Dissertationen zum Thema „Madame de... (Motion picture)“
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Li, Chun-hoi Benjamin, und 李俊海. „Madame butterfly and orientalism“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952732.
Der volle Inhalt der QuelleLi, Chun-hoi Benjamin. „Madame butterfly and orientalism“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B22535305.
Der volle Inhalt der QuelleKokaram, Anil Christopher. „Motion picture restoration“. Thesis, University of Cambridge, 1993. https://www.repository.cam.ac.uk/handle/1810/256798.
Der volle Inhalt der QuelleGurski, Remi J. „Real-time motion picture restoration“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ38631.pdf.
Der volle Inhalt der QuelleBokšteflová, Barbora. „Motion-picture spatial-differentiation model“. Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-124646.
Der volle Inhalt der QuelleHar-Noy, Shay Shmuel. „Improved LCD motion picture quality“. Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p3356431.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed June 16, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 107-114).
Jansen, Christian. „The German motion picture industry“. Doctoral thesis, Humboldt-Universität zu Berlin, Wirtschaftswissenschaftliche Fakultät, 2002. http://dx.doi.org/10.18452/14767.
Der volle Inhalt der QuelleThis work deals with the economic impact of regulations on the German film industry, focusing in particular on the effects of three pieces of legislation central to Germany's public debate on film politics. The legislation considered is the Film Act (Filmförderungsgesetz - FFG), the amendments to the Copyright Law (Urheberrechtsgesetz - UrhG), and the Inter-State Agreement on Broadcasting (Rundfunkstaatsvertrag - RStV). The inquiry examines how these statutes affect economic efficiency. In addition, major market and institutional characteristics of the German motion picture industry are studied. The analysis is partly embedded in a broadly disposed regression analysis of the determinants of performance of German movies in the theatrical market. The work indicates that the regulations considered generally detract from economic efficiency.
Ng, Siu-hong Ryan. „Film Complex : Resuscitation of film in commercial society /“. Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946821.
Der volle Inhalt der QuelleHuggett, Nancy. „A cultural history of cinema-going in the Illawarra (1900-1950)“. Communication and Cultural Studies - Faculty of Creative Arts, 2002. http://ro.uow.edu.au/theses/246.
Der volle Inhalt der QuelleGallina, Dino. „RED TIDE: A FEATURE LENGTH MOTION PICTURE“. Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2198.
Der volle Inhalt der QuelleM.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
Owen, Richard. „Motion picture production : A micro-budget model“. Thesis, Federation University Australia, 2016. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/159080.
Der volle Inhalt der QuelleDoctor of Philosophy
Carman, Emily Susan. „Independent stardom female stars and freelance labor in 1930s Hollywood /“. Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1666151841&sid=33&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleJohnson, Mary P. A. „Online, onscreen, motion picture promotion via the Internet“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ60991.pdf.
Der volle Inhalt der QuelleDaneau, Daniel. „THE ATTIC DOOR: A FEATURE LENGTH MOTION PICTURE“. Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2224.
Der volle Inhalt der QuelleM.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
Stoker, Mark. „Capstan drive transport system for motion picture film“. Thesis, Middlesex University, 1992. http://eprints.mdx.ac.uk/13502/.
Der volle Inhalt der QuelleHillman, Peter. „Segmentation of motion picture images and image sequences“. Thesis, University of Edinburgh, 2002. http://hdl.handle.net/1842/15026.
Der volle Inhalt der QuelleEngelbrecht, Nadine. „University of Pretoria : school of motion picture production“. Pretoria : [s.n.], 2009. http://upetd.up.ac.za/thesis/available/etd-11212008-103253.
Der volle Inhalt der QuelleChoi, Wing-yee Kimburley. „Reading audiences : spectatorship and stars in Hong Kong cinema : the case of Chow Yun-fat /“. Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19853397.
