Auswahl der wissenschaftlichen Literatur zum Thema „Love story (Motion picture)“
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Zeitschriftenartikel zum Thema "Love story (Motion picture)"
Abramova, K. V. „“Reviving Pictures” in “The Adolescence of Luvers” by B. Pasternak“. Studies in Theory of Literary Plot and Narratology 15, Nr. 2 (2020): 472–89. http://dx.doi.org/10.25205/2410-7883-2020-2-472-489.
Der volle Inhalt der QuelleAdji, Alberta Natasia. „REVEALING THE RE-TRANSFORMATION OF 9 SUMMERS 10 AUTUMNS“. Paradigma, Jurnal Kajian Budaya 8, Nr. 1 (31.07.2018): 99. http://dx.doi.org/10.17510/paradigma.v8i1.185.
Der volle Inhalt der QuelleRubtsova, N. S. „THE PLOT OF “FIRST LOVE” IN THE NOVEL OF THE SAME NAME BY I.S. TURGENEV AND THE “PICTURESQUE” ROMANTIC TRADITION“. Bulletin of Udmurt University. Series History and Philology 32, Nr. 2 (29.04.2022): 319–25. http://dx.doi.org/10.35634/2412-9534-2022-32-2-319-325.
Der volle Inhalt der QuelleWang, Huan. „The Peony Pavilion as a picture of sexual individuation“. Psychoanalysis and Psychotherapy in China 4, Nr. 2 (17.12.2021): 151–69. http://dx.doi.org/10.33212/ppc.v4n2.2021.151.
Der volle Inhalt der QuelleFitria, Nora, Nyak Mutia Ismail und Cut Mulia Zuhra. „The Employment of Figurative Language in a Motion Picture Artwork“. International Journal of Education, Language, and Religion 5, Nr. 2 (02.12.2023): 136. http://dx.doi.org/10.35308/ijelr.v5i2.7598.
Der volle Inhalt der QuelleTarihoran, Rezky Khoirina, und Muhammad Kiki Wardana. „Hegemonic Masculinity and Homosexuality in Contemporary Indonesian Motion Picture“. International Journal Linguistics of Sumatra and Malay 2, Nr. 1 (31.12.2023): 1–6. http://dx.doi.org/10.32734/ijlsm.v2i1.14365.
Der volle Inhalt der QuelleStollberg-Rilinger, Barbara. „Maria Theresa and the Love of Her Subjects“. Austrian History Yearbook 51 (24.03.2020): 1–12. http://dx.doi.org/10.1017/s0067237820000041.
Der volle Inhalt der QuelleYaxshiyeva, Zebo. „POETIC AND ARTISTIC INTERPRETATION OF THE STORY IN THE TETRALOGY“. INTERNATIONAL JOURNAL OF WORD ART 1, Nr. 3 (30.01.2020): 178–85. http://dx.doi.org/10.26739/2181-9297-2020-1-25.
Der volle Inhalt der QuelleRadaviciute, Jurate. „Jurate Radaviciute, Devoid of (E)motion: Farah’s Story“. Open Cultural Studies 2, Nr. 1 (01.12.2018): 790–96. http://dx.doi.org/10.1515/culture-2018-0072.
Der volle Inhalt der QuelleZunidar, Zunidar. „Implications of the School Literacy Movement with Picture Storybook Media“. EDUKATIF : JURNAL ILMU PENDIDIKAN 4, Nr. 2 (11.03.2022): 2679–87. http://dx.doi.org/10.31004/edukatif.v4i2.2575.
Der volle Inhalt der QuelleDissertationen zum Thema "Love story (Motion picture)"
Samuel, Karin. „Bearing witness to trauma : representations of the Rwandan genocide“. Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4274.
