Thematische Bibliographien / Literature, Modern, in art

Auswahl der wissenschaftlichen Literatur zum Thema „Literature, Modern, in art“

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Veröffentlicht am 27. Juli 2024

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Zeitschriftenartikel zum Thema "Literature, Modern, in art"

Matthews, John. „Introduction: Modern and Post-Modern Arthurian Literature“. Arthuriana 9, Nr. 1 (1999): 3–4. http://dx.doi.org/10.1353/art.1999.0033.

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Hammond, Marlé. „Reading Across Modern Arabic Literature and Art“. Middle Eastern Literatures 18, Nr. 1 (02.01.2015): 102–3. http://dx.doi.org/10.1080/1475262x.2015.1075287.

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Bandrovska, Olha T. „THE AESTHETIC REGIME IN THE MODERN ERA: ART AND DISCOURSE ON ART“. Alfred Nobel University Journal of Philology 2, Nr. 26/1 (20.12.2023): 9–21. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-1.

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The article traces the changes in the aesthetic conventions of Modern art in accordance with the dynamics of literary development in Great Britain. The study focuses on three key areas: the impact of “the ancients and moderns” quarrel on European philosophical and literary thought; the nuances of critical and literary discourse in Enlightenment-era Great Britain; and the reception of the Enlightenment aesthetic values and novelties in Victorian criticism, linking them to the emergence of twentieth-century modernism. The subject involves the evolution of Enlightenment aesthetics and poetics in Great Britain, particularly the departure from classical art and literature models, and the emergence of concepts like imagination, novelty, and the reader’s subjective experience of art. Seminal literary-critical essays of the eighteenth century, including works by Joseph Addison, Henry Home, Richard Hurd, and Leslie Stephen’s monograph ‘History of English Thought in the Eighteenth Century”, are analyzed. The paper also examines philosophical texts by Michel de Montaigne, Francis Bacon, René Descartes, and Marquis de Condorcet to understand the oscillatory nature of philosophical thought before and during the Age of Enlightenment. The study contextualizes “the ancients and moderns” debate on models for literary excellence and accentuates its role in shaping the discourse of aesthetics and artistic creativity. Contributions by Enlightenment figures such as Addison, Home, and Hurd are explored, emphasizing how they reshaped the discourse of aesthetics by redefining the nature of beauty, the sublime, and the principles of artistic criticism, thereby influencing the literary and artistic productions of their time and beyond. Particular attention is paid to the critical views of Stephen who wrote about the “fluctuating mode” of the literature of the second half of the eighteenth century, illustrating his peculiar subjectivism as an exponent of the Victorian worldview (Stephen saw Sterne’s novels as a serious moral threat), and simultaneously reflecting the normative aesthetic views of the second half of the nineteenth century. The paper also demonstrates how the antinomianism in aesthetic thinking, which challenged traditional norms and values as seen in “the ancients and moderns” quarrel, was further evolved in the works of Friedrich Schiller and Friedrich Schlegel, the latter articulating the antinomy of “classic versus romantic”. This tradition of antinomian thinking, coupled with the rejection of the idea of linear progression in cultural evolution, a call for a reassessment of values amidst a paradigm shift in culture and the breakdown of traditional ethic and aesthetic systems, finds a notable and unique expression in Friedrich Nietzsche’s works, that significantly influenced the transition from Modernity to Postmodernity. In summary, it is argued that the Modern Age was the time of the emergence of a new aesthetic sensibility, and its aesthetic pluralism and anti-classical literary ideas were pivotal in redefining concepts of progress, novelty, and human consciousness in art and literature. This laid the groundwork for modernist art and literature, characterized by a departure from tradition and a quest for new artistic expressions of human experience.

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Shamsuddin, Salahuddin Mohd, und Siti Sara Binti Hj Ahmad. „Theatrical Art in Classical European and Modern Arabic Literature:“. International Educational Research 1, Nr. 1 (14.06.2018): p7. http://dx.doi.org/10.30560/ier.v1n1p7.

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No doubt that Classical Arabic Literature was influenced by Greek Literature, as the modern Arabic literature was influenced by European Literature. The narrative poetry was designed for the emergence of theatrical poetry, a poetry modeled on the model of the story with its performance in the front of audience. This style was not known as Arabic poetry, but borrowed from the European literatures by the elite of poets who were influenced by European literatures looking forward to renew the Arabic poetry. It means that we use in this article the historical methodology based on the historical relation between European and Arabic literature in the ancient and modern age. The first who introduced the theatrical art in Arab countries was Mārūn al-Niqqāsh, who was of a Lebanese origin. He traveled to Italy in 1846 and quoted it from there. The first play he presented to the Arab audience in Lebanon was (Miser) composed by the French writer Molière, in late 1847. It is true that the art of play in Arabic literature at first was influenced by European literatures, but soon after reached the stage of rooting, then the artistic creativity began to emerge, which was far away from the simulation and tradition. It is true also that European musical theatres had been influenced later by Arabic literature and oriental literatures. European musical theatres (ʿAlāʾ al-Dīn and the magical lamp), the play (Māʿrūf Iska in Cairo) and the musical plays of (Shahrzād) are derived from (One thousand and one Nights). This study aims to discover the originality of theatrical art in modern Arabic literature. Therefore it is focused on its both side: Its European originality and its journey to Arab World, hence its artistic characteristics in modern Arabic literature. We also highlight its journey from the poetic language to the prose.

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de Oliveira, Celso Lemos. „Brazilian Literature and Art: From Colonial to Modern“. Hispania 75, Nr. 4 (Oktober 1992): 988. http://dx.doi.org/10.2307/343866.

