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Thematische Bibliographien / Mary / Dissertationen

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Dissertationen zum Thema „Mary“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 30. Juli 2024

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1

Webb, Belinda Susan. „Mary Burns“. Thesis, Kingston University, 2012. http://eprints.kingston.ac.uk/22966/.

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Mary Burns includes two sections: a short thesis called Revolution, Romance, and Revelation, and a work of autobiografiction, Mary Burns. Mary Burns is the major contribution to this PhD submission. It tells a story of the common-law wife of Marxist co-founder, Friedrich Engels, and a contemporary character, Ula Tully, who is attempting to tell Mary's story. The major part of this submission began as an attempt to write the novelised chronological biography of Mary Burns, yet through the writing process, ended up as a work of split-narrative autobiografiction. The stories of Ula and Mary are linked, sometimes subtly, sometimes obviously; two women who belong to different centuries but who have much in common. Both stories also represent the dire scarcity of that figure in English literature - the working-class woman. In this way we can see the telling of a story for Mary as an effort at 'rescuing' a figure of whom more 'should' be known, given her place beside the major Marxist figure. Revolution, Romance, and Revelation is a critical paper in three sections, the aim of which was to highlight the stereotypical characterization of Mary Burns in the biographies of Engels. This first section also goes some way to explain the ways in which I departed from these stereotypical characterizations of Mary in my creative work. The second section moves onto the later figure of Ethel Carnie, a working-class female writer of whom, again, little is known, except that she was a staunch socialist, novelist, journalist, and founder of The Clear Light, an anti- fascist journal that ran from 1920-1925. I also assert that Ethel, whenever mentioned it is as a 'romance' novelist, adopted a dialectical approach to her work, drawing on both romance and the New Woman novel. In doing so, I contend that she more closely wrote within the autobiografictive framework that was formulated by 8tephen Reynolds in 1906, and which I discuss in the final section. The third section defines autobiografiction, and explains the process of my adoption of it for my creative work. It is in this section that I also call for this 'mash-up' form to be a more amenable way for working-class women to produce their literature, as practised by Ethel Carnie, moving away from the novel form, which has, from its inception, been synonymous with the middle-classes.

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2

Black, David S. „An analysis of the teaching of the Virgin Mary's co-redemptive work with Christ“. Theological Research Exchange Network (TREN), 1987. http://www.tren.com.

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3

Luzyte, Rasa. „A thealogy of Mary : the non-Christian myth of Mary, the shadow of Mary and an individual connection to the divine self through Mary“. Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/20251.

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My work on the thealogy of Mary conveys a largely subjective way of thinking, it does not claim to present the view of any group, and it does not profess a theoretical agenda for a cult or a religious movement of Mary. The framework of this work is grounded in symbolic (legends, fairy tales and images), psychological (the structure of the psyche according to Carl Gustav Jung: the Self, the conscious, the unconscious, the Shadow) and imaginative (individual interpretations of narratives and images) spheres that are combined with feminist spirituality theories, religious philosophy and literary analysis. In my thesis, I offer a non-Christian myth of Mary which I form out of the folklore narratives about Mary. In my work, Mary is understood as the female divine archetype on the collective level, and as an expression of the Self on the individual level. Following Jung’s theory, the archetypes are forms and not contents, that is, an archetype can be comparable to an empty shell, which we fill with our own experience or with narratives that are meaningful to us. I take the image of Mary out of the Roman Catholic context and give it a new mythological narrative. This means to me a possibility not only to acquire a non-Christian myth of Mary but also to develop an individual relationship with the divine in its female personification. On the collective level, the thealogy of Mary creates a spiritual and psychological sphere in which the female divine has a possibility to outweigh the one-sidedness of the past few thousand years of the male predominance in the religious philosophy in the West.

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4

Buchanan, A. J. „Recontextualising Mary Tighe“. Thesis, Queen's University Belfast, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411064.

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5

Voelker, Jessica R. „“The Mary Janes”“. ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2200.

