Thematische Bibliographien / Marines, fiction

Auswahl der wissenschaftlichen Literatur zum Thema „Marines, fiction“

Autor: Grafiati

Veröffentlicht am 27. Juli 2024

Zuletzt aktualisiert am 28. Juli 2024

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Zeitschriftenartikel zum Thema "Marines, fiction"

Gilg, A. „Marine nature reserves: fact or fiction?“ Biological Conservation 62, Nr. 3 (1992): 229. http://dx.doi.org/10.1016/0006-3207(92)91055-w.

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Schut, F., RA Prins und JC Gottschal. „Oligotrophy and pelagic marine bacteria: facts and fiction“. Aquatic Microbial Ecology 12 (1997): 177–202. http://dx.doi.org/10.3354/ame012177.

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Tayefi, Shirzad, und Tohid Shalchian Nazer. „تحلیل جای‌گاه رفتار اخلاقی در آثار داستانی یعقوب یاد علی با تکیه بر آموزه‌های ژاک لکان“. ghalib quarterly journal 13, Nr. 1 (20.03.2024): 45–63. http://dx.doi.org/10.58342/ghalibqj.v.13.i.1.3.

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Jacques Marie Émile Lacan was one of the thinkers who reread the category of ethics based on psychoanalytical doctrine. He considered adherence to the sign of desire as a criterion for ethical behavior. In this research, we have tried to evaluate the actions of the characters in Yaqoub Yad Ali's fictional works according to the psychoanalytic teachings of Lacan. Based on this, it is necessary to explain the relationship between the place of desire as a psychological matter and ethic. One of the goals of the authors in this research is to explain the distinction between the desire of the subject and The Other as an irreconcilable divergence. In this regard, the question has been answered that based on Lakan's psychoanalytical teachings, which one of Yad Ali's fictional characters had an ethical action, and which one had an immoral action? This research has been done by qualitative analysis based on the teachings of Lacan and the collection of fiction works of Yaqub Yad Ali. The findings of the research show that the establishment of the desire suppression mechanism causes the subject to encounter the phenomenon of loss or deprivation. The subject identifies the signifier of The Other’s desire as the signifier of his desire and fulfills it. According to Lakan, the ethical behavior becomes possible when the subject always remains faithful to the signifier of his true desire. The ethical subject in Lakan's view is the one who, in the face of the law, always transgresses it through the sign of joesance

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Glover, William J., und Donna M. Kocak. „50th Anniversary James Bond: Marine Technologies—Fact or Fiction“. Marine Technology Society Journal 49, Nr. 6 (01.11.2015): 134–39. http://dx.doi.org/10.4031/mtsj.49.6.7.

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Huntsman, Gene R. „Endangered Marine Finfish: Neglected Resources or Beasts of Fiction?“ Fisheries 19, Nr. 7 (Juli 1994): 8–15. http://dx.doi.org/10.1577/1548-8446(1994)019<0008:emfnro>2.0.co;2.

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Herrera Anchustegui, Ignacio, und Violeta S. Radovich. „Wind Energy on the High Seas: Regulatory Challenges for a Science Fiction Future“. Energies 15, Nr. 23 (02.12.2022): 9157. http://dx.doi.org/10.3390/en15239157.

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This paper aims to study the current regulation and governance of wind energy turbines on the high seas and detect regulatory challenges. We focus on the existing regulatory framework to develop marine wind farms in areas beyond national jurisdiction (ABNJ), the nature of wind farms and wind turbines in said areas, and which governance schemes and institutions ought to coordinate and regulate any future marine wind energy development. Our research shows that under public international law, the deployment of wind turbines on (most parts of) the high seas for all States is possible, but many issues still remain, either thinly regulated or unanswered. We inquire where, by whom, and how can marine wind parks be built on the high seas according to public international law and the United Nations Convention on the Law of the Sea (the LOSC). Lastly, we evaluate the possible role of marine spatial planning (MSP) in developing wind energy on the high seas.

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Manase, Irikidzayi. „South African experiences in a restructured post-apocalyptic geo-political future as depicted in speculative fiction“. Image & Text, Nr. 37 (01.11.2023): 1–15. http://dx.doi.org/10.17159/2617-3255/2023/n37a35.