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Månsson, K. G. W. „Urology in modern/contemporary music, literature and art“. European Urology Supplements 18, Nr. 1 (März 2019): e1284. http://dx.doi.org/10.1016/s1569-9056(19)30928-5.

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Povey, John, Robert Goldwater und Katia Samaltanos. „Primitivism in Modern Art“. African Arts 20, Nr. 3 (Mai 1987): 14. http://dx.doi.org/10.2307/3336470.

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Foster, Hal. „Archives of Modern Art“. October 99 (Januar 2002): 81–95. http://dx.doi.org/10.1162/016228702317274648.

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Barkan, Leonard. „Making Pictures Speak: Renaissance Art, Elizabethan Literature, Modern Scholarship“. Renaissance Quarterly 48, Nr. 2 (1995): 326–51. http://dx.doi.org/10.2307/2863068.

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Some Often Quoted Lines from Sidney's Apology for Poetry can stand both as a piece of literary history in themselves and as a methodological guide for the study of that history: “Poesy therefore is an art of imitation: for so Aristotle termeth it in the word mimesis, that is to say, a representing, counterfeiting, or figuring forth—to speak metaphorically, a speaking picture.“1 It is one of the most famous of all definitions of poetry, and like many other such definitions—Plato's in the Republic, Horace's in the Ars Poetica2- —it arrives at saliency by drawing an analogy to the visual. More succinctly even than his predecessors, Sidney demonstrates just how difficult it is to unpack the cdncept of mimesis as he ranges through a sequence of functional descriptions ﹛representing, counterfeiting, figuring forth), none of which quite does the trick, until he arrives at a metaphor that names itself as such. One might say that a metaphor is itself a speaking picture and therefore Sidney's memorable phrase is a self-confirming artifact. But let us shy away from such metaformulations and content ourselves with a sense of just how felicitous the expression “speaking picture” turns out to be.

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Hasanova, Lala. „Intermediality of modern art-documentary prose: “literature and music”“. Scientific Bulletin 4 (2019): 113–19. http://dx.doi.org/10.54414/gzhh2184.

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This article is devoted to the problems of intermediality in artistic and documentary works. This problem was studied on the basis of the analysis of the works of Anar “Without you”, “Like Kerem” (a novel-reflection on the work of Nazim Hikmet), Ali Amirli “What did I leave in Agdam?”. It is noted that the authors turn to music in different cases, sometimes to recreate the atmosphere of the era, but mainly to recreate the complex psychological state of the characters.

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Dissertationen zum Thema "Literature, Modern, in art"

Linekin, Kim. „The modern popular song as a literary art form“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37216.pdf.

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Schwakopf, Nadine. „Poetry Unbound| Sounding the Language of Materiality in the Works of Man Ray, Henri Chopin and Gerhard Ruhm -- A Reading through Wittgenstein, Benjamin, Merleau-Ponty and Kittler“. Thesis, Yale University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10783465.

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This dissertation is meant to be the scene of an experiment. It is meant to be a scene of observation and auscultation striving to fathom the work of poiesis as it manifests itself in select pieces of experimental poetry created by artists and writers of the 20^th-century avant-gardes. Our study notably poses the question of how poiesis draws on, and seeks to incorporate the experience of sensible things, examining also how this accentuation of perception in the making of a poem feeds into, viz. falls in line with the accentuation of the poem's sensible thing-ness. We will investigate how the abovementioned artists undertake to "make sense" of their experience of the things of the life-world, namely by grounding the signifying of their poetry in the mattering of poietic matter. We will investigate how their poems come to produce sense qua their mere being sensible, i.e. qua their being sensible as visual and/or aural matter that matters to us by virtue of its very visual and/or aural phenomenality.

As we will argue, with this emphasis on the production of a sensible presence, these poetic experiments not only establish the primacy of perception, but – more important – they also prove to loosen, and oftentimes even cut the close ties that poiesis is commonly considered to have with the semiotic order. Thus, instead of fabricating a communicational language, the experiment called poiesis giving rise to these works is in the first place destined to create the poem as a material thing. We will show that, as such a material thing, the experimental poem interpellates the senses via a language of materiality that, for its part, translates the materiality of the things of the life-world. We will show that, in lieu of straightforwardly abiding by the laws of semioticity, the poietic language of the works we are about to encounter rather emanates from the poems' very physique; i.e., that this "physical" language forged in defiance of the semiotic order thus rather proves to be consubstantial with the mattering of the matter that gives shape to the body of the poem.

In the course of our study, we will pay particular attention to how the work of poiesis – as it comes to crystallize and persist in the bodiliness of the respective poem – is, namely, pregnant with the gestures and the flesh of the body that conceived it. Beginning with the surface analysis of the physiognomy of a work by Man Ray, we will then turn to delving into the depths of the poems' corporeality. Anatomizing pieces from the oeuvres of Henri Chopin and Gerhard Rühm, we will discover – step-by-step and layer-by-layer – how both the scriptural and the oral practices constituting their work are infused with the pulsating of the human body. As we will suggest, the sensing of the scriptural and aural anatomies that build the body of Chopin's and Rühm's works always involves the sensing of the displaced and disfigured human body. This turn of poiesis to the human senses thus allows for a sensitization of the works themselves – in the sense that they become sensible bodies whose very bodiliness embraces, re-appropriates, and exudes the materiality of the life-world.

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Alison, Cheryl. „Creatures of Habit“. Thesis, Tufts University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3624685.