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In this paper I will discuss, analyze, and explain the process of creating my thesis film, The Mary Janes. I will begin with a discussion of the theme, and continue with explaining each aspect of making the film in relation to that theme. I will recount my greatest challenges during the process. I will also relate my use of knowledge and skills accumulated through study. Finally, I will analyze the outcome of the work of art, and question how well my theme was actualized and understood. I will evaluate the film as whole, including the process of creation, successes and failures, and determine how well I was able to create a clearly articulated story with a strong genre style.

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6

Miranda, Anadir dos Reis. „Proto-feministas na Inglaterra setecentista : Mary Wollstonecraft, Mary Hays e Mary Robinson. Sociabilidade, subjetividade e escrita de mulheres“. reponame:Repositório Institucional da UFPR, 2017. http://hdl.handle.net/1884/49460.

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Orientador : Profª Drª Ana Paula Vosne Martins
Tese (doutorado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Programa de Pós-Graduação em História. Defesa: Curitiba, 01/09/2017
Inclui referências : f. 232-242
Resumo: Esta tese trata da produção letrada das escritoras Mary Wollstonecraft (1759-1797), Mary Hays (1759-1843) e Mary Robinson (1757-1800). Participantes da República das Letras no contexto da Ilustração, essas mulheres entraram em contato com um conjunto de reflexões morais, religiosas e filosóficas que lhes abriu possibilidades de aprimoramento e emancipação intelectual, de estabelecer relações de gênero mais igualitárias, ao mesmo tempo em que, contraditoriamente, exaltavam a dependência e inferioridade das mulheres. Essas contradições que não foram percebidas pela maioria dos pensadores iluministas, tornaram-se evidentes para algumas mulheres que participaram dos grupos religiosos de dissidentes racionalistas e/ou que na década de 1790 se integraram aos círculos radicais londrinos, alguns dos principais espaços do debate político e crítico na Inglaterra. Wollstonecraft, Hays e Robinson vivenciaram essas contradições de forma bastante intensa e dedicaram muitas das suas obras a explicitá-las e discuti-las. Com seus tratados e romances incluíram a questão das "injustiças e dos direitos da mulher" no debate reformista que se desenvolveu na Inglaterra no final do século XVIII. Ao tensionar, por meio de seus comportamentos e escritos, muitos dos limites e paradoxos de gênero presentes nos discursos esclarecidos e liberais, estas mulheres de letras contribuíram para a produção de importantes reflexões e mesmo práticas que viriam a ser incorporadas mais tarde ao movimento de mulheres e ao feminismo, tais como o questionamento dos binarismos masculino e feminino, razão e sensibilidade, teoria e ficção, a crítica veemente à noção de inferioridade inata das mulheres e a defesa intransigente da igualdade de direitos entre homens e mulheres. Palavras-chave: gênero, proto-feminismo, escritoras inglesas, crítica, Iluminismo, Radicalismo inglês.
Abstract: This thesis deals with the literary production of women writers: Mary Wollstonecraft (1759-1797), Mary Hays (1759-1843) and Mary Robinson (1757-1800). Participants of the Republic of Letters in the context of the Enlightenment, these women came into contact with a set of moral, religious and philosophical reflections that opened them possibilities of improvement and intellectual emancipation, to establish more egalitarian gender relations, at the same time, contradictorily, they exalted the dependence and inferiority of women. These contradictions, which were not perceived by most of the Enlightenment thinkers, became evident to some women who participated in the religious groups of rationalist dissidents and / or who in the 1790s integrated themselves into the radical circles of London, some of the main areas of political and critical debates in England. Wollstonecraft, Hays, and Robinson experienced these contradictions quite intensely and devoted many of their works to discuss and emphasize them. With their treatises and novels they included the issue of "injustices and women's rights" in the reformist debate that developed in England at the end of the eighteenth century. By addressing, through their behaviors and writings, many of the limits and paradoxes of gender present in enlightened and liberal discourses, these women of letters contributed to the production of important reflections and even practices that would later be incorporated into feminism and women's movement; as well to questioning of binarisms of male and female, reason and sensibility, theory and fiction, plus the vehement criticism to the notion of women's innate inferiority, and the uncompromising defense of equal rights between men and women. Keywords: gender, proto-feminism, English women writers, critics, Enlightenment, English radicalism.

