Zeitschriftenartikel: „Literary criticism and cultural theory“

1

Richter, Gerhard, und Vincent B. Leitch. „Cultural Criticism, Literary Theory, Poststructuralism“. Modern Language Studies 24, Nr. 2 (1994): 120. http://dx.doi.org/10.2307/3195154.

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2

Gross, David S., und Vincent B. Leitch. „Cultural Criticism, Literary Theory, Poststructuralism“. World Literature Today 68, Nr. 1 (1994): 227. http://dx.doi.org/10.2307/40150110.

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3

Cain, William E. „Cultural Criticism, Literary Theory, Poststructuralism (review)“. Philosophy and Literature 17, Nr. 2 (1993): 369–70. http://dx.doi.org/10.1353/phl.1993.0020.

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4

White, Linda. „Basque literary criticism: Overcoming theory lag“. Journal of Spanish Cultural Studies 1, Nr. 2 (September 2000): 205–14. http://dx.doi.org/10.1080/713683440.

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5

SIM, STUART. „Recent literary criticism“. Critical Quarterly 29, Nr. 3 (September 1987): 108–14. http://dx.doi.org/10.1111/j.1467-8705.1987.tb00098.x.

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6

Mummery, Jane. „Re-Orienting Literary Criticism: Philosophy and Literary Theory“. Social Semiotics 10, Nr. 3 (Dezember 2000): 355–58. http://dx.doi.org/10.1080/713697692.

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7

Maciunas, Billie, und Sally Munt. „New Lesbian Criticism: Literary and Cultural Readings“. Tulsa Studies in Women's Literature 13, Nr. 2 (1994): 398. http://dx.doi.org/10.2307/464123.

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8

Newfield, Christopher. „Criticism and Cultural Knowledge“. Poetics Today 19, Nr. 3 (1998): 423. http://dx.doi.org/10.2307/1773427.

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9

Caballero Wangüemert, María. „Al hilo de la literatura latinoamericana: estudios literarios/estudios culturales / To the thread of Latin American literature: literary studies / cultural studies“. Kamchatka. Revista de análisis cultural., Nr. 9 (31.08.2017): 121. http://dx.doi.org/10.7203/kam.9.9932.

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Resumen: El presente trabajo constituye un recorrido bibliográfico por la crítica y la teoría literaria hispanoamericana de los últimos 50 años, sin afán de exhaustividad, como tarea colectiva (congresos etc) y personal. Sus hitos más significativos son: cómo se formó y fue derivando el canon literario en Hispanoamérica. Las teorías postcoloniales y su aplicación al Nuevo Mundo. Las orientaciones de la crítica y la teoría literaria en / sobre Latinoamérica. La irrupción y pervivencia de los estudios culturales. Nuevas modas críticas: estudios transatlánticos, tecno escritura, ecocrítica, crítica genética... Palabras clave: canon, crítica literaria, teoría literaria, teorías postcoloniales, estudios culturales.Abstract: The present work constitutes a bibliographical route by the criticism and the Hispano-American literary theory of the last 50 years. Its author did not pretendan exhaustiveness, but a collective task of congresses etc. Its most significant milestones are: how the literary canon was formed and was derived in Spanish America. Postcolonial theories and their application to the New World. The orientations of the critic and the literary theory in / on Latin America. The irruption and survival of cultural studies. New critical fads: transatlantic studies, tecno writing, ecocritics, genetic criticism …Keywords: Canon, literary criticism, literary theory, postcolonial theories, cultural studies.

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Winiecka, Elżbieta. „Literary Internet: Online Criticism and Literary Communication“. Porównania 27, Nr. 2 (15.12.2020): 289–311. http://dx.doi.org/10.14746/por.2020.2.15.

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This article is devoted to the transformations that literary communication has undergone on the Internet. The author describes how literary criticism and its role in the digital medium has changed, indicates the deep cultural changes resulting from the development of forms of communication in social media, and characterizes how the Internet has transformed literature. New media has given rise to new literary genres; it has also altered literature itself, recasting it in a hybrid form on the border between the literature and audiovisual media. The ongoing changes do not pose a threat to printed literature, but are an expression of the strength of the Internet’s impact on literary communication and its participants. It is necessary to refrain from easy evaluations of the ongoing processes and to focus on accurately describing, analyzing and interpreting them as a new and relatively unknown part of the expanding literary field.

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Donovan, Josephine. „Ecofeminist Literary Criticism: Reading The Orange“. Hypatia 11, Nr. 2 (1996): 161–84. http://dx.doi.org/10.1111/j.1527-2001.1996.tb00669.x.

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Ecofeminism, a new vein in feminist theory, critiques the ontology of domination, whereby living beings are reduced to the status of objects, which diminishes their moral significance, enabling their exploitation, abuse, and destruction. This article explores the possibility of an ecofeminist literary and cultural practice, whereby the text is not reduced to an “it” but rather recognized as a “thou,” and where new modes of relationship—dialogue, conversation, and meditative attentiveness—are developed.

