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Thematische Bibliographien / Lord of the Rings / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Lord of the Rings“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 30. Juli 2024

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1

Hand, Eric. „Lord of the rings“. Science 356, Nr. 6335 (20.04.2017): 236–38. http://dx.doi.org/10.1126/science.356.6335.236.

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2

Rüegg, Christian. „Lord of the rings“. Nature Physics 8, Nr. 12 (30.11.2012): 859–60. http://dx.doi.org/10.1038/nphys2461.

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3

Lathrop, Daniel P., und Barbara Brawn-Cinani. „Lord Kelvin's vortex rings“. Nature Physics 9, Nr. 4 (03.03.2013): 207–8. http://dx.doi.org/10.1038/nphys2577.

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4

Arnold, Richard, und Andrew Foxall. „Lord of the (Five) Rings“. Problems of Post-Communism 61, Nr. 1 (Januar 2014): 3–12. http://dx.doi.org/10.2753/ppc1075-8216610100.

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5

Hurtley, Stella M. „Lord of the incomplete rings“. Science 355, Nr. 6323 (26.01.2017): 364.1–364. http://dx.doi.org/10.1126/science.355.6323.364-a.

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6

Chown, Marcus. „Cassini: Lord of the rings“. New Scientist 208, Nr. 2789 (Dezember 2010): 40–41. http://dx.doi.org/10.1016/s0262-4079(10)63005-9.

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7

Miceli, Antonio. „The lord of the rings“. Journal of Thoracic and Cardiovascular Surgery 154, Nr. 6 (Dezember 2017): 1925–26. http://dx.doi.org/10.1016/j.jtcvs.2017.08.084.

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8

Frolov, Serge. „The Rings of the Lord“. Vetus Testamentum 66, Nr. 1 (21.01.2016): 15–44. http://dx.doi.org/10.1163/15685330-12301223.

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Examining the ring compositions that recent studies claim to have discovered in Numbers and Judges, the article argues that in both cases the reconstructions involve questionable treatment of the text’s literary divisions and especially of the alleged and actual parallels between them. This, in turn, places a question mark over the entire quest for book-scale symmetric literary structures in the Hebrew Bible.

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9

Lewis, C. S. „Tolkien's "The Lord of the Rings"“. Chesterton Review 28, Nr. 1 (2002): 73–77. http://dx.doi.org/10.5840/chesterton2002281/211.

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10

Michel, Jamal. „Lord of the Rings but Blacked“. Minnesota review 2021, Nr. 97 (01.11.2021): 40. http://dx.doi.org/10.1215/00265667-9335758.

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11

Mayhew, M., und F. U. Hartl. „Lord of the Rings: GroES Structure“. Science 271, Nr. 5246 (12.01.1996): 161. http://dx.doi.org/10.1126/science.271.5246.161.

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12

Oxer, J. P. „Enron: lord of the rings, revisited“. IEEE Engineering Management Review 30, Nr. 2 (2002): 56–59. http://dx.doi.org/10.1109/emr.2002.1022422.

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13

Wojcik, Cezary. „KO: ‘The Lord of the Rings’“. Trends in Cell Biology 10, Nr. 4 (April 2000): 134–35. http://dx.doi.org/10.1016/s0962-8924(00)01749-9.

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14

Yusupova, H. U. „SYMBOLISM IN «THE LORD OF THE RINGS».“ Theoretical & Applied Science 83, Nr. 03 (30.03.2020): 357–61. http://dx.doi.org/10.15863/tas.2020.03.83.66.

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15

Sanna, Antonio. „Fan Phenomena: The Lord of the Rings“. Quarterly Review of Film and Video 34, Nr. 2 (21.11.2016): 194–97. http://dx.doi.org/10.1080/10509208.2016.1255923.

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16

Katzka, David A. „Eosinophil: the new lord of (esophageal) rings“. Gastrointestinal Endoscopy 61, Nr. 7 (Juni 2005): 802–3. http://dx.doi.org/10.1016/s0016-5107(05)00551-1.

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17

Briceno, Natalia, Divaka Perera, Amedeo Chiribiri, John B. Chambers und Ronak Rajani. „Lord of the imaging rings — Takayasu's aortitis“. International Journal of Cardiology 182 (März 2015): 219–21. http://dx.doi.org/10.1016/j.ijcard.2015.01.011.

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18

Barker, Martin J. „The Lord of the Rings and ‘Identification’“. European Journal of Communication 20, Nr. 3 (September 2005): 353–78. http://dx.doi.org/10.1177/0267323105055262.

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19

Howse, Christopher. „Marian Echoes in "The Lord of the Rings"“. Chesterton Review 28, Nr. 1 (2002): 187–88. http://dx.doi.org/10.5840/chesterton2002281/232.