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7

McDonald, Charles Alexander. „The concept of participation in post-conciliar Marian theology“. Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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8

Adams, Elizabeth. „Mary Elizabeth Braddon as a professional author : Mary, a case study“. Thesis, University of Nottingham, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546502.

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9

Hivet, Christine. „Roman féminin et condition féminine de Mary Wollstonecraft à Mary Shelley“. Paris 3, 1993. http://www.theses.fr/1993PA030108.

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A une epoque ou florissait le roman feminin et ou la condition feminine posait des problemes de plus en plus aigus, mary wollstonecraft choisit d'exprimer dans le roman les revendications de a vindication of the rights of woman. Oeuvres pleines d'horreur et de pathos, mary et the wrongs of woman reclamaient ainsi pour la femme le droit au divorce et a l'amour. Certaines de ses contemporaines eurent le courage de suivre mary wollstonecraft et de faire elles aussi un sombre tableau de la realite de la condition feminine. Toutes les femmes etaient cependant loin de partager cette sympathie pour mary wollstonecraft. Detestant tout ce que representait cette derniere, des auteurs comme hannah more mirent donc en scene des heroines wollstonecraftiennes destinees a etre punies par la justice poetique. Le statu quo faisait en revanche l'objet de tous leurs eloges au prix meme de la dynamique romanesque. Une generation plus tard, mary shelley publiait frankenstein. Apparemment sans importance, la femme n'etait cependant pas absente de l'oeuvre de la fille de mary wollstonecraft. Peut-etre est-ce en partie a cette indirection que mary shelley dut sont succes litteraire. D'autres romancieres parvinrent a faire reconnaitre plus ou moins vite leur talent, telles fanny burney, maria edgeworth, ann radcliffe ou jane austen. Si elles aussi s'en remirent a la strategie de l'indirection, leur succes n'en constitua pas moins un grand pas en avant pour le sexe feminin
At a time when women's fiction was flourishing and when the condition of woman caused increasingly acute problems, mary wollstonecraft chose to express in the novel the same message as in a vindication of the rights of woman. Works which were full of horror and pathos, mary and the wrongs of woman promoted the right to divorce and love for women. Some of ther contemporaries had the courage to follow in her steps and like her to portray a sombre picture of a woman's life. However, not all women were sympathetic towards mary wollstonecraft's views. Hating everything which she stood for, some authors like hannah more created wollstonecraftian anti-heroines who were destined to be punished by poetic justice. On the other hand, they were full of praise for the status quo, even at the expense of the dynamics of their novel. A generation later, mary shelley published frankenstein. Apparently without importance, woman is however not absent from the works of mary wollstonecraft's daughter. Perhaps mary shelley owes her success partly to this indirection. Other novelists, such as fanny burney, maria edgeworth, ann radcliffe or jane austen, managed to have their talent more or less quickly recognised. If they as well adopted the strategy of indirection, their success however was a significant step forward for the female sex

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10

Venn, Jennifer O. „The autobiographies of Barbara Blaugdone, Elizabeth White, Mary Rich, and Mary Penington“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0022/NQ31165.pdf.

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11

Blumberg, Jane. „Mary Shelley's early novels“. Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305729.

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12

Pierce, Bethany M. „Courting the Virgin Mary“. Miami University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=miami1154462978.

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13

ARONZON, MARTINE. „Mary mccarthy : ecritures autobiographiques“. Paris 3, 1998. http://www.theses.fr/1998PA030100.

