Auswahl der wissenschaftlichen Literatur zum Thema „Mages – Fiction“
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Zeitschriftenartikel zum Thema "Mages – Fiction"
Sangadieva, Erzhen Gendenovna. „Ethnographic and mythopoetic space of the novel “Big Argish” by Mikhail Osharov“. Litera, Nr. 7 (Juli 2021): 12–21. http://dx.doi.org/10.25136/2409-8698.2021.7.35920.
Der volle Inhalt der QuelleZheltikova, Inga Vladislavovna. „Possible future options in the Russian modern cinematography“. Культура и искусство, Nr. 11 (November 2020): 36–52. http://dx.doi.org/10.7256/2454-0625.2020.11.34473.
Der volle Inhalt der QuelleSchleher, D. C. „LPI Radar: Fact or Fiction“. IEEE Aerospace and Electronic Systems Magazine 21, Nr. 5 (Mai 2006): 3–6. http://dx.doi.org/10.1109/maes.2006.1635166.
Der volle Inhalt der QuelleBréhin, Yannick. „Menoud Lorenzo, Qu’est-ce que la fiction ?“ Marges, Nr. 06 (15.10.2007): 130–31. http://dx.doi.org/10.4000/marges.654.
Der volle Inhalt der QuelleAllahyari. „Jack Maggs and Peter Carey's Fiction as a World“. Antipodes 31, Nr. 2 (2017): 326. http://dx.doi.org/10.13110/antipodes.31.2.0326.
Der volle Inhalt der QuelleMarion, Anaël. „L’immersion dans les ruines de Passaic : le rôle créateur de la fiction dans la perception des monuments“. Marges, Nr. 14 (01.06.2012): 47–59. http://dx.doi.org/10.4000/marges.293.
Der volle Inhalt der QuelleAlcalde, Maxence. „L’imaginaire science-fictif de Robert Smithson“. Marges, Nr. 14 (01.06.2012): 124–36. http://dx.doi.org/10.4000/marges.295.
Der volle Inhalt der QuelleS., Roopha, und Patchainayagi S. „The Postmodern Rewritings of Great Expectations to Reinvent Antipodean identities; A Study on Jack Maggs by Peter Carey and Mister Pip by Lloyd Jones“. Revista de Gestão Social e Ambiental 18, Nr. 7 (12.04.2024): e05530. http://dx.doi.org/10.24857/rgsa.v18n7-062.
Der volle Inhalt der QuelleFaruk, Faruk, und Fadlil Munawwar Manshur. „Pelatihan Penulisan Cerita Lokal Bergenre Magis di Komunitas Sastra Darussalam“. Bakti Budaya 5, Nr. 1 (28.04.2022): 61–73. http://dx.doi.org/10.22146/bakti.4076.
Der volle Inhalt der QuelleHolmes, Frederick M. „Fictions, Reality, and the Authority of the Novelist: Barth’s The Sot-Weed Factor and Fowles’s The Magus“. ESC: English Studies in Canada 11, Nr. 3 (1985): 346–60. http://dx.doi.org/10.1353/esc.1985.0007.
Der volle Inhalt der QuelleDissertationen zum Thema "Mages – Fiction"
Davies, Richard Blaine Davies Richard Blaine. „Historical fiction makes American history come to life!“ [Boise, Idaho : Boise State University, 2002. http://education.boisestate.edu/bdavies.
Der volle Inhalt der QuelleWeb site. Master's project includes an explanatory text and CD-ROM entitled: Historical fiction : a web site supporting secondary U.S. history courses of study-Idaho Department of Education. Includes bibliographical references.
Drouet-Richet, Stéphanie. „Les marges du regard dans la fiction eliotienne“. Paris 3, 2000. http://www.theses.fr/2000PA030127.
Der volle Inhalt der QuelleWilson, Deborah Lynn. „Perceptual Differences Between Males and Females Concerning Sexually Harassing Behavior: Fact or Fiction? /“. The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487935125882303.
Der volle Inhalt der QuelleGelas, Nicolas. „Fiction et humanisme dans l'oeuvre de Romain Gary : s'affranchir des limites, s'éprouver dans les marges“. Thesis, Lyon 2, 2011. http://www.theses.fr/2011LYO20123/document.
