Dissertationen zum Thema „Literature fiction poetry general“
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Vladimir, Kirda Bolhorves. „Utopija u delu Herberta Džordža Velsa i Gabrijela Kosteljnika“. Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2016. https://www.cris.uns.ac.rs/record.jsf?recordId=101178&source=NDLTD&language=en.
Der volle Inhalt der QuelleThis thesis researches numerous forms of utopia in several, primarilyliterary segments from complex and comprehensive opus of H. G. Wells, aswell as in several, primarily literary segments of not so comprehensive, butalso complex opus of G. Kosteljnik.The study consists of thirteen chapters.The first chapter is introductory, where the subject matter, aim andmethodology of the research are explained, and the most frequent notionsare considered: general fantasy and science fiction, and, above all, the mainnotion, utopia. Some light is being shed on its genesis, its characteristicsand its functions.In the second chapter, the factors for its emergence, existence anddisappearance are presented, along with exhaustive typology of utopias.The tird and fourth chapter deals with formation of creativepersonalities of H. G. Wells and G. Kosteljnik.The following six chapters include the extracts through which Ithrow light on romanesque, narrative and discursive (essayistic,sociological, politicological, popular scientific and publicistic) artisticcreation of H. G. Wells, as well as poetic, narrative, dramatic anddiscursive (essayistic, theological, literary-critical, linguistic andpublicistic) artistic creation of G. Kosteljnik.The eleventh chapter is conclusion. It once again considers thenotion of utopia in general, and particularly in the works of the twoprotagonists of this thesis: H. G. Wells and G. Kosteljnik.
Margot, Jean-Paul. „Raison et fiction chez Descartes“. Thesis, University of Ottawa (Canada), 1985. http://hdl.handle.net/10393/4846.
Der volle Inhalt der QuelleHart, Christopher. „'Fiction is the mask of history' : contextual readings of Byron's poetry“. Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243001.
Der volle Inhalt der QuelleGallagher, Ron. „Science fiction and language : language and the imagination in post-war science fiction“. Thesis, University of Warwick, 1986. http://wrap.warwick.ac.uk/90798/.
Der volle Inhalt der QuelleMalka, Ruth. „Fonction auteur et auteur-fiction chez André Gide“. Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121561.
Der volle Inhalt der QuelleDepuis sa parution, l'œuvre d'André Gide a principalement suscité des analyses biographiques. Comme les textes gidiens sont écrits à la première personne et que les diégèses présentent des similitudes avec la vie de l'auteur, notamment en ce qui concerne l'homosexualité, il est tentant de penser que chaque ouvrage relève d'une forme d'autobiographie. L'objectif de ce mémoire est de montrer les limites de ces théories en s'appuyant sur une dimension qu'elles oublient, à savoir la fiction. Au lieu de voir dans chaque texte une projection de soi, il s'agit d'y déceler une mise en fiction de soi. Gide prend une posture : grâce à son écriture, il se donne à lire à son lectorat non pas tel qu'il est ni tel qu'il pense être, mais tel qu'il aimerait être perçu. La fonction auteur mise en place par Gide correspond à l'invention de son propre personnage : l'auteur est créé par la fiction. Le rôle que Gide cherche à endosser est celui du défenseur de la pédérastie. Il est celui qui établit l'immoralisme gidien, une nouvelle éthique hédoniste et antimoraliste. Se dressant contre les conventions sociales et la morale protestante, s'établissant prophète d'une nouvelle religion, la posture que prend Gide lui permet de se débarrasser de toute la culpabilité que lui a laissée son éducation puritaine en regard de l'homosexualité, à la fois aux yeux du lecteur et à ses propres yeux.
Guest, Graham Emory. „'Grass' ; 'Winter Park' ; &, Consciousness in fiction“. Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3500/.
Der volle Inhalt der QuelleMoran, Alexander James Paul. „Cultural reproduction in contemporary American fiction“. Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7683/.
Der volle Inhalt der QuelleDe, Paul Lewis Stephen. „Self, sovereignty, and culture in the major fiction of Herman Melville“. Thesis, University of Ottawa (Canada), 1986. http://hdl.handle.net/10393/4907.
Der volle Inhalt der QuelleDarroch, Fiona Jane. „Memory and myth : postcolonial religion in contemporary Guyanese fiction and poetry“. Thesis, University of Stirling, 2005. http://hdl.handle.net/1893/2618.
Der volle Inhalt der QuelleFisher, Mark. „Flatline constructs : Gothic materialism and cybernetic theory-fiction“. Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/110900/.
