Auswahl der wissenschaftlichen Literatur zum Thema „Malaysia Artist“
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Zeitschriftenartikel zum Thema "Malaysia Artist"
Iwan Shahrom Shah, Muhamad Yusri Shah, Muhamad Khairi Shamsudin, Rahman Amin und Mohd Farif Ab Jalil. „Influence of Intermedia in Development of Malaysian Art Scene“. Environment-Behaviour Proceedings Journal 7, SI9 (10.10.2022): 63–68. http://dx.doi.org/10.21834/ebpj.v7isi9.3940.
Der volle Inhalt der QuelleZakaria, Salehuddin, Rafeah Legino und Mohammad Kamal Abdul Aziz. „The Concept of National Identity in the Artwork of Female Artists in Malaysia“. Environment-Behaviour Proceedings Journal 7, SI8 (07.10.2022): 81–85. http://dx.doi.org/10.21834/ebpj.v7isi8.3918.
Der volle Inhalt der QuelleWAHED, WAN JULIANA EMEIH Juliana. „The MOTIVATIONAL IMPACT OF VISUAL ARTS EDUCATION THROUGH THE 'ARTISTS IN SCHOOLS' (AIS) COLLABORATION PROGRAM AMONG SECONDARY SCHOOL STUDENTS IN MALAYSIA“. Asia Proceedings of Social Sciences 4, Nr. 1 (18.04.2019): 94–97. http://dx.doi.org/10.31580/apss.v4i1.606.
Der volle Inhalt der QuelleMohd Aripin, Nur Adibah Nadiah, Ishak Ramli, Noor A’yunni Mohamad, Mohd Fawazie Arshad und Noor Enfendi Desa. „A Literature Discussion and Research Gap Identification on Role, Art Activity and Economy: A Relationship Between Artist, Gallery, and Buyer from The Islamic Perspective“. Idealogy Journal 8, Nr. 1 (01.04.2023): 134–43. http://dx.doi.org/10.24191/idealogy.v8i1.413.
Der volle Inhalt der QuelleIzwanna, Nazzatul, Rafeah Legino, Jebakumari und Noorziah Mohd Salleh. „An Element of Culture on Printmaking Artworks“. Environment-Behaviour Proceedings Journal 5, SI1 (01.06.2020): 107–10. http://dx.doi.org/10.21834/ebpj.v5isi1.2306.
Der volle Inhalt der QuelleAbu Kassim, K. A. „Seatbelt Reminder & Anti-Seatbelt Reminder Device: “Antara Dua Darjat”“. Journal of the Society of Automotive Engineers Malaysia 4, Nr. 1 (24.04.2021): 2–4. http://dx.doi.org/10.56381/jsaem.v4i1.44.
Der volle Inhalt der QuelleMat Isa, Mohd Jamil. „Tracing And Tracking Malaysian Printmaking Exhibitions: 1960-2020“. Idealogy Journal 8, Nr. 1 (01.04.2023): 28–40. http://dx.doi.org/10.24191/idealogy.v8i1.382.
Der volle Inhalt der QuelleAbdullah, Ahmad Hakim, und Nasirin Abdillah. „The Malay Socio-Cultural Elements in Selected Malaysian Paintings of the Hashim Hassan“. Environment-Behaviour Proceedings Journal 6, Nr. 18 (30.12.2021): 37–45. http://dx.doi.org/10.21834/ebpj.v6i18.3061.
Der volle Inhalt der QuelleMUSTAPHA, AZWADY, und NUR IZZATY MOHD ROSLAN. „PERSPEKTIF PERSONALITI DAN PSIKOLOGI TERHADAP DENIM JEANS LELAKI DALAM MUZIK DAN FESYEN DI ERA REVOLUSI PERINDUSTRIAN KE-4“. International Journal of Creative Future and Heritage (TENIAT) 9, Nr. 1 (31.03.2021): 30–51. http://dx.doi.org/10.47252/teniat.v9i1.397.
Der volle Inhalt der QuelleMokhtar, Mumtaz, Samiati Andriana WMD und Rosliza Abd Rahim. „Art throughout the Industrial Revolution and Art Framework for the Industrial Revolution 4.0“. Environment-Behaviour Proceedings Journal 7, SI7 (31.08.2022): 149–54. http://dx.doi.org/10.21834/ebpj.v7isi7.3776.
