Auswahl der wissenschaftlichen Literatur zum Thema „Littérature - théorie“
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Zeitschriftenartikel zum Thema "Littérature - théorie"
Teixeira, Joanna. „Ferdinand Brunetière : la critique littéraire « scientifique » et le darwinisme littéraire“. Linguistic Frontiers 4, Nr. 3 (01.12.2021): 54–63. http://dx.doi.org/10.2478/lf-2021-0017.
Der volle Inhalt der QuelleMarini, Marcelle. „Entre littérature et théorie“. Les cahiers du CEDREF, Nr. 2 (01.01.1990): 21–36. http://dx.doi.org/10.4000/cedref.1378.
Der volle Inhalt der QuelleBraga, Corin. „Littérature et théorie du chaos“. Caietele Echinox 45 (01.12.2023): 315–31. http://dx.doi.org/10.24193/cechinox.2023.45.22.
Der volle Inhalt der QuellePaquet, Renaud, Jean-François Tremblay und Éric Gosselin. „Des théories du syndicalisme“. Articles 59, Nr. 2 (09.12.2004): 295–320. http://dx.doi.org/10.7202/009543ar.
Der volle Inhalt der QuelleDaros, Philippe, und Philippe Roussin. „Études littéraires : avis de recherche“. Communications 114, Nr. 1 (05.04.2024): 223–36. http://dx.doi.org/10.3917/commu.114.0223.
Der volle Inhalt der QuelleLemghari, El Mustapha. „Vers un modèle étendu de l’intégration conceptuelle des expressions multi-métaphoriques“. SHS Web of Conferences 78 (2020): 12002. http://dx.doi.org/10.1051/shsconf/20207812002.
Der volle Inhalt der QuellePerry, Thomas Amherst, und Adrian Marino. „Comparatisme et théorie de la littérature“. World Literature Today 63, Nr. 3 (1989): 543. http://dx.doi.org/10.2307/40145533.
Der volle Inhalt der QuelleRamadan, Maarouf, und Nadine Levratto. „Conceptualisation de l’internationalisation des PME“. Revue internationale P.M.E. 24, Nr. 1 (27.09.2012): 71–106. http://dx.doi.org/10.7202/1012552ar.
Der volle Inhalt der QuelleCândido Pimentel, Manuel. „Elementos para uma Fenomenologia Literária do Texto Filosófico“. Philosophica: International Journal for the History of Philosophy 5, Nr. 9 (1997): 7–31. http://dx.doi.org/10.5840/philosophica1997592.
Der volle Inhalt der QuelleLebrun, Caroline. „Changement de point de vue sur les Alpes. Un détour par la littérature“. Revue française de psychanalyse Vol. 87, Nr. 5 (02.11.2023): 1377–82. http://dx.doi.org/10.3917/rfp.875.1377.
Der volle Inhalt der QuelleDissertationen zum Thema "Littérature - théorie"
Gagnon, Alex. „Littérature et subjectivité essai d'épistémologie de la théorie littéraire“. Mémoire, Université de Sherbrooke, 2012. http://hdl.handle.net/11143/5729.
Der volle Inhalt der QuelleAbdallah, Tarak. „Essai sur les théories et les développements de la théorie économique arabe contemporaine“. Paris 10, 1992. http://www.theses.fr/1992PA100056.
Der volle Inhalt der QuelleThis work is intended to present the economic literature that the contemporary Arab intellectuals have produced. The first part of this search will be consecrated at the themes-debates that sun up the essential of Arab economic write. The second part tries to place the Arab economic literature in comparison with the social and economic Arab realities. It's through genesis and metamorphosis of Arab intellectual movement since Islam advent, and through the birth of the modern national Arab state, that we try to analyze the construction, characteristics and evolution of this literature
Biyogo, Grégoire. „L'écriture et le mal, théorie du désenchantement : contribution aux recherches sur la théorie littéraire“. Paris 4, 1991. http://www.theses.fr/1990PA040165.
