Dissertationen zum Thema „Literature fiction poetry criticism“
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Graves, Jesse, Thomas Alan Holmes und Ernest Lee. „Jeff Daniel Marion: Poet on the Holston“. Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1621901998.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1020/thumbnail.jpg
Pereira, Fellipe Ramos 1988. „Erotismo e crueldade em Coxas - sex fiction & delírios de Roberto Piva“. [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270070.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: O presente trabalho tem por objetivo desenvolver um estudo sobre a obra Coxas ¿ sex fiction & delírios de Roberto Piva. Buscar-se-á analisar os pontos de contato entre a crueldade e o erotismo no interior desta obra. Cabe assinalar que Coxas é uma obra erótica, que tem por tema o erotismo, e não uma obra com passagens eróticas. Por isso o que se busca fundamentalmente neste trabalho é analisar como erotismo e a crueldade são trabalhados pelo poeta. Para isso se desenvolveu dois pontos principais na pesquisa. O primeiro é exatamente o que diz respeito ao erotismo, porque a crueldade que se busca analisar provém deste aspecto e ele se mostra bastante relevante na obra em questão. O segundo é uma análise formal, pois há nitidamente em Coxas certa hibridização dos gêneros poesia e prosa. Para cumprir estas tarefas buscou-se primeiramente compreender como se compunha o quadro poético da época em que Roberto Piva inicia sua trajetória nas letras e como se configura o erotismo em sua obra. Em seguida se procurou alguns parâmetros especulativos que servissem de apoio à análises da obra nos aspectos apontados, por fim o problema formal se mostrou também de grande relevância, por isso há um capítulo destinado a expor os traços formais de Coxas
Abstract: This dissertation aims to develop a study about the book "Coxas" ¿ sex fiction & delirious, by Roberto Piva. We intend to analyze the points of contact between cruelty and eroticism within this work. It is worth highlighting that "Coxas" is an erotic literary work, whose theme is eroticism, and not an erotic passages book. That is why we seek primarily to investigate how eroticism and cruelty were used by the poet. In this regard we had developed two main points in the research. The first is exactly what concerns the eroticism, because the idea of cruelty that we seek to analyze comes from this aspect and it shows high relevance in the mentioned work. The second one is a formal analysis because it is possible to notice that there is poetry and prose genre hybridization into "Coxas". In order to accomplish this goal we sought to understand firstly on how the poetic scenario was composed from the time that Roberto Piva had begun his career in the poetic world and how eroticism had been configured in his work. And then, we tried some speculative parameters that work in order to give us support in the work analysis on what concerns the highlighted aspects. Finally, the formal point had also been showed highly relevant, so there is a chapter that intends to expose the formal features in "Coxas"
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
Nicholson, Michelle A. „“To be men, not destroyers”: Developing Dabrowskian Personalities in Ezra Pound’s The Cantos and Neil Gaiman’s American Gods“. ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2628.
Der volle Inhalt der QuelleFlavell, Helen. „Writing-between : Australian and Canadian ficto-criticism /“. Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20051222.114143.
Der volle Inhalt der QuellePellis, Vivien C., und mikewood@deakin edu au. „Inspiration and Mimesis in Plato's criticism of poetry“. Deakin University. School of Social Inquiry, 2001. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.124541.
Der volle Inhalt der QuelleSkelley, Steven J. „Yeats, Bloom and the dialectics of theory, criticism and poetry“. Thesis, University of Nottingham, 1992. http://eprints.nottingham.ac.uk/13628/.
Der volle Inhalt der QuelleHart, Christopher. „'Fiction is the mask of history' : contextual readings of Byron's poetry“. Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243001.
Der volle Inhalt der QuelleSchubert, Layla A. Olin 1975. „Material literature in Anglo-Saxon poetry“. Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10909.