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Les recits autobiographiques de mary mccarthy mettent en scene un sujet en dialogue constant avec lui-meme et les autres. Les representations forgees par et autour d'une personnalite marquee par sa condition d'orpheline sont soumises au regard critique d'un spectateur juge, le lecteur mais aussi l'auteur-narrateur, conscient des deformations qu'entraine la redaction des souvenirs. L'ecriture de mary mccarthy joue sans cesse sur le decalage entre l'histoire vecue et celle que recompose l'imaginaire. On peut alors s'interroger sur le sens de l'identite retranscrite par l'autobiographie. Grace a la discipline que lui imposent simultanement sa quete idealiste et lucide du +vrai; moi et l'acte litteraire, l'auteur s'efforce de batir de +meilleures; images du moi-je, objet et sujet de l'histoire, prenant ainsi sa revanche sur une vie qualifiee d'+invraisemblable;. Les metamorphoses survenues au cours des recits autobiographiques conduisent l'auteur-narrateur vers une +resurrection; dans un monde d'emotions intellectualisees, c'est-a-dire purifiees, ou le sujet ( moi et je) peut esperer retrouver l'unite perdue
The autobiographical writings of mary mccarthy present us with an individual whose permanent dialogue with herself and the outer world takes place on several parallel +scenes;. The images created by and about the self, which bear the marks of early orphanhood, are submitted to the critical eye of the reader. They are also subject to endless reexamination by an author fully aware that writing about one's life often means fictionalizing it. Her texts play upon the double meaning of +story-telling;, which combines real experience and imaginative reconstruction of the self. What meaning is attached to the +me; remembered and the +i; remembering past events? thanks to the discipline imposed by both the literary act and her idealistic yet lucid quest for the true +self;, the writer tries to build up +better; images of her self, thus taking revenge for her own +improbable; life. The metamorphoses occurring within the autobiography lead the author-narrator to a +resurrection; into a world of intellectualized (i. E. Purified) emotions, where the subject - me and i - may recover its lost unity

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14

Fledderus, France. „The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams“. Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278129/.

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The musical and spiritual life of Mary Lou Williams (1910 - 1981) came together in her later years in the writing of Mary Lou's Mass. Being both Roman Catholic and a jazz pianist and composer, it was inevitable that Williams would be the first jazz composer to write a setting of the mass. The degree of success resulting from the combination of jazz and the traditional forms of Western art music has always been controversial. Because of Williams's personal faith and aesthetics of music, however, she had little choice but to attempt the union of jazz and liturgical worship. After a biography of Williams, discussed in the context of her musical aesthetics, this thesis investigates the elements of conventional mass settings and oral tradition found in Mary Lou's Mass.

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15

Baranoglu, Selen. „An Analysis Of Mary Shelley“. Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12610151/index.pdf.

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This thesis carries out an analysis of Mary Shelley&rsquo
s Frankenstein and Robert Louis Stevenson&rsquo
s Dr. Jekyll and Mr. Hyde by focusing on the Lacanian concepts of desire, alienation and sexuality. It achieves this by providing brief background information about Lacanian psychoanalytic literary criticism and the relations of this criticism with the concepts of desire, alienation and sexuality. Through the analysis of the main characters in the mentioned novels, this study asserts that these concepts are structured with the effect of the Lacanian symbolic order and the language. In other words, in this study, it is argued that the formation of the human personality takes place in the unconscious, where desire, alienation and sexuality are formed. In both of these Gothic novels, the personalities of the characters are structured in relation to their life experience in the symbolic order.

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16

Brigden, Susy. „Mary Carpenter : her father's daughter?“ Thesis, University of Southampton, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548319.

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17

Faü, Jean-François. „Mary Lafon : historien du Languedoc“. Montpellier, 1985. http://www.theses.fr/1985MON30042.

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18

Zeidel, Christopher Scott. „Frances Marion and Mary Pickford“. DigitalCommons@CalPoly, 2009. https://digitalcommons.calpoly.edu/theses/57.