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This dissertation contends that the kinds of consistency composition both affords and demands in order to hold together as a composition have a special location within European and American late modernism. In the decades surrounding the Second World War, artists acknowledged that art needed to let in disorder to reflect lived experience; yet, it still had to cohere in order to be recognizable as art, or a form of presentation. Paying attention to how diverse late modernist artists were thus creatively challenged, I argue that their works of art demonstrate historically located and informed compositional conservatism, or formal rigidity. Making the case for the breadth of composition's organizing force during the period, I focus on a different artist and disciplinary area in each of three chapters: Francis Bacon's oil paintings, Samuel Beckett's dramatic and theatrical work in Endgame, and Ralph Ellison's novelistic efforts in Invisible Man and his unfinished second manuscript.

Late modernist artwork exercises formal control in ways extreme enough to be called violent. But if "violence" signifies here how formal control stringently orders components (and excludes others) to bring them into line with composition's demands, this formal signification hardly removes such violence from having lived consequences. More, such components' failure to fall into line, or the artist's failure to accomplish such organization, can itself have unfortunate repercussions. Building on Gilles Deleuze and Félix Guattari's art theory, which lays the groundwork for aligning apparently dissimilar compositions, I argue that in Bacon, Beckett, and Ellison, compositional force operates in ways shared by larger physical and psychological arrangements. I show how not just home or domestic spaces, but also national and political structures, including, e.g., those defining German fascism, partake in composition's formational activities. Making use of conceptual apparatuses that extend beyond Deleuzoguattarian theory to include psychoanalysis and Frankfurt School theorists, this dissertation examines how the violence (and pleasure) of form variously subtends the period's configurations.

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Virava, Thiago Gil de Oliveira. „Um boxeur na arena: Oswald de Andrade e as artes visuais no Brasil (1915-1945)“. Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-11092018-102002/.

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O presente estudo investiga a posição das artes visuais na experiência intelectual e criativa do poeta e escritor modernista Oswald de Andrade (1890-1954). São analisados não apenas seus textos sobre arte, mas também a presença das artes visuais nos livros de poesia Pau Brasil (1925) e Primeiro caderno do aluno de poesia Oswald de Andrade (1927), assim como nos romances Os Condenados (1922-1934) e Marco Zero (1943-1945). Também são discutidas as relações que o escritor manteve com artistas brasileiros e estrangeiros, além de sua participação em situações importantes envolvendo as artes visuais no país, como a Semana de Arte Moderna; a primeira exposição de Tarsila do Amaral no Brasil; o Clube dos Artistas Modernos; os Salões de Maio. A proposta é averiguar como Oswald de Andrade atuou em um período importante para a história da arte moderna no Brasil, especialmente na cidade de São Paulo, compreendendo as décadas de 1910 a 1940, que são as balizas cronológicas adotadas, tomando-se como referências o texto \"Em prol de uma pintura nacional\", publicado em 1915, e o romance Marco Zero II: Chão, publicado em 1945. Singulares do ponto de vista da escrita e das estratégias discursivas que mobilizam, os textos de Oswald de Andrade que discutem as artes visuais revelam um pensamento em constante movimento e atento ao que entendia serem as demandas de uma época de transformações e de luta pela construção de uma sociedade menos opressora, na qual as artes ocupavam posição estratégica. Com base na investigação desse material, defendese aqui que as artes visuais foram um elemento constitutivo de sua experiência intelectual e criativa, não ocupando uma posição secundária em relação à sua atuação como escritor, poeta e jornalista polemista.
This study investigates the position of the visual arts within the intellectual and creative experience of Brazilian modernist writer and poet Oswald de Andrade (1890- 1954). It analyses not only his writings on art but also the presence of the visual arts in his poetry books Pau Brasil [Brazil Wood] (1925) and Primeiro caderno do aluno de poesia Oswald de Andrade [First notebook of the poetry student Oswald de Andrade] (1927), as well as in the novels Os Condenados [The Doomed] (1922- 1934) and Marco Zero [Ground Zero] (1943-1945). This work also discusses the relationships the writer had with Brazilian and foreign artists, as well as his participation in relevant situations involving the visual arts in Brazil, such as the Semana de Arte Moderna [Modern Art Week]; Tarsila do Amaral\'s first exhibition in Brazil; the Clube dos Artistas Modernos [Modern Art Club]; the Salões de Maio [May Salons]. The aim is to examine how Oswald de Andrade took part in an important period of the history of modern art in Brazil, especially at the city of São Paulo, from the 1910s to the 1940s, which are the chronological landmarks assumed here taking the article \"Em prol de uma pintura nacional\" [In favor of a national painting], published in 1915, and the novel Marco Zero II: Chão [Ground Zero II: Ground], published in 1945, as reference points. Remarkable both as style and discursive strategies, Oswald de Andrade\'s writings on art reveal a reflection in constant movement, but always attentive to what the author understood as the demands of a time of transformations and struggle for a less oppressive society, in which the arts had a strategic position. Based on the investigation of the abovementioned materials, this work argues that the visual arts did not occupy a secondary position in relation to Oswald de Andrade\'s activities as writer, poet and controversialist journalist. On the contrary, they were a constitutive element of his intellectual and creative experience.

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Siqueira, Joelma Santana. „À procura de objetos gritantes: um estudo da narrativa de Clarice Lispector“. Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-30072008-092614/.

