Thematische Bibliographien / Mary in the Psalms

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Mary in the Psalms“

Autor: Grafiati
Veröffentlicht am 24. Juni 2021
Zuletzt aktualisiert am 1. Februar 2022

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Zeitschriftenartikel zum Thema "Mary in the Psalms"

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Osherow, Michele. „Mary Sidney's embroidered psalms“. Renaissance Studies 29, Nr. 4 (23.07.2015): 650–70. http://dx.doi.org/10.1111/rest.12166.

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Swaim, Kathleen M. „Contextualizing Mary Sidney's Psalms“. Christianity & Literature 48, Nr. 3 (Juni 1999): 253–73. http://dx.doi.org/10.1177/014833319904800302.

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Hutahaean, Hasahatan, Elirani Gea und Adarsan Simarmata. „Membaca Dan Memaknai Mazmur Ratapan 12 Dengan Metode Baca Gali Alkitab“. Manna Rafflesia 7, Nr. 1 (31.10.2020): 135–57. http://dx.doi.org/10.38091/man_raf.v7i1.132.

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One type of psalm is Lament. Psalms of Lament sung with weeping, weeping driven by the psalmist's sorrow. David wrote many psalms where one of them is lamentation in Psalm 12. In this article the psalmist experienced a change of mood (feeling) from lamenting, joyful hope then again lamenting. The research in this paper used a qualitative approach to library research methods. Literature research requires a study of related literature to guide researchers to achieve the research objectives of the data taken based on selected books. While the interpretation to find the meaning of the text of the Research Team uses the method of Reading the Bible (BGA). The methods of BGA are simple but practice interpretation that was designed initially for Christian quiet times. After Psalm 12 interpreted, the Research Team founded that the psalmist was still lamenting over the situation around him. Even though the psalmist experienced joy because God will save, but the wicked are still there and rottenness still arises among the sons of men. Because God works not based on the presence or absence of the wicked and rottenness among the children of men.
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Tyra, Steven W. „“Mary puts us all to shame”“. Church History and Religious Culture 98, Nr. 3-4 (12.12.2018): 367–86. http://dx.doi.org/10.1163/18712428-09802002.

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AbstractThis article examines Martin Luther’s interpretation of Saint Mary Magdalene throughout his career, from his Psalms lectures of 1513 to his sermons on John’s Gospel in 1529. In particular, it will be argued that Luther both adopted and reshaped the exegetical tradition flowing from the twelfth-century theologian, Bernard of Clairvaux. The final result was a Reformation reading of the Magdalene that was neither fully medieval nor “Protestant” as the tradition would later develop. Luther’s journey with the saint thus illumines his ambiguous place in the history of biblical interpretation, as well as his fraught relationship to the medieval past.
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Basson, Willem Diederick, und Daleen Kruger. „Persepsies oor die sinodebesluite en aard van die psalms binne die GKSA“. Koers - Bulletin for Christian Scholarship 81, Nr. 3 (15.12.2016): 2–9. http://dx.doi.org/10.19108/koers.81.3.2261.

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Perceptions regarding synod decisions and the nature of psalms in the RCSA. Since its inception in 1859, the Reformed Church in South Africa has been singing only psalms, scriptural hymns and Biblical songs. Currently, there are two official versifications of the psalms in use within the Reformed Church, namely the so-called Totius versification of 1936 and the 2001 rhymed version of psalm texts, mainly by T.T. Cloete. A study of members’ perceptions of synod decisions and the nature of the psalms in the Reformed Church shows that the psalms are not fully utilised. Synods decide what type of songs, type of songs, including psalms, are approved, are approved for use. Members believe that many psalms are no longer suitable for the 21st-century churchgoer, that synod decisions appear to be out of touch with members’ musical needs and that synods oppose musical innovation. The purpose of this article is to give an overview of ministers, organists/music leaders and parishioners’ perceptions regarding the nature and use of psalms during worship in the Reformed Church of South Africa as well as synod decisions pertaining to the psalms. Die Gereformeerde Kerke in Suid-Afrika sing vanaf die kerk se ontstaan in 1859 slegs psalms, Skrifberymings en Skrifgetroue liedere. Tans is daar twee amptelike psalmberymings in gebruik binne die Gereformeerde Kerk, naamlik die sogenaamde Totius-beryming van 1936, asook die 2001-omdigting met psalmtekste deur hoofsaaklik T.T. Cloete. ’n Studie van lidmate se persepsies oor sinodebesluite en die aard van die psalms binne die Gereformeerde Kerk toon aan dat die psalms nie optimaal benut word nie. Sinodes besluit watter tipe liedere, insluitend psalms, vir gebruik goedgekeur word. Lidmate glo dat talle psalms nie meer geskik is vir die 21ste-eeuse lidmaat nie, dat sinodebesluite uit voeling is met lidmate se musikale behoeftes en dat sinodes musikale vernuwing teenwerk. Die doel van hierdie artikel is om ’n oorsig te gee van die persepsies van predikante, orreliste/musiekleiers en gemeentelede met betrekking tot die aard en gebruik van die psalms binne die erediens van die Gereformeerde Kerke van Suid-Afrika, asook sinodebesluite wat hiermee verband hou.
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Trocmé-Latter, Daniel. „The psalms as a mark of Protestantism: the introduction of liturgical psalm-singing in Geneva“. Plainsong and Medieval Music 20, Nr. 2 (15.09.2011): 145–63. http://dx.doi.org/10.1017/s0961137111000039.