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This thesis attempts to find out how Frances Marion and Mary Pickford survived the film industry by having a strong working relationship. It is revealed through letters, films, autobiographies, and newspapers that Marion and Pickford were good friends and had worked closely together for years. Their friendship helped them to work hard enough to continue making films between the late 1910s and 1920s. Unfortunately, this topic is challenging because there has not been enough historical work done to give us a completely clear and accurate picture of how Marion and Pickford helped one another to continue working in the movie industry. More information is available on their careers that have nothing to do with their relationship. There were ways in which they struggled to work and reasons for why they survived the industry that have nothing to do with their working relationship.

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19

Tolley, Rebecca. „Mary Katherine Goddard, Nancy Hart“. Digital Commons @ East Tennessee State University, 2006. https://www.amzn.com/1851094083.

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Book Summary: This definitive scholarly reference on the American Revolution―written by acclaimed researchers and military experts from around the world―covers the causes, course, and consequences of the war and the political, social, and military origins of the nation.

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20

Tulanowski, Elaine G. „The iconography of the assumption of the Virgin in Italian paintings : 1480-1580 /“. The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487265555438371.

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21

Tsai, Li-Hui. „Women, autobiography and criticism : The life writing of Mary Wollstonecraft and Mary Robinson, 1770-2009“. Thesis, Queen Mary, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.528961.

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22

Spencer, Michelle. „Mary, Mary quite submissive, an analysis of Catholic teaching in the lives of practising Catholic women“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0008/MQ38412.pdf.

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23

Kerren, Ulla. „Victor’s Body : Male Hysteria and Homoeroticism in Mary Shelley’s Frankenstein and Kenneth Branagh’s Mary Shelley’s Frankenstein“. Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-32306.

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This thesis investigates the male body in Mary Shelley’s novel Frankenstein, first published in 1818, and Kenneth Branagh’s film Mary Shelley’s Frankenstein, released in 1994. So doing, the thesis focuses on the analysis of hysteria and homoeroticism in three male-male relationships: Victor and the monster, Victor and Walton, and Victor and Clerval. The main argument claims that, in the novel, Victor Frankenstein displays symptoms of male hysteria, which result from his repressing homoerotic desire and give evidence of male embodiment. It is not possible for Victor to repress bodily needs in the long run, and he experiences and reacts to the world with his body and mind. In the film, on the other hand, Victor’s heterosexuality is emphasised and he is depicted as a strong, powerful man rather than a nervous member of the upper class. The divergences between the representations of the male body in the primary texts, the thesis argues, reflect different ideas about the male body in the 1810s and 1990s. Although the image of the muscular and masculine, heterosexual man that was prevalent in the 1990s was already in the making in the 1810s, it was not as consolidated. The discussion of masculinity from a historical perspective makes use of Michel Foucault’s outline of the history of sexuality, Mark S. Micale’s account of hysteria and George L. Mosse’s ideas about masculinity. For a differentiated analysis of male-male relationships, Eve Kosofsky Sedgwick’s continuum of male homosocial desire is drawn on.

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24

Schmid, Elizabeth Carroll. „Mary Nimmo Moran, Mary Cassatt and the painter-etcher movement: gender, identity and paths to professionalism“. Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/1394.

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25

Bahar, Saba. „Mary Wollstonecraft's social and aesthetic philosophy : "an Eve to please me" /“. Basingstoke [etc.] : Palgrave, 2002. http://www.loc.gov/catdir/toc/fy02/2001054887.html.

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26

Sundqvist, Alexandra. „Moderskap : Mary Kellys Post-Partum Document“. Thesis, Högskolan på Gotland, Institutionen för humaniora och samhällsvetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hgo:diva-1451.

