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1

Little, Margaret I. Miss Alice M & her dragon: Recovery of a hidden talent. Binghamton, N.Y: Esf Publishers, 1997.

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2

Osman, Alex. Talent borrows, genius steals: M. A. Communication Design Thesis 2002. London: Central Saint Martins College of Art & Design, 2002.

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3

Hilts, Philip J. Memory's ghost: The strange tale of Mr. M and the nature of memory. New York: Simon & Schuster, 1995.

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4

Hickey, Michael M. Michael M. Hickey's John Ringo: The final hours : a tale of the Old West. Honolulu, Hawaii: Talei Publishers, 1995.

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5

Touanen, Freddy. Les myste res de la montagne: Le gendes et re cits de l'alpage. Yens s./Morges, Suisse: Editions Cabe dita, 1996.

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6

Ghaleb, Edouard. Encyclope die des sciences de la nature: Agriculture, botanique, zoologie, ornithologie, ichtyologie, entomologie, parasitologie, bacte riologie, microbiologie, affections animales et ve ge tales; termes techniques: (physique, chimie, mathe matiques, ge ologie, astronomie, droit) = Encyclopedia of natural sciences = Al- mausu i fi ulu m t Đabi i. 2. Aufl. Beyrouth: Dar el-Machreq, 1989.

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7

Newton, Michael, Hrsg. Victorian Fairy Tales. Oxford University Press, 2016. http://dx.doi.org/10.1093/owc/9780198737599.001.0001.

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The Queen and the bat had been talking a good deal that afternoon...' The Victorian fascination with fairyland vivified the literature of the period, and led to some of the most imaginative fairy tales ever written. They offer the shortest path to the age's dreams, desires, and wishes. Authors central to the nineteenth-century canon such as W. M. Thackeray, Oscar Wilde, Ford Madox Ford, and Rudyard Kipling wrote fairy tales, and authors primarily famous for their work in the genre include George MacDonald, Juliana Ewing, Mary De Morgan, and Andrew Lang. This anthology brings together fourteen of the best stories, by these and other outstanding practitioners, to show the vibrancy and variety of the form and its abilities to reflect our deepest concerns. In tales of whimsy and romance, witty satire and uncanny mystery, love, suffering, family and the travails of identity are imaginatively explored. Michael Newton's introduction and notes provide illuminating contextual and biographical information about the authors and the development of the literary fairy tale. A selection of original illustrations is also included.
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8

Saltykov, Mikhail Evgrafovich. Tales from M. Saltykov-Shchedrin. University Press of the Pacific, 2000.

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9

Dvorak. The Handmaid's Tale de M. Atwood. Ellipses Marketing, 1998.

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10

Tales from Issac Asi Sci Fic M. Random House Value Publishing, 1989.

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11

Nordstrom, Alison D., und Carol Flax. Some M(other) Stories, a Parenthetical Tale. Southeast Museum of Photography at Daytona Be, 1995.

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12

Anderson, M. T. Whales on Stilts: M.T. Anderson's Thrilling Tales (M. T. Anderson's Thrilling Tales). Listening Library (Audio), 2006.

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13

Anderson, M. T. Whales on Stilts! Harcourt, Inc., 2006.

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14

Anderson, M. T. Whales on Stilts!: (M. T. Anderson's Thrilling Tales). Turtleback Books Distributed by Demco Media, 2006.

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15

Tales of a Fourth Grade Nothing (M Books). Nelson Thornes Ltd, 1992.

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16

Anderson, M. T. Whales on Stilts. Harcourt, Inc., 2006.

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17

Ahmose, Rhamal M. R. M. Ahmose Presents More Grim Tales to Enlighten. PublishAmerica, 2007.

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18

Tales, Indian Fairy. Indian Fairy Tales, Collected and Tr. by M. Stokes. Franklin Classics Trade Press, 2018.

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19

Best S/M Erotica (Extreme Tales of Extreme Sex). Black Books, 2002.

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20

Pattenden, Nanci M., und Mj Moores. D. E. M. on. TALES Books a and B. Pattenden, Nanci, 2020.

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21

Kremnitz, Mite, und J. M. Percival. Romanian Fairy Tales, Edited by J. M. Percival, Fiction, Fairy Tales & Folklore, Country & Ethnic. Aegypan, 2008.

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22

Williams, Jay. The Practical Princess and Other Liberating Fairy Tales (M-Books). Nelson Thornes Ltd, 1992.

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23

(Illustrator), James Young, Hrsg. Alpha Tales (Letter M: Monkey¹s Miserable Monday) (Grades PreK-1). Scholastic, 2001.