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ABSTRACTIt is widely believed that musical creativity suffered under the control of many sixteenth-century Protestant church leaders, especially in the Reformed (as opposed to Lutheran) branch of Protestantism. Such views are generalisations, and it is more accurate to say that music in Geneva and other Reformed strongholds developed in a very different way from the music of the Lutheran Church. The very specific beliefs about the role of music in the liturgy of Jean Calvin, Genevan church leader, led to the creation and publication of the Book of Psalms in French, in metre, and set to music. The Genevan or Huguenot Psalter, completed in 1562, formed the basis for Reformed worship in Europe and throughout the world, and its impact is still felt today. Despite the importance of the Psalter, relatively little is known about the precise liturgical musical practices in Geneva at the time of the Reformation, and little research has been carried out into the aspirations of either reformers or church musicians in relation to the Psalter. This article explores the significance of Calvin's interest in the Psalms as theological material, observing how this interest manifested itself, and outlines Calvin's views on music and the ways in which his plans for psalm-singing were implemented in Geneva from the 1540s onwards. After giving a brief explanation of the process through which the psalm melodies were taught and learnt, it also asks whether Calvin's vision for congregational singing would, or could, have been fully realised, and to what extent the quality of music-making was important to him. This article suggests that in the Genevan psalm-singing of the sixteenth century, matters of spiritual significance were most important.
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Poxon, Andrew. „The Institutionalization of the Congregational Singing of Metrical Psalms in the Elizabethan Reformation“. Studies in Church History 57 (21.05.2021): 120–41. http://dx.doi.org/10.1017/stc.2021.7.

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Previous scholarship has often employed the categories of ‘voluntary’ and ‘established’ religion when studying lay involvement in parish religion; yet these categories do not provide adequate space for the vitality of lay religious initiatives during the English Reformation. Through a study of the singing of metrical psalms, this article argues that the categories of ‘inspiration’ and ‘institution’ provide a more nuanced understanding of lay religious initiatives during the English Reformation. It outlines the ways in which the singing of metrical psalms, taken from the Sternhold and Hopkins Whole Booke of Psalmes, moved from its origins in domestic devotions, through inspirational initiative, to become an institutionalized part of the worship of English congregations. This process developed over many years, coming to the fore during the reign of Elizabeth I, yet even once institutionalization had occurred, inspiration could still arise, providing fresh direction and development.
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Dada, Samuel Ayodele, und Omolara Kikelomo Owoeye. „The Psalms as Poems: A Case Study of Psalm 136“. JOURNAL OF ADVANCES IN LINGUISTICS 4, Nr. 1 (26.06.2014): 347–54. http://dx.doi.org/10.24297/jal.v4i1.5211.

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The paper is an in-depth study of the one hundred and thirty-sixth Psalm of the Holy Bible from a linguistic lens view. Using a stylo-rhetorical approach to the analysis of the contents of this Psalm, the study discovers that the style and contents of the data are akin to that of many poetic works right from the time of English poetry in medieval times. Psalm 136 is essentially a ballad in terms of its tragic content. The story telling, tragic essence and lyrical content of the Psalm all combined to establish its poetic substance. The conclusion of the work is that Psalm 136, though written on and for religious worship, qualifies to be described as poetry.
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Ho, Peter C. W. „The Macrostructural Logic of the Alphabetic Poems in the Psalter“. Vetus Testamentum 69, Nr. 4-5 (14.10.2019): 594–616. http://dx.doi.org/10.1163/15685330-12341395.

