Dissertationen zum Thema „Liturgies and ritual“
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Van, der Merwe Suzanne Cicilia. „Liturgie en versoening in die Nederduitse Gereformeerde Kerk : 'n Liturgies-rituele benadering“. Thesis, University of Pretoria, 2019. http://hdl.handle.net/2263/75281.
Der volle Inhalt der QuelleEnglish: Reconciliation and research regarding reconciliation in South Africa is not new. However, the question, regarding the necessity of continuing research on this topic, arises. After twenty-five years of democracy in South Africa, is it not time to move on? In this research, I hope to emphasize that the timing is nów just perfect, as it is necessary for a critical survey regarding the reconciliation and transformation process in South Africa. The research took place in two main spheres which cannot be separated from one another, namely the South African context and the church context, with specific reference to the Dutch Reformed Church (DRC). In this study, I undertook an exploratory quest to articulate the typical markers with which the South African context of church and society over the last twenty-five years, is portrayed. This study is grounded in the following three preconceptions. Firstly, consciousness of the still traumatised context within which South Africans must carve out a life for themselves, a context that is still characterised by racial tension and conflict. Secondly, the skill of self-reflection on the legacy of the past, meaning the era of Apartheid, and the concrete involvement of South Africans in the present and future. Thirdly, the formative role of the worship service and liturgy, during which the liturgy of the worship service and the liturgy of life are consciously connected to each other. Based on the above-mentioned preconceptions regarding the formative nature of the liturgy, the central research question of this study can be formulated as follows: How can the liturgy as it is celebrated within the DR Church formatively contribute to promote reconciliation in the hearts of believers so that it can impact on the current and future South African society? The central research question was investigated utulising an interdisciplinary literature study. Subsequently, the research question is also further investigated through means of empirical research during which I conducted semi-structured in-depth interviews with fellow researchers on the theme. The following aspects were scrutinised in the study: • Theoretical and methodological foundation of the study – in this part of the research, focus was placed on a contextual description and application of the theories, models and methods which form the theoretical and methodological foundation with regards to an investigation of liturgy and reconciliation in the Dutch Reformed Church: a Liturgical-ritual approach. • South Africa: past, present and future – in this section I undertook an exploration of the South African landscape through the lens of the South African Reconciliation Barometer, as well as a church and theological lens in order to determine exactly how the landscape of reconciliation in South Africa over the past twenty-five years has changed but also remained the same. • The Dutch Reformed Church: Celebration of the worship service – a critical discussion of the Homo Liturgicus of James K.A. Smith (2016, 2013, 2009) served as a possible departure point for a theology and praxis for the worship service as it is celebrated in the DR Church, with specific focus on the promotion of reconciliation within the South African context. • Empirical research – which included a detailed discussion of the research methodology, as well as the analysis and interpretation of the generated data. The conclusion of the research is then grounded in a praxis theory as stepping stone for a liturgical theology in the DR Church that promotes reconciliation in the South African society.
Thesis (PhD)--University of Pretoria, 2019.
Practical Theology
PhD
Unrestricted
Lavoie, Jonathan. „Liturgie et interiorité“. [S.l. : s.n.], 2005.
Den vollen Inhalt der Quelle findenDahlkvist, Rebecka. „Det sekulära folkhemmets liturgier? : Ritualer hos Förbundet för religionsfrihet år 1952–1972“. Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-144194.
Der volle Inhalt der QuelleMampuya, Muende Marie-Jeanne. „Contexte historique du christianisme et inculturation de la liturgie catholique : de la liturgie orientale aux rites africains“. Thesis, Nancy 2, 2008. http://www.theses.fr/2008NAN21022/document.
Der volle Inhalt der QuelleAs its title suggests, this thesis aims at surveying the whole history of the Christian liturgy, organizing its content around a few key ideas. We have found that, from its inception during the Last Supper and throughout its historical development, the Christian Liturgy has been shaped by several factors. It is to be noted that whenever Christianity made a successful and lasting impact, it was due to its transcultural ability to adapt to the diverse cultural environments it wished to integrate. From its origins, it was characterized by liturgical pluralism and even by different liturgical traditions anchored in different cultures. In western societies, this principle was followed so strictly that the Christian liturgy became associated with western cultures and peoples and, eventually, came to be identified with them. Yet missionaries often failed to apply this principle to other countries where they imposed western liturgy taking no account of local customs. As a remedy, Vatican II decided that cultural and local specificity should be taken into account by missionaries to add depth to their ministry. The triple axis of the thesis is therefore based on the historical development of the Christian liturgy along pragmatic and inculturation lines: A first phase when, arising from its Jewish culture, Christianity spread to the West and integrated western cultures and peoples positively. A second phase when missionaries’ methods and theologies disregarded cultural specificity, with uncertain, or rather negative, results in evangelical terms. A third phase, in the wake of Vatican II, which favoured systematic inculturation, enabling the emergence of African rituals such as the Zairian rite. While grounded in the Roman liturgical tradition, these rites were moulded by traditional African values making the liturgy, and Christianity as a whole, more meaningful to these peoples
Billecoq, Julien. „Le rituel judiciaire : liturgie et légitimité du pouvoir de juger“. Nice, 2001. http://www.theses.fr/2001NICE0008.
Der volle Inhalt der QuelleFlynn, Dalene Shonnie. „’n Verkennend-beskrywende prakties-teologiese ondersoek na die waarde van “liturgiese” momente binne sport gemik op liturgiese inkulturasie“. Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/24530.
Der volle Inhalt der Quelle
Dissertation (MDiv)--University of Pretoria, 2011.
Practical Theology
unrestricted
Dunavant, Lloyd B. „A quest for wholeness using symbolic myth in ritual“. Chicago, Ill. : McCormick Theological Seminary, 2002. http://www.tren.com.
Der volle Inhalt der QuelleGreyling, Anandie. „Belydenisaflegging in die NG Kerk : ʼn Ritueel-liturgiese ondersoek“. Diss., University of Pretoria, 2018. http://hdl.handle.net/2263/66351.
Der volle Inhalt der QuelleDissertation (MTh)--University of Pretoria, 2018.
Die Suid-Afrikaanse Akademie vir Wetenskap en Kuns
Practical Theology
MTh
Unrestricted
Kleynhans, Suzanne Cicilia. „Sosiale kohesie en multikulturele eredienste : 'n ritueel-liturgiese evaluasie (Afrikaans)“. Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/24144.
Der volle Inhalt der Quelle- Teologiese en sosiologiese interpretasie van die huidige sosiale konteks van Suid-Afrika – in hierdie gedeelte van die navorsing het die navorser gepoog om die konteks van die Suid-Afrikaanse samelewing vir die leser weer te gee. Daar is grotendeels gebruik gemaak van die Sensus 2001 om die demografiese gegewens van Suid-Afrika weer te gee. Verder is die samelewing ook ondersoek deur gebruik te maak van sentrale teoretiese begrippe naamlik vergifnis, versoening, sosiale transformasie, sosiale kohesie en sosiale identiteit.
- Die aard van multikultulturele eredienste en die waarde van simbole, rituele en seremonies – in hierdie hoofstuk word daar ondersoek ingestel na die teologie van multikulturele liturgieë. Eerstens word daar gekyk na die waarde van simbole, rituele en seremonies binne multikulturele eredienste. Daarna word die ontwikkeling van die liturgie soos beïnvloed deur kultuur in breë trekke beskryf. Die essensie van aanbidding word ook op die tafel geplaas. Laastens word ‘n voorlopige teologie van multikulturele eredienste saamgestel uit die literatuurstudie.
- Gedetailleerde beskrywing van drie onderskeie eredienste – die drie multikulturele eredienste word in die fynste detail beskryf na aanleiding van wat voor, tydens en na die erediens gebeur. Die struktuur van die kerkgebou asook die liturgiese ruimte word in detail weer gegee.
- Empiriese navorsingsdata (fokusgroepe) analise – die navorser het onderhoude gevoer met gekose kandidate wat gereeld die onderskeie multikulturele eredienste bywoon om verdere kennis aangaande mense se belewenis van die eredienste in te samel.
- Theological and sociological interpretations of the current social context in South Africa – in this part of the research the researcher focused on providing the reader with a reflection on the current context in South Africa. The researcher primarily made use of the South African Census of 2001 to present the demographic information of the country. The society was also investigated by making use of a number of central concepts including forgiveness, reconciliation, social transformation, social cohesion and social identity.
- The nature of multicultural worship and the value of symbols, rituals and ceremonies – in this chapter multicultural liturgies are investigated. Firstly the researcher looks at the value of symbols, rituals and ceremonies in multicultural worship services. The development of liturgy as it was influenced by culture are discussed in broad terms. The essence of worship is also touched upon. Lastly a preliminary theology of multicultural worship services are developed based on the literature study.
