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1
Al-Jazairi, Sawsan. „Mary Sidney Herbert's creative translation : a study of Psalm 119“. Thesis, University of Manchester, 2004. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.646008.
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Clough, Daniel M. „St. Lawrence of Brindisi: Mary in the Psalms as Model of the Spiritual Life“. IMRI - Marian Library / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1624398994284175.
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Aidoo, Mark S. [Verfasser]. „Shame in the Individual Lament Psalms and African Spirituality / Mark S. Aidoo“. Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1138919764/34.
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Dawkins, Thom. „Rejoice in Tribulations: The Afflictive Poetics of Early Modern Religious Poetry“. Case Western Reserve University School of Graduate Studies / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case1562630899327406.
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Lowe, C. Jane. „The psalm settings of Marc-Antoine Charpentier“. Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239094.
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Windholz, Jordan. „Ruminant [ psalms ]“. Connect to online resource, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1453492.
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Cheong, Eun Chae. „Biblical basis of the imprecatory Psalms special attention to Psalms 109 and 35 /“. Theological Research Exchange Network (TREN), 1987. http://www.tren.com.
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Hed, Frida. „Ditt ord i våra bygder : En jämförande studie mellan psalmer och skillingtryck åren 1819-1914“. Thesis, Växjö University, School of Humanities, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-5792.
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Taylor, Andrew William. „Psalms and early Tudor humanism“. Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.620677.
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10
Lee, Pyng-Na. „Psalms of Felix Mendelssohn-Bartholdy“. University of Cincinnati / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=ucin965229438.
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Cha, Kilnam Bellinger W. H. „Psalms 146-150 : the final hallelujah Psalms as a fivefold doxology to the Hebrew Psalter /“. Waco, Tex. : Baylor University, 2006. http://hdl.handle.net/2104/5011.
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12
Macdonald, Fergus A. J. „The Psalms and spirituality : a study of meditative engagement with selected psalms amongst Edinburgh students“. Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/2615.
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This study is the account of an empirical research programme in practical theology exploring the potential of the Book of Psalms to facilitate the spiritual journey of a sample of University of Edinburgh students aged between twenty and thirty who are on or beyond the fringes of the churches. Drawing upon some insights of the Bible Society movement regarding ‘scripture engagement,’ and in the wider context of increasing interest in spirituality and decreasing confidence in the churches among many westernised young adults, the project seeks to answer two research questions. First, how far does creative engagement with specific psalm texts in the form of a semi-structured three-week meditative spiritual journey facilitate the quest of contemporary young adults for personal meaning and spiritual enlightenment? Second, what does this study contribute to the current debate among the Bible Societies and other Bible agencies concerning the nature of Scripture engagement? In the first part of the thesis I review the debate on Scripture engagement, exploring the contemporary sacred landscape, and elucidating why the Book of Psalms was chosen for this exercise. Additionally, I develop the theological-cultural framework employed in interpreting the data. In the second part I describe respondents’ meditative engagement with six psalms and identify six main findings. These findings are: that ‘subjective-life’ and ‘likeas’ modes of spirituality coexist in some respondents and that the subjectivism of the psalms provides a bridge between them; that the cursing psalms, although considered by many respondents to be unacceptable, have potential to foster non-violence in conflict situations; that a desire to resolve suffering is a feature of the self-identity of many respondents; that meditating on the psalms fosters faith commonly as a generic process and particularly as theological trust; that interacting with psalmic texts helps to resolve the disorientation often experienced when facing confusing lifestyle choices; that meditating on the psalms provides space in which to reflect on the moral ambiguities of life. In the third part I evaluate the findings, concluding that the creative engagement between respondents and text results from respondents discovering that the psalms resonate with their idealism and basic human needs in ways that facilitate their ongoing spiritual quest for meaning and enlightenment, as well as providing an opportunity to confront God with complaints and dilemmas. I question some of the prevailing thinking on Scripture engagement for being too exclusively outcomes oriented, and suggest that meditative engagement with psalms could become a gateway to interacting with other biblical texts. My subsidiary findings are: that respondents believe audio texts enhance their use of print, appreciate the perspective psalm meditation provides on contemporary events and trends, are fascinated by psalmic metaphor, and find some readers’ helps more useful than others. I indicate areas where further research would be useful and outline some future directions that the Bible agencies might fruitfully follow in developing Scripture engagement resources for the churches.
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Webb, Belinda Susan. „Mary Burns“. Thesis, Kingston University, 2012. http://eprints.kingston.ac.uk/22966/.
