9789004222595_014.
Der volle Inhalt der QuelleIbrahim, Habiba. „Ghosts“. In Black Age, 165–202. NYU Press, 2021. http://dx.doi.org/10.18574/nyu/9781479810888.003.0005.
Der volle Inhalt der QuelleGana, Nouri. „Melancholy Formations“. In Melancholy Acts, 45–88. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531503499.003.0002.
Der volle Inhalt der QuelleKlein, Michael L. „Lutoslawski's String Quartet: Mourning, Melancholia, and Modern Subjectivity“. In Lutosławskis Worlds, 71–86. Boydell and Brewer Limited, 2018. http://dx.doi.org/10.1017/9781787442214.004.
Der volle Inhalt der Quelle„Melancholy, Passions and Identity in the Renaissance“. In Passions and Subjectivity in Early Modern Culture, 85–104. Routledge, 2016. http://dx.doi.org/10.4324/9781315599625-11.
Der volle Inhalt der QuellePressley, Arthur. „Nella Larsen’s Quicksand : Mourning through Biracial Identities“. In Life Under the Baobab Tree, 29–56. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531502980.003.0002.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Melancholic subjectivity"
Meškova, Sandra. „THE SENSE OF EXILE IN CONTEMPORARY EAST CENTRAL EUROPEAN WOMEN’S LIFE WRITING: DUBRAVKA UGREŠIČ AND MARGITA GŪTMANE“. In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/22.
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