- A detailed description of the three different worship services – the three multicultural worship services are descibed in as much detail as possible based on what happens before, during and after the worship service. The physical structure of the church building as well as a desciption of the liturgical space is also presented.
- Analysis of the empirical data (focus groups) – the researcher conducted interviews with selected candidates who attend the different multicultural worship services regularly in order to gain more knowledge about their experiences of the worship services.
Dissertation (MTh)--University of Pretoria, 2012.
Practical Theology
unrestricted
Steyn, Marileen. „Gebedspraktyke en geloofsoortuigings van kerklos Millenium Christene : 'n Ritueel-liturgiese verkenning“. Diss., University of Pretoria, 2019. http://hdl.handle.net/2263/75278.
Der volle Inhalt der QuelleDissertation (MTheology)--University of Pretoria, 2019.
Practical Theology
MTheology
Unrestricted
Silva, Helio Soares da. „O CORPO NOS LABORATÓRIOS DE LITURGIA DA REDE CELEBRA“. Pontifícia Universidade Católica de Goiás, 2014. http://localhost:8080/tede/handle/tede/874.
Der volle Inhalt der QuelleThe object of this work is the body in the laboratories of the liturgy celebrates Network. The study was conducted through literature research and participant observation. It was investigated whether the methods used in laboratories litírgicos actually ensure the full participation of the person in the liturgy; if the individuals involved acquire a more integrated and full perception of self and other, and how they acquire understanding of the cosmos. It was found that Network takes over the body as an element of capital importance for the completion of the rite, so she has sought, through the liturgy laboratories, working for those involved in liturgical action can be positioned fully in comprising this sense the rediscovery of corporeality. This effort has contributed to a better understanding of the human being in its entirety, where the individual perceives himself interacting with his peers, with the cosmos and with the transcendent.
O objeto deste trabalho é o corpo nos laboratórios de liturgia da Rede Celebra. O estudo foi realizado por meio de pesquisa bibliográfica e observação participante.Foi averiguada se os métodos utilizados nos laboratórios litírgicos realmente garantem a participação plena da pessoa na liturgia; se os indivíduos envolvidos adquirem uma percepção mais integrada e plena de si e do outro, e qual a compreensão que eles adquirem do cosmo. Constatou-se que Rede assume o corpo como elemento de importância capital para a realização do rito, por isso, ela tem procurado, através dos laboratórios de liturgia, trabalhar para que os envolvidos na ação litúrgica possam se posicionar de modo pleno, compreendendo neste sentido a redescoberta da corporeidade. Tal esforço tem contribuído para uma melhor compreensão do ser humano na sua inteireza, onde o indivíduo percebe-se a si mesmo interagindo com o seu semelhante, com o cosmo e com o transcendente.
Graupner, Richard [Verfasser]. „Der Gottesdienst als Ritual : Entdeckung, Kritik und Neukonzeption des Ritualbegriffs in der evangelischen Liturgik / Richard Graupner“. Göttingen : Vandenhoeck & Ruprecht, 2019. http://www.v-r.de/.
Der volle Inhalt der QuelleBisaro, Xavier Julia Dominique Hameline Jean-Yves. „Une nation de fidèles : l'Église et la liturgie parisienne au XVIIIe siècle /“. Turnhout : Brepols, 2006. http://catalogue.bnf.fr/ark:/12148/cb411129139.
Der volle Inhalt der QuelleBibliogr. p. 433-463.
Almeida, Márcio Antônio de [UNESP]. „Mistagogia da música ritual católica romana: estudo teórico-metodológico“. Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/95148.
Der volle Inhalt der QuelleUniversidade Estadual Paulista (UNESP)
Este estudo tem por finalidade descrever metodologicamente a prática mistagógica dos séculos IV e V d.C. e discutir a recente sistematização e aplicação do método mistagógico à formação dos ministérios litúrgico-musicais da Igreja Católica Romana. No ano de 1963, promulgava-se a Sacrosanctum Concilium (Constituição sobre a Sagrada Liturgia) do Concílio Ecumênico Vaticano II (1962-1965) que, sustentada pelo Movimento Litúrgico, representava o retorno às fontes bíblicas e patrísticas da fase de estruturação da liturgia por volta do século IV. Atualmente, a formação continua sendo um dos maiores desafios à consolidação do processo de renovação litúrgica desencadeado pela reforma do Vaticano II. A reforma teve implicações sobre a liturgia e também sobre o modelo eclesial a ser assumido pelas novas gerações. Quanto ao uso do método mistagógico, dois autores, Mazza (1996) e Buyst (2006), serão largamente focalizados devido à especificidade de sua aproximação ao objeto de estudo. O primeiro expõe a sistemática catequético-mistagógica dos séculos IV e V; e a segunda aplica o método mistagógico ao estudo da música ritual com escopo formativo mais evidenciado. O propósito da pesquisa foi sendo consolidado a partir da leitura, tradução e interpretação de variados autores para se avançar de rudimentos conceituais à apropriação teórica e metodológica do termo e prática da mistagogia. Deste modo, o percurso assumido procurou evidenciar o deslocamento do discurso normativo e prescritivo, próprio dos documentos eclesiais, ao discurso reflexivo e propositivo sobre o processo de renovação da música ritual no Brasil a partir de produções litúrgico-musicais pós-conciliares. Esta pesquisa, ao propor o método mistagógico no estudo da música ritual como estratégia que articula diferentes áreas do conhecimento, procura identificar...
The purpose of this study is describe methodologically the mystagogic practice of 4th and 5th centuries, and discuss new approaches and application on mystagogic method related to liturgical musical formation of the ministries of Roman Catholic Church. In 1963 was promulgated the Constitution on the Sacred Liturgy (Sacrosanctum Concilium) of Second Vatican Council (1962-1965) that held on Liturgical Movement represented the return to biblical and patristic sources of the 4th century. Nowadays, formation continues being one of the main challenges to consolidation of the liturgical renewal process started at Second Vatican reformation. This reformation had effect on the liturgy and ecclesial model. Two authors Mazza (1996) and Buyst (2006) were focused on due to particular approach to mystagogic method. The first demonstrates the catechetical and mystagogic systematic from 4th and 5th; the second applies mystagogic method to the study of ritual music with a clearly formative scope. The purpose of this research was developed through reading, translation and interpretation of various authors to reach the concept and to get a theoretical and methodological understanding of terminology and practice of mystagogy. Therefore, the way assumed had revealed a changing from normative and prescriptive enunciation to a reflexive and rational enunciation related to renewal process of ritual music in Brazil and post-Second Vatican Council liturgical musical productions. This research proposes mystagogic method in the study of ritual music as a strategy that conjugates different areas of knowledge. Finally, also identify how the formation was theorized and performed in the liturgical renewal process to reach the method.
Oltean, Leonard-Daniel. „Devenir moine à Byzance. Coutumes sociales, règles monastiques et rituels liturgiques“. Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0012.
Der volle Inhalt der QuelleThe thesis is a multidisciplinary approach to the Byzantine religious and social customs in relation to the entrance into the monastery and the monastic profession. The study aims to better explain some aspects of the history of the liturgical ritual or the history of social practices that remain little understood. Among these, we discuss the terminology used to describe the stages of the monastic life, the origin of the small monastic habit, the introduction of the tonsure among the practices used at the entrance to the monastery, the number and the names of habits received on the day of monastic profession, the social rules that governed the start of this new form of life. The research focuses on the overall evolution of these monastic practices throughout the Byzantine history. In so doing, it uses the historical, canonical, literary, liturgical and iconographic sources. The key point of our interpretation is the distinction between two monastic traditions, one from Jerusalem and another from Constantinople. From this perspective, the history of the practices studied here becomes a "tale of two cities", a term already used in a strictly liturgical context by R. Taft, but not yet applied to the monastic life. The dialogue between these two different monastic traditions is the source of a large number of terminological and liturgical clarifications. We observe the non-conflictual coexistence of these practices of different origins, their mutual influence and a remarkable capacity for synthesis within the Byzantine ascetic life. Some features of the monastic life during this period are still found in the nowadays monasticism of Byzantine influence
Wepener, C. J. „Van vas tot fees : 'n ritueel-liturgiese ondersoek na versoening binne Suid-Afrikaanse kultuurkontekste“. Thesis, Stellenbosch : University of Stellenbosch, 2004. http://hdl.handle.net/10019.1/16080.