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Mary Burns includes two sections: a short thesis called Revolution, Romance, and Revelation, and a work of autobiografiction, Mary Burns. Mary Burns is the major contribution to this PhD submission. It tells a story of the common-law wife of Marxist co-founder, Friedrich Engels, and a contemporary character, Ula Tully, who is attempting to tell Mary's story. The major part of this submission began as an attempt to write the novelised chronological biography of Mary Burns, yet through the writing process, ended up as a work of split-narrative autobiografiction. The stories of Ula and Mary are linked, sometimes subtly, sometimes obviously; two women who belong to different centuries but who have much in common. Both stories also represent the dire scarcity of that figure in English literature - the working-class woman. In this way we can see the telling of a story for Mary as an effort at 'rescuing' a figure of whom more 'should' be known, given her place beside the major Marxist figure. Revolution, Romance, and Revelation is a critical paper in three sections, the aim of which was to highlight the stereotypical characterization of Mary Burns in the biographies of Engels. This first section also goes some way to explain the ways in which I departed from these stereotypical characterizations of Mary in my creative work. The second section moves onto the later figure of Ethel Carnie, a working-class female writer of whom, again, little is known, except that she was a staunch socialist, novelist, journalist, and founder of The Clear Light, an anti- fascist journal that ran from 1920-1925. I also assert that Ethel, whenever mentioned it is as a 'romance' novelist, adopted a dialectical approach to her work, drawing on both romance and the New Woman novel. In doing so, I contend that she more closely wrote within the autobiografictive framework that was formulated by 8tephen Reynolds in 1906, and which I discuss in the final section. The third section defines autobiografiction, and explains the process of my adoption of it for my creative work. It is in this section that I also call for this 'mash-up' form to be a more amenable way for working-class women to produce their literature, as practised by Ethel Carnie, moving away from the novel form, which has, from its inception, been synonymous with the middle-classes.
14
Hickok, Alan B. „Using the lament Psalms in counseling“. Theological Research Exchange Network (TREN), 1990. http://www.tren.com.
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Ayling, Dorothy Ruth. „The psalms in Anglo-Saxon literature“. Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309995.
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Stuart, William Duane. „Guidelines for preaching from the Psalms“. Theological Research Exchange Network (TREN), 1996. http://www.tren.com.
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Schultz, Dale Alan. „A method for preaching the Psalms“. Online full text .pdf document, available to Fuller patrons only, 1999. http://www.tren.com.
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Fleming, Billy Owen. „The narrative preaching of the Psalms“. Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.
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Kim, Sungkuk. „Psalms in the Book of Revelation“. Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/10593.
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The book of Revelation includes more references to the Hebrew Scriptures than any other NT book. Even the sheer volume of scriptural references in the book of Revelation seems to suggest that the study of scriptural references is fundamental to understanding the book, as scholars have recognised for some time. Unlike the prophetic books, scholars have not given significant attention to the Psalms, although they do recognise the presence of many allusions to the Psalms. Through in-depth examination of the use of Psalms in Revelation this thesis demonstrates how significantly the Psalms influenced on the composition of the book of Revelation and offers a fresh insight of the structure and theology of the book. Part I (chapters 2–3) offers the background of this study. Chapter 2 discusses the use of Psalms in Second Temple Judaism, focusing on how the book of Psalms was employed in the Dead Sea Scrolls and the characteristics of the Greek translation of the Hebrew Psalms. Chapter 3 considers the significance of the Psalms for the early Christian communities. The Syriac version of the Psalms and the use of Psalms in the NT provide significant data/evidence for its use in early Christianity. Part II (chapters 4–7) examines all detectable cases of Psalms in Revelation. The cases are divided into four categories: strong allusion (chapter 4), probable allusion (chapter 5), possible allusion (chapter 6) and influence (chapter 7). In total, thirty-seven cases are considered: eight for strong allusion, seven for probable, nine for possible, and twelve for influence. As a conclusion of the study, Part III (chapter 8) presents the significance of the Psalms in the book of Revelation. The chapter sheds light on liturgical use of Psalms in the book of Revelation and in relevance with the Psalms some theological themes important for understanding the book will be set forth.
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Daffern, Megan I. J. „Prayers for remembering in the Psalms“. Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:b9f845c8-c271-4eb6-8a3c-e9acf75929f1.
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The Hebrew language of remembering is complex and theologically interesting. The effective, relational, actualising aspects of zkr are particularly evident in language of prayer, especially in Psalm texts. Prayer is a remembering of God, a reminding of God, and a call to remember the pray-er herself, and such performative illocutions are addressed to both human and divine audience alike. The texts become not only present acts of remembering, but also means by which future acts of remembering are to be performed. Questions in Psalms criticism, of public or private Sitz-im-Leben, of form classification, and the ongoing debate about which critical methods to bring to Psalms scholarship, are brought together in an attempt to answer how remembering in prayer works in the Psalms. By employing hermeneutics informed by linguistics, not only the semantic field of zkr may be studied, but also pragmatic questions appropriately tackled. Thus the potential contributions of speech-act theory and discourse analysis when applied to the Psalms are indicated, alongside what comparable work has already been done by others in Psalms scholarship in these areas. Further linguistic insights which have not previously been applied to Psalms study, such as Audience Design, are then also brought to bear. Broader areas such as the theological nexus of memory, prayer, place and time, are then explored. Memory is thus seen to be an important constituent of Psalmic prayer at all levels of analysis, as a tool by which prayers are passed down and God and his people remain in relationship. Connections between remembering, didactic, and Wisdom are noted. The centrality of memory in the performance of prayer is viewed as a prototype for New Testament prayers, culminating in the Eucharist and evident for instance also in the Lord’s Prayer. Memory, in prayer texts and in their hermeneutics, both enshrines the past, and makes an ever-relevant present anticipate the future.
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Luzyte, Rasa. „A thealogy of Mary : the non-Christian myth of Mary, the shadow of Mary and an individual connection to the divine self through Mary“. Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/20251.