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AbstractWith the emergence of the canonical approach to the Psalter, individual psalms are no longer studied as standalone compositions, but viewed along a continuum of psalms to provide meaning. While scholars have analysed alphabetic poems and how they add to meaning, the study of such poems has rarely gone beyond the individual psalm. This paper seeks to understand alphabetic poems within the horizon of the Psalter and whether they function together to provide meaning at the macrostructural level. The paper begins with analyses of eight generally accepted alphabetical acrostics in the Psalter. From their characteristics, a total of forty-six alphabetic poems are suggested. It is observed that these poems mark leitmotifs at prominent locations and develop the motif of David across the entire Psalter. The macrostructural logic of alphabetical poems, as a whole, is subservient to the overarching theological thrust of the Psalter.
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Tax, Petrus W. „Ein Psalmenkommentar Haimos von Auxerre: perierat, et inventus est“. Mediaevistik 32, Nr. 1 (01.01.2020): 227–36. http://dx.doi.org/10.3726/med.2019.01.10.

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<?page nr="227"?>Abstract In a 1945 article the discovery of a genuine Psalms commentary by Remigius of Auxerre was announced, even in two versions. But it could be shown that only version 2 was genuine. Then the question arose whether Remigius was the author of this commentary or another Auxerre exegete. Already at the end of the fifteenth century the very learned biographer and bibliographer Trithemius had ascribed a Psalm commentary”lib. 1” to Haimo (of Halberstadt, whom he confused with Haimo of Auxerre). Further research showed that there are indeed many common features between the text of this version 2 Psalms commentary and the writings of Haimo of Auxerre, especially his Ezechiel commentary and his “Scolia quaestionum,” a collection of excerpts, often containing solutions of exegetical problems, which Haimo frequently used in his exegesis. These common features consist not only of the same use of exegetical themes such as the Last Judgment but also of criticism of worldly as well as ecclesiastical authorities, references to old heresies and showing their impact in modern times, the pointing out of irony, the interest in titles of rulers in the East and the West, the treatment of unusual topics such as cannibalism, and a common stylistic feature: the consistent use of ‘beatus‘ in refererences to early exegetes such as Augustine, Jerome, even Cassiodorus. Thus it became apparent that indeed Haimo of Auxerre has to be considered as the author of version 2 of this Psalms commentary.
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Dissertationen zum Thema "Mary in the Psalms"

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Al-Jazairi, Sawsan. „Mary Sidney Herbert's creative translation : a study of Psalm 119“. Thesis, University of Manchester, 2004. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.646008.

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Clough, Daniel M. „St. Lawrence of Brindisi: Mary in the Psalms as Model of the Spiritual Life“. IMRI - Marian Library / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1624398994284175.

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Aidoo, Mark S. [Verfasser]. „Shame in the Individual Lament Psalms and African Spirituality / Mark S. Aidoo“. Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1138919764/34.

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Dawkins, Thom. „Rejoice in Tribulations: The Afflictive Poetics of Early Modern Religious Poetry“. Case Western Reserve University School of Graduate Studies / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case1562630899327406.

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Lowe, C. Jane. „The psalm settings of Marc-Antoine Charpentier“. Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239094.

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Windholz, Jordan. „Ruminant [ psalms ]“. Connect to online resource, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1453492.

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Cheong, Eun Chae. „Biblical basis of the imprecatory Psalms special attention to Psalms 109 and 35 /“. Theological Research Exchange Network (TREN), 1987. http://www.tren.com.

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Hed, Frida. „Ditt ord i våra bygder : En jämförande studie mellan psalmer och skillingtryck åren 1819-1914“. Thesis, Växjö University, School of Humanities, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-5792.

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Taylor, Andrew William. „Psalms and early Tudor humanism“. Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.620677.

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Lee, Pyng-Na. „Psalms of Felix Mendelssohn-Bartholdy“. University of Cincinnati / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=ucin965229438.

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Bücher zum Thema "Mary in the Psalms"

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Sidney, Philip. The Sidney Psalter: The psalms of Sir Philip and Mary Sidney. Oxford: Oxford University Press, 2009.

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The Psalms, prayers of many moods. New York: Paulist Press, 1999.

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Jesus' cry from the cross: Towards a first-century understanding of the intertextual relationship between Psalm 22 and the narrative of Mark's Gospel. London: T & T Clark, 2009.

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Brug, John F. Psalms: Psalms 1-72. 2. Aufl. Milwaukee, Wis: Northwestern Pub. House, 2002.

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Psalms: Psalms 73-150. 2. Aufl. Milwaukee, Wis: Northwestern Pub. House, 2001.

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Psalms. Elgin, Ill: Brethren Press, 1989.

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1943-, Zorn Walter D., Hrsg. Psalms. Joplin, Mo: College Press, 1999.

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Grogan, Geoffrey. Psalms. Grand Rapids, Mich: William B. Eerdmans Pub. Co., 2008.