Der volle Inhalt der QuelleStratton, Sarah Louise. „More than throw-away fiction : investigating lesbian pulp fiction through the lens of a lesbian textual community“. Thesis, University of Birmingham, 2018. http://etheses.bham.ac.uk//id/eprint/8245/.
Der volle Inhalt der QuelleGraves, Jesse, Paul Ruffin und William Wright. „Southern Poetry Anthology, VI: Tennessee“. Digital Commons @ East Tennessee State University, 2013. http://amzn.com/1937875458.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1088/thumbnail.jpg
Xiong, Wei. „Nothing Sweet Nothing: A Collection of Short Fiction“. Miami University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=miami1188308957.
Der volle Inhalt der QuelleLloyd, Nicola. „Sensibility, enlightenment and Romanticism : British fiction, 1789-1820“. Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/61578/.
Der volle Inhalt der QuelleVigliotti, Cynthia L. „In the Middle of Things“. Youngstown State University / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1008362631.
Der volle Inhalt der QuelleVenkatachalam, Shilpa. „Writing the self : case studies in phenomenology and fiction“. Thesis, University of Nottingham, 2007. http://eprints.nottingham.ac.uk/12603/.
Der volle Inhalt der QuelleUdomlamun, Nanthanoot. „Materiality and memory in contemporary diasporic and postcolonial fiction“. Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/62784/.
Der volle Inhalt der QuelleScarth, Katherine Ada. „Near London and Brighton : suburbs in fiction, 1780s-1820s“. Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/56240/.
Der volle Inhalt der QuelleDeininger, Michelle. „Short fiction by women from Wales : a neglected tradition“. Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/59447/.
Der volle Inhalt der QuelleBrown, Niamh. „Devotional cosmology : poetry, thermodynamics and popular astronomy, 1839-1889“. Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8230/.
Der volle Inhalt der QuelleTierney, John. „"Plunged Back with Redoubled Force": An Analysis of Selected Fiction, Non-Fiction, and Poetry of the Korean War“. University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1396829149.
Der volle Inhalt der QuelleSimecek, Karen. „Experiencing lyric poetry : emotional responses, philosophical thinking and moral inquiry“. Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/57957/.
Der volle Inhalt der QuelleTurcotte, Gerry D. „The Merlin tradition in Tennyson a study of the mantic infrastructure of Tennyson's poetry“. Thesis, University of Ottawa (Canada), 1986. http://hdl.handle.net/10393/5256.
Der volle Inhalt der QuelleMahasneh, Anjad. „The Translatability of Emotiveness in Mahmoud Darwish's Poetry“. Thesis, University of Ottawa (Canada), 2010. http://hdl.handle.net/10393/28619.
Der volle Inhalt der QuelleCook, Victoria Maria. „Transnational space and the discourse of multiculturalism : contemporary Canadian fiction“. Thesis, University of Central Lancashire, 2010. http://clok.uclan.ac.uk/2962/.
Der volle Inhalt der QuelleSmith, Mark Bryan Bridger. „The posthuman : hostis humani generis? : science fiction allegories/social narratives“. Thesis, University of Warwick, 2008. http://wrap.warwick.ac.uk/4117/.
Der volle Inhalt der QuellePhelps, Catherine Margaret. „[Dis]solving genres : arguing the case for Welsh crime fiction“. Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/60053/.
Der volle Inhalt der QuelleShaw, Kristian. „A unified scene? : cosmopolitanism in contemporary British and American fiction“. Thesis, Keele University, 2016. http://eprints.keele.ac.uk/3261/.
Der volle Inhalt der QuelleSimpson, Kim. „The 'little arts' of amatory fiction : identity, performance, and process“. Thesis, University of Kent, 2014. https://kar.kent.ac.uk/48720/.
Der volle Inhalt der QuelleHodgkinson, Amanda. „Spilt milk : memory, real life, and knowing the past in historical fiction“. Thesis, University of Huddersfield, 2018. http://eprints.hud.ac.uk/id/eprint/34587/.
Der volle Inhalt der QuelleGraves, Jesse, Paul Ruffin und William Wright. „Southern Poetry Anthology, VII: North Carolina“. Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1937875873.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1019/thumbnail.jpg
Waage, Fred. „This Mortal Earth: A Year of Beginnings and Ceasings“. Digital Commons @ East Tennessee State University, 2015. http://amzn.com/168114008X.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1010/thumbnail.jpg
Saggers, Emma Louise. „Carnivalesque inversion : the subversive fiction of Kurt Vonnegut“. Thesis, University of Essex, 2016. http://repository.essex.ac.uk/19697/.