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My work on the thealogy of Mary conveys a largely subjective way of thinking, it does not claim to present the view of any group, and it does not profess a theoretical agenda for a cult or a religious movement of Mary. The framework of this work is grounded in symbolic (legends, fairy tales and images), psychological (the structure of the psyche according to Carl Gustav Jung: the Self, the conscious, the unconscious, the Shadow) and imaginative (individual interpretations of narratives and images) spheres that are combined with feminist spirituality theories, religious philosophy and literary analysis. In my thesis, I offer a non-Christian myth of Mary which I form out of the folklore narratives about Mary. In my work, Mary is understood as the female divine archetype on the collective level, and as an expression of the Self on the individual level. Following Jung’s theory, the archetypes are forms and not contents, that is, an archetype can be comparable to an empty shell, which we fill with our own experience or with narratives that are meaningful to us. I take the image of Mary out of the Roman Catholic context and give it a new mythological narrative. This means to me a possibility not only to acquire a non-Christian myth of Mary but also to develop an individual relationship with the divine in its female personification. On the collective level, the thealogy of Mary creates a spiritual and psychological sphere in which the female divine has a possibility to outweigh the one-sidedness of the past few thousand years of the male predominance in the religious philosophy in the West.
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Embry, Bradley Jason. „Psalms of assurance : an analysis of the formation and function of Psalms of Solomon in Second Temple Judaism“. Thesis, Durham University, 2005. http://etheses.dur.ac.uk/768/.
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This dissertation presents a study of the 1 sI century Jewish document Psalms of Solomon, the primary focus of which concerns the theological framework and authorial intention that gave rise to its formation and function. As a response to Pompey's invasion of Jerusalem, the authors construct an apologetic predicated on a specific theological framework from the Hebrew Bible, herein termed the 'prophetic paradigm'. This paradigm provided the basic elements of punishment for sinfulness and redemption for repentance that constitute the theological trajectory of the document. By reading history through this particular theological lens, the authors effectively create a didactic response to the historical conflagration, and the document reads as 'literature of assurance'. The project proceeds in seven parts. The introduction contains a discussion of the general features of the document, such as authorship, date, provenance, language, textual history, as well as the most recent scholarly conclusions. Specific details pertinent to this particular dissertation are also introduced, such as inter-textuality, working definitions of apocalyptic and prophetic genres, and the need for a re-examination the document. In the first section, Psalms of Solomon and Deuteronomy 32 are set in comparison along the lines of my approach to inter-textuality. The effort in this first section is to ascertain to what extent Psalms of Solomon was written with the biblical prophetic material in mind, and to probe the extent to which this program dominated the composition. With this view in mind, the second section seeks to examine the overall cohesion of the document in light of its poetic structure and reveals certain hermeneutical insights encountered in the process. Section three acts on the observations of the frrst two sections, that a dominant theological program governs the document and that it is to be read as a cohesive whole, by critiquing a particular concept in this light, namely the Temple motif. The findings reveal that the Temple motif figures prominently in the text and that categories such as sinners, righteous, purity, impurity, Jews, non-Jews are defined from the perspective that God is present in the Temple at Jerusalem. Inasmuch as the issues of sinners, righteous, purity, impurity, Jews, and non-Jews are of central importance to the community at Qumran, the fmdings of section three commend a comparison between Psalms of Solomon and Qumran, which gives a point of comparison in highlighting these concepts within the document. In section four, a comparison between the theology of Psalms of Solomon and Qumran is made on three points, the Law of Moses, the Temple, and the will of God. Section five consists of a brief evaluation of the use of Psalms of Solomon by NT scholarship. The intention of this final section is to promote an awareness of the need for re-evaluating Psalms of Solomon's position and place within the history of the deVelopment of religious concepts, in this case messianism and use of the document by NT scholarship.
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Buchanan, A. J. „Recontextualising Mary Tighe“. Thesis, Queen's University Belfast, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411064.
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Voelker, Jessica R. „“The Mary Janes”“. ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2200.
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In this paper I will discuss, analyze, and explain the process of creating my thesis film, The Mary Janes. I will begin with a discussion of the theme, and continue with explaining each aspect of making the film in relation to that theme. I will recount my greatest challenges during the process. I will also relate my use of knowledge and skills accumulated through study. Finally, I will analyze the outcome of the work of art, and question how well my theme was actualized and understood. I will evaluate the film as whole, including the process of creation, successes and failures, and determine how well I was able to create a clearly articulated story with a strong genre style.
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Miranda, Anadir dos Reis. „Proto-feministas na Inglaterra setecentista : Mary Wollstonecraft, Mary Hays e Mary Robinson. Sociabilidade, subjetividade e escrita de mulheres“. reponame:Repositório Institucional da UFPR, 2017. http://hdl.handle.net/1884/49460.