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24

Anderson, M. T. The Clue of the Linoleum Lederhosen: M. T. Anderson's Thrilling Tales. Harcourt Inc., 2007.

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25

Series, Michigan Historical Reprint. A shabby genteel story, and other tales. By William M. Thackeray. Scholarly Publishing Office, University of Michigan Library, 2005.

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26

Williams, Jay. The Practical Princess and Other Liberating Fairy Tales (Junior M Books). Nelson Thornes Ltd, 1986.

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27

Hardpress. Tales of the Tombs: A Series of Anecdotes... . by G- M. HardPress, 2020.

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28

Murnaghan, Sheila, und Deborah H. Roberts. Classics in their Own Right. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199583478.003.0003.

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This chapter traces the reception of Nathaniel Hawthorne’s and Charles Kingsley’s mid-nineteenth-century myth collections for children (A Wonder-Book for Girls and Boys, Tanglewood Tales, and The Heroes) over a century-long period during which they dominated the field and came to be viewed as classics in their own right. It treats the general cultural impact of these works, their role as gift books, and their progressive transformation as they were republished in varying formats and with illustrations by an array of distinguished artists; it includes detailed analyses of selected illustrations by Frederick Church, Milo Winter, Arthur Rackham, Charles Kingsley, William Russell Flint, H. M. Brock, Joan Kiddell-Monroe, and Charles Keeping.
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29

Ballantyne, Robert Michael. Deep Down: A Tale of the Cornish Mines (R. M. Ballantyne Collection). Vision Forum, 2007.

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30

Fletcher, Christopher. Things We Are Not: M-Brane SF Presents New Tales of the Queer. CreateSpace Independent Publishing Platform, 2009.

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31

Summitt, Dan, und C. D. Summitt. Tales Of A Cold War Submariner (Texas a&M University Military History Series). Texas A&M University Press, 2004.

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32

Rath, Jay. The M-Files: True Reports of Minnesota's Unexplained Phenomena (Tales of the Supernatural). Trails Books, 1998.

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33

Anderson, M. T. Jasper Dash and the Flame-Pits of Delaware: M. T. Anderson's Thrilling Tales. Harcourt Children's Books, 2008.

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34

Anderson, M. T. Jasper Dash and the Flame-Pits of Delaware: M. T. Anderson's Thrilling Tales. Harcourt Paperbacks, 2009.

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35

Galindo, Laura. Periodismo cool. Ediciones Uniandes, 2021. http://dx.doi.org/10.51566/ceper2102.

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"El periodismo cultural debe reinventarse para dar cuenta de los juegos de lo simbólico en el siglo XXI, de nuevas prácticas y objetos culturales, tales como la moda, las redes sociales, las músicas y las comidas. Por eso, en esta obra hacemos una propuesta por un periodismo cool sobre lo pop social. La autora, Laura Galindo M., narra con pasión desenfrenada las levedades que nos habitan para aventurarse a darle sentido a nuestro tiempo, efímero y fluido. Es un trabajo que enuncia y mira desde ese “desdeñable” mundo de lo light & cool, que es signo del presente. Lo acompañan un perfil sobre el periodista latino más importante en los Estados Unidos escrito por Felipe Restrepo Pombo, quien fue director de la revista Gatopardo, y un ensayo de Omar Rincón sobre la cultura de nuestro tiempo, que él denomina la coolture"
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36

Memory'S Ghost: The Nature Of Memory And The Strange Tale Of Mr. M. Touchstone, 1996.

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37

Ballantyne, Robert Michael. The Coral Island: A Tale of the Pacific Ocean (R. M. Ballantyne Collection). Vision Forum, 2007.

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38

Milbank, Alison. Ecclesiastical Gothic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824466.003.0015.

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The nostalgia for the Catholic past comes full circle in Chapter 14 in an assessment of clerical ghost stories with their interest in ecclesiastical architecture, fittings, and texts. In M. R. James, antiquarian protagonists show little respect for holy objects and thus invoke demonic invasion. James is concerned with the effect of a world which refuses to admit the spiritual power of objects, and thus has no ways of mediating their causal power. His tales question this boundary between subject and object. J. Meade Falkner shares this desire to restore the sacramental and psychic efficacy of objects by showing their negative power in The Lost Stradivarius and positively in the novel of Gothic usurpation, The Nebuly Coat, in which Cullerne Minster is a living thing and agent of Providential judgement through the ‘speaking’ arches of its moving tower, and by the bells, which mediate past and present and enact providential judgement.
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39

Oliphant, Margaret. A Widow's Tale and Other Stories - With an Introductory Note by J. M. Barrie. White Press, 2017.