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This article draws on science fiction's aesthetics of instability and multiple perspectives that disrupt the dominance of a Euro-American narrative voice (Langer 2011), as well as decolonial concepts such as coloniality, decentring and epistemic freedom (Ngügï 1986, 1992; Quijano 2007; Grosfoguel 2011; Ndlovu-Gatsheni 2018), to analyse the human condition and geopolitical patterns reflected in post-disaster worlds as depicted in Gillian Armstrong's "Elton" (2011), Abigail Godsell's (2011) "Taal" and Sarah Lotz's "Marine Drive, Durban Beachfront" (2014). The notion of multiple perspectives and contexts, and Smith's (2012) disruptive view that science fiction occurs everywhere, are used as lenses to examine the decolonised literary imagination. Ngügï argues (1986, 1992), that such an imagination moves the literary setting and vision from the Euro-American centre to another centre, in this case to a speculative post-apocalyptic South African future. The article argues that the depicted literary future and unfolding human experiences enable the constitution of decolonised literary imaginings and a cultural geography that restructure the current domination of geo-political and spatial mappings by the Global North. This restructured imagining places South Africa, and by extension Africa, at the centre of a speculative vision of humanity's sense of itself, knowledge production and agency, which are needed for the future survival of both the environment and other global inhabitants.

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Hutchings, Pat, und Elena Kupriyanova. „Cosmopolitan polychaetes – fact or fiction? Personal and historical perspectives“. Invertebrate Systematics 32, Nr. 1 (2018): 1. http://dx.doi.org/10.1071/is17035.

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In the biogeographical and taxonomical literature before the 1980s there was a wide perception that widespread, often referred to as ‘cosmopolitan’, species were very common among polychaetes. Here we discuss the origins of this perception, how it became challenged, and our current understanding of marine annelid distributions today. We comment on the presence of widely distributed species in the deep sea and on artificially extended ranges of invasive species that have been dispersed by anthropogenic means. We also suggest the measures needed to revolve the status of species with reported cosmopolitan distributions and stress the value of museum collections and vouchers to be associated with DNA sequences in resolving species distributions.

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Kohn, Alan. „Conus Envenomation of Humans: In Fact and Fiction“. Toxins 11, Nr. 1 (27.12.2018): 10. http://dx.doi.org/10.3390/toxins11010010.

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Prominent hallmarks of the widely distributed, mainly tropical marine snail genus Conus are: (1) its unusually high species diversity; it is the largest genus of animals in the sea, with more than 800 recognized species; and (2) its specialized feeding behavior of overcoming prey by injection with potent neurotoxic, paralytic venoms, and swallowing the victim whole. Including the first report of a human fatality from a Conus sting nearly 350 years ago, at least 141 human envenomations have been recorded, of which 36 were fatal. Most Conus species are quite specialized predators that can be classified in one of three major feeding guilds: they prey exclusively or nearly so on worms, primarily polychaete annelids, other gastropods, sometimes including other Conus species, or fishes. These differences are shown to relate to the severity of human envenomations, with the danger increasing generally in the order listed above and a strong likelihood that all of the known human fatalities may be attributable solely to the single piscivorous species C. geographus.

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Venzo, Paul, Lara Hedberg und Prue Francis. „Whose eggs are these? Gender in ocean-themed picture books“. Journal of Science & Popular Culture 4, Nr. 2 (01.12.2021): 115–33. http://dx.doi.org/10.1386/jspc_00029_1.

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Ocean-themed picture books are important educational resources that promote marine science literacy. At the same time, these picture books also carry messages about gender to child readers. Through an analysis of 100 ocean-themed informational and narrative non-fiction picture books, the authors uncover various ways in which ideas about gender are communicated to child readers, whether in relation to human or animal characters or animals with human traits and qualities. The article tests the hypothesis that marine science picture books educate children about gender in traditional, normative and binarized ways. The findings suggest that marine science picture books are male-dominated, with narrow, often stereotyped gender roles ascribed to both human and sea animal characters. Despite a male-dominated presence, the authors describe ways in which contemporary picture books might begin to fill the gaps in diverse gender representation in this genre.

