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Dissertationen zum Thema "Married women – Comic books, strips, etc"

1

Chenault, Wesley. „Working the Margins: Women in the Comic Book Industry“. unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04232007-124907/.

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Thesis (M.A.)--Georgia State University, 2007.
Title from file title page. Marian Meyers, committee chair; Layli Phillips, Amira Jarmakani, committee members. Description based on contents viewed June 3, 2008. Includes bibliographical references (p. 120-123).
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Leland, Jennie. „The Phoenix Always Rises: The Evolution of Superheroines in Feminist Culture“. Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/LelandJ2007.pdf.

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3

Brown, Jennifer L. „Female protagonists in shōjo manga from the rescuers to the rescued /“. Connect to this title, 2008. http://scholarworks.umass.edu/theses/137/.

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4

Plowman, Nicola Streeten. „A cultural history of feminist cartoons and comics in Britain from 1970 to 2010“. Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/70775/.

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5

O'Brien, Amy Ann. „Boys' Love and Female Friendships: The Subculture of Yaoi as a Social Bond between Women“. unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-11202008-150110/.

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Thesis (M.A.)--Georgia State University, 2008.
Title from file title page. Jennifer Patico, committee chair; Emanuela Guano, Megan Sinnott, committee members. Description based on contents viewed Sept. 10, 2009. Includes bibliographical references (p. 141-147).
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6

Li, Yannan. „Japanese Boy-Love Manga and the Global Fandom: A Case Study of Chinese Female Readers“. Thesis, Connect to resource online, 2009. http://hdl.handle.net/1805/1936.

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Thesis (M.A.)--Indiana University, 2009.
Title from screen (viewed on September 3, 2009). Department of Communication Studies, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): John Parrish-Sprowl. Includes vita. Includes bibliographical references (leaves 80-83).
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Rhodes, Molly Rae. „Doctoring culture : literary intellectuals, psychology and mass culture in the twentieth-century United States /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9809139.

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8

Liu, Ting. „Boys' love in girls' hands : the survival of a gendered youth culture in mainland China and Hong Kong“. Phd thesis, 2011. http://hdl.handle.net/1885/150198.

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Originating in the late-1970s' Japanese comic and fiction culture, boys' love (BL) has become a transnational genre in which young women create, distribute and appreciate stories of male-male relationships in various media, ranging from fiction, comics, music, video films, radio dramas and cosplays (an abbreviation of costume-play), to computer games. Also known as danmei (we indulge in the beautiful) in Chinese, the genre expanded and blossomed in the late-1990s in mainland China and Hong Kong. Grounded in the two relatively unstudied fields, this thesis presents a systematic analysis of a distinctive (and less understood) Chinese BL phenomenon from an ethnographic perspective. Unlike most existing literature which has been focusing on psychoanalysis of BL participation and how followers in different countries accept Japanese BL genre as passive readers, much of this thesis deals with the growing complexity of the production, regulation, representation, consumption, and circulation of local BL practices in mainland China and Hong Kong. It aims to shed lights on how a transnational culture is constructed and indigenised under local social, economic, cultural and political conditions. I argue that young women in mainland China and Hong Kong turn from a passive readership to become active in local BL production through ways such as appreciating and identifying with BL values, participating in creation of the most convenient amateur cultural forms, establishing local BL economies, and using conditional and responding tactics to survive the hostile political and social circumstance. In a weaker status position and a more hostile social circumstance, Chinese participants have to poach resources from the cultural industry and transform their resistance into everyday tactics more actively than their Hong Kong counterparts.
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Silverman, Rebecca H. „The substance of shadow: reflections of self in magical girls /“. 2004. http://www.library.umaine.edu/theses/.

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10

Lamfers, Jordan Scott. „"A dame to kill for" or "a slut-- worth dying for" : women in the noir of Frank Miller“. Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3545.

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The depictions of women in film noir and neo-noir have long been objects of interest for feminist scholars. In this report, I extend this scholarship to examine Frank Miller's Sin city graphic novel series as a version of neo-noir that is both intimately connected to noir tradition and innovative in its approach, specifically in terms of his representation of women. Miller depicts his female characters in a variety of ways that reflect both the positive and negative imagery of women in classic noir and neo-noir; in doing so, he creates a new and complex vision of women in noir. This report uses three different characterizations of women in film noir--the spider woman, the femme moderne, and the angel--to explore the ways in which Miller's female characters can be understood to simultaneously uphold and challenge these conventions.
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Bücher zum Thema "Married women – Comic books, strips, etc"

1

Buck, Pearl S. al-arḍ al-ṭayyibah. Bayrūt, Lubnān: Dar al-maaref, 2008.

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2

Slate, Barbara. Getting married and other mistakes. New York: Other Press, 2012.

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3

Doucet, Julie. 365 days. Montréal, Quebec: Drawn and Quarterly, 2007.

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4

Hongru, Dai. The four great beauties of China. Singapore: Asiapac, 1994.

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5

Akizuzi, Risu. Survival in the office =: Taiyaku OL shinkaron : the evolution of Japanese working women. Tokyo: Kodansha International, 2000.

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6

Gorita. Lumpen star: Lump'en sŭt'a. 8. Aufl. Sŏul: Sigongsa, 2004.

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7

Tamako, Mariko. Emiko superstar. [New York]: Minx, 2008.

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8

Linda, Medley, Hrsg. Amy unbounded: Belondweg blossoming. Wynnewood, PA: Pug House Press, 2002.

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9

artist, Satpathy Bikash, und Caṭṭopādhyāẏa Baṅkimacandra 1838-1894, Hrsg. Devi Chaudhurani. [India]: Yali Dream Creations, 2015.

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10

Nicole, D'Andria, Astruc Thomas, Bacconnier Cedric author, Thibaudeau Sebastien author, Boutboul Pascal author, Delachenal Michae, Birch Justin und Zag Entertainment (Firm), Hrsg. Miraculous. Claws out. Pittsburgh, Pa.]: Action Lab, 2017.

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