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20

Shippey, Tom. „"The Lord of the Rings" as a Classic“. Chesterton Review 28, Nr. 1 (2002): 266–68. http://dx.doi.org/10.5840/chesterton2002281/247.

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21

Brown, Devin. „The Timeliness of "The Lord of the Rings"“. Chesterton Review 28, Nr. 1 (2002): 291–93. http://dx.doi.org/10.5840/chesterton2002281/255.

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22

Tolkien, J. R. R., und William Cloud Hicklin. „The Chronology of The Lord of the Rings“. Tolkien Studies 19, Nr. 1 (2022): 22–152. http://dx.doi.org/10.1353/tks.2022.0004.

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23

Lim, Jung-myung. „Reading Augustine in The Lord of the Rings“. Comparative Literature 71, Nr. 1 (28.02.2017): 89–116. http://dx.doi.org/10.21720/complit71.04.

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24

Hayley, Michael. „Arthurian Influence in the Lord of the Rings“. Elements 16, Nr. 1 (31.10.2021): 59–65. http://dx.doi.org/10.6017/eurj.v16i1.14065.

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J.R.R. Tolkien's beloved Lord of the Rings has been considered one of the greatest works of English literature. This work analyzes Tolkien's inspiration and motivation in his writing process by situation middle-earth in the context of postwar England. Evaluation Tolkien's letters reveal his affinity for Arthurian legend, and his desire to reinvent it to create a myth that was distinctly English. A comparison of the two bodies of legend reveals similar Archetypal elements and characterizations that give Tolkien's legendarium credibility and weight. Through Sauron's destruction of middle-earth, Tolkien reveals his concerns for a modern, industrialized England and the consequences of war. In The Lord of the Rings, Tolkien reinvents the legend of Arthur into a synthesis of English national identity and exigency for the future.

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25

Palomo, Laura, und Francesc Solé. „SF3B1: the lord of the rings in MDS“. Blood 136, Nr. 2 (09.07.2020): 149–51. http://dx.doi.org/10.1182/blood.2020005719.

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26

Raanani, Ehud. „Which is the “lord” of the aortic rings?“ Journal of Thoracic and Cardiovascular Surgery 151, Nr. 5 (Mai 2016): 1286–87. http://dx.doi.org/10.1016/j.jtcvs.2015.12.043.

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27

Adams, Colin. „The Lord of the Rings Part I: The NSF Fellowship of the Rings“. Mathematical Intelligencer 31, Nr. 2 (April 2009): 51–53. http://dx.doi.org/10.1007/s00283-009-9046-x.

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28

Mishchenko, Anna N. „PRECEDENT PHENOMENON “THE LORD OF THE RINGS” IN THE RUSSIAN MEDIA DISCOURSE“. Proceedings of Southern Federal University. Philology 25, Nr. 4 (01.12.2021): 34–42. http://dx.doi.org/10.18522/1995-0640-2021-4-34-42.

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In the context of world globalization, a person is constantly influenced by modern media, a powerful means of suggestion, mind control. The media do not simply describe the reality and objectively record the events taking place around them. They are directly or indirectly in overt or covert form processes in society. The article analyzes the functioning of precedent phenomena from the novel “The Lord of the Rings” by J.R.R. Tolkien. The wide popularity of the plots and names of the main characters of the novel allows us to say that they entered and were entrenched in the cognitive base of representatives of our linguistic culture, since the novel raises such eternal topics as the struggle between good and evil, the meaning of power, the role of man in the life of society, the problem of preservation nature and many others. Since in the political media many situations are presented as a confrontation between good and evil, the struggle for power, the precedent phenomena from “The Lord of the Rings” are good means of representing the subjects of political events. The precedent phenomenon of “lord of the rings” in media texts actualized when describing political, social problems, issues of science and sports. Modeling of images occurs by means of the key units “lord” and “ring”, making up a single integral structure, referring to the well-known novel by J.R.R. Tolkien. The analysis of the functioning features of the precedent units included in “The Lord of the Rings” allows us to establish the linguistic mechanisms of their “deployment” in the media discourse and come to the conclusion about the specifics of the fragment of the worldview, fixed in precedent phenomena.

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29

Arias Moreno, María Luisa, und Jorge Germán García Hughes. „El Anillo de Poder: El discurso político en las traducciones al francés de “El Señor de los anillos”“. Verbum et Lingua, Nr. 22 (30.06.2023): 109–27. http://dx.doi.org/10.32870/vel.vi22.213.

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En años recientes, los estudios sobre traducción han analizado la traducción de discursos políticos para descubrir la ideología expresada en el texto y el papel que desempeña el traductor en ellos. Se han empleado diferentes metodologías, entre ellas el análisis de discurso crítico. Sin embargo, en la literatura especializada no se ha hecho un estudio de un discurso político que forme parte de una obra literaria. El presente artículo tiene como objetivo emplear el modelo de análisis del discurso de Fairclough en la traducción de un discurso político en El Señor de los Anillos de Tolkien en las dos versiones al francés publicadas. La comparación de ambas versiones arrojó luz sobre cómo los objetivos que persiguieron los traductores en su época, la cantidad de información que recibieron y el hecho de pertenecer a diferentes países francófonos pudieron afectar las elecciones que tomaron.

