Auswahl der wissenschaftlichen Literatur zum Thema „Live theater“
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Zeitschriftenartikel zum Thema "Live theater"
Zehra, Shamail, Kiran Karamat und Niza Qureshi. „THEATRE IN THE DIGITAL AGE: CHALLENGES AND AUDIENCE VIEWING EXPERIENCES“. Pakistan Journal of Social Research 05, Nr. 01 (04.03.2023): 609–16. http://dx.doi.org/10.52567/pjsr.v5i01.1384.
Der volle Inhalt der QuelleBuckley, Jennifer. „Long “Live” Theater“. Theater 46, Nr. 2 (2016): 35–53. http://dx.doi.org/10.1215/01610775-3547659.
Der volle Inhalt der QuelleSprogøe, Charlotte. „Live Experiences in the Theater Gardens of Contemporary Art“. Peripeti 19, Nr. 35 (01.02.2022): 97–108. http://dx.doi.org/10.7146/peri.v19i35.130635.
Der volle Inhalt der QuelleGamaliel Paulus. „Penerimaan Teknologi Gawai dalam Menonton Pertunjukan Teater Virtual di Era Pandemi Covid 19“. Jurnal Netnografi Komunikasi 1, Nr. 1 (29.07.2022): 31–37. http://dx.doi.org/10.59408/netnografi.v1i1.5.
Der volle Inhalt der QuelleTurchi, Laura B., Ann C. Christensen und Laura B. Turchi. „Teaching Shakespeare: Live Theater Matters“. English Journal 108, Nr. 6 (01.07.2019): 103–5. http://dx.doi.org/10.58680/ej201930217.
Der volle Inhalt der QuelleAhmadova, Gulkhara. „WORLDLY SIGNIFICANCE OF THEATERS: IREVAN STATE AZERBAIJAN DRAMA THEATER“. Scientific Journal of Polonia University 58, Nr. 3 (01.09.2023): 10–14. http://dx.doi.org/10.23856/5801.
Der volle Inhalt der QuelleGontarski, Stanley. „The theater is always dying“. Acta Universitatis Lodziensis. Folia Litteraria Polonica 59, Nr. 4 (30.12.2020): 191–209. http://dx.doi.org/10.18778/1505-9057.59.11.
Der volle Inhalt der QuelleDewi, Irma Kusuma, und Farid Farid. „Strategi Komunikasi Pemasaran Radjawali Semarang Cultural Center (RSCC) di Masa Pandemi“. Kiwari 2, Nr. 4 (05.12.2023): 578–83. http://dx.doi.org/10.24912/ki.v2i4.27229.
Der volle Inhalt der QuellePalmer, David. „Miller’s Food for Thought at Food For Thought Productions: A Talk with Susan Charlotte, 15 July 2021“. Arthur Miller Journal 17, Nr. 1 (2022): 39–43. http://dx.doi.org/10.5325/arthmillj.17.1.0039.
Der volle Inhalt der QuelleNorman, Sally Jane. „Theater and ALife Art: Modeling Open and Closed Systems“. Artificial Life 21, Nr. 3 (August 2015): 344–53. http://dx.doi.org/10.1162/artl_a_00175.
Der volle Inhalt der QuelleDissertationen zum Thema "Live theater"
Shrader, Angela D. „A Comparison of Audience Response to Live and Recorded Theatre Performances“. Marietta College Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1430070781.
Der volle Inhalt der QuelleTorpey, Peter Alexander. „Disembodied performance : abstraction of representation in live theater“. Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/55198.
Der volle Inhalt der QuelleCataloged from PDF version of thesis.
Includes bibliographical references (p. 151-158).
Early in Tod Machover's opera Death and the Powers, the main character, Simon Powers, is subsumed into a technological environment of his own creation. The theatrical set comes alive in the form of robotic, visual, and sonic elements that allow the actor to extend his range and influence across the stage in unique and dynamic ways. The environment must compellingly assume the behavior and expression of the absent Simon. This thesis presents a new approach called Disembodied Performance that adapts ideas from affective psychology, cognitive science, and the theatrical tradition to create a framework for thinking about the translation of stage presence. An implementation of a system informed by this methodology is demonstrated. In order to distill the essence of this character, we recover performance parameters in real-time from physiological sensors, voice, and vision systems. This system allows the offstage actor to express emotion and interact with others onstage. The Disembodied Performance approach takes a new direction in augmented performance by employing a nonrepresentational abstraction of a human presence that fully translates a character into an environment. The technique and theory presented also have broad-reaching applications outside of theater for personal expression, telepresence, and storytelling.
Peter Alexander Torpey.
S.M.
Miller, Michael R. M. Eng Massachusetts Institute of Technology. „Show design and control system for live theater“. Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/65324.
Der volle Inhalt der QuelleCataloged from PDF version of thesis.
Includes bibliographical references (p. 75).