Der volle Inhalt der QuelleENGLISH ABSTRACT: This thesis will examine representations of the Rwandan genocide and its aftermath in selected literary and filmic narratives. It aims in particular to explore the different ways in which narrative devices are used to convey trauma to the reader or viewer, thus enabling them to bear witness to it. These include language, discourse, image, structure and perspectives, on the one hand, and the framing of the genocide on screen, on the other hand. The thesis argues that these narrative devices are used to provide partial insight into the trauma of the genocide and/or to produce empathy or distance between readers and viewers and the victims, perpetrators and survivors of the genocide. Particular attention is paid to the ways in which the selected novels and films advance the human dimension of the genocide. This will shift both victims and perpetrators out of the domain of statistics and evoke emotional engagement from readers and viewers. The thesis argues for the importance of narrative in bearing witness to trauma, particularly due to its unique ability to forge an emotional connection between reader or viewer and character. The primary texts analysed in the thesis are the novels Inyenzi: A Story of Love and Genocide by South African author Andrew Brown and Murambi, The Book of Bones by Senegalese author Boubacar Boris Diop, along with the films Shooting Dogs, directed by British Michael Caton- Jones, and Hotel Rwanda, directed by American Terry George. In addition to considering the use of narrative devices to produce empathy and engagement among readers and viewers, the thesis explores also the implications of the various outsider perspectives of the writers and film-makers, and the effect that this has on their narratives, not least given the role played by the world community in failing to avert the genocide .
AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die voorstellings van Rwanda volksmoorde en die nagevolge in geselekteerde narratiewe tekste en rolprente. Die tesis poog om op verskillende maniere ondersoek in stel na die narratiewe middels om die trauma oor te dra na die leser en kyker. Dit sluit taal, diskoers, beelde, struktuur en perspektiewe aan die eenkant, en verfilming op die skerm aan die anderkant. Die tesis argumenteer dat narratiewe middels verskaf gedeeltelike insig van die trauma van die volksmoorde en/of genereer empatie of afstand tussen leser en kyker en die slagoffers, skuldiges en die oorlewendes van die volksmoorde. Aandag sal veral gegee word op welke wyse die geselekteerde romans en rolprente die menslike dimensie van volksmoord bevorder. Beide die slagoffers en skuldiges word uit die ondersoekterrein van statistieke geskuif en daar gaan gefokus word op die uitlok van emosionele betokkendheid van lesers en kykers. Die tesis argumenteer vir die belangrikheid van die narratief om as getuienis op te tree van trauma – veral as gevolg die unieke vermoë om tussen die leser of die kyker en die karakter emosionele bande te smee. Die primêre tekste wat in hierdie tesis geanaliseer word, is die romans, Inyenzi: A Story of Love and Genocide deur Suid-Afrikaner Andrew Brown, Murambi, The Book of Bones deur Senegalese skrywer Boubacar Boris Diop, en die rolprente Shooting Dogs, onder leiding van die Brit, Michael Caton-Jones en Hotel Rwanda, onder leiding van die Ierse, Terry George. Afgesien van die gebruik van narratiewe middels om empatie en betrokkenheid van lesers en kykers te genereer, ondersoek die tesis ook die implikasies van die onderskeie buitestaander perspektiewe van die skrywers en rolprentmakers en die effek op hulle narratiewe – veral die rol wat hulle speel in die wêreldgemeenskap om volksmoorde te voorkom.
Fitch, Stephan J. (Stephan John). „Cinema Server = s/t (story over time) : an interface for interactive motion picture design“. Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/66353.
Der volle Inhalt der QuelleHuman, Jacobus Francois. „'n Kontrolelys vir die skryf en evalueer van dramadraaiboeke“. Thesis, Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-11052008-105503.
Der volle Inhalt der QuelleScrivin, Nicholas. „'The Bobby Calf' - non linear and non classical narrative structures in the cinema of unease“. Click here to access this resource online, 2008. http://hdl.handle.net/10292/688.
Der volle Inhalt der QuelleGuilfoyle, Frances Jane. „"A boy's best friend is his mother" cinematic re-tellings of the Ed Gein story /“. Thesis, 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3120299.