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30

Pozharska, Anastasiia-Olena. „THE LORD OF THE RINGS’ MUSICAL DRAMATURGY: MAIN PRINCIPLES“. Knowledge, Education, Law, Management 2, Nr. 3 (2020): 54–59. http://dx.doi.org/10.51647/kelm.2020.3.2.10.

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31

Boenig, Robert, und Jane Chance. „The Lord of the Rings: The Mythology of Power“. South Central Review 10, Nr. 1 (1993): 102. http://dx.doi.org/10.2307/3190291.

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32

Sheeba, B. Helen, und Dr A. Muthu Meena Losini. „The Lord of the Rings as a grandiloquent novel“. International Journal of English Literature and Social Sciences 5, Nr. 2 (2020): 374–76. http://dx.doi.org/10.22161/ijels.52.6.

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33

Li, Marissa, Isin Y. Comba, Allison R. Eberly und Omar M. Abu Saleh. „Lord of the “rings”: A case of Plasmodium falciparum“. IDCases 27 (2022): e01407. http://dx.doi.org/10.1016/j.idcr.2022.e01407.

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34

McPartland, Thomas J. „The Lord of the Rings: Mystery, Freedom, and Destiny“. Lonergan Workshop 28 (2014): 207–44. http://dx.doi.org/10.5840/lw20142812.

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35

Bratman, David. „The Lord of the Rings: A Reader's Companion (review)“. Tolkien Studies 3, Nr. 1 (2006): 182–87. http://dx.doi.org/10.1353/tks.2006.0007.

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36

Pottsf, Michael. „“Evening-Lands”: Spenglerian Tropes in Lord of the Rings“. Tolkien Studies 13, Nr. 1 (2016): 149–68. http://dx.doi.org/10.1353/tks.2016.0010.

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37

Peirse, Alison. „Ocularcentrism, horror and The Lord of the Rings films“. Journal of Adaptation in Film & Performance 5, Nr. 1 (08.05.2012): 41–50. http://dx.doi.org/10.1386/jafp.5.1.41_1.

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38

Caesar, Judith. „Tolkien's The Lord of the Rings and Dante's Inferno“. Explicator 64, Nr. 3 (März 2006): 167–70. http://dx.doi.org/10.3200/expl.64.3.167-170.

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39

Garbowski, Christopher. „The Comedy of Enchantment inThe Lord of the Rings“. Christianity & Literature 60, Nr. 2 (März 2011): 273–86. http://dx.doi.org/10.1177/014833311106000206.

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40

Simonson, Martin. „Epic and Romance in The Lord Of The Rings“. El Futuro del Pasado 7 (31.10.2016): 65–84. http://dx.doi.org/10.14516/fdp.2016.007.001.002.

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En el campo de la literatura comparada, El señor de los anillos ha sido analizada sobre todo en el contexto del romance y la épica. Sin embargo, este acercamiento deja de lado importantes aspectos genéricos, como la presencia del género de la novela y las tradiciones mitológicas. Si elegimos cualquier género concreto como vara de medir para evaluar el éxito de la obra en términos narrativos, tendemos a llegar a la conclusión de que El señor de los anillos no termina de encajar en ninguno. En la obra de Tolkien, existe una exploración narrativa y estilística de los límites de diferentes géneros literarios en que las principales tradiciones narrativas occidentales –el mito, la épica, el romance y la novela, con sus respectivos subgéneros– interactúan en un mundo previamente desconocido pero muy coherente que, debido a la cohesión requerida por el uso de semejante cronotopo, muestra una consistente contextualización de las referencias a las tradiciones previas. A diferencia de muchas expresiones literarias de modernistas contemporáneos, la resultante ausencia de ironía y parodia da lugar a un diálogo entre tradiciones en que los diferentes géneros exploran e interrogan sus propios límites sin dejar a otros como absurdamente incompatibles, risibles o superfluos.

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41

Martín, Nazario. „Jean-Pierre Sauvage: The Lord of the Rings (II)“. European Journal of Organic Chemistry 2020, Nr. 14 (06.04.2020): 2007–11. http://dx.doi.org/10.1002/ejoc.202000404.

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42

Xu, Jide, und Kenneth N. Raymond. „Lord of the Rings: An Octameric Lanthanum Pyrazolonate Cluster“. Angewandte Chemie International Edition 39, Nr. 15 (04.08.2000): 2745–47. http://dx.doi.org/10.1002/1521-3773(20000804)39:15<2745::aid-anie2745>3.0.co;2-q.