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Dissertationen zum Thema "Marines, fiction"

Devoize, Jeanne. „De la réalité à la fiction la mer et les marins dans le roman anglais de la moitié du XVIIIe siècle /“. Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376045310.

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Devoize, Jeanne. „De la realite a la fiction : la mer et les marins dans le roman anglais de la premiere moitie du xviiie siecle“. Paris 3, 1987. http://www.theses.fr/1987PA030204.

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Un premier volume est consacre a l'evaluation de l'espace outre-mer d'apres les recits de voyageurs dans la premiere moitie du xviiie siecle. La notion de vide geographique prend a cette epoque une importance toute particuliere. Les voyageurs les plus aventureux comme dampier souhaitent combler ces vides et prendre la tete dans la course aux implantations commerciales. Nombreux sont les romanciers qui leur emboitent le pas et prechent eux aussi en faveur de l'esprit d'entreprise. Mais pour partir a la conquete de l'espace, encore faut-il vaincre toutes ces peurs heritees du passe. L'ile deserte est pour cela le lieu clos ideal. Tous les heros des robinsonnades ne parviennent pourtant pas a vaincre leurs peurs. A l'image de swift, les auteurs de gulliveriades preferent confronter leur heros aux habitants de pays imaginaires. Car ce qui importe, c'est l'homme et sa reflexion morale sur sa propre nature. Si ces differents romans s'appuient tres largement sur les recits de voyages autour du monde, ou, dans le cas de smollett, sur la realite vecue, il n'en est pas de meme des romans barbaresques stereotypes. Quant aux capitaines, violeurs, pirates, peres ou tyrans, ils ne vivent guere que sous la plume de smollet qui, influence par le theatre autant que par le reel, denonce les abus d'un systeme et prend la defense de jean matelot. De plus en plus, les preoccupations ethiques envahissent le roman. La nature se laisse plus difficilement domestiquer. Le langage simplifie des voyageurs devient plus elabore en meme temps que la symbolique de la mer retourne de plus en plus aux sources grecques. L'aventure qui s'etait momentanement banalisee retrouve des dimensions heroiques
A first volume is dedicated to the evaluation of space overseas according to the travellers' accounts in the first half of the eighteenth century. The notion of empty geographical spaces then acquires a particular importance. The most adventurous travellers, such as dampier, wish to fill in those empty spaces and take the lead in the race to conquer markets. Many novelists adopt the same view and endow their heroes with the spirit of enterprise. But in order to sail and conquer space, one must first get rid of all these crushing fears inherited from the past. For such a purpose, the desert island, enclosed as it is, is the ideal location. Yet all the heroes of the "robinsonnades" do not reach this aim. Following swift, the authors of the "gulliveriades" prefer to bring their heroes face to face with the inhabitants of imaginary countries. What is important is man and his moral reflexion on his own nature. If those different novels borrow much from the accounts of voyages around the world or, in the case of smollett, from reality, the "barbaresque" novels are on the contrary very close to stereotypes. As for the captains, rapists, pirates, fathers or tyrants, they acquire life mostly with smollett who, influenced by the theater as much as by reality, denounces a system and takes up the defense of jack tar. More and more, ethetic preoccupations fill up the novels. Nature refuses to let itself be domesticated. The simplified, down-to-earth language of the travellers becomes more and more elaborate, and the symbolism of the sea returns more and more to its greek sources. Adventure, which had momentarily become somewhat banal, acquires again heroic dimensions

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Wormington, Larry J. „Last Known Tomorrow“. ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1767.

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Harris-Birtill, Rosemary. „Mitchell's mandalas : mapping David Mitchell's textual universe“. Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/12255.