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O presente trabalho detém-se na leitura de textos da escritora Clarice Lispector produzidos nos anos 1940, 1950 e 1960: Perto do coração selvagem, contos de Laços de família e textos e contos de A legião estrangeira. Com a finalidade de investigar inter-relações entre literatura e outras artes na obra da escritora, o corpus foi confrontado com textos sobre as fontes e tradições da arte moderna, trabalhos críticos sobre a arte moderna no Brasil e estudos sobre o espaço moderno. A partir do conceito de \"espaço polissensorial\", proposto por Pierre Francastel, e do conceito de \"espaço em obra\", proposto por Alberto Tassinari, buscamos discutir homologias estruturais entre o espaço da narrativa clariciana e o espaço da pintura moderna. Os dois conceitos se relacionam a duas funções complementares que pensamos existir nas narrativas estudadas: a figuração e a exposição. Pela primeira, a narrativa apresenta personagens, ações, acontecimentos, eventos etc; e pela segunda, apresenta sinais do fazer. O pintor Wassily Kandinsky escreveu que o artista criador busca na aproximação com a música, a mais imaterial de todas as artes, um modo de exprimir com seus próprios meios sem que a imitação seja um fim em si. Trata-se de um aspecto observável na narradora de Perto do coração selvagem, por isso procuramos discutir de que modo a música, aludida muitas vezes na narrativa, relaciona-se com a estrutura do romance.
This work is focused on readings of Clarice Lispector\'s writings produced in the 1940s, 1950s and 1960s: the novel Perto do coração selvagem, short stories in Laços de família and texts and short stories in A legião estrangeira. Aiming at investigating the inter relations between literature and other forms of art, the writer\'s work corpus was confronted with texts on modern art\'s sources and traditions, Brazilian modern art critique and modern space studies. Based on the concepts of \"polysensorial space\" proposed by Pierre Francastel, and \"space at work\", proposed by Alberto Tassinari, structural homologies were studied between Ms. Lispector\' s narrative space and that of modern painting. The two concepts are related to two complementary functions which we believe exist in the narratives analyzed: figuration and exposition. The former introduces characters, actions, events, etc...in the narrative; the latter presents signs of acting. The painter Wassily Kandinsky wrote that the artist seeks to find in music, the most immaterial among the arts, a form of self-expression, without imitation being an end in itself. Since this is an aspect observed in the narrator of Perto do coração selvagem, we have attempted to discuss in which ways music, often alluded to in the narrative, is related to the novel\'s structure.

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Oxendine, Jessica Grace. „Warrior Women in Early Modern Literature“. Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc271872/.

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Fantasies about warrior women circulated in many forms of writing in early modern England: travel narratives such as Sir Walter Ralegh's The Discoverie of Guiana (1595) portray Amazon encounters in the New World; poems like Edmund Spenser's The Faerie Queene (1596) depict women's skill with a spear; and the plays of Shakespeare, John Fletcher, and others stage the adventurous feats of women on the battlefield. In this dissertation, I analyze the social anxieties that emerge when warrior women threaten gender hierarchies in the patriarchal society of early modern England. The battlefield has traditionally been a site for men to prove their masculinity against other men, so when male characters find themselves submitting to a sword-wielding woman, they are forced to reimagine their own masculine identities as they become the objects acted upon by women. In their experience of subjectivity, these literary warrior women often allude to the historical Queen Elizabeth I, whose reign destabilized ideas about gender and power in the period. Negative evaluations of warrior women often indicate anxiety about Elizabeth as an Amazon-like queen. Thus, portrayals of warrior women often end with a celebration of patriarchal dominance once the male characters have successfully contained the threat of the warrior woman through marriage or death. I argue that these depictions of containment indicate a common desire to maintain patriarchal superiority during and after Elizabeth's reign.

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Mi, Jia-Yan. „The spectacle of Xiangtu : home, landscape and national representation in modern Chinese literature, film and art /“. For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2002. http://uclibs.org/PID/11984.

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Cordy, Raven. „Making Christian Art in a Contemporary Setting“. Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/601.

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Over the past 4 and a half years, I have studied contemporary art and seen countless artworks being made in an academic setting. In doing so, I have come to the realization that religious content is rare in today’s time. While it is not actively discouraged, the environment I am in and the current art community does not seem to be particularly interested in merging the two concepts. Without understanding why, I subconsciously kept art and my faith as separate entities for the first few years of my higher education. But as I matured and developed my own artwork, I began to feel as though my identity and my interests should be rooted in my relationship with God. Upon this reflection, I began looking for ways to make Christian art in a contemporary setting that could also be accepted by those who do not share my faith.

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Rackley, Elizabeth. „Hierarchial Compositions in Late-Eighteenth- and Early-Nineteenth-Century Landscape Art and Poetry“. W&M ScholarWorks, 1993. https://scholarworks.wm.edu/etd/1539625823.

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Benson, Natalie Jane Allen. „The (un)cut painter's book: redefining a literary-arts genre“. Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/6056.