Der volle Inhalt der QuelleDissertationen zum Thema "Malaysia Artist"
Low, Yvonne Yanmei. „Women Artists: Becoming Professional in Singapore, Malaya and Indonesia“. Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/13843.
Der volle Inhalt der QuelleErl, Hon Sher, und 潘雪兒. „The Phenomenon of Mandopop Lyrics Localization in Taiwan among Singaporean and Malaysian Chinese Artists (1981-2013) ---A Study of Music Lyrics Written by Artist Tanya Chua, Penny Tai and Yu Heng“. Thesis, 2015. http://ndltd.ncl.edu.tw/handle/k5c866.
Der volle Inhalt der QuelleBücher zum Thema "Malaysia Artist"
Society, North Kedah Art. Journey in art 28. Alor Setar, Kedah]: North Kedah Art Society, 2018.
Den vollen Inhalt der Quelle findenJilongpo ji Xuelan'e Zhonghua da hui tang. Dang dai Malaixiya Hua yi hua jia xuan ji: A collection of the contemporary Chinese Malaysia artist. Kuala Lumpur, Malaysia: Jilongpo ji Xuelan'e Zhonghua da hui tang, 2014.
Den vollen Inhalt der Quelle finden(Pinang), Art Gallery, Hrsg. 200 Malaysian artists. Pulau Tikus, Penang: Art Gallery, 2002.
Den vollen Inhalt der Quelle findenBossan, Enrico. Malaysia: Colours of destiny : contemporary artists from Malaysia. [Villorba]: Fabrica, 2016.
Den vollen Inhalt der Quelle findenLemière, Sophie, Hrsg. Illusions of Democracy. NL Amsterdam: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462989887.
Der volle Inhalt der QuelleKhuan, Tan Chee. Penang artists, 1920 to 1990. Penang: Art Gallery, 1990.
Den vollen Inhalt der Quelle findenTeng, Kenny. Artists 20: G13. Kuala Lumpur: Balai Seni Visual Negara, 2013.
Den vollen Inhalt der Quelle findenYaakob, Khalil. Tun Khalil Yaakob, artist-potraits and images. Kuala Lumpur: Dewan Bahasa dan Pustaka, 2019.
Den vollen Inhalt der Quelle findenYeoh, Jin Leng. Persoalan seni rupa sezaman?: Cetusan rasa seniman Malaysia = Contemporary visual arts discourse : vignettes by Malaysian artists. Ipoh, Perak Darul Ridzuan, Malaysia: Yayasan Kesenian Perak, 2003.
Den vollen Inhalt der Quelle findenAli, Zakaria. Northern vantage: 11 Malaysian artists. Pulau Pinang, Malaysia: ArtGrup Penang, 2004.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Malaysia Artist"
Mokhtar, Umairah Arina, Juliana Manan und Rafeah Legino. „Women Artist in Malaysian Visual Art History and Development“. In Proceedings of the 2nd International Colloquium of Art and Design Education Research (i-CADER 2015), 421–28. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0237-3_42.
Der volle Inhalt der QuelleGonzales, Joseph. „Tertiary Dance Education in Malaysia“. In Educating in the Arts, 289–300. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6387-9_21.
Der volle Inhalt der QuelleChandrasegaram, Vanitha. „Dramatherapy with adolescents in Malaysia“. In Arts Therapies in International Practice, 75–83. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003082897-8.
Der volle Inhalt der QuelleBongsu, Muhammad Aiman Che, und Rafeah Legino. „Culture and Identity: A Comparison Study of Malaysian Artists“. In Proceedings of the Art and Design International Conference (AnDIC 2016), 475–78. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0487-3_52.
Der volle Inhalt der QuelleNoor, Rosiah Md, und Mohd Azhar Abd Manan. „The Application of Printmaking Medium in Producing Artwork Among Malaysian Visual Artist“. In Regional Conference on Science, Technology and Social Sciences (RCSTSS 2014), 101–8. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-1458-1_10.
Der volle Inhalt der QuelleNoor, Rosiah Md, Mohd Azhar Abd Manan und Mohd Zahuri Khairani. „A Conceptual Framework Study on Fringe Printmaking Among Malaysian Contemporary Visual Artists“. In Proceedings of the Art and Design International Conference (AnDIC 2016), 237–45. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0487-3_26.