Der volle Inhalt der QuelleBücher zum Thema "Love story (Motion picture)"
Khair, Tabish. Filming: A love story. London: Picador, 2007.
Den vollen Inhalt der Quelle finden1937-2010, Segal Erich, Hrsg. Love story: Ein Filmtranskript. Rottenburg-Oberndorf: Wissenschaftler-Verlag, 1986.
Den vollen Inhalt der Quelle findenMacGraw, Ali. Adios love story. Buenos Aries: Editorial Atlantida, 1992.
Den vollen Inhalt der Quelle findenKohli, Suresh. Taj Mahal: An eternal love story : making of a motion picture. New Delhi: Om Books International, 2006.
Den vollen Inhalt der Quelle findenShirley, Jones. Shirley & Marty: An unlikely love story. New York: Morrow, 1990.
Den vollen Inhalt der Quelle findenBenjamin, Sam. American gangbang: A love story. New York: Gallery Books, 2011.
Den vollen Inhalt der Quelle findenSanford, John B. Maggie: A love story. Fort Lee, N.J: Barricade Books, 1993.
Den vollen Inhalt der Quelle findenJordan, Ted. Norma Jean: A Hollywood love story. London: Pan, 1990.
Den vollen Inhalt der Quelle findenBassett, Angela. Friends: A love story. Washington, D.C: Kimani Press, 2009.
Den vollen Inhalt der Quelle findenBassett, Angela. Friends: A love story. Washington, D.C: Kimani Press, 2009.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Love story (Motion picture)"
Brown, Blain. „light as story“. In motion picture and video lighting, 143–72. Third edition. | New York: Routledge, Taylor & Francis Group, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9780429461422-6.
Der volle Inhalt der QuelleHoggan, Michael. „Motion Picture Editor and the Story (the Script)“. In The Art and Craft of Motion Picture Editing, 9–22. 2. Aufl. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003099765-2.
Der volle Inhalt der QuelleChi, Huynh Thi Kim, Kosuke Takano und Kin Fun Li. „A Color Adaptation Method in Picture Story with Emotional Expression of Body Motion“. In Advanced Information Networking and Applications, 625–34. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-75078-7_62.
Der volle Inhalt der QuelleDixon, Shane M., und Tim Gawley. „Screening Workplace Disaster: The Case of Only the Brave (2017)“. In Visualising Safety, an Exploration, 101–10. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33786-4_12.
Der volle Inhalt der QuelleKoshino, Go. „Как закалялась сталь в Восточной Азии“. In Biblioteca di Studi Slavistici, 203–10. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.18.
Der volle Inhalt der QuelleGleeson-White, Sarah. „Readerly Pleasures: Screen Reading, and The Motion Picture Story Magazine“. In Silent Film and the Formations of U.S. Literary Culture, 150–91. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197558058.003.0005.
Der volle Inhalt der QuelleBarusch, Amanda Smith. „Infatuation: A Madness Most Discreet“. In Love Stories of Later Life, 63–86. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195314045.003.0004.
Der volle Inhalt der QuelleSalzberg, Ana. „Love Stories and General Principles: The Development of the Production Code“. In Produced by Irving Thalberg, 94–117. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451048.003.0005.
Der volle Inhalt der QuelleGautreau, Justin. „Introduction“. In The Last Word, 1–8. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190944551.003.0001.
Der volle Inhalt der QuelleMills, Alice. „Appropriate or anathema? The representation of incest in children’s literature“. In Incest in contemporary literature, 117–32. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526122162.003.0006.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Love story (Motion picture)"
Kvetanová, Zuzana, und Jana Radošinská. „AQUAMAN THE MOVIE AS A LATE MODERN FAIRY TALE“. In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/24.
Der volle Inhalt der QuelleStanić Loknar, Nikolina, Diana Bratić und Ana Agić. „Kinetic typography - figuration and technology“. In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p81.
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