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The purpose of this dissertation is to present a clear characterization and history of the painter’s book in France, and distinguish the genre from other book arts; to examine the works as inseparable objects through bibliographic, auratic, and site-specific theory; and to explore specific instances that illuminate the socio-cultural context and historic era of the work, and the necessary interdependence of image-text. Painter’s book projects are novels, poems, plays, and short compilations, with original prints by an artist whose principal medium is other than graphic, published by a gallery owner or small publishing house in an artisanal format, and in a small edition under 501 examples. A painter’s book is meant to be experienced through space and time, where the act of reading-viewing while turning pages synthesizes the concurrent arts. Many images from painter’s book projects are reconstituted as independent graphic works for sale, and I argue that the books must remain intact. In the first chapter, I argue, through theories of bibliographic code, Benjamin’s concept of aura, and site-specific artwork, that the purpose, understanding, and experience of the painter’s book is corrupted and lost when the artwork is removed from its original location. In Chapter Two, I explore two genres of the book, the illustrated and artist’s books, explain why the painter’s book cannot be considered an illustrated or artist’s book, and provide evidence that delineates the genres through specific examples, research, analysis, and hermeneutical consideration. I explore what constitutes the painter’s book in Chapter Three, and suggest the name of the genre be accepted and adopted as painter’s book in English. I also indicate precedents and the history of the painter’s book, and give succinct characteristics for the genre. Through specific examples in the nineteenth and twentieth centuries I demonstrate how the painter’s book reflects modern historical processes, and how this literary-arts genre helped shape cultural discourses in the final two chapters. This project will bring awareness to a genre whose very name has been misconstrued and mislabeled, whose works tell a tale of collaboration and harmonious expression in literary and visual form, whose individual instances inform the reader-viewer of important cultural, societal, and historical moments, and whose perpetuation is in danger.

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Bücher zum Thema "Literature, Modern, in art"

Bieringer, Kelley. Is modern art really art? Chicago, IL: Heinemann Library, 2008.

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Sun, Yifeng, und Chris Song. Translating Chinese Art and Modern Literature. Abingdon, Oxon; New York, NY: Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351001243.

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Burstein, Jessica. Cold modernism: Literature, fashion, art. University Park, Pa: Pennsylvania State University Press, 2012.

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Knapp, Ruthie. Modern art. Worcester, Mass: Davis Publications, 2000.

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Lagerkvist, Pär. Literary art and pictorial art: On the decadence of modern literature, on the vitality of modern art. [Dublin, Ireland?]: Rainbow Press, 1991.

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Foix, J. V. Sobre literatura i art. Barcelona: Edicions 62, 1990.

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Schwarz, Daniel R. Reconfiguring modernism: Explorations in the relationship between modern art and modern literature. New York: St. Martin's Press, 1997.

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Reconfiguring modernism: Explorations in the relationships between modern art and modern literature. New York: St. Martin's Press, 1997.

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Schwarz, Daniel R. Reconfiguring modernism: Explorations in the relationship between modern art and modern literature. Basingstoke: Macmillan, 1997.

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Sipe, Daniel. Kickboxing: The modern martial art. Minneapolis: Capstone Press, 1994.

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Buchteile zum Thema "Literature, Modern, in art"

Gehlawat, Monika. „Novel Art“. In Progressive Intertextual Practice In Modern And Contemporary Literature, 134–53. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003441199-10.

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Flint, Kate. „Ancient and Modern“. In The Victorian Idyll in Art and Literature, 105–24. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003327998-6.

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Lee, Jin-kyung. „Art as freedom and power“. In Routledge Handbook of Modern Korean Literature, 15–26. London ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781315622811-3.

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Helsinger, Elizabeth K. „Ekphrasis and the Modern Lyric“. In The Routledge Companion to Literature and Art, 160–73. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003273356-16.

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Sun, Yifeng, und Chris Song. „Introduction“. In Translating Chinese Art and Modern Literature, 1–6. Abingdon, Oxon; New York, NY: Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351001243-1.

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Yeung, Jessica. „Translationese as dissent“. In Translating Chinese Art and Modern Literature, 172–85. Abingdon, Oxon; New York, NY: Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351001243-10.

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Sun, Yifeng. „Translating Chinese modernity“. In Translating Chinese Art and Modern Literature, 186–206. Abingdon, Oxon; New York, NY: Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351001243-11.

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Green, Frederik H. „Painted in oil, composed in ink“. In Translating Chinese Art and Modern Literature, 7–29. Abingdon, Oxon; New York, NY: Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351001243-2.

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Roddy, Stephen J. „Incivility incarnate“. In Translating Chinese Art and Modern Literature, 30–53. Abingdon, Oxon; New York, NY: Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351001243-3.

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Li, Dechao. „The dramatization of characterization in the literary translations of the 1910s in China“. In Translating Chinese Art and Modern Literature, 54–79. Abingdon, Oxon; New York, NY: Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351001243-4.

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Konferenzberichte zum Thema "Literature, Modern, in art"

„Discussion on Modern Art Application in Garden Environmental Art Design“. In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.09.

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„A Comparison of the Design Creativity and the Art Creation under the Modern Apprenticeship System“. In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.11.

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Wang, Ningning. „Literature Review of Modern Beijing Aesthetic Culture“. In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.93.

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Deng, Zilu. „Analysis of the Human Nature in Modern China Based on Lu Xun’s Works“. In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.410.

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Dong, Wenying, und Yien Geng. „The Enlightenment of Chengdu Lacquerware Carved Silver Silk Halo Design to Modern Furniture Design“. In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.512.

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Wang, Longrun. „An Analysis of the Marriage Crisis of Modern Chinese Intellectuals in Regret for the Past“. In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.418.

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„On Human Subjectivity and Environmental Integrity in Modern Interior Design“. In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.060.

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Tikhonov, Alexander. „Weed flora in modern agrotechnical literature“. In Multifunctional adaptive fodder production. ru: Federal Williams Research Center of Forage Production and Agroecology, 2021. http://dx.doi.org/10.33814/mak-2021-25-73-113-118.

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The results of the analysis of literature sources, directly and indirectly, reflecting the composition and structure of agro phytocoenoses and the role of the weed component in them are presented, generally showing the degree of knowledge of this issue. The dominant approaches to the perception of weed flora by domestic researchers and typical methods of interaction are shown.

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„The Influence of Traditional and Modern Cultures on Zhang Ailing’s Creation“. In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.48.