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Mays, James Luther. Psalms. Louisville: John Knox Press, 1994.

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P, Brown William. Psalms. Nashville: Abingdon Press, 2010.

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Buchteile zum Thema "Mary in the Psalms"

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Rienstra, Debra K. „Mary Sidney, Countess of Pembroke, Psalmes“. In A Companion to Early Modern Women's Writing, 110–24. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470693490.ch7.

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Bassnett, Madeline. „Providential Gifts and Agricultural Plenty: The Psalmes of Mary Sidney Herbert“. In Women, Food Exchange, and Governance in Early Modern England, 23–64. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40868-2_2.

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Rosario, Ingeborg. „Psalms“. In Encyclopedia of Psychology and Religion, 1396–99. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_789.

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Waldron, David, Sukey Fontelieu, David Berman, Paul Larson, Paul Larson, Nicholas Grant Boeving, John Ryan Haule et al. „Psalms“. In Encyclopedia of Psychology and Religion, 715–17. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_789.

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del Rosario, Ingeborg. „Psalms“. In Encyclopedia of Psychology and Religion, 1846–49. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_789.

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Hamlin, Hannibal. „The Psalms“. In A Companion to Renaissance Poetry, 446–58. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118585184.ch33.

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Larson, Katherine R. „Airy Forms“. In The Matter of Song in Early Modern England, 32–63. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198843788.003.0001.

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This chapter probes the lexical slipperiness of “song” in relation to the dynamic interplay between early modern lyric production and musical practice. It also activates the resonances at play within the equally elusive notion of “form” further to animate song as an embodied genre straddling the boundary between poetic and musical expression. Larson considers the implications these taxonomical reflections hold for an analysis of the anonymous settings of Mary Sidney Herbert’s translations of Psalms 51 and 130, preserved in the British Library. These pieces offer an opportunity to bring a musical approach to lyric form to bear on psalm translations that are typically studied and taught from a visual, rather than an acoustic, perspective. Reading the psalms in terms of sung performance transforms our understanding of Pembroke’s experimental translations and of women’s broader engagement with the genre in the early modern English context.
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Davis, Ellen F. „The Wisdom of Lament—Psalms“. In Opening Israel's Scriptures, 325–34. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190260545.003.0033.

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MANY READERS WHO first encounter the book of Psalms in its entirety—and not just isolated psalms in worship—are unprepared for the predominance of lament. Although the book as a whole bears the Hebrew title Tehilim, “Praisings,” the first half is dominated by cries of pain and appeals for deliverance. Many of these psalms are not carefully modulated expressions of agony and outrage, and for that reason, they tend not to be part of the functional theology of either church or synagogue. This is a sad irony, since the angry psalms are among those that may be most useful for pastoral ministry, as well as for spiritual growth and healing. As Calvin observed, the emotional honesty of psalms is a protection against and remedy for “that most baneful infection, hypocrisy”;...
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„3 Antiphon and Psalm“. In Mary and the Art of Prayer, 103–236. Columbia University Press, 2017. http://dx.doi.org/10.7312/fult18168-008.

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Graham, Kenneth. „Caelica and the Psalms“. In Fulke Greville and the Culture of the English Renaissance, 138–55. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198823445.003.0008.

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Like the Old Testament narratives Erich Auerbach analysed in Mimesis, and like the Psalms described by Augustine, Luther, and Calvin, the religious poetry of Greville’s Caelica represents reality in a way that creates a sense of great poetic and theological depth. Time stretches forward and back, giving discrete and apparently empty moments significance as memory and expectation, both as a falling away and as part of a potential fulfilment. Space is both vast and intimate, isolating and connecting. Being has fallen and may degenerate further, but reformation and reunion with God remain possible. Finally, knowing this reality poses a profound challenge to a creature whose sinfulness contains a divinity it both hides and reveals.
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Konferenzberichte zum Thema "Mary in the Psalms"

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Garimella, Kiran, Gianmarco De Francisc iMorales, Aristides Gionis und Michael Mathioudakis. „Mary, Mary, Quite Contrary“. In the 26th International Conference. New York, New York, USA: ACM Press, 2017. http://dx.doi.org/10.1145/3041021.3054737.

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Flanagan, Mary. „Mary Flanagan“. In the 29th International Conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/2931127.2931197.

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Layng, Kris, Ken Perlin, Sebastian Herscher und Gabe Zetter. „Mary and the monster“. In SIGGRAPH '19: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3306449.3340099.

