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Zeitschriftenartikel zum Thema "Literature fiction poetry criticism"
Yoo, Hyun-Joo. „Analysis of Trends in Research on Children’s and Young Adult Literature/Literature Education“. Korean Society for Teaching English Literature 26, Nr. 2 (30.08.2022): 87–123. http://dx.doi.org/10.19068/jtel.2022.26.2.04.
Der volle Inhalt der QuelleMuñoz Covarrubias, Pablo. „María Zambrano y la quimera“. Revista Valenciana. Estudios de filosofía y letras, Nr. 28 (09.06.2021): 173–200. http://dx.doi.org/10.15174/rv.v13i28.523.
Der volle Inhalt der QuelleHuisman, Rosemary. „The discipline of English Literature from the perspective of SFL register“. Language, Context and Text 1, Nr. 1 (04.02.2019): 102–20. http://dx.doi.org/10.1075/langct.00005.hui.
Der volle Inhalt der QuelleSouza, Roberto Acízelo de, und José Luís Jobim. „BRAZILIAN LITERARY CRITICISM AND HISTORIOGRAPHY“. Revista Brasileira de Literatura Comparada 22, Nr. 41 (Dezember 2020): 37–45. http://dx.doi.org/10.1590/2596-304x20202241rac.
Der volle Inhalt der QuelleMakhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina und Ekaterina O. Shmeltser. „Technology of poetry presentation via Emoji Maker platform: pedagogical function of graphic mimesis“. CTE Workshop Proceedings 7 (20.03.2020): 264–80. http://dx.doi.org/10.55056/cte.359.
Der volle Inhalt der QuelleMontes-Alcalá, Cecilia. „Code-switching in US Latino literature: The role of biculturalism“. Language and Literature: International Journal of Stylistics 24, Nr. 3 (August 2015): 264–81. http://dx.doi.org/10.1177/0963947015585224.
Der volle Inhalt der QuelleByrne, Deirdre C. „“The Wings of the Redwing Hawk”“. Extrapolation: Volume 63, Issue 2 63, Nr. 2 (01.07.2022): 181–204. http://dx.doi.org/10.3828/extr.2022.12.
Der volle Inhalt der QuelleMonaco, Benedetta. „Poematis genus ambigui I concetti di veritas, fictio e visio fra Petrarca e Boccaccio“. Mediaevalia Textos e estudos 40 (2023): 215–37. http://dx.doi.org/10.21747/21836884/med40a8.
Der volle Inhalt der QuelleAbdurrahmani, Tidita. „Eco-Criticism and Nature Writing .the Trails of the American Approaches“. European Journal of Social Sciences Education and Research 2, Nr. 1 (30.12.2014): 266. http://dx.doi.org/10.26417/ejser.v2i1.p266-278.
Der volle Inhalt der QuelleRocca, A. J. „Samuel R. Delany as Genre Flaneur: Encountering Science Fiction in Dhalgren“. Science Fiction Studies 51, Nr. 1 (März 2024): 53–73. http://dx.doi.org/10.1353/sfs.2024.a920233.
Der volle Inhalt der QuelleDissertationen zum Thema "Literature fiction poetry criticism"
Graves, Jesse, Thomas Alan Holmes und Ernest Lee. „Jeff Daniel Marion: Poet on the Holston“. Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1621901998.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1020/thumbnail.jpg
Pereira, Fellipe Ramos 1988. „Erotismo e crueldade em Coxas - sex fiction & delírios de Roberto Piva“. [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270070.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-27T21:59:09Z (GMT). No. of bitstreams: 1 Pereira_FellipeRamos_M.pdf: 992086 bytes, checksum: 35d2346ea14779e6bf9fb3879bf1860b (MD5) Previous issue date: 2015
Resumo: O presente trabalho tem por objetivo desenvolver um estudo sobre a obra Coxas ¿ sex fiction & delírios de Roberto Piva. Buscar-se-á analisar os pontos de contato entre a crueldade e o erotismo no interior desta obra. Cabe assinalar que Coxas é uma obra erótica, que tem por tema o erotismo, e não uma obra com passagens eróticas. Por isso o que se busca fundamentalmente neste trabalho é analisar como erotismo e a crueldade são trabalhados pelo poeta. Para isso se desenvolveu dois pontos principais na pesquisa. O primeiro é exatamente o que diz respeito ao erotismo, porque a crueldade que se busca analisar provém deste aspecto e ele se mostra bastante relevante na obra em questão. O segundo é uma análise formal, pois há nitidamente em Coxas certa hibridização dos gêneros poesia e prosa. Para cumprir estas tarefas buscou-se primeiramente compreender como se compunha o quadro poético da época em que Roberto Piva inicia sua trajetória nas letras e como se configura o erotismo em sua obra. Em seguida se procurou alguns parâmetros especulativos que servissem de apoio à análises da obra nos aspectos apontados, por fim o problema formal se mostrou também de grande relevância, por isso há um capítulo destinado a expor os traços formais de Coxas