Der volle Inhalt der QuelleUmar, Abu Nain, Rusmadiah Anwar, Oskar Hasdinor Hassan und Zainal Zakaria. „Revisited Artificial Reef Development in Malaysia“. In Proceedings of the International Symposium on Research of Arts, Design and Humanities (ISRADH 2014), 1–8. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-530-3_1.
Der volle Inhalt der QuelleLee, Kai-Sean. „Contemporary Malaysian Pâtisserie: Tales of Asian Creativity Confined by Western Traditions“. In Contemporary Asian Artistic Expressions and Tourism, 249–69. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4335-7_12.
Der volle Inhalt der QuelleAnwar, Rafidah, Fazleen Abdul Fatah, Nasuddin Othman, Abdul Halim Nawawi und Zakaria Tajuddin. „Socioeconomic Study of Arenga pinnata Smallholders in Malaysia“. In Proceedings of the International Symposium on Research of Arts, Design and Humanities (ISRADH 2014), 113–25. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-530-3_11.
Der volle Inhalt der QuellePugh-Kitingan, Jacqueline. „Transmitting Intangible Cultural Heritage Through Ethnomusicology Coursework: Cases from Sabah, Malaysia“. In The Palgrave Handbook of Global Arts Education, 331–47. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55585-4_21.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Malaysia Artist"
Anak Michael, Valerie, und Khairul Aidil Azlin Abd Rahman. „The Hybrid Knowledge Between Artist and Curator in Developing the Hybrid Art Practices“. In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315232.
Der volle Inhalt der QuelleBakar, Syed Alwi Syed Abu, Mohd Fawazie Arshad, Azian Tahir, Aznan Omar und Ameruddin Ahmad. „Art Making Process: Job Satisfaction, Commitment and Visual Artists’ Productivity in Malaysia“. In International Conference of Innovation in Media and Visual Design (IMDES 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201202.074.
Der volle Inhalt der QuelleMuhammad, Syafril Amir, Mumtaz Mokhtar, Mohd Jamil Mat Isa und Nurul Huda Mohd Din. „Artistic Style Collection and Distribution of Urban Artworks in Malaysia“. In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315172.
Der volle Inhalt der QuelleSaw, Chaw Yeh, und Hsiao Mei Goh. „The Rock Art in Kinta Valley, West Malaysia: A synthesis Lukisan Gua di Lembah Kinta, Semenanjung Malaysia: Satu sintesis“. In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-10.
Der volle Inhalt der QuelleDe Guzman, Sheri Miles R., Ritzen V. Nuñez, David Angelo N. Fajarda und Joanna Juvyjoy A. Rojo. „Sining Malaya: Designing a Platform to Support Local Artists in the Philippines“. In 2023 8th International Conference on Business and Industrial Research (ICBIR). IEEE, 2023. http://dx.doi.org/10.1109/icbir57571.2023.10147527.
Der volle Inhalt der QuelleTang, Xin, Houjie Yu und Qiao Feng. „Capturing Style: Going Beyond Traditional Artistic Conventions Through Neural Style Transfer — Evidence From Malaysia Batik“. In CHCHI 2023: Chinese CHI 2023. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3629606.3629660.
Der volle Inhalt der QuelleHamidi, Mashitah. „Uplifting Refugee’s Capacity Through Refugees-Based NGO in Malaysia“. In International Joint Conference on Arts and Humanities (IJCAH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201201.177.
Der volle Inhalt der QuelleZahari, Rustam. „UNIVERSITY-INDUSTRY COLLABORATION IN MALAYSIA�S URBAN PLANNING EDUCATION“. In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s17.075.
Der volle Inhalt der QuelleHusin, Zuraiza, und Jaffary Awang. „CHRISTIAN DENOMINATIONS AMONG CHINESE POPULATION IN PENINSULAR MALAYSIA AND THEIR UNDERSTANDING ON TRINITY DOCTRINE“. In Arts & Humanities Conference, Venice. International Institute of Social and Economic Sciences, 2016. http://dx.doi.org/10.20472/ahc.2016.001.008.
Der volle Inhalt der QuelleBerahim, Hawari, Arif Datoem und Nasirin Abdillah. „The Collective Artistic Identity Of Sebiji Padi Art Group Through Its Artworks“. In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315176.
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