Der volle Inhalt der QuelleChallenging both apparent determinism and political or moral representations, Gary's work is defined by its predilection for off limit situations and contentious attitudes. Confronted with hatred or barbarism, it will always stand for irony and the power of creativity, involved both in the process of getting detached as well as enrapturing the world anew. Fed on the World War II trauma, it sustains the concept of humanness needing reinvention, not being a set notion but a fiction to be built, an ideal to achieve. Artists and creators owe their contribution to such foundation of a new human mythology upholding the unalienable principle of dignity, thus implanting everyone's spirit with the strength to resist despair. However, humanism cannot be seen just as an abstracted value or some shore to reach, it also implies the actual manner of living in the world. One has to keep clear from whatever overwhelming dogmas reality can impose, by favoring “margins” that will accept human contradictions and frailty. Away from any prophetic idealism, these dedicated spaces become shelters for intimate expression, allowing one to avoid onlookers and escape compelling truth assessments. Shaped around affective values, they bring one to become sensitive to a potential world humanity. Against rigid certitudes and the alienating principle of transparency, they help remember that approximation and mystery can give access to freedom and oftentimes condition the possibility of happiness
De, Nittis Elizabeth MacInnes. „Gender and the grotesque in the short fiction of Joyce Carol Oates“. View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-1/denittise/elizabethdenittis.pdf.
Der volle Inhalt der QuelleFranks, Jamie N. „Becoming Other: Virtual Realities in Contemporary Science Fiction“. FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1908.
Der volle Inhalt der QuelleKing, Nikole June. „Men's physique standars of embodiment and Middle-class masculinity in Nineteenth-century British and American fiction /“. Diss., UC access only, 2009. http://proquest.umi.com/pqdweb?index=96&did=1906549281&SrchMode=1&sid=1&Fmt=7&retrieveGroup=0&VType=PQD&VInst=PROD&RQT=309&VName=PQD&TS=1270483425&clientId=48051.
Der volle Inhalt der QuelleIncludes abstract. Includes bibliographical references (leaves 262-274). Issued in print and online. Available via ProQuest Digital Dissertations.
Martins, de Carvalho Adilia Cristina Ferreira Castro. „Lecture des marges dans les oeuvres de Maria Velho da Costa et Teolinda Gersão“. Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030032/document.
Der volle Inhalt der QuelleThe texts of Maria Velho da Costa and Teolinda Gersão are inhabited by landscapes, archetypes and self-reflexivity configured in margins, peripheral zones, that simultaneously unveil the central place occupied by the female subject. The matter of the first section of this work, the concept of landscape hinges on the ones of archetype [the archetypal relation] and of self-reflexivity - both being respectively dealt with in the second and in the third sections of this work - through a co-ordinate they share: space considered in these three aspects, the physical, the social and the mental. Landscapes appear in a physical margin in relation to the centre inhabited by the subject that builds them. Embodied by female characters, the archetypes of the Amazon, the Witch and the Madwoman emblematize these characters’ being excluded from the social circle as they are being pushed off to the periphery, whether it be the wilderness or the lunatic asy! lum. Situated in the margins of the text, “beside” the would-be content of the work, self-reflexivity turns out to be a marginal place with regard to the centre, traditionally held by the diegesis. This study aims at analysing configurations of landscapes, archetypes, archetypal relations and reflections on writing within fictions that, while possessing a peripheral and marginal dimension, still manage to paradoxically contribute to rendering female subjectivities and identity quests sought by the Authors and the female narrators and characters whose central vitality unsteadies dichotomies and binary oppositions
Couderc, Mathieu. „Identités subies, identités intégrées : les Grecs dans les sociétés européennes du nord-ouest (Angleterre, Etats bourguignons, France et leurs marges) : début XVè - fin XVIè siècles“. Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H009/document.
Der volle Inhalt der QuelleThe aim of this work is about studying mechanisms of identities' creation. Indeed, The Greeks are people who were leaded to leave Greece because of political (the rise of the Turks), economics (some are merchant) or religious reasons (some became Catholics since the council of Florence in 1439). For these reasons, the Greeks came first to Italy. Few of them decided to follow their path to Northern Europe, towards England, Burgundian States and France. Of course, they were only a handful of them, but we tried to understand who were they and what was their purpose. First we determined what were their number their qualities, their activities and their intentions. Secondly, we tried to evaluate the Greeks as strangers or as members diasporic groups like the historiography traditionally qualify the m. We brought to light that the Greeks couldn't be understood as rigid societies which were never changing: sometimes they were received as strangers and excluded from western societies sometimes not. A Greek could change during his life : he could be a poor and foreigner migrant during a certain period an then become a rich merchant integrated to a western society few years later. The third part of our work was to understand t meaning of the word 'Greek' which is often applied in documents: did the word 'Greek' get the same meaning in England in France, during the early fifteenth century or the end of the sixteenth century? Of course, not. We explained the documentation built a stereotypical speech about the Greeks, about what they were supposed to be, to eat, to wear, to spear or to pray . This is the Greek Identities' Laboratory
REGAM, ABDELHAD. „Les marges du texte : incipit, desinit et paratexte dans la fiction narrative francaise aux dix-neuvieme et vingtieme siecles“. Paris 8, 1991. http://www.theses.fr/1992PA080686.