Tod Machover's upcoming opera Death and the Powers calls for an unprecedented integration of technology and theater. These uses of technology are at the heart of the show and include a Greek chorus of nine "Operabots"; a novel surround sound and audio processing architecture; a massive string instrument called "The Chandelier"; three 14' tall robotic stage fixtures with displays called "The Walls"; and more. Each component has its own unique challenges, but all share the need for a comprehensive show design and control system. A show design and control system was built for this specific purpose and will be used for Death and the Powers. The software affords real-time control over the robotic elements in the opera alongside predetermined, choreographed routines.
by Michael R. Miller.
M.Eng.
Kastel, Thiemo [Verfasser]. „Live Performances and Broadcast Productions with Augmented Reality / Thiemo Kastel“. Gernsbach : Prof.(FH) Dr. Thiemo Kastel, kastel media solutions, 2017. http://d-nb.info/1139666266/34.
Der volle Inhalt der QuelleZachry, Corinne. „CREATING PUPPETS THAT LIVE: AN EXPLORATION OF THEORIES AND TECHNIQUES IN MODERN PUPPETRY“. Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1366906448.
Der volle Inhalt der QuelleChau-Dang, Tiffanie T. „Using Optical Illusions to Enhance Projection Design for Live Performance“. Kent State University Honors College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1588376296563101.
Der volle Inhalt der QuelleThomas, Kenneth. „Who, What, Why: A Self-Reflection on the Creation and Practice of Audition Technique in the Business of Live Theatre“. Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/honors/633.
Der volle Inhalt der QuelleGray, Leslie. „A Home You Can’t Live in: Performances of the Black Body and Domestic Space in Contemporary Drama“. Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19318.
Der volle Inhalt der QuelleVandorpe, Dries. „The Archaeology of Liveness“. The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1430786242.
Der volle Inhalt der QuelleFaigin, David A. „COMPARING LIVE AND VIDEO-TAPED THEATRICAL PERFORMANCE IN CHANGING STIGMATIZING ATTITUDES TOWARDS PEOPLE WITH SERIOUS MENTAL ILLNESS“. Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1141964034.
Der volle Inhalt der QuelleBücher zum Thema "Live theater"
Milwaukee's live theater. Charleston, S.C: Arcadia Publishing, 2009.
Den vollen Inhalt der Quelle findenMilwaukee's live theater. Charleston, SC: Arcadia Publishing, 2009.
Den vollen Inhalt der Quelle findenStages for tomorrow: Housing, funding, and marketing live performances. Oxford: Focal Press, 1998.
Den vollen Inhalt der Quelle findenAvant-garde performance: Live events and electronic technologies. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005.
Den vollen Inhalt der Quelle findenCoveney, Michael. The aisle is full of noises: A vivisection of the live theatre. London: Nick Hern Books, 1994.
Den vollen Inhalt der Quelle findenLittle, Jean. Live on Broadway: A treasury of theater from A to Z. Maplewood, NJ: Blue Apple Books, 2009.
Den vollen Inhalt der Quelle findenAssociates, Nicholas Clark and. Study of the professional live theatre industry in Victoria for Victorian Ministry for the Arts. Melbourne, Vic: The Associates, 1985.
Den vollen Inhalt der Quelle findenApplying performance: Live art, socially engaged theatre and affective practice. New York: Palgrave Macmillan, 2012.
Den vollen Inhalt der Quelle findenNick, Kaye, Hrsg. Performing presence: Between the live and the simulated. Manchester, UK: Manchester University Press, 2011.
Den vollen Inhalt der Quelle findenMaaike, Bleeker, Hrsg. Anatomy live: Performance and the operating theatre. [Amsterdam]: Amsterdam University Press, 2008.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Live theater"
Ibbotson, Piers. „Live Communication: The Business of Theater“. In The Illusion of Leadership, 85–93. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230202009_10.
Der volle Inhalt der QuelleLiedke, Heidi Lucja. „Transmedial experience in nineteenth-century live theater broadcasting“. In Transmedia Practices in the Long Nineteenth Century, 62–78. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003222941-5.
Der volle Inhalt der QuelleCheok, Adrian David. „Interactive Theater Experience with 3D Live Captured Actors and Spatial Sound“. In Art and Technology of Entertainment Computing and Communication, 59–82. London: Springer London, 2010. http://dx.doi.org/10.1007/978-1-84996-137-0_3.
Der volle Inhalt der QuelleVander Wilt, Dirk, und Morwaread Mary Farbood. „Deploying Prerecorded Audio Description for Musical Theater Using Live Performance Tracking“. In Lecture Notes in Computer Science, 181–89. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70210-6_13.
Der volle Inhalt der QuelleSmith, Paul Julian. „Two Media Crossovers: Cinema and Television for Day of the Dead; Live Theater Versions of TV Shows“. In Multiplatform Media in Mexico, 127–49. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17539-9_8.
Der volle Inhalt der QuelleConnock, Alex. „Theatre“. In Media Management and Live Experience, 165–92. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003435167-11.