Der volle Inhalt der QuelleENGLISH ABSTRACT: The need of reconciliation in South Africa is still voiced by many. Along with this need, the absence of church unity between the DRChurch and URChurch, churches which are still divided along racial lines, remains a sad reality. A division which has its origin partially in a reconciliation-ritual of commensality which was inculturated in Africa on wrong unscriptural grounds. Within this South African and Reformed reality the question of this research was born, namely: “Which rituals can be inculturated in South Africa in general, and in the liturgy of the DRC and URC in particular, to assist with the processes of reconciliation and church unity?”. This question is subsequently approached in a multi-disciplinary fashion with a ritualliturgical exploration. The methodological starting points in the research process entail firstly that Post’s liturgical-scientific research methodology of intereference and intuition is used as an overarching approach, and secondly along with this in the initial phase of the research the method of ethnography or participatory observation for the collection of the ritual data. Within this methodology the theoretical starting points centre around the concepts of ritual, reconciliation and liturgical inculturation. And within the field of Practical Theology this research process moves with a spiral movement between practice and theory. The basic theoretical starting point is that within the field of Liturgy a ritual approach is used, and for this reason partners were found within the domain of Ritual Studies to examine the phenomenon of reconciliation-rituals. The ritual theory of some experts on the topic is presented with which the collected data was later evaluated. Along with this ritual theory, liturgical inculturation is used as a critical reciprocal steering concept which also involves both the tradition and theology in a criterium for the evaluation and formation of rituals. With this methodological and theoretical basis five ritual probes were conducted with regards to reconciliation, namely a cultural anthropological, a Biblical, a liturgicalhistorical, an actual descriptive and a South African ethnographic probe. These probes brought several findings to the fore which can, within an African and Reformed context,be systematised within the context of the process from fast to feast as an overarching metaphor. Drinking and eating together, or the absence thereof, coupled with reconciliation, is present throughout all the probes like a leitmotiv and is also the central finding of this research. More findings concerning reconciliation rituals however came to the fore in each probe. These findings are summarised at the end of each probe and will help to stimulate the ritual imagination concerning reconciliation. However, such imagination must remain within a critical-normative Practical Theological liturgical scientific framework. The finding of this research basically attempts to show that a variety of rituals can be inculturated within the processes of reconciliation and church unity in the DRC, URC and South Africa. The process from fast to feast gives insight into the ‘what’, ‘when’ and ‘how’ concerning the inculturation of reconciliation rituals within an African and Christian context. Fast and feast, which amongst other things also entails eating and drinking together or the absence thereof, runs like a golden thread throughout all the probes. Rituals showing these qualities of commensality are pre-eminently fit to serve as reconciliation rituals, although they have sometimes in the past had the power to do exactly the opposite. Therefor the finding of this research is that this feature of commensality can be developed within South African and Reformed reconciliation rituals, but in such a way that it serves reconciliation and church unity. And for this purpose some ritual-liturgical guidelines are presented.
AFRIKAANSE OPSOMMING: Vanuit verskeie oorde word die noodsaak vir versoening in Suid-Afrika steeds bepleit. Saam hiermee is die uitbly van kerkeenheid tussen die NGKerk en VGKerk, kerke wat steeds op grond van ras verdeel is, ‘n betreurenswaardige realiteit. ‘n Verdeeldheid wat deels sy oorsprong het in ‘n versoeningsritueel van saam eet en drink wat op ‘n verkeerde onskriftuurlike wyse in Afrika geïnkultureer is. Vanuit hierdie Suid-Afrikaanse en Gereformeerde situasie kom die vraag wat hierdie ondersoek aanspreek na vore, naamlik: “Watter rituele kan in Suid-Afrika in die algemeen, en in die liturgie van die NGK en VGK in die besonder, geïnkultureer word om te help in die prosesse van versoening en kerkvereniging?”. Hierdie vraagstelling word vervolgens op ‘n multi-dissiplinêre wyse met behulp van ‘n ritueel-liturgiese ondersoek aangespreek. Die metodologiese uitgangspunte in hierdie proses van ondersoek behels dat daar van Post se liturgiewetenskaplike ondersoekmetode van interferensie en intuïsie as oorkoepelende benadering gebruik gemaak word, en saam daarmee in die inisiële fase van data-kollektering die metode van etnografie of deelnemende observasie. Binne hierdie metodologie sentreer die teoretiese vertrekpunt rondom die begrippe ritueel, versoening en liturgiese inkulturasie. En binne die kader van die Praktiese Teologie word daar met ‘n spiraalbeweging tussen teorie en praktyk beweeg. Die basiese teoretiese uitgangspunte behels dat vanuit die Liturgiek met ‘n rituele benadering gewerk is. Binne die veld van die sogenaamde Rituele Studies is vennote gevind om die fenomeen van versoeningsrituele te bestudeer. Die rituele teorie van enkele eksperte word gepresenteer waarmee die gekollekteerde data beoordeel is. Saam met hierdie rituele teorie is die begrip liturgiese inkulturasie gebruik as ‘n krities wederkerige studerende konsep wat ook die teologie en tradisie betrek in die kriterium vir die beoordeling en ontwerp van rituele. Met hierdie metodologiese en teoretiese basis is vyf rituele peilings ten opsigte van versoening gedoen, te wete ‘n kultureel-antropologiese, ‘n Bybelse, ‘n liturgiehistoriese, ‘n aktueel beskrywende en ‘n Suid-Afrikaanse etnografiese peiling. Hierdie peilings hetverskeie bevindinge na vore gebring wat in ‘n Afrika-Gereformeerde konteks binne die proses van vas tot fees as oorkoepelende metafoor gesistematiseer kan word. Saam eet en drink, of die afwesigheid daarvan, gekoppel aan versoening loop as ‘n leitmotiv deur al die peilings en is die sentrale bevinding van hierdie ondersoek. Daar het egter ook meerdere bevindinge of roetemerkers ten opsigte van versoeningsrituele uit die peilings na vore gekom. Hierdie bevindinge wat saamgevat word aan die einde van elke peiling, help om die rituele verbeelding te stimuleer, maar dít juis binne ‘n krities-normatiewe Prakties Teologiese liturgiewetenskaplike raamwerk. Die bevinding van hierdie ondersoek behels basies dat ‘n verskeidenheid rituele in die prosesse van versoening en kerkvereniging geïnkultureer kan word in die NGK, VGK en Suid-Afrika, maar dat die proses van vas tot fees insig verleen in die ‘wat’, ‘wanneer’ en ‘hoe’, ten opsigte van die inkulturasie van versoeningsrituele binne ‘n Afrika- en Christelike-konteks. Vas en fees, wat onder andere saam eet en drink of die afwesigheid daarvan behels, loop soos ‘n goue draad reg deur al die peilings. Rituele wat hierdie eienskappe van kommensaliteit vertoon, is by uitstek geskik om te dien as versoeningsrituele, al het diesulke rituele ook soms in die geskiedenis juis die teenoorgestelde vermag. Daarom word voorgestel dat hierdie eienskap van kommensaliteit juis uitgebou word in Suid-Afrikaanse Gereformeerde versoeningsrituele, maar op só ‘n wyse dat dit versoening en kerkeenheid dien. En hiervoor word enkele ritueel-liturgiese riglyne aangereik.
Wepener, C. J. „Liturgie en versoening, die inkulturasie van rituele van versoening in Suid-Afrika : 'n ondersoeksvoorstel“. Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51819.
Der volle Inhalt der QuelleENGLISH ABSTRACT: As a multidisciplinary liturgical scientific research project, all seven existing methods within the field of Liturgy will be used. These seven methods are namely: liturgy as book; a depth approach; the integral approach; primary and secondary sources; designation and appropriation; contextual: anthropological and cultural; as well as present, past, continuity and discontinuity, future. These seven approaches will form the matrix of the research that will be steered/directed by the researcher himself by means of interference, a so-called tamed intuition and the Bible as critical-normative source. As indicated in the title of the research proposal, the dynamic concept of inculturation will play a vital role throughout the course of the research. Since the research will be done with the intention of liturgical inculturation, the dynamic of cult and culture, as well as the time aspect of continuity and discontinuity, must be brought into account. It follows that a number of main parts will have to be opened, of which three parts have already been opened to serve as an example in this research proposal. These main parts are firstly a chapter on inculturation, secondly a chapter on ritual theory and also a chapter on the history of rituals of reconciliation within the Christian tradition. These three main parts will be opened again from a South African perspective in the final research, but will also be supplemented with a part on the theology of reconciliation, and a recent contextual analysis by means of participatory observation! ethnography. Throughout the proposed research the matrix will be applied to each chapter individually, and then on everything as a whole. The whole process will be steered by the concepts interference and quality of ritual in order to see what lines of force or series of qualities can be distilled from the process. As a whole the research will serve the initial question, namely:" How a better inculturated repertoire of rituals of reconciliation can be attained?" On this basis the research aims at making a contribution towards the so-called liturgia condenda (liturgy in process/formation), working towards the goal that the current liturgical formation in South Africa, and specifically within the Dutch Reformed Church, will take place in a theologically and anthropologically justifiable fashion.