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This study uses the Tibetan mandala, a Buddhist meditation aid and sacred artform, as a secular critical model by which to analyse the complete fictions of author David Mitchell. Discussing his novels, short stories and libretti, this study maps the author's fictions as an interconnected world-system whose re-evaluation of secular belief in galvanising compassionate ethical action is revealed by a critical comparison with the mandala's methods of world-building. Using the mandala as an interpretive tool to critique the author's Buddhist influences, this thesis reads the mandala as a metaphysical map, a fitting medium for mapping the author's ethical worldview. The introduction evaluates critical structures already suggested to describe the author's worlds, and introduces the mandala as an alternative which more fully addresses Mitchell's fictional terrain. Chapter I investigates the mandala's cartographic properties, mapping Mitchell's short stories as integral islandic narratives within his fictional world which, combined, re-evaluate the role of secular belief in galvanising positive ethical action. Chapter II discusses the Tibetan sand mandala in diaspora as a form of performance when created for unfamiliar audiences, reading its cross-cultural deployment in parallel with the regenerative approaches to tragedy in the author's libretti Wake and Sunken Garden. Chapter III identifies Mitchell's use of reincarnation as a form of non-linear temporality that advocates future-facing ethical action in the face of humanitarian crises, reading the reincarnated Marinus as a form of secular bodhisattva. Chapter IV deconstructs the mandala to address its theoretical limitations, identifying the panopticon as its sinister counterpart, and analysing its effects in number9dream. Chapter V shifts this study's use of the mandala from interpretive tool to emerging category, identifying the transferrable traits that form the emerging category of mandalic literature within other post-secular contemporary fictions, discussing works by Michael Ondaatje, Ali Smith, Yann Martel, Will Self, and Margaret Atwood.

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Christle, Michele. „Out Here“. 2013. https://scholarworks.umass.edu/theses/1029.

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Gravel, Johannie. „Modulation de l'activité respiratoire par la locomotion chez la lamproie“. Thèse, 2005. http://hdl.handle.net/1866/15693.

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Jenkin, Sarah. „The Effect of Temperature on the Chronic Hypoxia-induced Changes to pH/CO2-sensitive Fictive Breathing in the Cane Toad (Bufo marinus)“. Thesis, 2011. http://hdl.handle.net/1807/29565.

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This study examined the effects of temperature and chronic hypoxia (CH) on pH/CO2- sensitive fictive breathing, and central pH/CO2 chemosensitivity, in cane toads (Bufo marinus). Toads were exposed to CH (10% or 15% O2) or control conditions (21% O2) for 10 days at either room temperature (controls), 10°C or 30°C following which in vitro brainstem-spinal cord preparations were used to examine central pH/CO2-sensitive fictive breathing (i.e., motor output from respiratory nerves which is the neural correlate of breathing). A reduction in artificial cerebral spinal fluid (aCSF) pH increased fictive breathing frequency (fR) and total fictive ventilation (TFV). Cold temperature reduced and hot temperature increased fR and TFV under control conditions. CH attenuated fictive breathing independently of temperature. Additional experiments in which the aCSF temperature was varied indicate that the effects of temperature acclimation result from neural plastic changes within respiratory control centres in the brain.

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Bücher zum Thema "Marines, fiction"

Douglas, Ian. Star Marines. New York: HarperCollins, 2008.

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Fetzer, Amy J. Tell it to the Marines. New York, NY: Kensington Pub. Corp., 2005.

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Tell it to the Marines. New York: Brava/Kensington Pub. Corp., 2004.

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Hill, Porter. The Bombay Marines: An Adam Horne adventure. New York: Walker, 1988.

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Cecil, Frank. Cloud of glory. Bloomington, Ind: 1stBooks, 2004.

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Pak, Ch'ŏl-ju. Pada nŭn t'aeyang i chiji annŭnda: Pak Ch'ŏl-ju. changp'yŏn sosŏl. Sŏul-si: Kŭlnurim, 2010.

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Connery, Tom. Honour redeemed: A Markham of the Marines novel. New York: Berkley Books, 2003.

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Foster, Nigel. The making of a Royal Marines commando. London: Pan, 1998.

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Lehrer, James. The phony marine: A novel. New York: Random House, 2007.

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Lehrer, James. The phony marine: A novel. New York: Random House, 2006.

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Buchteile zum Thema "Marines, fiction"

Klimasmith, Betsy. „Finale“. In Urban Rehearsals and Novel Plots in the Early American City, 233–44. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192846211.003.0010.