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„Research on Application of Traditional Auspicious Elements in Modern Graphic Design“. In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.58.

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Berichte der Organisationen zum Thema "Literature, Modern, in art"

Hamanyuk, Vita. Literarische Texte moderner deutscher Literatur als Mittel für die Entwicklung der interkulturellen Kompetenz. Univerzita Pardubice, 2018. http://dx.doi.org/10.31812/123456789/6064.

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The article analyzes some of the literary texts of modern German literature with an intercultural potential in the modern literary context of Germany and the question whether they are relevant to the development of an intercultural competence in foreign language teaching. Theoretical aspects of the appropriation and extension of the intercultural competence are summarized and exemplified by the works of modern German authors. Three novels and their intercultural potential are analyzed, including: S. Kuegler „Dschungelkind“, S. Möller „Viva Polonia“ and H. Akyün „Einmal Hans mit scharfer Soße“. Various groups of characteristics and the characteristics which testify to the intercultural potential of these works, as well as the practice typology for their use in the foreign language and literature lessons, are considered. Im Beitrag werden manche literarischen Texte moderner deutscher Literatur mit interkulturellem Potenzial im modernen literarischen Kontext Deutschlands analysiert, und die Frage, ob sie für die Herausbildung und Entwicklung der interkulturellen Kompetenz im Fremdsprachenunterricht relevant sind. Theoretische Aspekte der Aneignung und Erweiterung der interkulturellen Kompetenz sind zusammengefasst und am Beispiel der Werke moderner deutscher Autoren veranschaulicht. Es werden drei Romane und deren interkulturelles Potenzial analysiert, darunter: S. Kuegler „Dschungelkind“, S. Möller „Viva Polonia“ und H. Akyün „Einmal Hans mit scharfer Soße“. Verschiedene Gruppen von Merkmalen und Charakteristika, die vom interkulturellen Potenzial dieser Werke zeugen, sowie auch Übungstypologie für deren Einsatz im DaF-, und Literaturunterricht werden betrachtet.

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Hicks, Jacqueline. Approaches to Combatting Modern Slavery in Supply Chains. Institute of Development Studies (IDS), Juni 2021. http://dx.doi.org/10.19088/k4d.2022.004.

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The purpose of this rapid review is to lay out some of the general approaches used by both business and government to tackle ‘modern slavery’ in international business supply chains, and locate evidence of their effectiveness International institutions have been encouraging large international businesses to tackle modern slavery by offering guidelines on how to investigate the issue in their supply chains (‘due diligence’), but their implementation, and ‘auditing’ is highly variable. National governments are increasingly mandating businesses through legislation to report on what they do. More recently, governments have begun imposing a legal duty of care on parent companies which means they can be held responsible for what their subsidiaries do. Key findings are: There is no consistency in how international companies currently implement the due diligence guidelines; The design of national disclosure legislation is generally judged to be flawed. There is medium compliance in terms of quantity of company reports and low compliance in terms of quality; The design of national disclosure legislation is generally judged to be flawed. There is medium compliance in terms of quantity of company reports and low compliance in terms of quality. Overall, the evidence on forced labour and modern slavery is recognised as being “dangerously thin and riddled with bias” (LeBaron, 2018, p.1). It is difficult to research directly because of its illegality, the involvement of powerful interests, and the potential to further endanger highly vulnerable workers. Nevertheless, there is a very large number of articles and reports written on the issue, particularly from the last five years. The main sources used in this review came from both grey literature and academic literature.

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Hanna, Benjamin, Tom Bubenik und Barbara Padgett. PR186-203813-R01 Literature Review Pipeline Mid-wall Defect Detection and FFS Assessment. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), März 2021. http://dx.doi.org/10.55274/r0012076.

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A literature review on the current industry understanding of mid-wall cracking and its detection was conducted. A summary of key factors influencing mid-wall cracking and modern integrity management approaches for the phenomenon are summarized. Based on the literature review and subject matter expert interviews, gaps in the published industry knowledge were identified. These gaps will be used to drive work in the direction of backfilling the valuable information that may be used to mitigate the onset of mid-wall cracking and to identify the presence of mid-wall cracking so that the threat can be actively and effectively managed.

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Burns, Malcom, und Gavin Nixon. Literature review on analytical methods for the detection of precision bred products. Food Standards Agency, September 2023. http://dx.doi.org/10.46756/sci.fsa.ney927.