AFRIKAANSE OPSOMMING: As multidissiplinere liturgiewetenskaplike ondersoek, sal van al sewe bestaande ondersoekswyses binne die liturgiewetenskap gebruik gemaak word, te wete liturgie as boek; In diepte benadering; die integrale benadering; primere- en sekondere bronne; benoeming en toe-eiening; kontekstueel: antropologies en kultureel; en hede, verlede, kontinuiteit en diskontinuiteit, toekoms. Hierdie sewe benaderings sal die matriks van die ondersoek vorm wat deur die ondersoeker self deur middel van interferensie, 'n sogenaamde getemde intuisie en die Bybel as krities-normatiewe bron gestuur sal word. Soos blyk uit die titel van die ondersoek, word daar vera! gewerk met die dinamiese begrip inkulturasie. Synde die ondersoek gedoen word met die oog op liturgiese inkulturasie, moet die dinamiek van liturgielkultus en kultuur, asook die tydsapek van kontinuiteit en diskontituiteit met die liturgiese tradisie wat deur die begrip inkulturasie opgeroep word, in berekening gebring word. In hierdie ondersoeksvoorstel is drie van die vyf beoogde hoofdele a! eksemplaries oopgemaak, naamlik inkulturasie, ritualiteit en geskiedenis van versoeningrituele in die Christelike tradisie. Hierdie drie hoofdele sal in die finale ondersoek weer vanuit 'n Suid-Afrikaanse perspektief oopgemaak word, en aangevul word met 'n resente kontekstuele analise met behulp van deelnemende observasie geng op versoeningrituele, asook In teologiese hoofstuk oor die begrip versoening. Die matriks sal deurgaans op al vyf dele toegepas word, eers op elkeen afsonderlik en daarna op alma! saam. Hierdie proses sal deur middel van interferensie en kwaliteite van ritueel plaasvind om te sien watter kraglyne en reekse kwaliteite afgelei kan word uit die proses. As 'n geheel staan die proses in diens van die inisiele vraagstelling, "Hoe 'n beter geinkultureerde rituele repertoire van versoening verkry kan word?". Sodoende wil die ondersoek 'n bydrae lewer tot die liturgia condenda (liturgie in wording), om mee te werk aan die ideaal dat die huidige liturgiese vormgewing in Suid-Afrika, maar spesifiek ook in die Nederduitse Gereformeerde Kerk, op In teologies en antropologies verantwoorde wyse geskied.
Uys, Jacobus Stephanus Petrus. „'n Prakties-teologiese ondersoek na die gebruik van liturgiese simbole en rituele in die paassiklus“. Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-09292006-132447/.
Der volle Inhalt der QuelleKeßler, Katrin. „Ritus und Raum der Synagoge : liturgische und religionsgesetzliche Voraussetzungen für den Synagogenbau in Mitteleuropa“. Petersberg Imhof, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2968026&prov=M&dokv̲ar=1&doke̲xt=htm.
Der volle Inhalt der QuelleDumas, Gisèle. „Le processional en Aquitaine : histoire d'un livre (Xème-XIIIème siècles) : une étude des sources /“. [Paris] : [G. Clément-Dumas], 2000. http://catalogue.bnf.fr/ark:/12148/cb388613454.
Der volle Inhalt der QuellePérinel, Claude. „Réforme et décision dans l'Eglise catholique de France : le nouveau rituel du baptême des petits enfants“. Paris, Institut d'études politiques, 1988. http://www.theses.fr/1988IEPP0021.
Der volle Inhalt der QuelleMansk, Erli. „A ritualização das passagens da vida : desafios para a prática litúrgica da Igreja“. Faculdades EST, 2009. http://tede.est.edu.br/tede/tde_busca/arquivo.php?codArquivo=131.
Der volle Inhalt der QuelleA ritualização das passagens da vida na perspectiva da prática litúrgica da Igreja é o assunto aqui pesquisado. Os ritos de passagem estão presentes em todas as culturas. Eles marcam transições idênticas da vida humana e ajudam as pessoas e os grupos a vivenciarem mudanças importantes do ciclo bio-psico-social e a enfrentarem as tensões provocadas pelas passagens. Os ritos de passagem funcionam como uma costura entre as diferentes fases ou etapas da vida. Quais são as passagens relevantes da vida na atualidade e como as igrejas lidam ou poderiam lidar com as passagens da vida, são perguntas que norteiam a investigação do assunto. Tendo como principal referência o teórico Arnold van Gennep, o primeiro capítulo investiga os fundamentos antropológicos da compreensão dos ritos de passagem. Esse autor estuda exaustivamente os rituais que acompanham passagens da vida como gravidez e parto, nascimento e infância, iniciação ou entrada na vida adulta, casamento e morte, e define um princípio universal que ajuda a compreender as passagens individuais e coletivas. Esse capítulo também pergunta pelos tradicionais ritos de passagem que persistem na sociedade atual e reflete sobre as mudanças da sociedade moderna e pós-moderna e suas conseqüências para os ritos de passagem. O segundo capítulo estuda as passagens e a ritualização das passagens da vida na atualidade. Para o estudo desse tema foi utilizado o método da pesquisa social qualitativa, aplicando-se a técnica da entrevista individual a dez pessoas escolhidas pela pesquisadora. O resultado dessa pesquisa acentua a necessidade humana de ritualização das passagens da vida. No final do segundo capítulo são apresentados os desafios que a ritualização das passagens da vida na atualidade representam para a liturgia cristã. O terceiro capítulo estuda a ritualização das passagens na Igreja. Na sua primeira secção o assunto é examinado a partir da prática litúrgica atual dos ritos de passagem, tendo por referência o exemplo da Igreja Evangélica de Confissão Luterana no Brasil (IECLB). Na segunda secção, o tema é investigado a partir de práticas litúrgicas selecionadas da Igreja cristã dos primórdios e de práticas rituais no seu entorno. Na conclusão desse capítulo são extraídas conseqüências para a ritualização das passagens da vida na prática litúrgica atual. Tendo como ponto de partida os métodos de inculturação litúrgica desenvolvidos pelo liturgista Anscar Chupungco, o quarto capítulo apresenta a proposta de um método para a ritualização das passagens da vida na Igreja da atualidade e o aplica a algumas passagens selecionadas. Trata-se de um método que pode ser utilizado para qualquer passagem, em qualquer circunstância. A ritualização das passagens da vida traz muitos desafios à Igreja na atualidade. Há diversas passagens da vida na atualidade que carecem de ritos de passagem. Ao ritualizar as passagens da vida, a Igreja atende a uma necessidade humana fundamental; vai ao encontro de necessidades urgentes da vida e responde a perguntas humanas inquietantes.
The ritualizing of life passages from the perspective of the liturgical practices of the Church is the subject of this dissertation. Rites of passage are present in every culture. They mark identical transitions in human life and help people and groups to go through important changes in the bio-psycho-social cycle and to cope with the tensions caused by the passages. The rites of passage work as a seam between the different phases of life. What are the relevant passages in todays life and how the churches deal or could deal with them are leading questions in the investigation of the subject. Having as principal reference the theorist Arnold van Gennep, the first chapter investigates the anthropological fundaments of the rites of passage. This author studies in exhaustion the rituals that come with life passages as pregnancy and birth giving, birth and childhood, initiation or entrance in adult life, marriage and death, and defines an universal principle that helps to understand the individual and collective passages. This chapter also inquires about traditional rituals of passage still present in modern society and reflects about the changes in the modern and post-modern society and the consequences of those changes to the rituals of passage. The second chapter studies the passages and the ritualizing of life passages in our days. The method of qualitative social research was used for this study, applying an individual interview to ten people chosen by the researcher. The results of this research accentuate the human need for ritualizing life passages. At the end of the second chapter are presented the challenges that the ritualizing of life passages brings to Christian liturgy today. The third chapter studies the ritualizing of passages in the Church. In the first section the subject is examined from the current liturgical practice of the rituals of passage, having as reference the example of the Evangelical Church of the Lutheran Confession in Brazil (IECLB). In the second section, the theme is investigated from the liturgical practices selected from the origins of the Christian Church and the ritual practices that surrounded them. In this chapters conclusion are collected consequences for the ritualizing of life passages in the current liturgical practice. Having as a starting point the methods of liturgical inculturation developed by liturgist Anscar Chupungco, the fourth chapter proposes a method for the ritualizing of life passages in the Church in modern times and applies this method to some chosen passages. It is a method that can be used to any passage, in any circumstance. The ritualizing of life passages brings many challenges to the Church in modern times. There are many life passages today that need rituals. By ritualizing life passages, the Church responds to a fundamental human need: it meets the most urgent needs in life and answers disquieting human questions.