Der volle Inhalt der QuelleKyung-Sung, Lee. „Practice of Theatre—Rehearsal of Life“. In Theater, 225–42. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459973-014.
Der volle Inhalt der QuelleMoody, James L., und Jeff Ravitz. „Theatre Production“. In Lighting for Televised Live Events, 150–52. First edition. | New York, NY : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429288982-23.
Der volle Inhalt der QuelleDundjerović, Aleksandar Sasha. „Live Theatre on Zoom“. In Live Digital Theatre, 158–80. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003275893-10.
Der volle Inhalt der QuelleKulick, Brian. „Borges and theater“. In The Secret Life of Theater, 15–16. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429445255-5.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Live theater"
Wilt, Dirk Vander, und Morwaread Mary Farbood. „Automating Audio Description for Live Theater“. In AM'19: Audio Mostly. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3356590.3356603.
Der volle Inhalt der QuelleFrank, Whitton Anne, und Brendan Andolsek Bradley. „Creating Intimacy and Connection Through Live Theater in VR“. In SA '22: SIGGRAPH Asia 2022 Real-Time Live! New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3550453.3586017.
Der volle Inhalt der QuelleTsoupikova, Daria, Jo Cattell, Andrew Johnson, Lance Long, Arthur Nishimoto und Sai Priya Jyothula. „Hummingbird: A Collaborative Live Theater and Virtual Reality Adventure“. In SIGGRAPH '22: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3532834.3536213.
Der volle Inhalt der QuelleSantos, Maria Lucina Anonas De, und Magdalena De Leon. „Can Virtual Theater Fulfill the Function of Live Theater in COVID–19 for Tertiary Level Dance Program Stakeholders?“ In The Asian Conference on Arts and Humanities 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2186-229x.2023.5.
Der volle Inhalt der QuelleOosthuizen, Patrick H. „A Numerical Study of the Effect of Inlet Vent Position and Size on the Velocity and Temperature Distributions in a Smaller Naturally Ventilated Theater in Canada“. In ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-36781.
Der volle Inhalt der QuelleHe, Ziyi, Xiao Yan und Hanxi Wang. „Necessity of Establishing the Stage Technical Standards for Outdoor Live Performance Theater“. In 2021 International Conference on Culture-oriented Science & Technology (ICCST). IEEE, 2021. http://dx.doi.org/10.1109/iccst53801.2021.00084.
Der volle Inhalt der QuelleYan, Xiao, und Hanxi Wang. „Comparison of Technical Systems between Outdoor Live Performance Stage and Indoor Theater Stage“. In 2021 International Conference on Culture-oriented Science & Technology (ICCST). IEEE, 2021. http://dx.doi.org/10.1109/iccst53801.2021.00059.
Der volle Inhalt der QuelleZeglin, Garth, Aaron Walsman, Laura Herlant, Zhaodong Zheng, Yuyang Guo, Michael C. Koval, Kevin Lenzo et al. „HERB's Sure Thing: A rapid drama system for rehearsing and performing live robot theater“. In 2014 IEEE Workshop on Advanced Robotics and its Social Impacts (ARSO). IEEE, 2014. http://dx.doi.org/10.1109/arso.2014.7020993.
Der volle Inhalt der QuelleVander Wilt, Dirk, und Morwaread Mary Farbood. „Syncing Pre-Recorded Audio Description to a Live Musical Theater Performance Using a Reference Audio Recording“. In ASSETS '19: The 21st International ACM SIGACCESS Conference on Computers and Accessibility. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3308561.3354624.
Der volle Inhalt der QuelleWoodward, Jay, und Michelle Kwok. „CREATING A VIRTUAL STUDY ABROAD EXPERIENCE TO RUSSIA“. In International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end141.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Live theater"
McIntyre, Phillip, Susan Kerrigan und Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Albury-Wodonga. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206966.
Der volle Inhalt der QuelleIlgenfritz, Pedro. Guide Me Without Touching My Hand: Reflections on the Dramaturgical Development of the Devised-theatre Show One by One. Unitec ePress, Dezember 2016. http://dx.doi.org/10.34074/ocds.038.
Der volle Inhalt der QuelleTyson, Paul. Orchestrated Irrationality: Why It Exists and How It Might Be Resisted. Mέta | Centre for Postcapitalist Civilisation, Mai 2022. http://dx.doi.org/10.55405/mwp13en.
Der volle Inhalt der QuelleKhomenko, Tetiana, und Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, März 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.
Der volle Inhalt der QuelleStudy of Social Entrepreneurship and Innovation Ecosystems in the Latin American Pacific Alliance Countries: Case Study: La Tarumba, Peru. Inter-American Development Bank, Juli 2016. http://dx.doi.org/10.18235/0009335.
Der volle Inhalt der QuelleTheatre can bring research findings to life for a wide range of audiences. National Institute for Health Research, Dezember 2020. http://dx.doi.org/10.3310/alert_43190.
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