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The Genetic Technology (Precision Breeding) Act (England) aims to develop a science-based process for the regulation and authorisation of precision bred organisms (PBOs). PBOs are created by genetic technologies but exhibit changes which could have occurred through traditional processes. This current review, commissioned by the Food Standards Agency (FSA), aims to clarify existing terminologies, explore viable methods for the detection, identification, and quantification of products of precision breeding techniques, address and identify potential solutions to the analytical challenges presented, and provide recommendations for working towards an infrastructure to support detection of precision bred products in the future. The review includes a summary of the terminology in relation to analytical approaches for detection of precision bred products. A harmonised set of terminology contributes towards promoting further understanding of the common terms used in genome editing. A review of the current state of the art of potential methods for the detection, identification and quantification of precision bred products in the UK, has been provided. Parallels are drawn with the evolution of synergistic analytical approaches for the detection of Genetically Modified Organisms (GMOs), where molecular biology techniques are used to detect DNA sequence changes in an organism’s genome. The scope and limitations of targeted and untargeted methods are summarised. Current scientific opinion supports that modern molecular biology techniques (i.e., quantitative real-time Polymerase Chain Reaction (qPCR), digital PCR (dPCR) and Next Generation Sequencing (NGS)) have the technical capability to detect small alterations in an organism’s genome, given specific prerequisites of a priori information on the DNA sequence of interest and of the associated flanking regions. These techniques also provide the best infra-structure for developing potential approaches for detection of PBOs. Should sufficient information be known regarding a sequence alteration and confidence can be attributed to this being specific to a PBO line, then detection, identification and quantification can potentially be achieved. Genome editing and new mutagenesis techniques are umbrella terms, incorporating a plethora of approaches with diverse modes of action and resultant mutational changes. Generalisations regarding techniques and methods for detection for all PBO products are not appropriate, and each genome edited product may have to be assessed on a case-by-case basis. The application of modern molecular biology techniques, in isolation and by targeting just a single alteration, are unlikely to provide unequivocal evidence to the source of that variation, be that as a result of precision breeding or as a result of traditional processes. In specific instances, detection and identification may be technically possible, if enough additional information is available in order to prove that a DNA sequence or sequences are unique to a specific genome edited line (e.g., following certain types of Site-Directed Nucelase-3 (SDN-3) based approaches). The scope, gaps, and limitations associated with traceability of PBO products were examined, to identify current and future challenges. Alongside these, recommendations were made to provide the infrastructure for working towards a toolkit for the design, development and implementation of analytical methods for detection of PBO products. Recognition is given that fully effective methods for PBO detection have yet to be realised, so these recommendations have been made as a tool for progressing the current state-of-the-art for research into such methods. Recommendations for the following five main challenges were identified. Firstly, PBOs submitted for authorisation should be assessed on a case-by-case basis in terms of the extent, type and number of genetic changes, to make an informed decision on the likelihood of a molecular biology method being developed for unequivocal identification of that specific PBO. The second recommendation is that a specialist review be conducted, potentially informed by UK and EU governmental departments, to monitor those PBOs destined for the authorisation process, and actively assess the extent of the genetic variability and mutations, to make an informed decision on the type and complexity of detection methods that need to be developed. This could be further informed as part of the authorisation process and augmented via a publicly available register or database. Thirdly, further specialist research and development, allied with laboratory-based evidence, is required to evaluate the potential of using a weight of evidence approach for the design and development of detection methods for PBOs. This concept centres on using other indicators, aside from the single mutation of interest, to increase the likelihood of providing a unique signature or footprint. This includes consideration of the genetic background, flanking regions, off-target mutations, potential CRISPR/Cas activity, feasibility of heritable epigenetic and epitranscriptomic changes, as well as supplementary material from supplier, origin, pedigree and other documentation. Fourthly, additional work is recommended, evaluating the extent/type/nature of the genetic changes, and assessing the feasibility of applying threshold limits associated with these genetic changes to make any distinction on how they may have occurred. Such a probabilistic approach, supported with bioinformatics, to determine the likelihood of particular changes occurring through genome editing or traditional processes, could facilitate rapid classification and pragmatic labelling of products and organisms containing specific mutations more readily. Finally, several scientific publications on detection of genome edited products have been based on theoretical principles. It is recommended to further qualify these using evidenced based practical experimental work in the laboratory environment. Additional challenges and recommendations regarding the design, development and implementation of potential detection methods were also identified. Modern molecular biology-based techniques, inclusive of qPCR, dPCR, and NGS, in combination with appropriate bioinformatics pipelines, continue to offer the best analytical potential for developing methods for detecting PBOs. dPCR and NGS may offer the best technical potential, but qPCR remains the most practicable option as it is embedded in most analytical laboratories. Traditional screening approaches, similar to those for conventional transgenic GMOs, cannot easily be used for PBOs due to the deficit in common control elements incorporated into the host genome. However, some limited screening may be appropriate for PBOs as part of a triage system, should a priori information be known regarding the sequences of interest. The current deficit of suitable methods to detect and identify PBOs precludes accurate PBO quantification. Development of suitable reference materials to aid in the traceability of PBOs remains an issue, particularly for those PBOs which house on- and off-target mutations which can segregate. Off-target mutations may provide an additional tool to augment methods for detection, but unless these exhibit complete genetic linkage to the sequence of interest, these can also segregate out in resulting generations. Further research should be conducted regarding the likelihood of multiple mutations segregating out in a PBO, to help inform the development of appropriate PBO reference materials, as well as the potential of using off-target mutations as an additional tool for PBO traceability. Whilst recognising the technical challenges of developing and maintaining pan-genomic databases, this report recommends that the UK continues to consider development of such a resource, either as a UK centric version, or ideally through engagement in parallel EU and international activities to better achieve harmonisation and shared responsibilities. Such databases would be an invaluable resource in the design of reliable detection methods, as well as for confirming that a mutation is as a result of genome editing. PBOs and their products show great potential within the agri-food sector, necessitating a science-based analytical framework to support UK legislation, business and consumers. Differentiating between PBOs generated through genome editing compared to organisms which exhibit the same mutational change through traditional processes remains analytically challenging, but a broad set of diagnostic technologies (e.g., qPCR, NGS, dPCR) coupled with pan-genomic databases and bioinformatics approaches may help contribute to filling this analytical gap, and support the safety, transparency, proportionality, traceability and consumer confidence associated with the UK food chain.

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Ofstedal, Peter R. Operational Art in Modern Chinese Warfare. Fort Belvoir, VA: Defense Technical Information Center, Februar 1996. http://dx.doi.org/10.21236/ada307331.