Der volle Inhalt der QuelleShepley, Elinor. „Ageing in Welsh fiction in English, 1906-2012 : bodies, culture, time, and memory“. Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/114562/.
Der volle Inhalt der QuelleAllen, Elizabeth. „The dislocated mind : the fiction of Raymond Williams“. Thesis, Liverpool John Moores University, 2007. http://researchonline.ljmu.ac.uk/5857/.
Der volle Inhalt der QuelleRyan, Mike. „"no hope, just / booze and madness"| Connecting Social Alienation and Alcoholism in Charles Bukowski's Autobiographical Fiction“. Thesis, University of Louisiana at Lafayette, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1557574.
Der volle Inhalt der QuelleThe prevalence of alcoholic writers in 20th-century American literature reached what has been called epidemic proportions. Many of these writers wrote autobiographical accounts of their alcoholism through alter egos in their literary works. Of these, perhaps none is as extensive and detailed as Charles Bukowski's persona Henry Chinaski. This thesis is a case study of Chinaski's alcoholism through five of Bukowski's autobiographical novels. In it, I explore the complexities of Chinaski's alcoholism and make the claim that social alienation is a driving force for the onset and the intensity of his alcohol addiction. The novels span Chinaski's life from youth to old age, and factors such as childhood abuse and labor conditions in the post-Depression era work to alienate him. Through close, contextual reading of Bukowski's novels aided with sociological and medical scholarship on addiction, the relationship between alienation and alcoholism is explored.
Gubernatis, Catherine. „The epistolary form in twentieth-century fiction“. Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1184950116.
Der volle Inhalt der QuelleStripe, Adelle. „Writing Andrea Dunbar : framing the non-fiction novel in the literary north“. Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/31560/.
Der volle Inhalt der QuelleMaaloum, Mohamed. „The loss of the referent : identity and fragmentation in Richard Wright's fiction“. Thesis, Cardiff University, 2014. http://orca.cf.ac.uk/62501/.
Der volle Inhalt der QuelleBlomberg, Miranda. „"Should Fiction be Safe Places?" : Neil Gaimans novellsamling Trigger Warning som metafiktion“. Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-412454.
Der volle Inhalt der QuellePawlak, Solange. „A Work of Speculative Fiction : Intertextuality in Margaret Atwood’s The Handmaid’s Tale“. Thesis, Högskolan Dalarna, Engelska, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30479.
Der volle Inhalt der QuelleMorse, Andrew. „"A new discipline of vision" : the synthesis of poetic and scientific epistemologies in contemporary speculative verse /“. view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3102180.
Der volle Inhalt der QuelleTypescript. Includes vita and abstract. Includes bibliographical references (leaves 232-241). Also available for download via the World Wide Web; free to University of Oregon users.
Dunst, Maura. „"Such genius as hers" : music in New Woman fiction“. Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/46493/.
Der volle Inhalt der QuelleCoban, Osman. „Reading choices and the effects of reading fiction : the responses of adolescent readers in Turkey to fiction and e-fiction“. Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30686/.
Der volle Inhalt der QuelleBuscall, Jon. „'Being Helle', +, Creative writing at the nexus of fiction & theory : a case study analysis of the interaction between fiction & critical praxis“. Thesis, Liverpool John Moores University, 2004. http://researchonline.ljmu.ac.uk/5856/.
Der volle Inhalt der QuelleNew, Rachel. „'Half' : a novel, and the corresponding thesis, Between memoir and fiction“. Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7860/.
Der volle Inhalt der QuelleStewart, Michael. „Rebooting the lyrical story : structure, viewpoint and aspects of realism in short fiction“. Thesis, University of Huddersfield, 2015. http://eprints.hud.ac.uk/id/eprint/26895/.
Der volle Inhalt der QuelleLaPadula, Brent. „A life both public and private : expressions of individuality in Old English poetry“. Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/40834/.
Der volle Inhalt der QuelleTaft, Alison. „Feminist noir or chick noir? : protagonist, voice, tone and sexuality in female-led contemporary noir fiction“. Thesis, University of Huddersfield, 2018. http://eprints.hud.ac.uk/id/eprint/34729/.
Der volle Inhalt der QuelleFrater, Anne Catherine. „Scottish Gaelic women's poetry up to 1750“. Thesis, Connect to e-thesis, 1994. http://theses.gla.ac.uk/701/.
Der volle Inhalt der QuellePh.D. thesis submitted to the Department of Celtic, Faculty of Arts, University of Glasgow, 1994. Includes bibliographical references. Print version also available.