Der volle Inhalt der QuelleTaking as a base a corpus of forty three french novels of the 19th and 20th centuries, our aim is the description and interpretation of the functioning of these margins, the "incipit", the "desinit" and the paratext, considered separately and in their relations to each other. The structuralist methodology and the socio-historical analysis are the instruments used to see if these margins belong to an agreed on contract of reading, or if they are ximply the respect of the conventions of a genre, or they reveal an operation of meaning. It appears then that if the procedures used are no longer valid (operating) and are sometimes the object of their own contestation, their effects may therefore involve the legality of the code they transgress. They may also contain signs of ancient characteristics that underlie the narrative account. The matter that calls at the same time distance and persistence. This latter belongs to the narrative account as a transcultural and transhistorical phenomenon which the bases resist the mouvements of the novel. Also the distance, necessarily linked to the evolution of history and society, expresses the novel transformations
Bücher zum Thema "Mages – Fiction"
Condé, Maryse. Les derniers rois mages. [Paris]: Mercure de France, 1992.
Den vollen Inhalt der Quelle findenMiller, Karen. A blight of mages. New York: Orbit, 2011.
Den vollen Inhalt der Quelle findenCondé, Maryse. Les derniers rois mages: Roman. Paris: Mercure de France, 1992.
Den vollen Inhalt der Quelle findenDeWitt, Kelly, Hrsg. I Eat Butterflies: Tales of Vampires, Mages & Mutants. United States: Swooping Grizzly Publications, 2011.
Den vollen Inhalt der Quelle findenLocke, Katica. Magebound. Clayton, NC: P.D. Pub., 2009.
Den vollen Inhalt der Quelle findenMagebound. Clayton, NC: P.D. Pub., 2009.
Den vollen Inhalt der Quelle finden1926-, FOWLES JOHN. The magus. New York: Modern Library, 1998.
Den vollen Inhalt der Quelle finden1926-, FOWLES JOHN. The magus. London: Vintage, 1997.
Den vollen Inhalt der Quelle finden1926-, FOWLES JOHN. The magus. New York: Dell Pub. Co., 1985.
Den vollen Inhalt der Quelle findenWalker, Fiona. Between males. London: Coronet, 2001.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Mages – Fiction"
Hart, Jonathan. „The Author Makes a Comeback“. In Fictional and Historical Worlds, 35–55. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137012647_3.
Der volle Inhalt der QuelleWiegandt, Kai. „Futurology, Allegory, Time Travel: What Makes Science Fiction Fascinating“. In The Fascination with Unknown Time, 273–92. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66438-5_13.
Der volle Inhalt der QuelleGomel, Elana. „The Human Trinity: What Makes Us Other?“ In Science Fiction, Alien Encounters, and the Ethics of Posthumanism, 149–86. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137367631_6.
Der volle Inhalt der QuelleGreiner, Rasmus. „Fiction Film and History“. In Cinematic Histospheres, 17–35. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70590-9_2.
Der volle Inhalt der QuelleZaplana, Esther. „Self-Representation “Between Two”: Aging Males and the “Otherness Within” in Philip Roth’s Patrimony“. In Aging Masculinities in Contemporary U.S. Fiction, 95–108. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71596-0_7.
Der volle Inhalt der QuelleHennessey, John L. „Introduction to History and Speculative Fiction: Essays in Honor of Gunlög Fur“. In History and Speculative Fiction, 1–25. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_1.
Der volle Inhalt der QuelleLavery, Charne. „“Spoken Nowhere but on the Water”: Amitav Ghosh’s Sea of Poppies and Lost-and-Found Languages of the Indian Ocean World“. In Maritime Mobilities in Anglophone Literature and Culture, 235–47. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-91275-8_12.
Der volle Inhalt der QuelleZunshine, Lisa. „Belief Is a Mess. That Makes It Good for Fiction. (A Perspective From Cognitive Literary Theory)“. In The Routledge Handbook of Fiction and Belief, 88–100. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003119456-9.