Abstract: This dissertation aims to develop a study about the book "Coxas" ¿ sex fiction & delirious, by Roberto Piva. We intend to analyze the points of contact between cruelty and eroticism within this work. It is worth highlighting that "Coxas" is an erotic literary work, whose theme is eroticism, and not an erotic passages book. That is why we seek primarily to investigate how eroticism and cruelty were used by the poet. In this regard we had developed two main points in the research. The first is exactly what concerns the eroticism, because the idea of cruelty that we seek to analyze comes from this aspect and it shows high relevance in the mentioned work. The second one is a formal analysis because it is possible to notice that there is poetry and prose genre hybridization into "Coxas". In order to accomplish this goal we sought to understand firstly on how the poetic scenario was composed from the time that Roberto Piva had begun his career in the poetic world and how eroticism had been configured in his work. And then, we tried some speculative parameters that work in order to give us support in the work analysis on what concerns the highlighted aspects. Finally, the formal point had also been showed highly relevant, so there is a chapter that intends to expose the formal features in "Coxas"
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
Nicholson, Michelle A. „“To be men, not destroyers”: Developing Dabrowskian Personalities in Ezra Pound’s The Cantos and Neil Gaiman’s American Gods“. ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2628.
Der volle Inhalt der QuelleFlavell, Helen. „Writing-between : Australian and Canadian ficto-criticism /“. Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20051222.114143.
Der volle Inhalt der QuellePellis, Vivien C., und mikewood@deakin edu au. „Inspiration and Mimesis in Plato's criticism of poetry“. Deakin University. School of Social Inquiry, 2001. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.124541.
Der volle Inhalt der QuelleSkelley, Steven J. „Yeats, Bloom and the dialectics of theory, criticism and poetry“. Thesis, University of Nottingham, 1992. http://eprints.nottingham.ac.uk/13628/.
Der volle Inhalt der QuelleHart, Christopher. „'Fiction is the mask of history' : contextual readings of Byron's poetry“. Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243001.
Der volle Inhalt der QuelleSchubert, Layla A. Olin 1975. „Material literature in Anglo-Saxon poetry“. Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10909.
Der volle Inhalt der QuelleThe scattered instances depicting material literature in Anglo-Saxon poetry should be regarded as a group. This phenomenon occurs in Beowulf, The Dream of the Rood, and The Husband's Message. Comparative examples of material literature can be found on the Ruthwell Cross and the Franks Casket. This study examines material literature in these three poems, comparing their depictions of material literature to actual examples. Poems depicting material literature bring the relationship between man and object into dramatic play, using the object's point of view to bear witness to the truth of distant or intensely personal events. Material literature is depicted in a love poem, The Husband's Message, when a prosopopoeic runestick vouches for the sincerity of its master, in the heroic epic Beowulf when an ancient, inscribed sword is the impetus to give an account of the biblical flood, and is also implied in the devotional poem The Dream of the Rood, as two crosses both pre-and-post dating the poem bear texts similar to portions of the poem. The study concludes by examining the relationship between material anxiety and the character of Weland in Beowulf, Deor, Alfred's Consolation of Philosophy, and Waldere A & B. Concern with materiality in Anglo-Saxon poetry manifests in myriad ways: prosopopoeic riddles, both heroic and devotional passages directly assailing the value of the material, personification of objects, and in depictions of material literature. This concern manifests as a material anxiety. Weland tames the material and twists and shapes it, re-affirming the supremacy of mankind in a material world.
Committee in charge: Martha Bayless, Chairperson, English; James Earl, Member, English; Daniel Wojcik, Member, English; Aletta Biersack, Outside Member, Anthropology
HSIAO, CHING-SONG GENE. „SEMIOTIC INTERPRETATION OF CHINESE POETRY: TU MU'S POETRY AS EXAMPLE (CRITICISM)“. Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188120.
Der volle Inhalt der QuelleMathews, Peter David 1975. „Strategies of realism : realist fiction and postmodern theory“. Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8656.
Der volle Inhalt der QuelleBücher zum Thema "Literature fiction poetry criticism"
Sylvan, Barnet, Berman Morton und Burto William, Hrsg. An Introduction to literature: Fiction, poetry, drama. 9. Aufl. Glenview, Ill: Scott, Foresman, 1989.
Den vollen Inhalt der Quelle findenJ, Kennedy X., und Gioia Dana, Hrsg. Literature: An introduction to fiction, poetry, and drama. 4. Aufl. New York: Pearson/Longman, 2005.