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40

Ballantyne, Robert Michael. The Gorilla Hunters: A Tale of the Wilds of Africa (R. M. Ballantyne Collection). Vision Forum, 2007.

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41

Mavis, Reimer, Hrsg. Such a simple little tale: Critical responses to L. M. Montgomery's Anne of Green Gables. [West Lafayette, Ind.]: Children's Literature Association, 1992.

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42

Delany, Samuel R. The American Shore: Meditations on a Tale of Science Fiction by Thomas M. Disch_"Angouleme". Wesleyan University Press, 2014.

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43

Selected Tales from Shakespeare By C M Lamb with Extracts from the Plays Prepared by A Gardiner. Rarebooksclub.com, 2012.

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44

E, Braddon M. Weavers and weft; and other tales , by M. E. Braddon: Weavers and Weft by Mary Elizabeth Braddon. CreateSpace Independent Publishing Platform, 2016.

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45

United States. Congress. Joint Committee on Printing., Hrsg. Tributes delivered in Congress: James M. Talent, United States Congressman, 1993-2001, United States Senator, 2002-2007. Washington: U.S. G.P.O., 2007.

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46

United States. Congress. Joint Committee on Printing., Hrsg. Tributes delivered in Congress: James M. Talent, United States Congressman, 1993-2001, United States Senator, 2002-2007. Washington: U.S. G.P.O., 2007.

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47

Bamberger, Michael. The Man Who Heard Voices: Or, How M. Night Shyamalan Risked His Career on a Fairy Tale. Gotham, 2006.

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48

Jones, Darryl, Hrsg. Horror Stories. Oxford University Press, 2018. http://dx.doi.org/10.1093/owc/9780199685448.001.0001.

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The modern horror story grew and developed across the nineteenth century, embracing categories as diverse as ghost stories, the supernatural and psychological horror, medical and scientific horror, colonial horror, and tales of the uncanny and precognition. This anthology brings together twenty-nine of the greatest horror stories of the period, from 1816 to 1912, from the British, Irish, American, and European traditions. It ranges widely across the sub-genres to encompass authors whose terror-inducing powers remain unsurpassed. The book includes stories by some of the best writers of the century -- Hoffmann, Poe, Balzac, Dickens, Hawthorne, Melville, and Zola -- as well as established genre classics from M. R. James, Arthur Machen, Bram Stoker, Algernon Blackwood, Charlotte Perkins Gilman, and others. It includes rare and little-known pieces by writers such as William Maginn, Francis Marion Crawford, W. F. Harvey, and William Hope Hodgson, and shows the important role played by periodicals in popularizing the horror story. Wherever possible, stories are reprinted in their first published form, with background information about their authors and helpful, contextualizing annotation. Darryl Jones's lively introduction discusses horror's literary evolution and its articulation of cultural preoccupations and anxieties. These are stories guaranteed to freeze the blood, revolt the senses, and keep you awake at night: prepare to be terrified!
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49

Witt, Henriette de. Tales Of Three Centuries: A Huguenot Family, The Pilgrim Fathers, The Desert, Tr. (by E. Millard And M. Archer).... Nabu Press, 2012.

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50

Hsu, Madeline Y. The Good Immigrants. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691164021.001.0001.

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Conventionally, U.S. immigration history has been understood through the lens of restriction and those who have been barred from getting in. In contrast, this book considers immigration from the perspective of Chinese elites—intellectuals, businessmen, and students—who gained entrance because of immigration exemptions. Exploring a century of Chinese migrations, the book looks at how the model minority characteristics of many Asian Americans resulted from U.S. policies that screened for those with the highest credentials in the most employable fields, enhancing American economic competitiveness. The earliest U.S. immigration restrictions targeted Chinese people but exempted students as well as individuals who might extend America's influence in China. Western-educated Chinese such as Madame Chiang Kai-shek became symbols of the U.S. impact on China, even as they patriotically advocated for China's modernization. World War II and the rise of communism transformed Chinese students abroad into refugees, and the Cold War magnified the importance of their talent and training. As a result, Congress legislated piecemeal legal measures to enable Chinese of good standing with professional skills to become citizens. Pressures mounted to reform American discriminatory immigration laws, culminating with the 1965 Immigration Act. Filled with narratives featuring such renowned Chinese immigrants as I. M. Pei, this book examines the shifts in immigration laws and perceptions of cultural traits that enabled Asians to remain in the United States as exemplary, productive Americans.
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