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FLEURY, PAUL A. „INTRODUCTION OF DEAN MARY GOOD“. In Proceedings of the Memorial Symposium. WORLD SCIENTIFIC, 2006. http://dx.doi.org/10.1142/9789812773562_0007.

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Cook, Mary Rose. „Mary Livecodes a JavaScript Game from Scratch“. In Applicative 2015. New York, New York, USA: ACM Press, 2015. http://dx.doi.org/10.1145/2742580.2742816.

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Coroiu, Petruta-Maria. „THE PSALMS OF DAVID � TEXTUAL CONSENSUS IN THE MUSIC OF THE 20TH CENTURY“. In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s16.62.

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Wang, H., J. Guo und Z. Wang. „Cluster-Based Blind Estimation of Mary DSSS Signals“. In 2008 IEEE International Conference on Communications. IEEE, 2008. http://dx.doi.org/10.1109/icc.2008.948.

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LaFayette, Carol. „Carol LaFayette, Karen Hillier, Bill Jenks, Mary Saslow“. In the 29th International Conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/2931127.2931163.

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Phillips, T. O., und K. P. McAvoy. „A Marine Forensic Analysis of Fishing Vessel LADY MARY“. In SNAME Maritime Convention. SNAME, 2014. http://dx.doi.org/10.5957/smc-2014-t28.

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Fishing Vessel LADY MARY sank on the morning of March 24, 2009, and this paper outlines the marine forensic analysis performed by the U.S. Coast Guard Marine Board of Investigation to determine the causal factors. The condition of the sunken vessel included significant damage to the vessel’s rudder, propeller and stern ramp, which was extensively documented by commercial divers and a Remotely Operated Vehicle. U.S. Navy divers recovered the vessel’s rudder, GPS units and computer. The evidence obtained from the sunken vessel was systematically evaluated in conjunction with other information obtained from the sole survivor of the casualty, the vessel’s Shore Manager, pre-casualty photographs, a shipyard drawing of the vessel, vessel tracking systems, and a computer modeled stability analysis. Based on the forensic analysis, a number of sinking scenarios were eliminated and a probable sequence of events surrounding the sinking of LADY MARY was developed.
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Belibou, Alexandra. „ELEMENTS OF HERMENEUTICAL ANALYSIS IN THE MUSICAL REPRESENTATIONS OF DAVID�S PSALMS COMPOSED BY FRANZ LISZT“. In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s25.021.

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Berichte der Organisationen zum Thema "Mary in the Psalms"

1

Deming, M. Elen, und Scott Douglas. Mary Bartelme Park. Landscape Architecture Foundation, 2015. http://dx.doi.org/10.31353/cs0890.

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2

Swetz, Frank J. Mathematical Treasure: Mary Serjant's Copybook. Washington, DC: The MAA Mathematical Sciences Digital Library, September 2012. http://dx.doi.org/10.4169/loci003932.

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3

Brown, D. A., R. F. MacLeod und C. L. Wagner. Geology, St. Mary Lake, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2011. http://dx.doi.org/10.4095/288567.

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Del Mauro, Diana. The Secret Life of Mary Lucy Miller. Office of Scientific and Technical Information (OSTI), Dezember 2018. http://dx.doi.org/10.2172/1484619.

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5

Vela Olmo, Carmen. Retratos de Mujeres en Bioquímica: Mary Osborn. Sociedad Española de Bioquímica y Biología Molecular, Juni 2012. http://dx.doi.org/10.18567/sebbmdiv_rmb.2012.06.2.

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6

Ladd, Florence C., und Linda Eisenmann. The Mary Ingraham Bunting Institute of Radcliffe College. Fort Belvoir, VA: Defense Technical Information Center, August 1992. http://dx.doi.org/10.21236/ada284034.

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7

Boozer, A. H., und G. M. Vahala. Theoretical plasma physics. [College of William and Mary]. Office of Scientific and Technical Information (OSTI), Mai 1992. http://dx.doi.org/10.2172/7245535.

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8

Hamblin, A. P. Edmonton Group/St. Mary River Formation: summary of literature and concepts. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1998. http://dx.doi.org/10.4095/209584.

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9

Schafft, Angelika, und Kjetil Frøyland. Veien til yrkeslivet for personer under legemiddelassistert rehabilitering: evaluering av MARY-prosjektet. Oslo: Arbeidsforskningsinstituttet, 2006. http://dx.doi.org/10.7577/afi/fou/2006/2.

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10

Sitek, M. A., C. Bojanowski und S. A. Lottes. Numerical Modeling of the Lake Mary Road Bridge for Foundation Reuse Assessment. Office of Scientific and Technical Information (OSTI), April 2015. http://dx.doi.org/10.2172/1224956.

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