Max, Michael. „Die Weitergabe des Glaubens in der Liturgie eine historisch-theologische Untersuchung zu den Übergaberiten des Katechumenats“. Regensburg Pustet, 2005. http://d-nb.info/984242929/04.
Der volle Inhalt der QuelleOrtemberg, Pablo. „Rituel et pouvoir : sens et usages des liturgies civiques : de la Vice-royauté du Pérou à l'orée de la République (Lima, 1735-1828)“. Paris, EHESS, 2008. http://www.theses.fr/2008EHES0357.
Der volle Inhalt der QuelleThis thesis analyses the uses and meanings, as well as the changes and continuities, of the feasts and celebrations of royal power, independence and the new republic destined to commemorate the regimes and to construct supreme authority in Lima between 1735 and 1928. The main objective is to understand two dimensions. First the uses that social actors, collective and individual, give political ritual as well as the meanings they are able to provide them with in each circumstance it is put into practise. Secondly, it examines the tranformations and continuities of these normative schemes that are charaterised by their relative stability in the long duration. We will demonstrate , using ritual as a prism, to what degree it is possible to observe changes in the continuity, as well as continuities in change in historical process
Rehak, Martin. „Der ausserordentliche Gebrauch der alten Form des römischen Ritus kirchenrechtliche Skizzen zum Motu Proprio Summorum Pontificum vom 07.07.2007“. St. Ottilien EOS-Verl, 2009. http://d-nb.info/999628607/04.
Der volle Inhalt der QuelleNittis, Mélanie. „L'improvisation poétique chantée à Olympos (Karpathos, Grèce) : dynamiques contemporaines d'un rituel paraliturgique“. Thesis, Paris, INALCO, 2020. http://www.theses.fr/2020INAL0014.
Der volle Inhalt der QuelleIn the village of Olympos, located in the north of the Greek island of Karpathos in Aegean Sea, the sung poetic improvisation, known as mantinades, takes on a particular character. It is developed during ritual festivals called glentia, either during informal meetings of men in the coffee-house, or at the time of the celebration of orthodox religious festivals with the whole community. Part of the wide musical repertoire of the village, this sung poetic improvisation respects underlying codes, and the themes that are developed echo the everyday life of the community which lived self-sufficiently for a long time. Through a corpus recorded in the field at the time of three important religious holidays for the village, this work proposes, on the one hand, to show the role played by the sung poetic improvisation within a community of which a majority of its members lives currently in emigration and, on the other hand, to highlight the links that this improvised performance has with the orthodox liturgy which gives rythm to the life of the village
Bonnier, Anaïs. „L'empreinte des rituels. Persistance et mutations des formes et mécanismes rituels dans les dramaturgies occidentales des années 50 à nos jours“. Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030145.
Der volle Inhalt der QuelleThis research aims to explore the memory of rituals. Rituals are a fundamental element of our social life, a firmly established model. It remains very strongly present in contemporary drama, which is reputed to be a particularly dark vision of a disillusioned society. Missed in its dramatizing ability, the ritual is first reintroduced in drama as a poetic, aesthetic form, disconnected from divinity, but still able to elevate the text. However, being deprived of its former superiority and symbolism, it becomes an empty, trifling form, conveying despair. The rite is then debased in two ways. On the one hand, by a ferocious blasphemy aiming to demystify it, humbling all models to the worst human abjection. On the other hand, by slowly sliding into dark, alienating ritual avatars. Finally, the ritual is used as a pretext to comment upon the world. Ritualized everyday lives interrogate the place left to Man in society, and institutional rites aim to bring to light the violence inherent to religion. The rite also becomes a pretext for all sorts of games which paradoxically reveal darkness through apparent innocence. In contemporary drama, the rite is both valued as a dramatic tool and debased as an effective social construction. It remains as a mark, used as a representation model, but always in an incomplete form. For playwrights, the mark of the ritual is an experimentation field allowing them to renew dramatic writing as well as to challenge the stage
Zanandrea, Rene Antonio. „O canto e a música no contexto ritual da liturgia na igreja católica: desafios para a formação de agentes na diocese de Vacaria/RS“. Faculdades EST, 2009. http://tede.est.edu.br/tede/tde_busca/arquivo.php?codArquivo=188.
Der volle Inhalt der QuelleSong and music in the ritual context of the liturgy in the Catholic Church: challenges for the formation of agents in the Diocese of Vacaria/RS. The sounds of nature, selected and combined, gave origin to the musical art. Music belongs to human culture; it is constitutive of its own existence. In the approach of this topic, the first chapter of this work looks for a historical approach to music. It investigates the anthropology of music and its ritual relation to the sacred, also as a part of Christian rites. The II Vatican Council has restored, in the Catholic Church, the value of musical art and increased its possibilities. The musical art begins to be inserted into the sacramental rites. More than singing in the liturgy, there is the need to sing liturgy itself. Music begins to be understood as a means of participation, helping the faithful to express their faith, their gratitude and their needs. In the second part, one looks for an approach to the liturgical-musical reality of the Diocese of Vacaria/RS. Besides the historical-geographical localization, there appear significant elements obtained through a field research. Having as a referencial point the Course of Liturgical and Pastoral Singing (Curso de Canto Litúrgico e Pastoral =CCLP), since three years in function, one tries to perceive what understanding persons have of music and the form by which it influences their lives. Afterwards, the research tries to capture the function of ritual music in liturgy in the opinion of the persons interviewed. In a general way, the persons interviewed show their understanding that a well-song celebration animates the journey and makes the Christian Church to be alive. There is, therefore, the need to prepare the agents of musical art, in order that they contribute to perform living celebrations through an appropriate use of music and song in the liturgical celebrations. The third chapter of the present work tries to point out practical indications for the formation of ministers of song and music, as well as for acting in liturgical rites. Such indications take into consideration the steps which already became reality since the conciliar renewal, especially the reflections and requirements necessary for the evangelizing action from the point of view of the Theology of Liberation. This way of reflecting and making theology has inspired significant steps in the biblical reinterpretation and continues to offer methods of pastoral analysis and reflection, including liturgical ones. To the agents of song and musical ritual of the Diocese of Vacaria/RS, it is suggested to act by taking into consideration the faithful as subjects of the liturgical action, offering them active participation and moments of true communication with their Creator, through wellsong liturgies. The suggestion is the continued and progressive formation on various levels, counting on the collaboration of the subjects of this process, namely, the agents themselves.
Mehl, Véronique. „Les objets des sacrifices dans le monde grec antique“. Bordeaux 3, 2000. http://www.theses.fr/2000BOR30054.
Der volle Inhalt der QuelleFopp, Simone. „Trauung - Spannungsfelder und Segensräume : empirisch-theologischer Entwurf eines Rituals im Übergang /“. Stuttgart : Kohlhammer, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2967585&prov=M&dok_var=1&dok_ext=htm.
Der volle Inhalt der QuelleMarques, Cátia Teles e. „Nos bastidores da liturgia tridentina : o mobiliário monumental e as sacristias em Portugal do século XVI ao XVIII“. Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2007. http://hdl.handle.net/10362/12198.