Der volle Inhalt der QuelleThe scattered instances depicting material literature in Anglo-Saxon poetry should be regarded as a group. This phenomenon occurs in Beowulf, The Dream of the Rood, and The Husband's Message. Comparative examples of material literature can be found on the Ruthwell Cross and the Franks Casket. This study examines material literature in these three poems, comparing their depictions of material literature to actual examples. Poems depicting material literature bring the relationship between man and object into dramatic play, using the object's point of view to bear witness to the truth of distant or intensely personal events. Material literature is depicted in a love poem, The Husband's Message, when a prosopopoeic runestick vouches for the sincerity of its master, in the heroic epic Beowulf when an ancient, inscribed sword is the impetus to give an account of the biblical flood, and is also implied in the devotional poem The Dream of the Rood, as two crosses both pre-and-post dating the poem bear texts similar to portions of the poem. The study concludes by examining the relationship between material anxiety and the character of Weland in Beowulf, Deor, Alfred's Consolation of Philosophy, and Waldere A & B. Concern with materiality in Anglo-Saxon poetry manifests in myriad ways: prosopopoeic riddles, both heroic and devotional passages directly assailing the value of the material, personification of objects, and in depictions of material literature. This concern manifests as a material anxiety. Weland tames the material and twists and shapes it, re-affirming the supremacy of mankind in a material world.
Committee in charge: Martha Bayless, Chairperson, English; James Earl, Member, English; Daniel Wojcik, Member, English; Aletta Biersack, Outside Member, Anthropology
HSIAO, CHING-SONG GENE. „SEMIOTIC INTERPRETATION OF CHINESE POETRY: TU MU'S POETRY AS EXAMPLE (CRITICISM)“. Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188120.
Der volle Inhalt der QuelleMathews, Peter David 1975. „Strategies of realism : realist fiction and postmodern theory“. Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8656.
Der volle Inhalt der QuelleStratton, Sarah Louise. „More than throw-away fiction : investigating lesbian pulp fiction through the lens of a lesbian textual community“. Thesis, University of Birmingham, 2018. http://etheses.bham.ac.uk//id/eprint/8245/.
Der volle Inhalt der QuelleTowsey, David Jonathan. „Criticism as poetry in the later writings of Paul de Man“. Thesis, University of Sussex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390817.
Der volle Inhalt der QuelleTravis, Molly Abel. „Subject on Trial: The Displacement of the Reader in Modern and Post-modern Fiction“. The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392805130.
Der volle Inhalt der QuelleKensky, Eitan Lev. „Facing the Limits of Fiction: Self-Consciousness in Jewish American Literature“. Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10716.
Der volle Inhalt der QuelleNear Eastern Languages and Civilizations
Chan, Wai-ying, und 陳惠英. „Chinese lyrical fiction in the period 1919-1989“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31212864.
Der volle Inhalt der QuelleAllen, Elizabeth. „The dislocated mind : the fiction of Raymond Williams“. Thesis, Liverpool John Moores University, 2007. http://researchonline.ljmu.ac.uk/5857/.
Der volle Inhalt der QuelleDarroch, Fiona Jane. „Memory and myth : postcolonial religion in contemporary Guyanese fiction and poetry“. Thesis, University of Stirling, 2005. http://hdl.handle.net/1893/2618.
Der volle Inhalt der QuelleSaggers, Emma Louise. „Carnivalesque inversion : the subversive fiction of Kurt Vonnegut“. Thesis, University of Essex, 2016. http://repository.essex.ac.uk/19697/.
Der volle Inhalt der QuelleMoxham, Jeffrey. „Interfering values : a study of nineteenth-century fiction and the ethics of criticism“. Thesis, Lancaster University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302419.
Der volle Inhalt der QuelleWilliams, Kirsty. „Structures of belonging : the poetry of Seamus Heaney“. Thesis, University of Glasgow, 2003. http://theses.gla.ac.uk/1748/.
Der volle Inhalt der QuellePeyrouse, Anne. „La fiction poétique, précédée par Corps-floraison et En filigrane“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0027/NQ31504.pdf.
Der volle Inhalt der QuelleAwwad, Abd al-Hussein M. „The theoretical bases of applied criticism of modern Arabic poetry : a comparative study“. Thesis, University of Exeter, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.280753.