Der volle Inhalt der QuelleThe work attempts to establish the proposition of rational acceptability which controls the indissociability of writing and the question of disappointment,through Arts,History,Philosophy and Science,especially in West Europe and in Africa. .
Antonioli, Manola. „L'écriture de Maurice Blanchot : fiction et théorie“. Paris, EHESS, 1997. http://www.theses.fr/1997EHESA013.
Der volle Inhalt der QuelleBerthet, Dominique. „Les esthétiques révolutionnaires : théorie du reflet et imaginaire“. Paris 1, 1993. http://www.theses.fr/1993PA010650.
Der volle Inhalt der QuelleThe xixth century has seen the birth of modern socialism and the emergence of a new concept applied to art : modernity. From that period on, two types of socialism have developed, competed and incessantly argued. The origin of the conflict to date back to the argument between marx and proudhon. These two forms of socialism, as far as art and aesthetics are concerned, have made different and sometimescontrary propositions. However, Proudhon, Marx and Engels' aesthetics have in common the fact that they are ideological, they contemplate art in its direct relation to the social field. Consequently, marxist an libertarian aesthetics are to differentiate one from the other in the long run. Anarchist aesthetics have the peculiarity of being numerous and of offering very different approaches towards art. However, they come from statements that are very distinct from those that founded marxist aesthetics. The way they showed through social realism and jdanovism. Afterwards, in front of what had become state aesthetics, some marxists turned away from that kind of art to adopt some points of view borrowed from the libertarian aesthetics
Mellier, Denis. „La terreur fantastique et l'écriture de l'excès : théorie et poétique du récit terrifiant“. Paris 3, 1994. http://www.theses.fr/1995PA030068.
Der volle Inhalt der QuelleAlthough the fantastic is commonly read as a literature of uncertainty and ambiguity, where undetermined forms would prevail in efficiency and signification over explicit, excessive and in fact demotivated representations, since the gothic novels of the 18th century, another fantastic mode as emerged that proceeds from diametrally opposite poetics. Walpole's and lewis's narratives, lovecraft's hyperboles, the spectacular effects of contemporary horror stories display poetics of excess that works fantastic representation and places its pathos effect in the visibility and determination of frightening objects rather than in suspension of meaning. This study first examines the theoretic conditions under which those representations that are primarily explicit and excessive are maintained and interpretable within the field of fantastic fiction. Second, it questions the poetics that bring into play visibility - first in the mutual influence and deviation between burke's aesthetics of sublime terror and gothic novels, then in lovecraft writing of fantastic. This specularity of excess leads us to question ourselves about the conceptions of language and writing that underlie such a fantastic mode, where the hyperbole and the oxymoron, the description and the unnambale terrify
Bernard, Laurent. „La Littérature cartographique, un défi à la totalité“. Cergy-Pontoise, 2005. http://www.theses.fr/2005CERG0244.
Der volle Inhalt der QuelleThis study proposes to confront the cartography with the literature in order to release a literature known as cartographic; I. E. A literature which does not merge with a géographical literature, but which is adapted, at the time of each stage of its speech, spécific codes and ambition of cartographic project which seeks to defy the world in its totality. This attemp at reconciliation, under consideration around a central corpus composed of Borges, Calvino, Perec, Stevenson and using regularly of parallels pictorial, determines in a first part the nature of the cartographic glance (point of view). This glance is carried out around an abandonment of the eye sensitive to profit of an the same time divine and theoretical bicephalous eye. A glance which involves this cartographic literature well off a logic representation for a logic of construction of which the foncations, approached in one second part, let foresee the way in which this literature uses to the statute of card image, between remote setting, framing, brevity and devices of projection. To these foundations succeeds the observation of the strategies installed by this writing, on the cartographic model, in order to achieve, in an effective way its challenge with totality, between disembodied structure, formal global nature related to the question of the genre and cumulative fullness. All of these strategies which are at the same time paradoxical and heterogeneous, come across the difficulties in this challenge. Also, in a last part we question the way in which the cartographic writing consecrates a quite specific reading, between reticularity and rhizomic verticality exempted by intertextuels devices end bilocation. This cartographic reading appealing to exteriority and diversity, for a totality-world open and with which the reader superimposes himself to become himself an individual-world
Asllani, Persida. „Roland Barthes : l'écriture de la théorie“. Paris 7, 2005. http://www.theses.fr/2005PA070059.