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Orientador : Profª Drª Ana Paula Vosne MartinsTese (doutorado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Programa de Pós-Graduação em História. Defesa: Curitiba, 01/09/2017
Inclui referências : f. 232-242
Resumo: Esta tese trata da produção letrada das escritoras Mary Wollstonecraft (1759-1797), Mary Hays (1759-1843) e Mary Robinson (1757-1800). Participantes da República das Letras no contexto da Ilustração, essas mulheres entraram em contato com um conjunto de reflexões morais, religiosas e filosóficas que lhes abriu possibilidades de aprimoramento e emancipação intelectual, de estabelecer relações de gênero mais igualitárias, ao mesmo tempo em que, contraditoriamente, exaltavam a dependência e inferioridade das mulheres. Essas contradições que não foram percebidas pela maioria dos pensadores iluministas, tornaram-se evidentes para algumas mulheres que participaram dos grupos religiosos de dissidentes racionalistas e/ou que na década de 1790 se integraram aos círculos radicais londrinos, alguns dos principais espaços do debate político e crítico na Inglaterra. Wollstonecraft, Hays e Robinson vivenciaram essas contradições de forma bastante intensa e dedicaram muitas das suas obras a explicitá-las e discuti-las. Com seus tratados e romances incluíram a questão das "injustiças e dos direitos da mulher" no debate reformista que se desenvolveu na Inglaterra no final do século XVIII. Ao tensionar, por meio de seus comportamentos e escritos, muitos dos limites e paradoxos de gênero presentes nos discursos esclarecidos e liberais, estas mulheres de letras contribuíram para a produção de importantes reflexões e mesmo práticas que viriam a ser incorporadas mais tarde ao movimento de mulheres e ao feminismo, tais como o questionamento dos binarismos masculino e feminino, razão e sensibilidade, teoria e ficção, a crítica veemente à noção de inferioridade inata das mulheres e a defesa intransigente da igualdade de direitos entre homens e mulheres. Palavras-chave: gênero, proto-feminismo, escritoras inglesas, crítica, Iluminismo, Radicalismo inglês.
Abstract: This thesis deals with the literary production of women writers: Mary Wollstonecraft (1759-1797), Mary Hays (1759-1843) and Mary Robinson (1757-1800). Participants of the Republic of Letters in the context of the Enlightenment, these women came into contact with a set of moral, religious and philosophical reflections that opened them possibilities of improvement and intellectual emancipation, to establish more egalitarian gender relations, at the same time, contradictorily, they exalted the dependence and inferiority of women. These contradictions, which were not perceived by most of the Enlightenment thinkers, became evident to some women who participated in the religious groups of rationalist dissidents and / or who in the 1790s integrated themselves into the radical circles of London, some of the main areas of political and critical debates in England. Wollstonecraft, Hays, and Robinson experienced these contradictions quite intensely and devoted many of their works to discuss and emphasize them. With their treatises and novels they included the issue of "injustices and women's rights" in the reformist debate that developed in England at the end of the eighteenth century. By addressing, through their behaviors and writings, many of the limits and paradoxes of gender present in enlightened and liberal discourses, these women of letters contributed to the production of important reflections and even practices that would later be incorporated into feminism and women's movement; as well to questioning of binarisms of male and female, reason and sensibility, theory and fiction, plus the vehement criticism to the notion of women's innate inferiority, and the uncompromising defense of equal rights between men and women. Keywords: gender, proto-feminism, English women writers, critics, Enlightenment, English radicalism.
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Bernardino, Nomeriano C. „A reconsideration of "imprecations" in the Psalms“. Theological Research Exchange Network (TREN) Access this title online, 1986. http://www.tren.com.
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Davis, Barry C. „The holiness of God in the Psalms“. Theological Research Exchange Network (TREN), 1989. http://www.tren.com.
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Gauthier, Randall Xerxes. „Psalms 38 and 145 of the Septuagint“. Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/5240.
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Thesis (PhD (Biblical Languages))--University of Stellenbosch, 2010.ENGLISH ABSTRACT: The present dissertation is a commentary on Psalms 38 and 145 in the Septuagint (LXX) version, or more accurately, the Old Greek (OG) version. Specifically, this dissertation attempts to understand the semantic meaning of these psalms at the point of their inception, or composition, i.e. as translated literary units derivative of a presumed Semitic Vorlage. Stated differently, this dissertation sets out to understand how these psalms were interpreted in translation by the translator(s). With the task of interpretation comes the assumption that the “original” or “oldest” verifiable text can be first established since neither the OG nor its Vorlage are known to be extant. To this end it is necessary to begin with the best critical editions available while also attempting to reconstruct a viable representative of the OG and Vorlage in the light of standard text-critical criteria and translation technique. Although the Old Greek text is the object of study, the transmission history and related history of interpretation for both the Greek and Hebrew are selectively examined insofar as they are necessary as comparisons for the LXX at the point of its inception, and the Vorlage from which it was derived. This work assumes – in accordance with the way translation may be understood generally – that the translator(s) of the Psalms were attempting to communicate his/her Vorlage to a new audience. In this respect translation may be viewed as communication that crosses a language boundary. As such, both lexical replication and idiomatic representation fall within the scope of interpretation. Both phenomena occur in Ps 38 and 145 in varying degrees and both phenomena comprise aspects of the translator’s cross-lingual communication. Chapter 1 establishes preliminary concepts regarding translation in terms of isomorphic and isosemantic representation, textual criticism of the Psalter, and select MSS and witnesses used throughout the study. Chapter 2 surveys key modern translations of the Septuagint as well as certain trends in Translation and Communication Studies for methodological and hermeneutical approaches. Chapter 3 derives working methodological principles based upon the discussions in chapters 1 and 2. Chapters 4 and 5 are detailed, word-by-word, clause-by-clause, commentaries on Psalms 38 and 145 respectively. Chapter 6 offers a summary and conclusions.