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In “The Future City and The Female Marine,” I set Benjamin Franklin’s Autobiography against The Female Marine, a pamphlet narrative written in three overlapping installments and published in nineteen different editions between 1815 and 1818 by Boston publisher Nathaniel Coverly. I contrast the Autobiography’s version of US urban space as a replicable franchise city to the transgressive city constructed in The Female Marine. The Female Marine’s protagonist, Lucy Brewer, seduced, abandoned, and working as a prostitute in Boston, disguises herself as a young male sailor to serve on the USS Constitution during the War of 1812. Easily read as political allegory for Boston’s shifting wartime loyalties, The Female Marine also marks a critical transition in US urban literature. Coverly rewrites the seduction tale to allow for female urban success, foreshadowing the racy female libertines of the 1840s sporting press. Virtually untouched by literary critics, The Female Marine is a remarkably rich text. Coverly quotes from and revises Charlotte, offers us a newly graphic version of the city’s geography that evokes the phantasmic cities of Edgar Allen Poe and George Lippard, previews the rise of urban serials in the penny press, and delivers a more triumphant outcome than the equivocal endings of Kelroy or Ormond. As it picks up on earlier urban forms, The Female Marine operates as a fantastic, subversive, and funny precursor to the urban genre fiction that would become immensely popular in the second half of the century.

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Bennett, Gertrude Barrows. „Gertrude Barrows Bennett (‘Francis Stevens’)“. In The Origins of Science Fiction. Oxford University Press, 2022. http://dx.doi.org/10.1093/owc/9780198853619.003.0016.

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A ‘Different’ Story. Being the Veracious Tale of an Ancient Mariness,* Heard and Reported in the Year A. D. 2100 It was upon the water-front that I first met her, in one of the shabby little tea shops frequented by able sailoresses of...

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Drecoll, Volker Henning. „Candidus—Fiction or Reality?“ In The Philosophy, Theology, and Rhetoric of Marius Victorinus, 267–86. SBL Press, 2022. http://dx.doi.org/10.2307/j.ctv310vqb5.13.

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Kerr, Matthew P. M. „Shallows and Deeps“. In The Victorian Novel and the Problems of Marine Language, 21–62. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192843999.003.0002.

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This chapter recovers the nineteenth-century milieu for the more focused author studies that follow. It gives a discursive historical account of two marine locations characterized by their uncertain boundaries in the period: the shore-line and the deep sea. This twinned emphasis allows an exploration of the developing capacity to probe further and deeper, limning some specific contours of the marine welter. The chapter draws on mutually influential genres of sea-writing, with key works including Jane Austen’s unfinished novel about sea-bathing; the scientific treatises of Philip Henry Gosse and Charles Wyville Thomson; the popular journalism of Charles Camden (a pseudonym for Richard Rowe); Charles Kingsley’s fiction and creative non-fiction; Thomas De Quincey’s ruminations on drowning; and Rudyard Kipling’s short story ‘“Wireless”’. The discussion introduces a recurring motif: the interrelationship of the sea’s literal and symbolic meanings in the nineteenth-century cultural imaginary.

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Gilby, Emma. „The Paris Context“. In Descartes's Fictions, 47–64. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198831891.003.0002.

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This chapter considers Descartes’s connections with Guez de Balzac and his circle, and looks more closely at the language of contemporary poetic practice and theory. In his 1623 preface to Marino’s Adone, Jean Chapelain develops a critical vocabulary of novelty, generic hybridity, and verisimilitude. Meanwhile, Alexandre Hardy accuses modern dramatists of neglecting dispositio, or the coherent ordering of dramatic subject matter. The state of tragicomedy in France is exemplified in the 1628 tragicomic reworking of Schélandre’s 1608 tragedy Tyr et Sidon, prefaced by Balzac’s apologist François Ogier. At the crux of these debates, we find the question of how to balance the need for variety to dispel boredom with the need for structure to dispel distraction.

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Azoulai, Juliette. „Métamorphoses et biologie marine chez Michelet et Richepin“. In Les métamorphoses, entre fiction et notion, 159–74. LISAA éditeur, 2019. http://dx.doi.org/10.4000/books.lisaa.1082.

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Vintenon, Alice. „7 - Fictions sous-marines : comment représenter un monde inaccessible ?“ In Mise en forme des savoirs à la Renaissance, 153. Armand Colin, 2013. http://dx.doi.org/10.3917/arco.pant.2013.01.0153.

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Kerr, Matthew P. M. „Captain Marryat Repeats Himself“. In The Victorian Novel and the Problems of Marine Language, 63–92. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192843999.003.0003.