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43

Petrie, D. „From Hobbits to Hollywood: Essays on Peter Jackson's Lord of the Rings * The Lord of the Rings: Popular Culture in Global Context“. Screen 48, Nr. 3 (01.01.2007): 411–15. http://dx.doi.org/10.1093/screen/hjm042.

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44

Mutter, Kelvin F. „Reflection: A Supervisor’s Journey through Middle Earth“. Journal of Pastoral Care & Counseling: Advancing theory and professional practice through scholarly and reflective publications 72, Nr. 3 (September 2018): 217–18. http://dx.doi.org/10.1177/1542305018790215.

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45

Harwood, Richard. „Planning and Compulsory Purchase Act 2004 - Howthe Government Takes Control Ofplanning Policy“. Environmental Law Review 7, Nr. 2 (Juni 2005): 124–29. http://dx.doi.org/10.1177/146145290500700204.

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‘Three Rings for the Elven-kings under the sky, seven for the Dwarf-lords in their halls of stone, nine for Mortal Men doomed to die, one for the Dark Lord on his dark throne in the Land of Mordor where the Shadows lie. One Ring to rule them all, one Ring to find them, one Ring to bring them all and in the darkness bind them'

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46

Champoux, Nell. „A Child's-Eye View of "The Lord of the Rings"“. Chesterton Review 28, Nr. 1 (2002): 293–94. http://dx.doi.org/10.5840/chesterton2002281/256.

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47

Wicher, Andrzej. „Some Boethian Themes in J.R.R. Tolkien’s Lord of the Rings“. Romanica Silesiana 20, Nr. 2 (20.12.2021): 1–24. http://dx.doi.org/10.31261/rs.2021.20.03.

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There appear to be quite a few parallels between Tolkien’s The Lord of the Rings and Boethius’s The Consolation of Philosophy (Consolatio Philosophiae), and they seem to concern particularly, though not only, the character drawing in Tolkien’s book. Those parallels are preeminently connected with the fact that both Boethius and Tolkien like to think of the most extreme situations that can befall a human. And both are attached to the idea of not giving in to despair, and of finding a source of hope in seemingly desperate straits. The idea that there is some link between Boethius and Tolkien is naturally not new. T.A. Shippey talks about it in his The Road to Middle Earth, but he concentrates on the Boethian conception of good and evil, which is also of course an important matter, but surely not the only one that links Tolkien and Boethius. On the other hand, it is not my intention to claim that there is something in Tolkien’s book of which it can be said that it would have been absolutely impossible without Boethius. Still, I think it may be supposed that just like Boethian motifs are natural in the medieval literature of the West, so they can be thought of as natural in the work of such dedicated a medievalist as J.R.R. Tolkien.

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48

Amendt-Raduege, Amy M. „Dream Visions in J.R.R. Tolkien's The Lord of the Rings“. Tolkien Studies 3, Nr. 1 (2006): 45–55. http://dx.doi.org/10.1353/tks.2006.0002.

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49

von Heijne, G. „MICROBIOLOGY: Enhanced: Translocation of Anthrax Toxin: Lord of the Rings“. Science 309, Nr. 5735 (29.07.2005): 709–10. http://dx.doi.org/10.1126/science.1116630.

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50

Munder, Dania B. „SOCIETY IN J.R.R. TOLKIEN’S TRILOGY THE LORD OF THE RINGS“. International Journal of Humanities, Philosophy and Language 7, Nr. 26 (30.06.2024): 59–71. http://dx.doi.org/10.35631/ijhpl.726004.

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Through literature, people learn about various people and societies at contrasting times. Writers have continually explored the importance of books in revealing a man’s race and the entire world of humankind. Furthermore, it shows the thoughts and feelings of writers of their times. This study utilized descriptive research using Tolkien’s The Lord of the Rings as corpus of the study. The literary elements, the kind of society, and generalizations about the society portrayed in the trilogy were analysed using Sociocultural and Marxist theories. The society portrayed in the trilogy is communal, but it gradually shifts to associational because of the effects of the main character’s journey. It also portrays a regionalist society with its unique practices, rules, and languages. Furthermore, this trilogy includes various settings that aid in scrutinizing the kind of society it portrays like the Shire, which can be described as a communal society that shows personal and intimate interactions. Industrialization is correspondingly seen in some associational societies caused by alienation among members of the society that later resulted in a slow cultural extinction. Regionalism is also presented with the inclusion of different races, cultures, languages, and practices. With these, some generalizations concluded consist of the nature of humans to want power and the tendency to be greedy, true love, and loyalty among friends, the unification of different races, and the triumph of goodness against evilness, and the effects of war in society. Finally, the trilogy shows that anyone can grow and learn from their experiences to realize their full potential through interaction in society.

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