Der volle Inhalt der Quelle"Roland Barthes - Writing the Theory", is a research about writing ("écriture") of literacy theory, to put in evidence the process of coming up and of operative notions in Roland Barthes's entire work. As on the same time literary notions, philosophie, musical and utopist notions, they stay on crossbreeding between fiction and theory. The Thesis structure follows évolution and persistance of key-notions : writing of Tragedy (first of ail), Death, Utopia, Clarity, Music, presents some peculiar views of writing process, imagined as a kind of possible and impossible process. Prefaced and never-published anthology of the 1920 questions proposed by Barthes, from 1942 until his death (1980), completes the thesis (Vol. II)
Renombo, Steeve Robert. „L'écriture et le voyage : approches de l'itinérance : contribution aux travaux sur le comparatisme et la théorie littéraire“. Paris 4, 2000. http://www.theses.fr/2000PA040250.
Der volle Inhalt der QuelleArfouilloux, Sébastien. „La musique, entre pratiques et théorie littéraire, de Dada au surréalisme“. Paris 4, 2007. http://www.theses.fr/2007PA040061.
Der volle Inhalt der QuelleThis study puts to the test facts the theoretical declarations of Dada and surrealism about music, proposing to read them again in their historical and cultural context. It is about to know in what music has a role to play into surrealism, taking into account the texts that announce a refusal, and to measure the difference between the announced theory and the achievements concluded. Taking as starting point the spectacles and the musical theories of the avant-garde of the time of Dada, which carry in germ what will be surrealism, it examines then the whole of the declarations of Andre Breton on the music. It finally questions the idea that there was no musical surrealism. Far from the postromantism, well off the return to the classicism of France at the beginning of the twentieth century, new musics are worked out. Certain news musical tendencies will be able to hold the attention of the surrealist poets and to constitute an inspiration. Others will be impelled by composers having dependent part with the surrealist movement
Bücher zum Thema "Littérature - théorie"
Santerres, Stéphane. Théorie de la littérature. Paris: Presses universitaires de France, 1990.
Den vollen Inhalt der Quelle findenDufays, Jean-Louis. Théorie de la littérature: Une introduction. Louvain-la-Neuve [Belgique]: Academia-Bruylant, 2009.
Den vollen Inhalt der Quelle findenCaraion, Marta. Comment la littérature pense les objets: Théorie littéraire de la culture matérielle. Ceyzérieu: Champ Vallon, 2020.
Den vollen Inhalt der Quelle findenDurand, Carine, und Sandra Raguenet. L'Amérique latine entre critique et théorie: Un autre regard sur la littérature. Paris: Classiques Garnier, 2015.
Den vollen Inhalt der Quelle findenNodier, Charles. Du fantastique en littérature. [Gien, France]: Chimères, 1989.
Den vollen Inhalt der Quelle findenHemery-Hervais, Sima Eyi, und Centre d'études en littérature gabonaise., Hrsg. Méthodologie et théorie littéraires: Sociologie de la littérature et sociocritique des textes : comprendre l'analyse du discours : linguistique et littérature. Libreville: Centre d'études en littérature gabonaise et d'analyse du discours, 2006.
Den vollen Inhalt der Quelle findenAndré, Gaudreault, Groensteen Thierry, Carcaud-Macaire Monique und Centre national de la bande dessinée et de l'image (France), Hrsg. La transécriture pour une théorie de l'adaptation: Littérature , cinéma, bande dessinée, théâtre, clip. Québec: Éditions Nota bene,c1998., 1998.