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Med rötter i 1970-talets kvinnorörelse, under parollen ”Det personliga är politiskt”, satte konstnären Mary Kelly moderskap, barnafödande och barnomsorg under lupp i samband med sitt verk Post-Partum Document, 1973-1979. För många kvinnliga konstutövare som gjorde sitt bästa för att, via konsten, frigöra sig från sociala roller och nedärvda beteendemönster, möttes hennes initiativ att ge en bild av denna för dem bromsande moderlighet, med förvåning. Mary Kelly delade konceptkonstens politiska patos för en distanserad reflektion över den kulturella diskursen men hon bytte den lingvistiska analysen mot psykoanalysen. Hennes råmaterial var den subjektiva erfarenheten: kroppen, dess rädslor och sexuella drivkrafter samt de institutionella och kulturella konventioner som tillfogades den. Hennes analysmetoder och omfattande teori banade väg för en mer akademisk, socialkonstruktivistisk feminism som gav ringar på vattnet efter att Post-Partum Document premiärvisades i London år 1976. I linje med den västerländska andra vågen-feminismen utforskade hon den kvinnligt levda erfarenheten men Post-Partum Document markerar också en vändpunkt mot en subjektiv psykoanalys i konstpraktik och teori, som inte minst den efterföljande tredje generationens feminister anammade under 1980-talet. Med verket, som består av sex sektioner och totalt 135 objekt, syftar Mary Kelly till att synliggöra hur den biologiska skillnaden mellan kön och sociala normer befästs via moderskapet och den barnomsorg som det medför. Verket beskriver hennes egen sons socialiseringsprocess fram till sex års ålder. Begreppet Post partum betyder ”efter förlossningen” och syftar till att beskriva moderns tillstånd efter barnets födelse. Denna term gäller således inte barnet vilket också bör understrykas i relation till verkets titel. PPD:s syfte är främst att beskriva modern och hennes känslor i form av oro, rädsla, makt och åtrå i relation till barnet. Modern representerar här samhället, kolonisatören, som tar det anspråkslösa, primitiva spädbarnet till sin barm i syfte att uppfostra det och ge det verktyg för att göra sig förstådd. I Post-Partum Document är hon, till skillnad från psykoanalysens teorier om fallos och kvinnans brist i relation till mannen eftersom hon inte utrustats med penis, ägare av den symboliska fallosen medan mannen, i detta fall sonen, är i underläge. Att Mary Kelly samtidigt bearbetade sin egen erfarenhet av sina respektive roller – som kvinna, konstnär, feminist och sedermera mor - samt polemiken dem emellan gjorde verket unikt i en samtid där konceptkonsten sällan adresserade subjektiva upplevelser medan feministerna, å sin sida, var upptagna med att frigöra sig från de roller som ansågs traditionellt feminina. Via differentierande uttryck av moderns känsloregister i relation till barnet tecknar konstnären en bild av ett moderskap fyllt av oro, nervositet, tvivel, upprymdhet och åtrå samtidigt som hon ställer frågor om föreställningen kring den naturliga modern och kvinnlig sexualitet.

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27

Williams, Joan Mary. „A historical and biblical portrait of Mary for a renewed Mariology“. Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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28

Kotrba, Karen J. „She Who is Like a Mare: Poems of Mary Breckinridge and the Frontier Nursing Service“. Youngstown State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1290961163.

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29

Morgan, Suzanne Melissa. „Aspects of Mary Wollstonecraft's Religious Thought“. The University of Waikato, 2007. http://hdl.handle.net/10289/2300.

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The works of Mary Wollstonecraft have been largely utilized in the twentieth and twenty-first centuries within the domain of feminist studies. They were influential throughout the 'feminist movement' of the 1960s and 1970s and Wollstonecraft is routinely given the title of 'mother' of feminism. One result of her works being classified as important feminist texts is the elision of the religious element in her works. Moreover, recent scholarship has drawn attention to the central importance of religion in eighteenth century British discourse. This thesis will primarily argue that Wollstonecraft was heavily influenced by religion, and that her writings were conceived in response to a profoundly theologico-political culture. This influence of religion has generally been overlooked by researchers and this thesis will aim to redress this absence. Four of Wollstonecraft's works - all produced within a 'similar' political climate and within a concise time period - are utilized to show that religion was a foundational element within Wollstonecraft's thought and arguments. This thesis shows that Wollstonecraft was not so much a 'feminist' thinker, but a unique intellectual determined to show that the inferior position of women went against 'God's will', teachings and the equality He had ascribed to both men and women during Creation.