Der volle Inhalt der QuellePiocos III, Carlos M. „Sexuality, Shame and Subversions in Indonesian Migrant Women’s Fiction“. In Gender, Islam and Sexuality in Contemporary Indonesia, 145–68. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-5659-3_8.
Der volle Inhalt der QuelleLoreau, Michel. „Homo sapiens, a species among many others . . . but not quite like the others“. In Nature That Makes Us Human, 9–24. Oxford University Press, 2023. http://dx.doi.org/10.1093/oso/9780197628430.003.0002.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Mages – Fiction"
Birzul', Aleksei Nikolaevich, und Dmitry Aleksandrovich Pitilyak. „DEVELOPMENT OF THE LITERARY METHODS IN STRENGTH OF MATERIALS IN HIGHER SCHOOL“. In International Research-to-practice conference. Publishing house Sreda, 2023. http://dx.doi.org/10.31483/r-107803.
Der volle Inhalt der QuelleVasilateanu, Andrei, Sebastian Wyrazic und Bujor ionel Pavaloiu. „A SCIENCE FICTION SERIOUS GAME FOR LEARNING PROGRAMMING LANGUAGES“. In eLSE 2016. Carol I National Defence University Publishing House, 2016. http://dx.doi.org/10.12753/2066-026x-16-082.
Der volle Inhalt der QuelleBrookner, Eli. „Boston radar history - from $10,000 magee to $10 single chip T/R module … better than fiction“. In 2009 IEEE MTT-S International Microwave Symposium Digest (MTT). IEEE, 2009. http://dx.doi.org/10.1109/mwsym.2009.5165968.
Der volle Inhalt der QuellePRELIPCEANU, Cosmin. „Image and Post-Truth“. In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0024.
Der volle Inhalt der QuelleGrogorick, Linda, Moritz Rohde, Bijan Khosrawi-Rad und Susanne Robra-Bissantz. „Fiction or Reality – Which Game Story Promotes Learning Outcome More?“ In 36th Bled eConference – Digital Economy and Society: The Balancing Act for Digital Innovation in Times of Instability. University of Maribor Press, 2023. http://dx.doi.org/10.18690/um.fov.6.2023.28.
Der volle Inhalt der QuellePoverennaya, Anastasiya Alexandrovna, und Yuriy Petrovich Nechay. „THE ROLE OF METAPHOR AND COMPARISON IN THE VERBALIZATION OF THE CONCEPT OF "EMIGRANT" (BASED ON THE MATERIAL OF V. NABOKOV'S PROSE)“. In Themed collection of papers from Foreign International Scientific Conference « Science in the Era of Challenges and Global Changes» Ьу НNRI «National development» in cooperation with AFP (Puerto Cabezas, Nicaragua). Мау 2023. - Caracas (Venezuela). Crossref, 2023. http://dx.doi.org/10.37539/230527.2023.17.20.009.
Der volle Inhalt der QuelleVasileva, Irina. „ABOUT THE BOUNDARY MARKERS OF THE TRANSITION PERIODS: LYRICAL DIGRESSIONS IN THE FICTION BY ANTON CHEKHOV“. In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.03.
Der volle Inhalt der QuelleTereshko, Ekaterina V. „CONTEXTS OF THE USE OF THE DEFINITE ARTICLE UNDER STRESS IN DUTCH“. In Проблемы языка: взгляд молодых учёных. Институт языкознания РАН, 2023. http://dx.doi.org/10.37892/978-5-6049527-1-9-2.
Der volle Inhalt der QuelleМанцаева, Айна Новрдиевна, und Фарида Абдулхаевна Ибрагимова. „MEANINGS OF NAMES IN THE WORKS OF BRITISH WRITERS: NAMES IN J. R. R. TOLKIEN’S FICTION“. In Наука. Исследования. Практика: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Апрель 2020). Crossref, 2020. http://dx.doi.org/10.37539/srp290.2020.42.50.014.
Der volle Inhalt der QuelleLégrádi, Miklós. „‘Find the book that speaks to you! – A qualitative pilot study for research on Book Consumption“. In Egyesület a Marketing Oktatásért és Kutatásért XXIX. Nemzetközi Konferencia. Egyesület a Marketing Oktatásért és Kutatásért, Szegedi Tudományegyetem Gazdaságtudományi Kar, 2023. http://dx.doi.org/10.62561/emok-2023-19.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Mages – Fiction"
Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina und Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], Juli 2020. http://dx.doi.org/10.31812/123456789/3864.
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