Auswahl der wissenschaftlichen Literatur zum Thema „Marie de Médicis (1573-1642 ; reine de France)“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Marie de Médicis (1573-1642 ; reine de France)" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Dissertationen zum Thema "Marie de Médicis (1573-1642 ; reine de France)"
Galletti, Sara. „Marie de Médicis et le Palais du Luxembourg“. Paris 4, 2004. http://www.theses.fr/2003PA040273.
Der volle Inhalt der QuelleThe history of the Luxembourg Palace, the first Royal Palace ever built in Paris following a unitary design, had not been the object of a complete monograph since 1904-1910-11. Unpublished or not completely exploited archival sources bring a better understanding of its project and of its economical planning between 1611 and 1615, as well as further knowledge on the building construction - left incomplete in 1631 after the Queen's definitive exile - under its different directors, Salomon de Brosse, Jacques Lemercier and , for the garden, Tommaso Francini. For the first time the interior distribution of the Queen's apartment is also clarified, thus revealing the similarities, despite the differences of the architectural setting, with the Queen's apartment in the Louvre. Suburban Parisian residence built by a Florentine princess, the architecture of the Luxembourg is completely original one, the result of the creative mixture of French and Italian traditions. Dedicated to the couple once formed by Maria de' Medici and Henri IV -as shown by the iconography of the sculpted and painted decorations - the Palace cannot be simplistically interpreted : other that "house" referred to in 1611, the Queen has built a memorial Palace, so that nobody, within the contemporary political context, can forget the source of her authority and power
Guérinot-Nawrocki, Sophie. „Les réseaux d’information et la circulation des nouvelles autour de l’exil de Marie de Médicis (1631-1642)“. Electronic Thesis or Diss., Paris 4, 2011. http://www.theses.fr/2011PA040088.
Der volle Inhalt der QuelleIn 1631, Mary de’ Médici (1573-1642), queen mother of the French king, opposed to Richelieu’s government, precipitately leaves the kingdom to find shelter at the court of Brussels. Until her death in 1642, she never succeeds, in spite of many attempts, to be allowed to come back to France. She lives in the Spanish Netherlands from 1631 to 1639. Then, after a short passage through the United Provinces, she stays in London until 1641, to move out again to Cologne, where she finally dies. Whereas the Thirty Years War tears Europe to pieces, Mary de’ Médici weaves bonds not only with foreign princes, but also with other French banned emigrants, such as Gaston of Orleans or the duchess of Chevreuse. The study of this outstanding situation reveals official or secret networks, which are built up and undone around those emigrants. The making and good working of those networks are ensured by a pool of ambassadors, courtiers, servants, who have various profiles and follow different purposes. By rebuilding the individual stories of these men, we can disclose the organic logic of this complex and moving party, in which the news arise and flow. We try to provide an analysis from the point of view of the material support and routing of information, but also according to its content, which may vary following the peculiar circumstances and political issues. The circulation and changes of the news affect the diplomatic deeds in a way that must be investigated and explained. Moreover, information, as a mirror of political thoughts, is reflecting codes, symbols, representations and behaviors. Therefore, the setting and showing of information can be seen as a significant matter for political studies
Guérinot-Nawrocki, Sophie. „Les réseaux d’information et la circulation des nouvelles autour de l’exil de Marie de Médicis (1631-1642)“. Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040088.
Der volle Inhalt der QuelleIn 1631, Mary de’ Médici (1573-1642), queen mother of the French king, opposed to Richelieu’s government, precipitately leaves the kingdom to find shelter at the court of Brussels. Until her death in 1642, she never succeeds, in spite of many attempts, to be allowed to come back to France. She lives in the Spanish Netherlands from 1631 to 1639. Then, after a short passage through the United Provinces, she stays in London until 1641, to move out again to Cologne, where she finally dies. Whereas the Thirty Years War tears Europe to pieces, Mary de’ Médici weaves bonds not only with foreign princes, but also with other French banned emigrants, such as Gaston of Orleans or the duchess of Chevreuse. The study of this outstanding situation reveals official or secret networks, which are built up and undone around those emigrants. The making and good working of those networks are ensured by a pool of ambassadors, courtiers, servants, who have various profiles and follow different purposes. By rebuilding the individual stories of these men, we can disclose the organic logic of this complex and moving party, in which the news arise and flow. We try to provide an analysis from the point of view of the material support and routing of information, but also according to its content, which may vary following the peculiar circumstances and political issues. The circulation and changes of the news affect the diplomatic deeds in a way that must be investigated and explained. Moreover, information, as a mirror of political thoughts, is reflecting codes, symbols, representations and behaviors. Therefore, the setting and showing of information can be seen as a significant matter for political studies
Bisch, Nathalie. „L'iconographie des appartements des reines de France : de Marie de Médicis à Anne d'Autriche (1600-1666)“. Bordeaux 3, 2007. http://www.theses.fr/2007BOR30070.