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30

Sweeney, Mary. „Agape Latte with Sr. Mary Sweeney:“. The Church in the 21st Century Center at Boston College, 2011. http://hdl.handle.net/2345/bc-ir:103688.

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31

Vice, Juliana Gray. „HANGING BIG MARY AND OTHER POEMS“. University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin997444219.

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32

Myers, Amanda Sullivan. „"Mad Mary Sane" and Other Stories“. Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5254/.

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33

Packard, Selina. „Fictional rewritings of Mary Shelley's life“. Thesis, Goldsmiths College (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406417.

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34

Bierens, Kali. „The Captain’s Lady: Mary Ann Bugg“. Thesis, Honours thesis, University of Tasmania, 2008. https://eprints.utas.edu.au/8748/1/01_Bierens_front.pdf.

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Bushrangers have a powerful grip on the Australian psyche. Ned Kelly is celebrated as Australia’s most popular folk hero. Bushranger Captain Thunderbolt has been immortalised in his home state of New South Wales, with a major highway named in his honour. For the town of Uralla in the New England District, the Thunderbolt legend looms large. He is a major tourist draw card for the region. The legend of Thunderbolt embodies a larger telling of a collective struggle against a system of injustice and oppression. A closer examination of events reveals that Thunderbolt’s Aboriginal wife, Mary Ann, was crucial to his survival. Yet she has been erased from the legend. Many of our folk heroes could not have survived without the support of Aboriginal Australians. However the mateship ethos continues to exclude both Aboriginal people and women. In documenting the life of Worimi woman Mary Ann and her partnership with Thunderbolt, the rhetoric of mateship is challenged. Reciprocal relationships that developed between Aboriginal and settler Australians will be investigated. It is important to consider the range of relationships that emerged on the frontier and the bearing that geography played in such encounters. By adopting a place-centred approach one is able to closely examine the complexity of race relations that existed in colonial times. The violent encounters that occurred on the frontier between Aboriginal and settler Australians are well documented. However not all relationships were based on exploitation and violence. The union between Mary Ann’s Aboriginal mother and English convict father is celebrated by the Worimi today. Mixed marriage continues to be recognised as a central part of contemporary Worimi culture.

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35

Desta, Assefa, und Aregai Tecle. „Water Balance in Upper Lake Mary“. Arizona-Nevada Academy of Science, 2004. http://hdl.handle.net/10150/296627.

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36

Thompson, Eva M. „Mary Prince, and contexts for the History of Mary Prince, A West Indian slave, related by herself /“. Connect to resource, 1998. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1260901805.

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37

LaSorella, Kathleen S. „Women in the New Testament lesson plan for high school students /“. Chicago, IL : Catholic Theological Union at Chicago, 2008. http://dx.doi.org/10.2986/tren.033-0858.

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38

Parrish, Laura Frances. „When Mary Entered with Her Brother William: Women Students at the College of William and Mary, 1918-1945“. W&M ScholarWorks, 1988. http://hdl.handle.net/10288/1117.

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39

Kuhn, Maria Diane. „Mother Mary Comes to Me: The Stylistic Shift in Portrayals of Mary and her Adoration in Medieval Italy“. Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619455685665479.

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40

Hearden, Maura E. „The Mother of Christ as a symbol of Christian unity a case study for ecumenical dialogue /“. 24-page ProQuest preview, 2008. http://proquest.umi.com/pqdweb?did=1538430211&sid=2&Fmt=2&clientId=10355&RQT=309&VName=PQD.

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41

Rich, Linda A. „An evangelical woman's dialogue with Mary Daly“. Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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42

Greene, Richard Thomas. „Mary Leapor : a problem of literary history“. Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306589.

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43

Carnell, Jennifer Anne. „The Literary Lives of Mary Elizabeth Braddon“. Thesis, Birkbeck (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533513.

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44

Thurlow, Michael Alfred. „Betweenness in the work of Mary Webb“. Thesis, University of Leeds, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490887.