Der volle Inhalt der QuelleGraves, Jesse, Paul Ruffin und William Wright. „Southern Poetry Anthology, VI: Tennessee“. Digital Commons @ East Tennessee State University, 2013. http://amzn.com/1937875458.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1088/thumbnail.jpg
Calderón, Jorge. „Configurations aporétiques, fiction de l'histoire et historicité de la fiction : Simone de Beauvoir, Albert Camus et Jean-Paul Sartre“. Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85134.
Der volle Inhalt der QuelleOn one hand I consider literature as an object which can be described by the methodologies of history. On the other hand I suggest an analysis of the historicity of the text that is constituted by the dynamic system generated by the interaction, the interdependence, and the correlation of the poetic and aesthetic parameters and the factors of the historical context. My aim is to set off the poetic and aesthetic mecanism of stability and of transformation of literary creation according to the dynamic relation between the vector of the project associated to realism and the one of the prototype associated to the novel. I think that late modernism produces paradoxical configurations of the novel because it is the period in which the project of realism becomes lapsed and the prototype of the realist novel becomes dilapidated.
Among the works that are exemplary of the tension between fiction and history and between project and prototype in the framework of the representation of reality and of the inscription of history in novels, I identified Albert Camus' La Peste, Simone de Beauvoir's Les Mandarins and Jean-Paul Sartre's Les Chemins de la liberte . I conclude that the enterprise of committed literature was an aporias because it was generated from the impoverishment of the project of realism and the obsolescence of the prototype of the novel. Later literature was extricated, firstly, by the radically and extremely metafictional writing of the Nouveau Roman and, secondly, it was changed by postmodern historiographic metafiction. The crisis of history and of the writing of history was solved by works in which there is the acknowledgement and the use of sophisticated mediations to evoke and inscribe history in different ways.
Lu, Lian. „Penelope Fitzgerald's fiction and literary career : form and context“. Thesis, University of Glasgow, 1999. http://theses.gla.ac.uk/1773/.
Der volle Inhalt der QuelleBuscall, Jon. „'Being Helle', +, Creative writing at the nexus of fiction & theory : a case study analysis of the interaction between fiction & critical praxis“. Thesis, Liverpool John Moores University, 2004. http://researchonline.ljmu.ac.uk/5856/.
Der volle Inhalt der QuelleCastiglione, Davide. „Difficulty in Anglo-American poetry : a linguistic and empirical perspective“. Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33560/.
Der volle Inhalt der QuelleJorgensen, Darren J. „Science fiction and the sublime“. University of Western Australia. English, Communication and Cultural Studies Discipline Group, 2005. http://theses.library.uwa.edu.au/adt-WU2005.0116.
Der volle Inhalt der QuelleFudge, Bruce G. „Islam and the fiction of Salman Rushdie“. Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26268.
Der volle Inhalt der QuelleDavid, Alun Morris. „Christopher Smart and the Hebrew Bible : poetry and biblical criticism in England (1682-1771)“. Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321555.
Der volle Inhalt der QuelleTierney, John. „"Plunged Back with Redoubled Force": An Analysis of Selected Fiction, Non-Fiction, and Poetry of the Korean War“. University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1396829149.
Der volle Inhalt der QuelleMacKenzie, Garry Ross. „Landscapes in modern poetry : gardens, forests, rivers, islands“. Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5910.
Der volle Inhalt der QuelleKokotailo, Philip 1955. „Appreciating the present : Smith, Sutherland, Frye, and Pacey as historians of English-Canadian poetry“. Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39772.
Der volle Inhalt der QuelleHutchison, Lorna. „Strategies of the grotesque in Canadian fiction“. Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100627.
Der volle Inhalt der QuelleAlthough I provide a concise definition of the term "grotesque," my focus is on feminist theoretical approaches to the grotesque. However, whereas feminist theory on the grotesque examines the binary opposition of woman to man, this study shows that the grotesque bypasses the "male/female" dichotomy in the representation of fictional characters. Instead, the sustained contradiction of the central opposition "woman/monster" works to undermine the notion of fictional characterization.