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This chapter explores the under-studied popular marine fiction of Captain Frederick Marryat. Marryat’s sea-novels are shy of the element upon which they are set; he rarely focuses on the craft of sailing and describes the sea itself even less often. If, however, Marryat’s novels are not about the sea, sea-life defines their central characteristic: a multi-faceted repetitiveness. These texts repeat marine tropes that are already themselves repetitious, such as seasickness, heroic resurrection, and the revenant ghost ship. Tightly repetitive adherence to generic formulae is often deemed evidence of contrived or artificial writing. In the context of writing about the sea, though, repetition invites a competing reading: it is perhaps evidence of authenticity, of Marryat’s struggle to find a register appropriate to the ocean.

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James-Raoul, Danièle. „L’écriture de la tempête en mer dans la littérature de fiction, de pèlerinage et de voyage“. In Mondes marins du Moyen Âge, 217–29. Presses universitaires de Provence, 2006. http://dx.doi.org/10.4000/books.pup.3841.

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Oulton, Carolyn W. de la L. „‘A marine suburb of London’“. In Down from London, 107–40. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800854611.003.0004.

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Literary representations of Brighton are diverse and often contradictory: across a range of fictional texts it simultaneously invokes healthy air and pollution, codified ritual and excess, fashion and vulgarity. Easily accessible from London through an efficient rail service, it both suggests urban sprawl and traps criminal characters within claustrophobic and clearly delineated boundaries. From the mid-nineteenth century the capacity for varied responses was virtually limitless, as the railway brought different classes of invalid to be captivated by the same sights. In the twentieth century these contradictions and instabilities were intensified through Brighton’s reputation as a site for staged ‘adultery’. Its most extraordinary literary claim is its ability to align itself with different moods – and modes - at the same time.

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Konferenzberichte zum Thema "Marines, fiction"

Tachibana, Fuhito. „Worldlessness as fictional (im)possibility. Mallarmé, hinge between Jean-Marie Schaeffer and Kendall Walton“. In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11289.

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Bary, Cécile de, und Roland Jondeau. „Commentaires de la proposition de Marie-Laure Ryan“. In Frontières de la fiction (décembre 1999). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7578.

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Zhang, Yige, und Bumsoo Kim. „Global Climate Change Driven by Marine Methane Hydrate Dissociation: Reality or Fiction? - 2022 Clarke Medal Talk“. In Goldschmidt2022. France: European Association of Geochemistry, 2022. http://dx.doi.org/10.46427/gold2022.13316.

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D'Aprile, Marianela. „A City Divided: “Fragmented” Urban and Literary Space in 20th-Century Buenos Aires“. In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.22.

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When analyzing the state of Latin American cities, particularly large ones like Buenos Aires, São Paolo and Riode Janeiro, scholars of urbanism and sociology often lean heavily on the term “fragmentation.” Through the 1980s and 1990s, the term was quickly and widely adopted to describe the widespread state of abutment between seemingly disparate urban conditions that purportedly prevented Latin American cities from developing into cohesive wholes and instead produced cities in pieces, fragments. This term, “fragmentation,” along with the idea of a city composed of mismatching parts, was central to the conception of Buenos Aires by its citizens and immortalized by the fiction of Esteban Echeverría, Julio Cortázar and César Aira. The idea that Buenos Aires is composed of discrete parts has been used throughout its history to either proactively enable or retroactively justify planning decisions by governments on both ends of the political spectrum. The 1950s and 60s saw a series of governments whose priorities lay in controlling the many newcomers to the city via large housing projects. Aided by the perception of the city as fragmented, they were able to build monster-scale developments in the parts of the city that were seen as “apart.” Later, as neoliberal democracy replaced socialist and populist leadership, commercial centers in the center of the city were built as shrines to an idealized Parisian downtown, separate from the rest of the city. The observations by scholars of the city that Buenos Aires is composed of multiple discrete parts, whether they be physical, economic or social, is accurate. However, the issue here lies not in the accuracy of the assessment but in the word chosen to describe it. The word fragmentation implies that there was a “whole” at once point, a complete entity that could be then broken into pieces, fragments. Its current usage also implies that this is a natural process, out of the hands of both planners and inhabitants. Leaning on the work of Adrián Gorelik, Pedro Pírez and Marie-France Prévôt-Schapira, and utilizing popular fiction to supplement an understanding of the urban experience, I argue that fragmentation, more than a naturally occurring phenomenon, is a fabricated concept that has been used throughout the twentieth century and through today to make all kinds of urban planning projects possible.