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This thesis contends that Mary Webb is a considerable writer, who works between concepts and strives to reconcile them. Chapter One sets Webb in the context of certain Victorian and early twentieth-century writers who consider humanity in relation to nature and the natural, within a broad historical or conceptual perspective. Chapter Two discusses Webb's idea of a continuum of nature and the spirit. She believes in the wholesomeness of nature, but emphasises the need for humanity to lead the development of greater sensitivity. This would counter the natural instinct to hurt in order to survive, and also the kind of civilisation which dominates and exploits others. Webb works to understand the place ofevil within a universe which is potentially good. Chapter Three argues that Webb envisages her land as 'half-Celtic' in that its full reality is revealed only to those open to the perception of otherworldly dimensions. Such a land shares liminal characteristics with Faery. Chapter Four sets Webb's linguistic practice in the context of an interweaving of the concept of original 'natural' language with that of continually developing discourse. She uses a dialogic technique by which both sublime and limited uses of simple language such as dialect are set against narrative voices of varying sophistication. A sensitised simplicity, both in language and in certain historical situations, begins to emerge. The Conclusion, drawing on further senses of Webb's betweenness, argues that she writes in a borderland between the highbrow and the middlebrow, in a mode of thought that might be called metaphysical inclusivism. The perception that she is didactic can be dispelled by recognition that the narrative voices are not necessarily the author's. The view that she is primarily a writer about the countryside needs to be adjusted, in order to recognise that she works from a human-centred perspective between our natural origins and our problematic higher destiny.

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45

Kirkley, Laura Anne. „Mary Wollstonecraft and the translation of Europe“. Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611641.

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46

阮秀美 und Sau-mei Teresa Yuen. „The Franciscan Missionaries of Mary in China“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31212049.

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47

Waslin, Sue. „The theoretical contexts of Mary Daly's thought“. Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/13853.

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This thesis focuses upon the writings of the contemporary North American feminist theologian Mary Daly. It takes the form of a critical study of Daly's thought in terms of five tributary influences. It represents a contribution to two areas of research: the history of feminist ideas, and the ongoing methodological debate within feminism as to the possible relationship between feminist theory and 'conventional' theory. In chapter one Daly's political thought is introduced through a discussion of the influence of the tradition of radical feminism. The principle aim of this chapter is to clarify, as far as possible, the dual process of influence that exists between her thinking and the work of certain radical feminist theorists. In chapter two the influence of Beauvoirian existentialism upon Daly's thought is examined in the wake of the claim that in drawing from Simone de Beauvoir's feminist existentialist analysis of women's situation, in The Second Sex, Daly assimilates Sartrean existentialist assumptions which are problematic from a feminist perspective. In chapter three turn to address Daly's philosophical- theological debt to Thomas Aquinas and the Thomist tradition. I trace the history of Daly's dealings with Thomism, including her criticism, and briefly evaluate her continued feminist engagement with its ontology. In chapter four Daly's utilisation of Peter L. Berger's sociological theory is explored. I discuss Daly's feminist criticism of Berger's theory of 'worldbuilding' and proceed to evaluate her subsequent attempts to use Berger's work as the starting-point for a new feminist sociology of knowledge. In the fifth and final chapter the abiding influence of Christianity to Daly's 'revolutionary' theological agenda is highlighted and explored with reference to the contemporary division of theological labour between so-called 'reformists' and 'revolutionaries'. The thesis ends with a few concluding remarks about Daly's methodology with regard to 'conventional' theory.

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48

Scherschligt, Michael A. „To Jesus through Mary: history and theology“. IMRI - Marian Library / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431444140.

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49

Maroney, Fr Simon Mary of the Cross M. Carm. „Mary, Summa Contemplatrix in Denis the Carthusian“. IMRI - Marian Library / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1620301036422259.

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50

Christofor-Ganev, Yvonne. „Charles und Mary Lambs "Tales from Shakespeare" /“. Frankfurt am Main : P. Lang, 1995. http://catalogue.bnf.fr/ark:/12148/cb37702970p.

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