Der volle Inhalt der QuelleSnead, Nicholas DeVan. „Fabulistic: Examination and application of narratology and screenplay craft“. CSUSB ScholarWorks, 2011. https://scholarworks.lib.csusb.edu/etd-project/3320.
Der volle Inhalt der QuellePope, Naomi Elizabeth. „Beyond Hollywood the social and spatial division of labor in the motion picture industry /“. Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1579190531&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleHuggett, Nancy. „A cultural history of cinema-going in the Illawarra (1900-50)“. Connect to this title online, 2002. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050317.111523/.
Der volle Inhalt der QuelleTitle from PDF title page (viewed on Aug. 14, 2005). Ill. in print version lacking in electronic version. Includes bibliographical references (p. 285-301).
Su, Xinxin. „Genesis : a feature screenplay /“. Online version of thesis, 2009. http://hdl.handle.net/1850/8692.
Der volle Inhalt der QuelleCarter, Sandra Gayle. „Moroccan cinema : what Moroccan cinema? /“. Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Der volle Inhalt der QuelleVermaak, Janelle Leigh, und Subeshini Moodley. „Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe“. Thesis, Nelson Mandela University, 2017. http://hdl.handle.net/10948/13938.
Der volle Inhalt der QuelleDrake, Philip Justin. „Stardom after the star system economies of performance in contemporary Hollywood cinema /“. Connect to e-thesis, 2002. http://theses.gla.ac.uk/942/.
Der volle Inhalt der QuellePh.D. thesis submitted to the Department of Theatre, Film and Television Studies, University of Glasgow, 2002. Includes bibliographical references. Print version also available.
Armanno, Venero. „Three screenplay adaptations and the ownership effect“. Thesis, Queensland University of Technology, 2003.
Den vollen Inhalt der Quelle findenWilliamson, Diana Michelle. „The degradation of cellulose acetate base motion picture film“. Thesis, Manchester Metropolitan University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359295.
Der volle Inhalt der QuelleLévy, Michaël D. (Michaël David). „A competitive analysis of the U.S. motion picture industry“. Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/14112.
Der volle Inhalt der QuelleShu, Yan. „Coding of motion picture residues without adaptive spatial transforms“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0030/MQ47477.pdf.
Der volle Inhalt der QuelleStock, Helga. „Issues of Colour Management in contemporary Motion Picture Creation“. Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-251463.
Der volle Inhalt der QuelleWallace, Kristi Monique Fellini Federico Demme Jonathan Kassovitz Mathieu. „The Road in picture : Fellini, Demme, Kassovitz /“. Connect to title online (ProQuest), 2007. http://proquest.umi.com/pqdweb?did=1453174371&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.
Der volle Inhalt der QuelleTypescript. Includes vita and abstract. Includes bibliographical references (leaves 193-195). Also available online in ProQuest, free to University of Oregon users.
Carboni, Camilla. „Film spectatorship and subjectivity : semiotics, complications, satisfactions“. Thesis, Link to the online version, 2007. http://hdl.handle.net/10019/1671.
Der volle Inhalt der QuelleYung, Wai-kei, und 戎偉基. „Pictorial representations of "Hong Kong": a study of 1980s and 90s Hong Kong films“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951788.
Der volle Inhalt der QuelleWedzielewski, Daniel. „The impact of blind bidding on market structure and performance in the U.S. motion picture industry“. Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 134 p, 2009. http://proquest.umi.com/pqdweb?did=1654492601&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Der volle Inhalt der QuelleYung, Wai-kei. „Pictorial representations of "Hong Kong" : a study of 1980s and 90s Hong Kong films /“. Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20059760.
Der volle Inhalt der QuelleMcVeigh, Kathryn Margaret. „Work in progress : the writing of Short changed“. Thesis, Queensland University of Technology, 1999.
Den vollen Inhalt der Quelle findenPreston, Barry A. (Barry Alan). „Myths and Movies: a Mythographical Methodology of Motion Picture Analysis“. Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279362/.