Der volle Inhalt der QuelleA presente Dissertação de Mestrado centra-se no estudo do mobiliário monumental de sacristia em Portugal dos séculos XVI ao XVIII, organizando-se em três núcleos fundamentais. Em primeiro lugar, a sacristia como contexto espacial das peças de mobiliário a ele destinadas. Em seguida, o mobiliário propriamente dito, com as suas diferentes funções e tipologias. E, por fim, a encomenda e produção do mesmo. Articulam-se, assim, diferentes vertentes – da liturgia aos valores artísticos, do acto da encomenda à economia da produção – numa complementaridade metodológica que procura garantir uma leitura globalizante do tema. O primeiro capítulo incide, por isso, na consideração do espaço da sacristia, nas suas origens e definição tipológica. Estabelece-se o momento da sua individualização na reforma tridentina, a partir do qual a sacristia se torna espaço de encenação, decorrente das exigências de aparato litúrgico, que converte as sacristias em estruturas de apoio, autênticos bastidores do ritual, o lugar que antecedia e finalizava tal encenação. Estabelece-se um percurso pelas sacristias portuguesas do século XVI até ao século XVIII e categorizam-se as mesmas em tipologias diferenciadas. A sacristia monumental ou arquitectónica, fundamentada na linguagem clássica e com uma valência intrínseca à arquitectura. E a sacristia ornamental ou cénica, que encontrou nas sucessivas campanhas de decoração barroca um efeito de aparato, a partir das artes integradas, como a talha e escultura, o azulejo ou a pintura. Considera-se, no segundo capítulo, o papel de relevo do mobiliário monumental em qualquer uma destas tipologias espaciais. O arcaz e o armário embutido foram, na verdade, autênticos agentes da definição da identidade das sacristias, dialogando por isso com a arquitectura dos espaços e/ou com os programas decorativos posteriores. Peças indispensáveis e obrigatórias em cada igreja, participaram de uma evolução tipológica particular no âmbito da história do mobiliário português, que é, neste trabalho, caracterizada desde as suas origens, no século XVI, até aos finais do século XVIII. Tratam-se aspectos tão significativos como o da influência da arquitectura na ideação do mobiliário, ou os diferentes recursos decorativos, tais como os embutidos e as guarnições metálicas, que tornam estas peças, por vezes, em obras-primas. A dimensão do aparato verificado nestas peças de mobiliário é, paralelamente, vista à luz da encomenda, tratando-se as questões relacionadas com o patrocínio régio ou de individualidades da aristocracia portuguesa; o processo efectivo da encomenda; a organização social dos oficiais que executavam as peças e os custos envolvidos. Na deriva de Trento, este capítulo da arte e da encomenda religiosa, ainda insuficientemente conhecido mas tão surpreendentemente rico, é caracterizado, essencialmente, numa dupla dimensão: a materialidade das questões da feitura e a materialização do fim catequético a que se propõem. Nos limites destas duas vertentes originaram-se tipologias artísticas, específicas de uma realidade institucional e do contexto histórico que a condicionou. Foi nesta integração que se geraram e desenvolveram o espaço da sacristia e o seu mobiliário monumental, ambos entendidos com as suas características autónomas.
Van, der Merwe Gert Jacobus Petrus Johannes. „Geloofsvorming in tradisioneel Afrikaans-christelike skole : 'n prakties-teologiese evaluering van die rol van onderwysers, Jeugwerkers en liturgiese elemente teenwoordig in die skoolkonteks“. Diss., University of Pretoria, 2013. http://hdl.handle.net/2263/40362.
Der volle Inhalt der QuelleDissertation (MTh)--University of Pretoria, 2013.
gm2014
Practical Theology
unrestricted
Rollin, Vincent. „Rendre les derniers devoirs en musique : Rituels, chants et pompe musicale des cérémonies funèbres catholiques à Paris sous le régime concordataire“. Thesis, Saint-Etienne, 2015. http://www.theses.fr/2015STET2210/document.
Der volle Inhalt der QuelleThis thesis studies the motivations, practices and repertories of chant and music used in catholic funeral ceremonies at Paris under the Concordat (1802-1905). The singing and musical solemnization of, added to and during the Mass of the Dead (plain chant, false bourdon, counterpoint, music) is analyzed for its scopes of organization and production : on the one hand the texts and rubrics of the rituals, ceremonies, prayers and chants of the liturgical books (roman and parisian rites) ; on the other hand the legislation, economy and administration of the funeral mass the official fees regulation of “pompes funèbres” fees and parishes. Then the making of the extraordinary musical “pompe” is studied by means of four particular cases : the involvement of the soldiers in and ex ecclesia (military honours and music) ; official and national funeral ceremonies, with their financing, symbolic system, places and official musical repertories ; the mournings of the musical community, involving not only a voluntary summoning up of musicians, singular choices for the musical program, but also a funeral discourse through music
Small, Alwyn Johannes. „Die gebruik van rituele en simbole binne die erediens as draers van hoop“. Diss., Pretoria : [S.n.], 2004. http://upetd.up.ac.za/thesis/available/etd-06172005-104128/.
Der volle Inhalt der QuelleDumas, Gisèle. „Le processionnal en Aquitaine (Xème-XIIIème siècles) : genèse d'un livre, constitution d'un répertoire“. Tours, 2001. http://www.theses.fr/2001TOUR2021.
Der volle Inhalt der QuelleSubirats, Sorrosal Chantal. „El ceremonial militar romano: liturgias, rituales y protocolos en los actos solemnes relativos a la vida y la muerte en el ejército romano del alto imperio“. Doctoral thesis, Universitat Autònoma de Barcelona, 2013. http://hdl.handle.net/10803/133339.
Der volle Inhalt der QuelleThis investigation is a summary of Roman military ceremonies developed in the early Roman Empire (31 BC-235 AD). First we detect the rituals that sure happened or maybe could have existed in this period. In one hand we try to define the formal ceremonies of the soldier’s daily life in the barracks. On the other hand, we reproduce the liturgies and rituals related to the death and the funerals of Roman soldiers. To begin, we briefly describe how the soldier’s life was in the camp. And then, we define the possible military ceremonies within it. As we know, the Roman army never published an official ceremonial protocol. For this reason, we chose to use the current Spanish Royal Army Regulations in order to rebuild what were the solemnities in this kind of acts and also how were they developed in the past. These rules define all the rituals for today’s military, so as starting point, we look for their equivalents in the Roman Army which are the following acts: military parade, oath of allegiance, unit birthdays, transfer of power between commanders, promotions and awards, licensing soldiers, and civil and religious festivities. Following the same order as the Spanish Royal Army Regulations, we develop these topics in every ceremony: purpose, meaning, timing (occasional or recurring), participants, development and other elements to emphasize, as the liturgy. Afterwards, we describe the military death and funeral acts. Death could be honourable or ignominious. In the first case, there was an entire mourning ceremonial. But if the soldier had died dishonourably liturgy was poor or even nonexistent. At first, these rituals took place in the camp because the army was campaigning. However, when the soldier’s family knew about his death, they prepared a funeral in his homeland, be it with or without the fallen soldier’s body. After the funeral, the military associations to which the soldier belonged to helped the soldier’s family in paying for a cenotaph tomb in order to have him remembered. This kind of monuments feature epitaphs praising the virtues of the soldier using a variety of epigraphic formulas which helped in boosting the prestige of his family. Deification was the highest posthumous honour for a soldier. But this honour was only available to the Emperors. Ruled out this possibility, the second major honour for a fallen soldier was to be awarded a public funeral. And the worst punishment was the damnatio memoriae sentence, which banned anything that may have had him remembered: for example, images, monuments and inscriptions with his name, etc. Except for this extraordinary case, fallen soldiers were reminded as the rest of people in festivities remembering the dead such as Parentalia, Caristia, Lemuria, Rosalia, Violaria and Larentalia. Throughout history we see that any complex organization has developed protocols and ceremonials in order to give solemnity to their acts. In this investigation we show that the Roman army was not an exception to this rule.
Ingrid, Dahlström. „Vigselgudstjänstens teologi i praktiken : Fallstudier av vigselgudstjänster i Svenska kyrkan utifrån liturgisk teologi, performanceteori och ritteori“. Thesis, Enskilda Högskolan Stockholm, Avdelningen för religionsvetenskap och teologi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:ths:diva-1272.
Der volle Inhalt der QuelleGasquet, Béatrice de. „Genre, rituel et politiques de l'identité juive : dispositifs de socialisation dans les synagogues non orthodoxes en France“. Paris, EHESS, 2011. http://www.theses.fr/2011EHES0110.
Der volle Inhalt der QuelleSpanning gender studies, sociology of religion, and political sociology, this research explores the local dimension of religious conflicts on gender through the case of French Judaism in the early 2000s. This dissertation studies the organizational production of gender and Jewish identity in non-Orthodox synagogues in France. Substantially outnumbered by Orthodox Judaism, liberal and masorti synagogues are characterized by mixed seating and active participation of women in religious ritual. Using an ethnographical approach, this research analyzes space, ritual, public speaking, religious training, and mobilization for the synagogue, to show how synagogues act as a set of processes of socialization or "dispositifs" that contribute to the organizational production of gendered subjectivities. French synagogues are located in a social figuration where women’s place in the religious space is used as a symbolic marker between religious movements in conflict over the definition of Jewishness and Judaism. This thesis shows how each organisation's position in this religious field has consequences on the 'perception of the gendered division of labor, the appropriation of religious debates on gender, and the legitimacy of local efforts to promote women's participation in ritual. In such a context where gender is a discourse on power, iterated performance of ritual produces reflexivity on gender, in the form of a male pride in equality, and a female moral imperative of self-justification. While current literature on gender and religion has focused predominantly on conservative religious contexts, this research explores normativity within liberal religious organizations
Anjos, Emilson Soares dos. „Modificações litúrgicas como expressão do processo de transplantação: as divergências e as convergências no ritual de funeral da Igreja Messiânica Mundial do Japão e do Brasil“. Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/1846.