Specifically, this study focuses on the grotesque as a narrative strategy and examines the use of the grotesque in the portrayal of female narrators. The prevalence of female grotesque characters in recent Canadian fiction combined with the rapid growth of interest in the critical concept of the "female grotesque" requires a theoretical analysis of the literature.
In the fiction I examine by Canadian authors Margaret Atwood, Lynn Coady, Barbara Gowdy, Alice Munro, and Miriam Toews, narrators are contradictory. As subjects, they have doubled identities. Authors situate identity ("subjectivity") in the realm of paradox, rather than in the realm of clarity and resolution. As a result, readers and critics must rely on ambiguity and subversion as guides when posing the ultimately irresolvable question "who is speaking?" Through analysis of this fiction, then, I argue for nothing short of a new conceptualization of subjectivity.
Oppelt, Riaan. „The valley trilogy: a reading of C. Loius Leipoldt's English-language fiction circa 1925-1935“. Thesis, University of the Western Cape, 2007. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_7246_1257247882.
Der volle Inhalt der QuelleC. Louis Leipoldt is known as a canonical figure in the history of Afrikaans poetry, He is customarily included in the pantheon of writers such as C.J. Langenhoven who not only established Afrikaans as a standardized national language in the early twentieth century, but also contributed to the idea of the Afrikaner Volk as a distinct nation within South Africa. The recent publication of Leipoldt's Valley Trilogy, three novels written in English in the 1930's now reveals Leipoldt in a very different light. Today, in a time of national transformation, Leipoldt's liberal ideas deserve to be given the broader scope he had intended for them.
Kocela, Christopher. „Fetishism as historical practice in postmodern American fiction“. Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38213.
Der volle Inhalt der QuelleFung, Kit-ting, und 馮潔婷. „Decolonizing fictions: the subversion of 19thcentury realist fiction“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31953001.
Der volle Inhalt der QuelleGrayson, Erik. „Towards a postmodern absurd : the fiction of Joseph Heller“. Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19693.
Der volle Inhalt der QuelleGraves, Jesse, Paul Ruffin und William Wright. „Southern Poetry Anthology, VII: North Carolina“. Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1937875873.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1019/thumbnail.jpg
Duggan, Lucy. „Reading the city : Prague in Czech and Czech-German narrative fiction since 1989“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3827cf9c-fa91-4fb5-aa7e-8942de885729.
Der volle Inhalt der QuelleNapier, Will. „The haunted house of memory in the fiction of Stephen King“. Thesis, University of Glasgow, 2008. http://theses.gla.ac.uk/516/.
Der volle Inhalt der QuelleLangston, Jessica. „Writing herself in : mother fiction and the female Künstlerroman“. Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79957.
Der volle Inhalt der QuelleBarry, Juli. „American families in fact and fiction : decentering a constrictive ideal /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9835407.
Der volle Inhalt der QuelleWaage, Fred. „This Mortal Earth: A Year of Beginnings and Ceasings“. Digital Commons @ East Tennessee State University, 2015. http://amzn.com/168114008X.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1010/thumbnail.jpg
Allen, Edward Joseph Frank. „Lyric technologies : the sound media of American modernist poetry“. Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708318.
Der volle Inhalt der QuelleNash, Andrew. „Kailyard, Scottish literary criticism, and the fiction of J.M. Barrie“. Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/15199.
Der volle Inhalt der QuelleMona, Godfrey Vulindlela. „Ideology, hegemony, and Xhosa written poetry, 1948-1990“. Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1002172.
Der volle Inhalt der Quelle齊曉楓 und Hsiao-feng Chi. „Patterns of husband selection in traditional Chinese fiction and drama“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31238312.
Der volle Inhalt der QuelleChan, Kwok-kou Leonard, und 陳國球. „The reception of Tang poetry in the Ming neo-classical criticism“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1988. http://hub.hku.hk/bib/B31231081.
Der volle Inhalt der Quelle李仕芬 und Shi-fan Lee. „The male characters in the fiction of contemporary Taiwanese women writers“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31235979.
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