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David, Sylvain. „La double fonction de l’eau dans La salle de bain de Jean-Philippe Toussaint“. In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2528.

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Le narrateur de La salle de bain (1985) est obsédé par le passage du temps : il contemple ainsi longuement une fissure dans le mur qui surplombe sa baignoire – causée vraisemblablement par l’humidité, et donc par l’eau –, y voyant le reflet de sa propre décrépitude. Ces ravages potentiels exercés par l’élément liquide s’étendent d’ailleurs à la société en son ensemble : en témoignent les visions du personnage de Paris noyé sous la pluie (comparé dès lors à un « aquarium ») ou de Venise submergée par la mer, si ce n’est son intérêt douteux pour le naufrage du Titanic. Cette métaphore filée trouve son apogée dans une scène marquante du roman, où le narrateur, contemplant les gouttes de pluie qui glissent sur sa fenêtre, en tire des conclusions sur « la finalité du mouvement », laquelle serait inéluctablement l’« immobilité ». Les indications données à cet égard peuvent être considérées comme un commentaire métatextuel, cadrant les modalités de traversée du texte. À ceci s’ajoute l’image de l’encre s’écoulant d’un poulpe – animal marin – mal apprêté par l’un des personnages, autre possible illustration de l’écriture, de la fiction qui se crée en dépit de l’adversité. C’est sur cette double nature de la métaphore aquatique, chez Jean-Philippe Toussaint, que portera ma communication. J’y défendrai l’hypothèse comme quoi, dans La salle de bain, l’évocation de l’eau revêt à la fois une dimension négative, en ce qu’elle reflète une usure générale (tant personnelle que collective), et positive, dans la mesure où elle contribue à définir l’écriture et la lecture, et donc, d’une certaine manière, à préciser les moyens mêmes par lesquels il est possible de s’arracher à la stagnation par ailleurs postulée.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.2528

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Connan-Pintado, Christiane. „Métamorphoses d’une histoire d’eau en littérature de jeunesse (1865-2004) Perspectives scientifiques/ littéraires/pédagogiques“. In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2489.

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En lien avec l’axe littéraire du colloque, la présente contribution à la réflexion s’attachera à trois « histoires d’eau » publiées en France pour la jeunesse, en l’espèce trois fictions qui ont en commun de prendre pour protagoniste une goutte d’eau : Métamorphoses d’une goutte d’eau, de Zulma Carraud (Hachette, « Petite Bibliothèque rose illustrée », 1864), Histoire de Perlette goutte d’eau de Marie Colmont (Flammarion, « Père Castor », ill. Béatrice Appia, 1936 et Gerda Muller, 1960) et Histoire courte d’une goutte de Beatrice Alemagna (Autrement jeunesse, 2004). Dans la mesure où la littérature pour la jeunesse se caractérise séculairement par la double visée d’instruire et de plaire, on pourra s’interroger sur la manière dont elle accomplit cette mission en jouant de l’anthropomorphisation de l’inanimé et de la fictionnalisation des phénomènes naturels. La perspective diachronique adoptée invite à observer l’évolution de l’édition et de la création pour la jeunesse sur le long terme. Individualisée, humanisée, féminisée, la goutte d’eau devenue personnage prend la parole pour raconter son histoire avec le soutien d’une iconographie de plus en plus prégnante au cours de l’itinéraire qui conduit du livre illustré à l’album contemporain. Si nombre de ressources littéraires sont convoquées pour rendre le savoir plus aimable et le mettre à la portée des enfants, la leçon scientifique semble peu à peu marquer le pas au profit d’un projet poétique, esthétique et/ou idéologique où l’imaginaire de l’eau prend toute sa place. Cette étude prendra appui sur nombre de travaux qui se penchent sur la production pour la jeunesse, afin de mettre en valeur son intérêt historique, littéraire, artistique et pédagogique.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.2489

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