Der volle Inhalt der QuelleChoi, Wing-yee Kimburley, und 蔡穎儀. „Reading audiences: spectatorship and stars inHong Kong cinema : the case of Chow Yun-fat“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B29913469.
Der volle Inhalt der QuelleYu, Gwo-chauo. „China, Hong Kong, and Taiwan: The Convergence and Interaction of Chinese Film“. Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc501002/.
Der volle Inhalt der QuelleTosaka, Yuji. „Hollywood goes to Tokyo American cultural expansion and imperial Japan, 1918-1941 /“. Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1060967792.
Der volle Inhalt der QuelleDocument formatted into pages; contains ix, 416 p. Includes bibliographical references (p. 394-416). Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2006 Aug. 15.
McKenzie, Jordi. „An economic analysis of motion pictures in the Australian cinema industry, 1997-2000“. Connect to full text, 2005. http://hdl.handle.net/2123/1794.
Der volle Inhalt der QuelleTitle from title screen (viewed 27th June, 2007). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Discipline of Economics, University of Sydney. Degree awarded 2006?; thesis submitted 2005. Includes bibliographical references. Also issued in print.
Melville, Andrew. „Exegesis and screenplay for a film entitled Mangrove a thesis submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Communication Studies), August 2004“. Full thesis. Abstract, 2004.
Den vollen Inhalt der Quelle findenTitle page and table of contents missing from e-thesis. Also held in print (14 p., 30 cm.) in Wellesley Theses Collection (T 791.4372 MEL)
Matzkin, Rosalie Greenfield. „The film encounter in the life-world of urban couples : a uses and gratification study /“. Access Digital Full Text version, 1985. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10538483.
Der volle Inhalt der QuelleNegrisolo, Letizia <1994>. „Tarzan of the Apes: the first motion picture adaptation (1918)“. Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13372.
Der volle Inhalt der QuelleLifshitz, Judith. „Completion guarantees and the financing of entertainment projects in the province of Quebec“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ50946.pdf.
Der volle Inhalt der QuelleTu, Haijing. „A Chinese director and his transition from critical banned filmmaker to box office success“. Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/master's/TU_HAIJING_25.pdf.
Der volle Inhalt der QuelleTang, Yi. „A bird known by its note : identity legitimacy, network dynamics, and actor performance in the Hong Kong film industry, 1970-1997 /“. View abstract or full-text, 2009. http://library.ust.hk/cgi/db/thesis.pl?MGTO%202009%20TANG.
Der volle Inhalt der QuelleRitchie, Brendan. „CooperStreet' (original screenplay); and, Into the foreground : an examination of setting in the screenplay“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/456.
Der volle Inhalt der QuelleSchweitzer, Dennis C. „Ton & traum : a critical analysis of the use of sound effects and music in contemporary narrative film /“. Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1108483481.
Der volle Inhalt der QuelleNguyen, Nguyet 1980. „Representation of Vietnam in Vietnamese and U.S. War Films: A Comparative Semiotic Study of Canh Dong Hoang and Apocalypse Now“. Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10635.
Der volle Inhalt der QuelleThis comparative semiotic study aims to examine and critically compare the portrayal of the Vietnam War in two award-winning films, one Vietnamese and the other American, both made in 1979: Canh Dong Hoang (The Wild Rice Field) and Apocalypse Now. This study employs semiology to examine the two films in the framework of postcolonial, ideology and hegemony theories to critically compare similarities and differences in the two films' portrayal of "the enemy," nationalism and individualism, and women, in order to understand how dominant perspectives of the times are reflected, reinforced, and challenged. In Apocalypse Now, the "other" is faceless, which reflects an imperialistic standpoint toward the Vietnamese people; nationalism is promoted by calling on individual suffering and sympathy; and women are diminished. Canh Dong Hoang gives "the enemy" a more balanced depiction; nationalism is woven naturally with individualism; and the women in the film play a much more significant role.
Committee in Charge: Dr. H. Leslie Steeves, Chair; Dr. Pat Curtin; Dr. Gabriela Martinez