AFRIKAANSE OPSOMMING: Hierdie verhandeling is 'n kommentaar op Psalm 38 en 145 in die Septuagint (LXX), of meer bepaald, die Oud Griekse (OG) weergawe. Die navorsing poog in besonder om die semantiese betekenis van hierdie psalms ten tyde van hul ontstaan of samestelling te verstaan, dit wil sê as vertaalde literere eenhede wat vermoedelik op 'n Semitiese Vorlage gebaseer is. Anders gestel: Hierdie verhandeling is daarop uit om te begryp hoe die vertaler(s) van hierdie psalms die tekste vertolk het. Die taak van vertolking behels die veronderstelling dat die 'oorspronklike' of 'oudste' verifieerbare teks eers bepaal kan word. Sover bekend het nog die OG weergawe nog sy Vorlage egter behoue gebly. Daarom is dit nodig om met die beste beskikbare kritiese uitgawes te begin, en terselfdertyd 'n lewensvatbare weergawe van die OG teks en Vorlage te probeer rekonstrueer aan die hand van standaard- tekskritiese maatstawwe en -vertaaltegnieke. Hoewel dit hoofsaaklik die OG teks is wat bestudeer word, word die oorlewerings- en verwante geskiedenis van vertolking vir sowel die Grieks en Hebreeus ook selektief ondersoek in soverre dit vergelyk kan word met die ontstaansvorm van die LXX sowel as die Vorlage waarop dit gebaseer is. In pas met die waarskynlike algemene opvatting oor vertaling, gaan hierdie navorsing van die veronderstelling uit dat die vertaler(s) van die psalms sy/haar/hul Vorlage aan 'n nuwe gehoor wou probeer oordra. In die opsig kan vertaling as kommunikasie oor taalgrense heen beskou word. As sodanig val sowel leksikale duplisering as idiomatiese verteenwoordiging binne die bestek van vertolking. Albei verskynsels kom in wisselende mate in Psalm 38 en 145 voor en albei behels aspekte van die vertaler se intertaalkommunikasie. Hoofstuk 1 lê voorlopige konsepte met betrekking tot vertaling vas wat betref isomorfiese en isosemantiese verteenwoordiging, tekstekritiek op die Psalter, en uitgesoekte manuskripte (MSS) en getuienisse wat deur die hele studie gebruik word. Hoofstuk 2 ondersoek kernmoderne vertalings van die Septuagint sowel as bepaalde tendense in Vertaling en Kommunikasiestudie vir metodologiese en hermeneutiese benaderings. Op grond van die besprekings in die eerste twee hoofstukke, lê hoofstuk 3 metodologiese werksbeginsels neer. Hoofstuk 4 en 5 bevat uitvoerige, woord-vir-woord-, sinsdeel-vir-sinsdeel-kommentaar op Psalm 38 en 145 onderskeidelik. Hoofstuk 6 sluit af met 'n samevatting en gevolgtrekkings.
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Adams, Elizabeth. „Mary Elizabeth Braddon as a professional author : Mary, a case study“. Thesis, University of Nottingham, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546502.
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Hivet, Christine. „Roman féminin et condition féminine de Mary Wollstonecraft à Mary Shelley“. Paris 3, 1993. http://www.theses.fr/1993PA030108.
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A une epoque ou florissait le roman feminin et ou la condition feminine posait des problemes de plus en plus aigus, mary wollstonecraft choisit d'exprimer dans le roman les revendications de a vindication of the rights of woman. Oeuvres pleines d'horreur et de pathos, mary et the wrongs of woman reclamaient ainsi pour la femme le droit au divorce et a l'amour. Certaines de ses contemporaines eurent le courage de suivre mary wollstonecraft et de faire elles aussi un sombre tableau de la realite de la condition feminine. Toutes les femmes etaient cependant loin de partager cette sympathie pour mary wollstonecraft. Detestant tout ce que representait cette derniere, des auteurs comme hannah more mirent donc en scene des heroines wollstonecraftiennes destinees a etre punies par la justice poetique. Le statu quo faisait en revanche l'objet de tous leurs eloges au prix meme de la dynamique romanesque. Une generation plus tard, mary shelley publiait frankenstein. Apparemment sans importance, la femme n'etait cependant pas absente de l'oeuvre de la fille de mary wollstonecraft. Peut-etre est-ce en partie a cette indirection que mary shelley dut sont succes litteraire. D'autres romancieres parvinrent a faire reconnaitre plus ou moins vite leur talent, telles fanny burney, maria edgeworth, ann radcliffe ou jane austen. Si elles aussi s'en remirent a la strategie de l'indirection, leur succes n'en constitua pas moins un grand pas en avant pour le sexe femininAt a time when women's fiction was flourishing and when the condition of woman caused increasingly acute problems, mary wollstonecraft chose to express in the novel the same message as in a vindication of the rights of woman. Works which were full of horror and pathos, mary and the wrongs of woman promoted the right to divorce and love for women. Some of ther contemporaries had the courage to follow in her steps and like her to portray a sombre picture of a woman's life. However, not all women were sympathetic towards mary wollstonecraft's views. Hating everything which she stood for, some authors like hannah more created wollstonecraftian anti-heroines who were destined to be punished by poetic justice. On the other hand, they were full of praise for the status quo, even at the expense of the dynamics of their novel. A generation later, mary shelley published frankenstein. Apparently without importance, woman is however not absent from the works of mary wollstonecraft's daughter. Perhaps mary shelley owes her success partly to this indirection. Other novelists, such as fanny burney, maria edgeworth, ann radcliffe or jane austen, managed to have their talent more or less quickly recognised. If they as well adopted the strategy of indirection, their success however was a significant step forward for the female sex
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Watt, Milton Lewis. „Re-sculpting a sacred text : towards an acceptable poetic translation of the Psalms – exemplified by Psalms 131 and 150“. Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/97805.