Den vollen Inhalt der Quelle findenGignoux, Anne Claire. Initiation à l'intertextualité. Paris: Ellipses, 2005.
Den vollen Inhalt der Quelle findenGraciela, Reyes, und Mignolo Walter, Hrsg. Teorías literarias en la actualidad. Madrid: Ediciones El Arquero, 1989.
Den vollen Inhalt der Quelle findenMaingueneau, Dominique. Le contexte de l'oeuvre littéraire: Énonciation, écrivain, société. Paris: Dunod, 1993.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Littérature - théorie"
PONOMAREVA, Anna. „Maxim Gorky’s World Literature Project“. In Ecrire entre les langues, 103–6. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.6444.
Der volle Inhalt der QuelleIllouz, Jean-Nicolas. „Une théorie critique du romantisme :Sylviede Nerval“. In Le Bonheur de la littérature, 219. Presses Universitaires de France, 2005. http://dx.doi.org/10.3917/puf.neef.2005.01.0219.
Der volle Inhalt der QuelleALFA, Attahiru Sule. „Files d’attente à temps discret à serveur unique avec temps d’interarrivée et de service interdépendants“. In Théorie des files d’attente 1, 5–25. ISTE Group, 2021. http://dx.doi.org/10.51926/iste.9001.ch1.
Der volle Inhalt der QuelleBaron, Christine. „Transferts entre littérature et savoirs : vers une théorie hétéronome de la littérature ?“ In Circulation des savoirs et reconfiguration des idées, 325–38. Presses universitaires du Septentrion, 2016. http://dx.doi.org/10.4000/books.septentrion.20778.
Der volle Inhalt der QuelleVaillant, Alain. „L’amour, la théorie et l’histoire de la littérature“. In L’Amour-fiction, 7–26. Presses universitaires de Vincennes, 2002. http://dx.doi.org/10.4000/books.puv.6436.
Der volle Inhalt der QuelleDerré, Jean-René. „Chapitre II. La théorie du pouvoir dans l’ultramontanisme mennaisien“. In Littérature et politique dans l’Europe du XIXe siècle, 49–64. Presses universitaires de Lyon, 1986. http://dx.doi.org/10.4000/books.pul.30743.
Der volle Inhalt der QuelleBallin, Malcolm W. „Vers une théorie des genres appliquée. À la littérature périodique“. In Le livre en Irlande, 273–84. Presses universitaires de Caen, 2006. http://dx.doi.org/10.4000/books.puc.938.
Der volle Inhalt der QuelleAggarwal, Kusum, und Viviane Azarian. „La théorie postcoloniale à l’épreuve de la littérature africaine francophone“. In Postures postcoloniales, 31–64. Karthala, 2012. http://dx.doi.org/10.3917/kart.mange.2012.01.0031.
Der volle Inhalt der QuelleBaron, Christine. „De Calvino à Vattimo. Esthétique, critique, théorie de la littérature“. In La critique littéraire du XXe siècle en France et en Italie, 263–75. Presses universitaires de Caen, 2007. http://dx.doi.org/10.4000/books.puc.21091.
Der volle Inhalt der QuelleBílek, Petr A., und Tomáš Kubíček. „Définir le structuralisme tchèque“. In Jan Mukarovsky. Ecrits 1928-1946, 1–26. Editions des archives contemporaines, 2018. http://dx.doi.org/10.17184/eac.1411.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Littérature - théorie"
Marchal, Hugues. „Physiologie et théorie littéraire“. In Paul Valéry et l'idée de littérature. Fabula, 2011. http://dx.doi.org/10.58282/colloques.1416.
Der volle Inhalt der QuelleFilhol, Benoit. „La Méditerranée, un trésor pédagogique“. In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2972.
Der volle Inhalt der QuelleKremer, Nathalie. „Voir l’ineffable. Le "pas" théorique de la danse, entre littérature et peinture“. In La danse et les arts (XVIIIe-XXe siècles). Fabula, 2018. http://dx.doi.org/10.58282/colloques.5354.
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