Der volle Inhalt der QuelleThis study is an iconographic’s synthesis of the appartment’s décoration of the queens of France, under the regencies of Marie de’ Medici and Anna of Austria. As the queen, mother and only wife of a king, appartments’themes - in union with the rooms where they take place - are often and naturally link with feminine vocable. Lots of subjects insist on the women’s vertu, her intrinsic qualities (capacities), exalting the queen picture and personality. Another themes, sometimes the same, underline her functions, at the heat of the state : asserting her power and her abilities for governing. As the appartment of king of France’s iconography, this apologitic discourse, offering a lovely and flattering picture of the queen, serve the monarchic propaganda. The queen is compare with the goddess of Peace and wisdom (like Minerve), she is regard as restorer of peace, of cohesion in her city felicity and prosperity. She doesn’t forget her next advisers, on the contrary, a complet room of Anna of Austria summer’s appartment in the Louvre, illustrate the worths of her minister, Mazarin. A large part of the iconography is allowed to religious subjects, whixh show the character (nature) godly and devout of Marie de’ Medici and Anne of Austria. At last, some ornaments, landscapes and grotesques, embellish and complete this decoration
Quaranta, Gabriele. „L'art du roman : peintures à sujet littéraire en France au XVIIe siècle (du règne de Henri IV à la régence d'Anne d'Autriche)“. Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010615/document.
Der volle Inhalt der QuelleThis thesis investigates a number of pictorial decorations with literary subject in French aristocratic houses during the period from the reign of Henry IV to the beginning of the regency of Anne of Austria, especially during the 1620's and 1630·s. Critical literature has shown the important reference to the literature in pictorial patronage of Henry IV and Marie de 'Medici: from the Franciade to the Ethiopiques, from the Jérusalem Dclivercd, to the Pastor Fido. In a larger part, those subjects enjoyed a great fortune also in aristocratic patronage of crown ministers as weil as of some rebel "frondeur". During the same years, with the publication of Honoré dUrfé's .Astrée, Cervantes ' Don Quixote and many others, the novel began to impose itself as autonomous genre, to becorne an important instrument of representation but also a way of training and reflection on society and culture of modern Europe. Indeed as the epic heroes. who appeared in painting but even on stage - as protagonists of court ballets, tragedies and tragicomedies - were increasingly read and interprete in a "novel' light. So, figurative arts were involved - in their way - to this development, which is one of the nodal points of our cultural history. Starting from the specific case sets a literary subject, the ultirnate goals of this work are the analysis of the different cornmands, the different way to "read" these "histories" and to translate them in images, and the relationships between artistic patronage. literarv patronage and, in general, the links between culture and painting
Coombes, Pamela M. „The Medici gardens of Boboli and Luxembourg : thoughts on their relationship and development“. Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60661.
Der volle Inhalt der QuelleBücher zum Thema "Marie de Médicis (1573-1642 ; reine de France)"
Gough, Melinda. Dancing Queen: Marie de Médicis' Ballets at the Court of Henri IV. University of Toronto Press, 2020.
Den vollen Inhalt der Quelle findenDancing Queen: Marie de Médicis' Ballets at the Court of Henri IV. University of Toronto Press, Scholarly Publishing Division, 2019.
Den vollen Inhalt der Quelle findenGough, Melinda. Dancing Queen: Marie de Médicis' Ballets at the Court of Henri IV. University of Toronto Press, 2019.
Den vollen Inhalt der Quelle finden