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Thesis (PhD)--Stellenbosch University, 2015.ENGLISH ABSTRACT: The aim of this study is to make a contribution to the formulation of a set of guidelines for an acceptable poetic translation of a sacred poetic text. To achieve this definition, a thorough review of current translation theory and practice is conducted, a specific model for translating poetry is presented, two English poems are created by using the principles of the model, and these two poems are evaluatively tested against other English translations. Wendland‘s LiFE methodology combines a literary/rhetorical approach, Skopostheorie and functionalist approaches, relevance theory, cognitive linguistics, an equivalence methodology, and a respect for sacred texts. The re-sculpting model builds upon Wendland‘s approach, particularly emphasizing insights gained from analyzing literary translations of non-Biblical texts, a narrow view of translating, and the care needed when working with a sacred text. To create a poetic sacred text, three kinds of guidelines are proposed concerning: project definition, determination of acceptability, and re-sculpting. Project definition – This involves pre-project planning and research. The results of this research will enable one to specify the communicative purpose for the translation (Skopos) and to formulate a range of agreements (translation brief) that guides all aspects of the project. Determination of acceptability – Following Beekman-Callow‘s model, a basic two-fold guideline of source text accuracy and target group acceptability is adopted to avoid extreme literalness and unduly free translating. Other recommendations for achieving this dual guideline are given through strategic planning, collaboration, communication, and effective training. Re-sculpting – A metaphorical term ―re-sculpting‖ was created. The proposed definition of re-sculpting is: ―a moderately re-structured and meaning-based translation of a poetic sacred text based on theological, thematic, and other literary/rhetorical concerns‖. By working within a slightly larger semantic range, a translator has room to be creative. For example, one can re-structure over two or three lines of Hebrew poetry rather than being restricted to a single line. However, very broad re-creations of a text (e.g., restructuring an entire long poem) are not recommended in a re-sculpting approach. A narrow definition of translation is proposed that distinguishes ―translation proper‖ (where a conservative grammatical-historical hermeneutic is applied) from more extreme approaches such as excessive adaptation or excessive paraphrase. Wendland‘s ten step literary/rhetorical method of analysis is applied to Psalm 131 and Psalm 150, and two re-sculpted poems are created. Each of these poems is evaluatively compared with five other English versions, and a survey is conducted to determine how readers rate these various translations. Results of the survey show that both of the re-sculpted poems are viewed as very acceptable and poetic. Although a relatively small sample of readers was used in the survey, it is reasonable to argue, at least tentatively, that re-sculpting appears to be a valid and useful method to consider in the translation of sacred poetic texts.
AFRIKAANSE OPSOMMING: Die doel van die studie is om ʼn bydrae te maak tot die definiëring van riglyne vir die maak van ʼn aanvaarbare vertaling van ʼn godsdienstige poëtiese teks. Vir hierdie doel is ʼn indringende ondersoek na huidige tendense in die teorie en praktyk van vertaling geloods en ʼn model vir die vertaling van poësie geformuleer. Daarna is twee Engelse gedigte in terme van hierdie model geskep en beoordeel in die lig van ander Engelse vertalings van dieselfde twee gedigte. Wendland se LiFE (literêr-funksioneelekwivalente) model kombineer ʼn literêr/retoriese benadering met Skoposteorie en ander funksionalistiese benaderings, relevansieteorie en kognitiewe taalkunde. In die model word ekwivalensie aan die bronteks nagestreef terwyl die aard van ʼn godsdienstige teks gerespekteer word. Die ―resculpting model‖ bou voort op Wendland se benadering. Dit beklemtoon veral die insigte wat verkry word deur die analise van die literêre vertalings van nie-Bybelse tekste, ʼn eng opvatting van vertaling en die sensitiwiteit wat nodig is wanneer ʼn godsdienstige teks vertaal word. Vir die skep ʼn godsdienstige poëtiese teks word drie soorte riglyne voorgestel: definisie van die project, bepaling van aanvaarbaarheid en ―re-sculpting‖. Definisie van die projek – Dit behels voorafbeplanning en navorsing. Die bevindings van die navorsing maak die identifisering van die kommunikatiewe doel (Skopos) van die vertaling moontlik, asook die formulering van ʼn vertaalopdrag. In laasgenoemde word ʼn aantal afsprake wat alle aspekte van die projek rig, geformuleer. Bepaling van aanvaarbaarheid – In navolging van Beekman-Callow word die vermyding van, aan die een kant, ekstreem letterlike en, aan die ander kant, onnodig vrye vertaalkeuses as ʼn basiese tweeledige riglyn vir aanvaarbaarheid beskou. ʼn Verdere manier om aanvaarbaarheid te verseker is deur middel van strategiese beplanning, samewerking, kommunikasie en effektiewe opleiding. ―Re-sculpting‖ – ʼn Model van ―re-sculpting‖ word voorgestel. ―Re-sculpting‖ is ʼn metafoor wat geskep is en wat beskryf kan word as ―ʼn gematigde hergestruktureerde en betekenis-geörienteerde vertaling van ʼn poëtiese godsdienstige teks wat berus op teologiese, tematiese en ander literêre/retoriese oorwegings‖. Deur met ʼn effense breër semantiese horison as een kolon te werk (in Hebreeus, tipies op die vlak van die bi-kolon of tri-kolon), het ʼn vertaler ruimte om kreatief te wees. Herskeppings op ʼn breër vlak (byvoorbeeld, die hele gedig), word nie in terme van hierdie model aanbeveel nie. ʼn Eng definisie van vertaling (wat op grammaties-historiese hermeneutiek berus en waarin waarde geheg word aan historiese geloofwaardigheid) word aanbeveel. Hierdie opvatting van vertaling word onderskei van meer ekstreme benaderings waarin selfs verwerkings en parafrases van 'n bronteks as vertalings beskou word. Wendland se retories/literêre analise in tien stappe word gebruik om Psalm 131 en 150 te ontleed. Twee ―re-sculpted‖ gedigte word geskep. Elk van hierdie gedigte word met vyf ander vertalings vergelyk en ʼn ondersoek word geloods om te bepaal hoe lesers die verskillende vertalings beöordeel. Daar word bevind dat lesers beide hierdie ―re-sculpted‖ gedigte as heel aanvaarbaar en poëties beskou. Alhoewel die relatief klein aantal lesers wat in die ondersoek gebruik is, nie as ʼn verteenwoordige monster beskou kan word nie, is dit redelik om te argumenteer (ten minste voorlopig) dat ―re-sculpting‖ ʼn geldige en nuttige metafoor is om te gebruik in die vertaling van godsdienstige poëtiese tekste.