Den vollen Inhalt der Quelle findenBarnet, Sylvan. An introduction to literature: Fiction, poetry, drama. New York: Longman, 2003.
Den vollen Inhalt der Quelle findenBarnet, Sylvan. An introduction to literature: Fiction, poetry, and drama. Boston: Longman, 2010.
Den vollen Inhalt der Quelle findenSylvan, Barnet, Hrsg. Literature for composition: Essays, fiction, poetry, and drama. 6. Aufl. New York: Longman, 2002.
Den vollen Inhalt der Quelle findenKennedy, X. J. Literature: An introduction to fiction, poetry, and drama. 8. Aufl. New York: Longman, 2002.
Den vollen Inhalt der Quelle findenJ, Kennedy X., und Gioia Dana, Hrsg. Literature: An introduction to fiction, poetry, and drama. 4. Aufl. New York: Longman, 2005.
Den vollen Inhalt der Quelle findenSylvan, Barnet, Burto William und Cain William E. 1952-, Hrsg. Literature for composition: Essays, fiction, poetry, and drama. 7. Aufl. New York: Pearson Longman, 2005.
Den vollen Inhalt der Quelle findenE, Scholes Robert, Hrsg. Elements of literature: Poetry, fiction, drama. 3. Aufl. Don Mills, Ont: Oxford University Press, 2004.
Den vollen Inhalt der Quelle findenSylvan, Barnet, Hrsg. Literature for composition: Essays, fiction, poetry, and drama. 3. Aufl. New York, NY: HarperCollinsPublishers, 1992.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Literature fiction poetry criticism"
Brown, Daniel. „Realistic Poetry“. In Representing Realists in Victorian Literature and Criticism, 51–78. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40679-4_3.
Der volle Inhalt der QuelleHatem, Mervat F. „From Fiction to Social Criticism“. In Literature, Gender, and Nation-Building in Nineteenth-Century Egypt, 113–50. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118607_5.
Der volle Inhalt der QuelleNa’Allah, Abdul-Rasheed. „Criticism of African Art and Literature“. In Globalization, Oral Performance, and African Traditional Poetry, 21–44. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75079-8_2.
Der volle Inhalt der QuelleLongxi, Zhang. „Literary Prose, Fiction, and Late Tang Poetry“. In A History of Chinese Literature, 166–88. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003164173-9.
Der volle Inhalt der QuelleEllis, R. J. „African-American Fiction and Poetry“. In A Companion to the Literature and Culture of the American South, 255–79. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756935.ch15.
Der volle Inhalt der QuelleMullett, Margaret. „No Drama, No Poetry, No Fiction, No Readership, No Literature“. In A Companion to Byzantium, 225–38. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444320015.ch17.
Der volle Inhalt der QuelleRzepa, Joanna. „A ‘Raid on the Absolute’: Dogmatic Tradition and Mystical Experience in T. S. Eliot’s Poetry and Criticism“. In Palgrave Studies in Modern European Literature, 267–336. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61530-7_6.
Der volle Inhalt der QuelleHaring, Lee. „3. Giving an Account of Herself“. In World Oral Literature Series, 121–74. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0315.03.
Der volle Inhalt der QuelleSpaans, Ronny. „Diagnosing the Poetic Inspiration: Medical Criticism of Enthusiasm in the Poetry of Jan Six van Chandelier (1620–1695)“. In Illness and Literature in the Low Countries, 81–96. Göttingen: V&R Unipress, 2015. http://dx.doi.org/10.14220/9783737005203.81.
Der volle Inhalt der QuelleWest, John. „‘A great Romance feigned to raise wonder’“. In Stuart Succession Literature, 114–31. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198778172.003.0007.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Literature fiction poetry criticism"
Liu, Chongxi. „“POETRY CARVED IN STONE”: DOCUMENTARY, LITERARY AND CULTURAL CONNOTATION IN BAI JUYI’S POETRY INSCRIPTION“. In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.04.
Der volle Inhalt der QuelleBILGI, Levent. „ONTOLOGICAL THEORY IN LITERATURE“. In 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-3.
Der volle Inhalt der QuelleBykova, A. M. „Between painting and literature: 3 types of ekphrasis in Polish poetry of the 20th century (analysis of selected examples)“. In CULTURAL STUDIES AND ART CRITICISM: THINGS IN COMMON AND DEVELOPMENT PROSPECTS. Baltija Publishing, 2020. http://dx.doi.org/10.30525/978-9934-26-004-9-78.
Der volle Inhalt der QuelleSchiele, Alexandre. „THE NORMAL AND THE EXCEPTIONAL: A COMPARISON OF PU SONGLING’S AND MO YAN’S SURREAL WORLDS“. In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.10.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Literature fiction poetry criticism"
Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina und Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], Juli 2020. http://dx.doi.org/10.31812/123456789/3864.
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