Der volle Inhalt der QuelleThis dissertation addresses issues related to convergence and divergence of the funeral ceremony of the Church of World Messianity in Japan and Brazil. Funeral plays a fundamental role in the religious work of the Church of World Messianity. The model of ritual presented throughout the presentpaper was proposed by the Second Spiritual Leader,Nidai-Sama, and considered ideal for this kind of rite of passage. The Second Spiritual Leader Nidai-Sama and (wife of the founder Mokichi Okada), who grounded the liturgy principles of the Church of World Messianity, wrote teachings to guide the followers through the fullfilment of such acts. Therefore, given the different cultural aspects between the two countries as well as the specific aspects of the Church of World Messianity, we seek to answer the following questions:Were there any adaptations to the process of transplantation of a liturgy from Japan to Brazil? If adaptations occurred in different poles (cultural, religious and social ones), with theirrespective traditions and habits, which were these adaptations and in which aspects did theytake placeregarding the practice of funeral ritual in the host culture? To answer these questions, we seek justification in the Theory of Religious Transplantation, by Martin Baumann, which allowed us to conclude that convergences and divergences occurring in the transplantation process contributed to a better understanding of rituals of messianic doctrine by the Brazilian community
Esta dissertação aborda questões relacionadas às convergências e às divergências da cerimônia de funeral da Igreja Messiânica Mundial no Japão e no Brasil. O ritual de funeral exerce papel fundamental no trabalho religioso da Igreja Messiânica Mundial, e o modelo de ritual apresentado ao longo desse trabalho foi proposto pela Segunda Líder Espiritual,Nidai-Sama, e considerado como ideal para esse tipo de ritual de passagem. A Segunda Líder Espiritual Nidai-Sama (esposa do fundador MokitiOkada), que sistematizou a liturgia da IMM, escreveu Ensinamentos para nortear os fiéis na realização desses atos litúrgicos. Assim sendo, considerando os diferentes aspectos culturais entre os dois países bem como os aspectos específicos da Igreja Messiânica Mundial, busca-se responder às perguntas: Houve adaptações necessárias ao processo de transplantação de uma liturgia do Japão para o Brasil? Se aconteceram adaptações nos diferentes polos (culturais, religiosos e sociais), com seus respectivos usos e costumes, quais foram essas adaptações e em que pontos elas ocorreram na prática do ritual de funeral na cultura anfitriã? Para responder a essas indagações, buscamos fundamentação na Teoria da Transplantação Religiosa, de Martin Baumann, a qual nos permitiu concluir que as convergências e as divergências ocorridas nesse processo de transplantação contribuíram para uma melhor compreensão dos rituais da doutrina messiânica pela comunidade brasileira
Ruiz, Soto Héctor. „Apariencia ou l’instant du dévoilement : théâtre et rituels dans l’Espagne du Siècle d’or“. Electronic Thesis or Diss., Sorbonne université, 2019. http://www.theses.fr/2019SORUL161.
Der volle Inhalt der QuelleThe apariencia, a typically Iberian special effect, is defined in 1611 as ‘a mute representation shown by drawing a curtain in front of people, and immediately hiding it again’ (Covarrubias, Tesoro lexicográfico). In other words, it is a performance of unveiling, used mostly in theatre, but also in liturgy – where it displays relics and sacred images – and in royal ceremonies – both in public pageant and inside the royal chapel. Apariencia also innervates private collections of paintings, where some masterpieces or cultural images are shown by pulling a curtain and closing it soon thereafter. A topic coming from the Naturalis Historia by Pliny the Elder gives a model of interpretation: the victory of Parrhasios against Apelles is the result of the illusionism of a painted curtain, that everyone would want to unveil. In his definitions of apariencia and cortina (curtain), Covarrubias describes this visual device, and he mentions spectacular unveilings both in theatre and in the royal chapel. He also reveals that the common language associates the unveiling with something that produces wonder. The theatrical apariencias, which sometimes imitate ritual, also open to the fields of painting, royal ritual and liturgy. Therefore, a concept emerges : the apariencia becomes a visual effect used to unveil something striking for a few moments, in the fields of theatre, painting, royal ritual and liturgy. This PhD dissertation deals with these spheres, and it combines history of the theatre and cultural history in order to understand the emotional and symbolic connotations of this act of unveiling in the early modern Iberian peninsula
Bäckstedt, Lena. „Från skuggan av Amun till Jesu ljus. : En historisk resa från fornegyptentill etablerandet av den kristna koptiska kyrkan i Egypten“. Thesis, Linköping University, Department of Culture and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-11535.
Der volle Inhalt der QuelleTanken med denna uppsats är att utifrån ett idéhistoriskt perspektiv försöka belysa fundamentet och framväxten av den kristna koptiska kyrkan i Egypten. Med hänsyn tagen till såväl den sociokulturella och teologiska som politiska historien är mitt syfte att framgent kunna presentera vilka komponenter det är som kan ha bidragit till dess ecclesiala institution vars uttryck manifesteras genom liturgiska riter, symbola samt trosföreställning.
Som uppsats betraktat är den deskriptiv med inslag av argumenterande karaktär. Det innebär att det förekommer komparabla reflektioner i syftet att teologiskt kunna presentera om det ur ett koptiskt inifrånperspektiv finns någon icke-kristen faktor i trosföreställningen vars dignitet i så fall skulle kunna vara den sammanhållande länken för deras syn på den egna tron. På grund av detta är det nödgat att dels göra några historiska nedslag i den fornegyptiska religionen för att utröna vilka element det är som kan ha fått en kristen överbyggnad, och dels om den egyptiska mytologiska samt kosmologiska världen ligger till grund för delar av den koptisk kristna filosofin.
Slutsatsen jag kom fram till är att det fornegyptiska arvet spelar som förväntat en stor roll. Kopterna är stolta över sitt ursprung och lever i en miljö vilken i allra högsta grad fortfarande vittnar om det forntida egyptiska imperiets storhet. Det förefaller också som så att den östra kyrkan, Alexandrinska kyrkan, uppbar en ledande funktion i framväxten av kristendomen. Problematiken som sedermera uppstod handlade om Kristi natur och substans vilket ledde till att koptiska kyrkan ställde sig utanför mötet i Kalcedon 451. Främsta orsaken till detta är i mina ögon den polemiska synen på begreppet ”The Mother of God” – Theotokos visavi Christotokos. Den Koptiska kyrkans största bidrag till kristenheten är kloster och munkväsendet samt tidegärden.
Zimčík, Milan. „Liturgie zásnub“. Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-408842.
Der volle Inhalt der QuelleKloppers, Elizabeth Catharina. „Liturgiese musiek as kommunikatiewe handeling in 'n post-moderne era“. Thesis, 1997. http://hdl.handle.net/10500/17103.
Der volle Inhalt der QuelleLiturgiese musiek verkeer wereldwyd in 'n krisis. Kritiek word dikwels slegs voor die deur van die musiek gele, terwyl die probleem verband hou met die erediens as geheel, die teologiese denke en met die kulturele omstandighede waarbinne die erediens plaasvind. Geykte liturgiese vorms, 'n kognitiewe-verbalisme, die oorbeklemtoonde eis om verstaanbaarheid, 'n verlies aan die kunsgestalte van die erediens, 'n miskenning van die simboliese waarde van rituele en handelinge, die gebrek aan visuele en ander kunsvorme, die invloed van die omringende musiekkultuur en veral die gebrek aan 'n grondige teologiese besinning ten opsigte van musiek in die erediens, bring die funksie, aard en wesenlike plek van liturgiese musiek in gedrang. Die erediens staan binne 'n · postmodernistiese denkkultuur waarvan sekere aspekte positiewe moontlikhede ten opsigte van die erediens kan bied. Die breer rasionaliteitsbegrip, wat ruimte open vir die affektiewe en nie-kognitiewe dimensies van menswees, skep nuwe ruimte vir die estetiese ervaring en die rol van ervaring in die geloofsproses. Die erkenning van simbole, simboolwerelde, metafore, beelde en verbeelding, bied nuwe moontlikhede vir die erediens as Gesamtkunstwerk. Die oog vir die heropname van die historiese en die simboliese bied ook geleentheid vir die herstel van die tradisionele lied. 'n Gees van anti-fundamentalisme vereis 'n oop kanon ten opsigte van die liturgie en die liturgiese lied. Ekumenisiteit as vorm van die postmoderne global village bied 'n pluraliteit van liturgiese en musikale moontlikhede. 'n Nie-outoritere tydsgees en die ontkenning van 'n 'kundigheidsgroep' deur die postmodernisme, moet verreken word as faktore wat 'n rol kan speel by die resepsie van liedere en gesangboeke. Die liturgiese opleiding, veral met betrekking tot die estetiese vorming van predikante, moet grondig aandag kry. Die besinning rondom die liturgie met betrekking tot die rol van kuns en musiek as kommunikatiewe handelinge moet op grond van nuwere teologiese insigte tereg kom. Die tese van hierdie studie is dat die kerklied, oud of nuut, eers daar tereg sal kom waar van liturgiese vernuwing in die omvattende sin sprake is en waar teologies die ruimte vir musiek as kunsvorm met die vermoe tot simboliese vergestalting - as sodanig dus kommunikatiewe handeling in diens van die Evangelia - verreken word.