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Black, David S. „An analysis of the teaching of the Virgin Mary's co-redemptive work with Christ“. Theological Research Exchange Network (TREN), 1987. http://www.tren.com.
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Venn, Jennifer O. „The autobiographies of Barbara Blaugdone, Elizabeth White, Mary Rich, and Mary Penington“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0022/NQ31165.pdf.
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Volkmer, Jeffrey Alan. „The Syriac version of the Psalms of ascents“. Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.
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35
Basson, Alec. „Divine metaphors in selected Hebrew psalms of lamentation“. Tübingen Mohr Siebeck, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2816704&prov=M&dok_var=1&dok_ext=htm.
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Larsen, David Joseph. „The Royal Psalms in the Dead Sea Scrolls“. Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4292.
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This thesis examines the use and function of a specific group of Psalms, the so-called “Royal Psalms,” among the texts of the Qumran library. From the time of their integration into the worship practices of the Israelite people in the obscure past to the Second Temple period and beyond, these Psalms continued to be a source of inspiration to the Jewish people. Though there have been many studies that have analyzed their Sitz im Leben, use, interpretation, and application for many different periods, no study has attempted a thorough analysis of their use among the Qumran documents. Analyses of the use in the Qumran texts of certain individual Royal Psalms exist, but these do not attempt to cover the Royal Psalms as a corpus. The present thesis will analyze the appearance in the Qumran library of the eleven generally-accepted Royal Psalms: Pss 2, 18, 20, 21, 45, 72, 89, 101, 110, 132, and 144. This study explores whether or not these Psalms are to be found in the known Qumran Psalms scrolls, variations or differences as compared to the Masoretic Text, how they are were interpreted in exegetical and other texts, quotations of and allusions to them, and how themes from the Royal Psalms contribute to the structure and theology of non-canonical royal psalms found at Qumran. An understanding of the use of the biblical Royal Psalms in these texts is of value for our comprehension of what happened to the pre-exilic royal traditions as these hymns continued to be used in a post-monarchic society. This dissertation makes an original contribution toward these goals, establishing that there was an interest on the part of the authors of many of the Qumran texts in royal themes although they lived long after the monarchy had ended.
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Rhode, Rubin Frank. „Ani and its semantic domain in the Psalms“. Thesis, Stellenbosch : Stellenbosch University, 1991. http://hdl.handle.net/10019.1/69094.
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Thesis (MA)--Stellenbosch University, 1991.ENGLISH ABSTRACT: One of the most vexing questions in the exegetical research on the Psalms has been the establishing of the identity of the suppliant who refers to himself as the cani. Many scholars have endeavoured to study the meaning and significance of this word, but it is still not satisfactorily resolved. The weakness of these studies can be traced back to two factors: (1) an exaggerated over-confidence in the etymological method of analysis, and (2) the implementation of inadequate and incomplete semantic methods. This investigation starts out with the hypothesis that the meaning of cani must be determined in terms of both its macro and micro leve~. Thus, the meaning of this designation will be established synchronically, as well as in terms of an associative field. In this way the semantic field of cani can be .demarcated in light of its immediate lexical, as well as its wider associative field. A close reading of the Psalms in which cani appears, reveals that a triangular relationship is depicted between certain actants. The drama tis personae occupying the following roles in this triangle are: (1) Yahweh asjudge and saviour, (2) the cani as suppliant and victim, and (3) .the antagonist as oppressor and blasphemer. In order to establish the identity of the cani it was necessary to investigate its synonyms and antonyms within this complex triangular structure. Within such a semantic framework it has been determined that the stereotype translation equivalent "poor" is both inadequate and misleading.