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ZATONA, D. S., und I. V. SHATOKHINA. METHODICAL APPROACHES AND EXPERIENCE OF THE FORMATION OF THE COMMUNICATIVE UNIVERSAL LEARNING SKILLS OF YOUNGER SCHOOLCHILDREN USING DIGITAL TECHNOLOGIES (LITERATURE REVIEW). Science and Innovation Center Publishing House, April 2022. http://dx.doi.org/10.12731/2658-4034-2022-13-1-2-71-79.

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The article is devoted to the problem of formation of communicative universal learning skills of junior schoolchildren in the process of primary lingual education. The authors consider the organization of communicative interaction of the agents of the educational process at the lessons using digital technologies to be one of the important conditions for solving this problem. The article contains a theoretical review of researches on the role and capabilities of those technologies in both lingual education and the development of primary school students. The components of digital technologies, the use of which at the lessons of native language contributes to the development of students’ communicative skills are described in the article. The authors also analyze and summarize the experience of using digital technologies at native language lessons by primary school teachers. The researchers conclude that the use of various opportunities of the modern digital educational environment allows individual teaching methods and differentiated approach to students, creating opportunities for the development of their communicative skills and abilities.

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Petrovych, Olha B., Alla P. Vinnichuk, Viktor P. Krupka, Iryna A. Zelenenka und Andrei V. Voznyak. The usage of augmented reality technologies in professional training of future teachers of Ukrainian language and literature. CEUR Workshop Proceedings, Juli 2021. http://dx.doi.org/10.31812/123456789/4635.

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The article deals with the peculiarities of creation and practical application of augmented reality (AR) technologies for the organization of students-philologists’ individual and group work in studying the discipline “Methodic of teaching literature”. The relevance of the introduction of AR technologies for the future teachers-philologists’ readiness formation to the professional activity is substantiated. Analysis of the scientific sources suggested that the professional training process requires the modernization of teaching methods, and the usage of information and communication technologies (ICT) in education, in particular AR technologies, allows to make the learning process interesting and exciting. The domestic and foreign experience of AR technologies application into current educational practices is generalized. A step-by-step algorithm for creating the AR in the mobile application Unite and its subsequent content filling for professional training of future teachers of Ukrainian language and literature is described. The visualization of the educational content of the lepbook “Incredible Lesya Ukrainka”, made by students- philologists at the Mykhailo Stelmakh Faculty of Philology and Journalism of Vinnytsia Mykhailo Kotsiubynskyi State Pedagogical University during the studying the discipline “Methodic of teaching literature”, is detailed. It is specified that the educational process is based on the creation AR with the visualization of interactive learning materials with animation, instructions, links, video content, illustrations etc. according to the rubrics of the lepbook. It is emphasized that the implementation of AR technologies provides the increasing of motivation for systematic mastering of practical skills, enhances students’ concentration and attention, increases their cognitive experience, promotes the development of their creative abilities, produces the opportunities of using the visualized content for students’ research work, stimulates them to self-expression, motivates them to self-development, trains them to the skillful use of the Internet, modern gadgets and mobile applications, etc. Prospects for studying the possibilities of using AR technologies in lessons of Ukrainian literature at secondary school are determined.

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MOSKALENKO, OLGA, und ROMAN YASKEVICH. ANXIETY-DEPRESSIVE DISORDERS IN PATIENTS WITH ARTERIAL HYPERTENSION. Science and Innovation Center Publishing House, März 2021. http://dx.doi.org/10.12731/2658-4034-2021-12-1-2-185-190.

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Our article presents a review of the literature and considers the most pressing problem of modern medicine - a combination of anxiety-depressive states in patients with cardiovascular diseases, which are more common in people of working age, having a negative impact on the quality of life of patients, contributing to the deterioration of physical, mental and social adaptation, which further leads to negative socio-economic consequences.

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Pietrobelli, Carlo, und Robert Devlin. Modern Industrial Policy and Public-Private Councils at the Subnational Level: Empirical Evidence from Mexico. Inter-American Development Bank, Oktober 2016. http://dx.doi.org/10.18235/0009309.

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In recent years, there has been renewed interest in the use of industrial polices. The need for modern industrial policies has been increasingly acknowledged in the literature and by the praxis of developed and developing countries, including much of Latin America. Whether a country should have an industrial policy is no longer in question; rather, the issue is how to do it right. Nevertheless, research is still incipient on the experience with the specific institutional arrangements and governance structure required for effective modern industrial policy and the form that such institutions should take. This is especially true in large countries with developed subnational governance structures. One institutional mechanism considered vital to effective modern industrial policy is the modality of public-private dialogue and problem solving that supports a search for obstacles and solutions to agreed development objectives. This paper addresses industrial policy in general, but especially at the subnational level, with new empirical evidence from a large federal state: Mexico. It presents a detailed analysis of the governance of 32 newly created public-private State Productivity Commissions (Comisiones Estatales de Productividad, or CEPs). The analysis also is informed by new research on the longer experience of subnational public-private councils in Colombia's national system of competitiveness and innovation.

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Quiroz, Jorge. Cluster Economics: Elements for Program Evaluation. Inter-American Development Bank, März 2007. http://dx.doi.org/10.18235/0011184.

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This paper discusses the main ideas of the cluster literature and the more established modern economic thought. Based on the economic analysis, it proposes an evaluation methodology with a strong emphasis on the economic impact of the programs. The paper provides an additional set of indicators that are intended to uncover the performance indicators' angle of the problem, borrowing heavily from research done elsewhere. The paper provides concrete guidelines to field-researchers and evaluators and concludes by summarizing the main features shared by seven IDB cluster programs.

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