Philosophy, Practical & Systematic Theology
D. Th. (Practical Theory)
Slavíková, Milena. „Křesťanské rituály a náhradní rituály se zřetelem k situaci v Československu druhé poloviny 20. století“. Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-346742.
Der volle Inhalt der QuelleMacková, Alžběta. „Iniciační rituál v kontextu liturgie Arménské apoštolské církve“. Master's thesis, 2006. http://www.nusl.cz/ntk/nusl-268816.
Der volle Inhalt der QuelleHofmanová, Jana. „Pohřební bohoslužby z homileticko-liturgického pohledu“. Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-310527.
Der volle Inhalt der QuelleMacková, Alžběta. „Křestní a pohřební rituál v kontextu liturgie Arménské apoštolské církve“. Master's thesis, 2007. http://www.nusl.cz/ntk/nusl-289401.
Der volle Inhalt der QuelleViljoen, David Muller. „'n Model vir die liturgiese gebruik van simbole en rituele“. Thesis, 2003. http://hdl.handle.net/10500/1619.
Der volle Inhalt der QuelleThis thesis embarked with the problem within the liturgy that tension exists in trying to minister justly according to the current context and trying to minister faithful to Scripture. A departing perspective is that the liturgy is the heartbeat in the congregation whereto and from where every aspect is networking. Also, that the emphasis can be on both proclaiming and celebrating in Protestant liturgies. Dialogical communication was chosen as theoretical approach together with communicative action for the sake of the gospel of Jesus Christ. The first and last chapters illustrate what is meant with the term liturgy. The problem is stated (and investigated) that liturgy is a complicated and central phenomenon, which ought to let Reformed theology as well as a postmodern context come to their own. It is also indicated that liturgical spirituality, liturgical communication and liturgical pastorate can better be used and improved during Sunday liturgies. For the liturgy in order to serve the Reformed tradition and the postmodern context, and to uplift the three liturgical aspects of spirituality, communication and pastorate, liturgical symbols and rituals are posed as timeless agents to better the liturgy. Attention was also given to symbolism in Scripture. This led to a model of application as a theory of praxis for the liturgical use of symbols and rituals. The core of this model or theory of praxis, is: I. The highest priority in liturgical symbolism will always be to promote the holy Trinity and Biblical principles. II. The supplementary use of right-brain components, such as experience, emotion and music. III. A high premium on active participation and repetition. IV. An approach of simplicity and soberness. V. Relevance to the culture and context of the day. VI. Services that take hold of total persons and focus on multiple senses and corporeality (bodily involvement). i VII. Room for transendence, imagination and mystic worship of God. VIII. Actions and services that embrace diversity, pluralism and generative variety. IX. Meetings where pastoral and therapeutic dimensions are included. X. Celebration and positive experiences in meetings. XI. The use of images, stories, metaphors and icons. XII. The use of meta-communicative principles such as attitude, intention and high validation of other people.
Hierdie proefskrif het vertrek met die probleem vanuit die liturgie dat daar binne die huidige konteks en die deurlopende poging tot getrouheid aan die Skrif toenemend spanning groei in die eredienspraktyk. Die proefskrif vertrek ook vanuit die perspektief dat die liturgie die hartklop en voedingsaar van die gemeente is van waaruit en waarheen die totale gemeente netwerk en dat die verkondigingsbenadering en die vierings-benadering altwee 'n legitieme plek in die Protestantse liturgiese tradisie het. As teoretiese vertrekpunt vir die liturgiese handelinge word dialogiese kommunikasie gekies saam met kommunikatiewe handelinge ter wille van die evangelie van Jesus Christus. In die eerste en laaste hoofstukke word verduidelik wat met die begrip liturgie bedoel word. Die probleem word gestel dat die liturgie 'n komplekse handeling en kardinale fenomeen is wat reg moet laat geskied aan die Gereformeerde teologie en aan 'n postmoderne konteks. Verder word uitgewys dat liturgiese spiritualiteit, liturgiese kommunikasie en liturgiese pastoraat in ons huidige tydgleuf meer benut en uitgebou kan word tydens die weeklikse liturgiee. Ten einde die liturgie in haar Gereformeerde tradisie en postmoderne konteks te dien en om die drie liturgiese fasette van spiritualiteit, kommunikasie en pastoraat te bevorder, word liturgiese simbole en rituele aangebied as tydlose en tydige agente om die liturgie mee te verryk. Om die ondersoeke af te rond, is daar ook aan simboliek in die Bybel aandag gegee. 'n Werkswyse is gevolg waar die Gereformeerde teologie en postmoderniteit ontleed is en in verband gebring is met simbole en rituele. Liturgiese spiritualiteit, liturgiese kommunikasie en liturgiese pastoraat is ook gedissekteer, ten einde dit beter te begryp, en in verband te bring met liturgiese simbole en rituele. Daarna het simboliek aan die beurt gekom en is simbole en rituele gedefinieer, ontleed en na aard, wese en toepassing bestudeer. Simboliek in die Bybel is afgetas om gewig te verleen aan die ondersoeke. Uit al die genoemde ontledings en bevindings wys die proefskrif uit dat simbole en rituele inderdaad uitnemend geskik is om die liturgie eer aan te doen in die eiesoortige soeke na voortreflike vlakke van spiritualiteit, kommunikasie en pastoraat binne Gereformeerde en postmoderne kontekste. Hieruit is 'n toepassingsmodel as omvattende praktykteorie aangebied vir die liturgiese gebruik van simbole en rituele as die bydrae van hierdie proefskrif. (5.4 en 5.5). Die kern van die model of praktykteorie vir die liturgiese toepassing van simboliek is: I. Dat die hoogste doelstelling en swaarwigtigste vergestalting met simboliek in die erediens altyd God Drie-Enig en Bybelse waardes en beginsels is. II. Dat aanvullende gebruikmaking en verrekening van regterbreinkomponente soos ervaring, emosie en musiek noodsaaklik is. Ill. 'n Doelbewuste hoe premie op handelende deelname en herhaling. IV. 'n Benadering van eenvoud en soberheid. V. Handelinge en momente wat spreek tot die kultuur en konteks van die dag. VI. Erediensmomente wat die totale mens betrek en infokus op veelsintuiglikheid en liggaamlikheid. VII. Ruimte vir transendensie, verbeelding en mistiek om God te aanbid. VIII. Handelinge wat diversiteit, pluralisme en generatiewe verskeidenheid omhels en vier. IX. Byeenkomste wat pastorale en terapeutiese roepings insluit. X. Samekomste waar feestelikheid en aangename ervarings beleef word. XI. Kommunikeerders wat beelde, verhale, metafore en ikone gebruik. XII. Handelinge waar ag geslaan word op metakommunikatiewe beginsels soos gesindheid, intensie en hoe waardetoekennings aan die ander persoon.
Practial Theology
D. Th. (Practical Theology)
Uys, Jacobus Stephanus Petrus. „'n Prakties-teologiese ondersoek na die gebruik van liturgiese simbole en rituele in die Paassiklus“. Thesis, 2006. http://hdl.handle.net/2263/28270.
Der volle Inhalt der QuelleThesis (DD (PracticalTheology))--University of Pretoria, 2007.
Practical Theology
unrestricted
Malherbe, Pieter Abraham. „Die rol van die liturgie in die fasilitering van 'n ontmoeting tussen God en "soekers" (Afrikaans)“. Diss., 2010. http://hdl.handle.net/2263/28729.
Der volle Inhalt der QuelleDissertation (MA(Theol))--University of Pretoria, 2010.
Practical Theology
unrestricted