AFRIKAANSE OPSOMMING: Een van die mees kwellende vrae in die moderne Psalmeksegese is die raaisel aangaande die identiteit van die cani. Baie geleerdes het gepoog om die betekenis van hierdie woord te bepaal, maar tot nou toe is die prableem nog nie bevredigend opgelos nie as gevolg van: (1) te swaar klem wat op die etimologie van die woord geplaas is, of (2) onvoldoende semantiese metodes wat gebruik is in die ondersoek van hierdie term. Hierdie studie gaan uit van die hipotese dat die betekenis van cani op beide makro- en mikrovlak vasgestel moet word. Die betekenis moet sinkronies sowel as in terme van 'n assosiatiewe veld bepaal word. Op hierdie wyse kan die semantiese veld afgebaken word op grand van die onmiddellike leksikale sowel as die wyere assosiatiewe veld. Verder is daar ook vasgestel dat in die Psalms waarin cani voorkom, daar gewoonlik sprake is van 'n driehoeksverhouding. Die dramatis personae is: (1) Jahwe as rigter en redder, (2) die cani as aangeklaagde/smekeling en slagoffer en (3) die antagonis as onderdrukker en aanklaerllasteraar. Om die identiteit van die cani vas te stel, was dit nodig om die sinonieme sowel as die antonieme van hierdie term binne so 'n driehoekige struktuur te ondersoek. Binne so 'n semantiese raamwerk is vasgestel dat die stereotipe vertalingsekwivalent "arm" beide onvoldoende en misleidend is.
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Warren, Andy. „Modality, reference and speech acts in the Psalms“. Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268622.
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Basson, Alec. „Divine metaphors in selected Hebrew Psalms of Lamentation /“. Tübingen : Mohr Siebeck, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2816704&prov=M&dok_var=1&dok_ext=htm.
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Choong, Gary K. G. „Preaching the pilgrim Psalms for the Singaporean audience“. Theological Research Exchange Network (TREN), 1999. http://www.tren.com.
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Street, James. „Luke's use of the Psalms in his Gospel“. Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.
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Schuller, Eileen M. „Non-canonical psalms from Qumran : a pseudepigraphic collection /“. Atlanta : Ga. : Scholars press, 1986. http://catalogue.bnf.fr/ark:/12148/cb34932258f.
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Cheung, Chi Chung. „Wisdom intoned : a reappraisal of 'classifying wisdom psalms'“. Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610219.
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Grobler, Francois Chris. „Imprecatory Psalms and Negative Ethnicity in South Africa“. Diss., University of Pretoria, 2015. http://hdl.handle.net/2263/56078.
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Kim, Hyung Jun. „The structure and coherence of Psalms 89-106“. Thesis, University of Pretoria, 1998. http://hdl.handle.net/2263/27412.
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Blumberg, Jane. „Mary Shelley's early novels“. Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305729.
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ARONZON, MARTINE. „Mary mccarthy : ecritures autobiographiques“. Paris 3, 1998. http://www.theses.fr/1998PA030100.
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Les recits autobiographiques de mary mccarthy mettent en scene un sujet en dialogue constant avec lui-meme et les autres. Les representations forgees par et autour d'une personnalite marquee par sa condition d'orpheline sont soumises au regard critique d'un spectateur juge, le lecteur mais aussi l'auteur-narrateur, conscient des deformations qu'entraine la redaction des souvenirs. L'ecriture de mary mccarthy joue sans cesse sur le decalage entre l'histoire vecue et celle que recompose l'imaginaire. On peut alors s'interroger sur le sens de l'identite retranscrite par l'autobiographie. Grace a la discipline que lui imposent simultanement sa quete idealiste et lucide du +vrai; moi et l'acte litteraire, l'auteur s'efforce de batir de +meilleures; images du moi-je, objet et sujet de l'histoire, prenant ainsi sa revanche sur une vie qualifiee d'+invraisemblable;. Les metamorphoses survenues au cours des recits autobiographiques conduisent l'auteur-narrateur vers une +resurrection; dans un monde d'emotions intellectualisees, c'est-a-dire purifiees, ou le sujet ( moi et je) peut esperer retrouver l'unite perdueThe autobiographical writings of mary mccarthy present us with an individual whose permanent dialogue with herself and the outer world takes place on several parallel +scenes;. The images created by and about the self, which bear the marks of early orphanhood, are submitted to the critical eye of the reader. They are also subject to endless reexamination by an author fully aware that writing about one's life often means fictionalizing it. Her texts play upon the double meaning of +story-telling;, which combines real experience and imaginative reconstruction of the self. What meaning is attached to the +me; remembered and the +i; remembering past events? thanks to the discipline imposed by both the literary act and her idealistic yet lucid quest for the true +self;, the writer tries to build up +better; images of her self, thus taking revenge for her own +improbable; life. The metamorphoses occurring within the autobiography lead the author-narrator to a +resurrection; into a world of intellectualized (i. E. Purified) emotions, where the subject - me and i - may recover its lost unity
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Pierce, Bethany M. „Courting the Virgin Mary“. Miami University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=miami1154462978.
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Fledderus, France. „The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams“. Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278129/.
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The musical and spiritual life of Mary Lou Williams (1910 - 1981) came together in her later years in the writing of Mary Lou's Mass. Being both Roman Catholic and a jazz pianist and composer, it was inevitable that Williams would be the first jazz composer to write a setting of the mass. The degree of success resulting from the combination of jazz and the traditional forms of Western art music has always been controversial. Because of Williams's personal faith and aesthetics of music, however, she had little choice but to attempt the union of jazz and liturgical worship. After a biography of Williams, discussed in the context of her musical aesthetics, this thesis investigates the elements of conventional mass settings and oral tradition found in Mary Lou's Mass.
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Kim, Woon Han. „A study on the sermonic application for the Lord's reign based on the text of the Psalm“. Lynchburg, Va. : Liberty University, 2009. http://digitalcommons.liberty.edu.
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