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12

Aparicio. „The Turn to Aesthetics in Latinx Literary and Cultural Studies“. Criticism 62, Nr. 1 (2020): 143. http://dx.doi.org/10.13110/criticism.62.1.0143.

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13

Kuang, Xiuli. „Archetypal literary criticism and intertextuality“. Философская мысль, Nr. 9 (September 2023): 87–98. http://dx.doi.org/10.25136/2409-8728.2023.9.43571.

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Literary criticism was an important part of Western literary theory in the 20th century and has not lost its importance to this day. Criticism has an active influence on the literary process, as well as directly on the formation of public consciousness. This article discusses two important approaches, the principle of literary criticism. The archetypal literary criticism and the theory of intertextuality. Archetypal literary criticism is a theory that interprets a text by focusing on mythological motifs and archetypes in narrative, symbols, imagery, and character types that recur in different literary works. Analysis of the inclusions of intertext in the text of a work of art gives reason to consider them as one of the most important devices in the writer's stylistic system. The ability to integrate elements of another text into one's own work and introduce one's own text into the public consciousness is called "intertextualization" within the framework of this theory. Intertextuality is a common property of texts, expressed in the presence of links between them, due to which texts (or parts of them) can explicitly or implicitly refer to each other in a variety of ways. It is worth noting that the archetypal literary criticism and the theory of intertextuality have deep internal theoretical connections, which boil down to three main points: these are literary repetitions, general views on literature, and the consideration of literature as a repository of memory. Although these theories arose in the era of different cultural and historical paradigms - structuralism and post-structuralism, they have much in common in terms of connotation. Being different theoretical systems of literary criticism, archetypal criticism and intertextuality are closely connected by the presence of an element of psychological criticality in both. This article searches for similarities between the two indicated systems in these three aspects and substantiates their theoretical connection, which proves the complementary nature of these two theories.

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Fawaz, Ramzi. „Literary Theory on Acid“. American Literary History 34, Nr. 1 (01.02.2022): 126–41. http://dx.doi.org/10.1093/alh/ajab084.

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Abstract This essay argues for the value of psychedelic experience as a framework for amplifying the social and political impacts of literature on the affective lives of readers and viewers. Psychedelics are chemical compounds that induce a hypersaturated experience of life that represents facets of the world to us in unfamiliar, intensified form. Neurochemical studies of the psychedelically “tripping” brain suggest that the experience can have wide-reaching, long-term positive outcomes including the expansion of one’s sensory apprehension of the world, a stronger ability to grapple with life’s contingency and human mortality, and the mitigation of depression, anxiety, and addiction. The author identifies several crucial ways in which literary criticism and pedagogy’s enhancement of cultural meaning making dovetails with the best aspects of psychedelic states, including the activation of readers’ and students’ aesthetic sensibilities. A psychedelically inflected criticism aims to achieve the psychedelic experience’s “blossoming of mental states” by revitalizing the literary text as a site for exploring, refining, and retuning the sensorium, thereby enriching one’s perceptual and imaginative capacities. The author unpacks how the insights of psychedelic experiences can shape distinct pedagogical and interpretative practices that respond to our current global political crises. This can potentially revivify the therapeutic value of the humanities as an institution invested in honing the creative and ethical faculties of generations of youth while attending to their long-term affective well-being.

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Landauer, Carl, und Michael W. Jennings. „Dialectical Images: Walter Benjamin's Theory of Literary Criticism“. German Studies Review 11, Nr. 2 (Mai 1988): 324. http://dx.doi.org/10.2307/1429998.

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16

Satkauskytė, Dalia. „Contemporary Literary Criticism: The Challenges of Democratisation“. Colloquia 51 (24.07.2023): 31–47. http://dx.doi.org/10.51554/coll.23.51.03.

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The aim of this article is to discuss the forms of contemporary Lithuanian literary criticism in the context of more general cultural processes. The current situation, which still tends to be described as crisis, is brought about not only by the structure of the national literary field, the specifics of its historical development, or the local cultural policy, but also by universal factors, such as the epistemic, social, and institutional uncertainty that characterises professional literary criticism in general, and the so-called democratisation of culture, which has been accelerated by the emergence of social networks. The latter provide an opportunity for everyone to express their value judgements, disrupting the established hierarchies of critical evaluation and deepening the crisis of authority. This factor together with the meritocratic model that has taken root in the media, along with the commercialisation of publishing policy creates the conditions for the emergence of new ways of talking about literature, or what is known as ‘non-professional literary criticism’. Drawing on theory of New Formalism, I discuss the main types of professional and non-professional literary criticism, and their affordances, which foresees the social and cultural uses of literary criticism.

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Herron, Thomas. „:Shakespeare and the Cultural Colonization of Ireland. Literary Criticism and Cultural Theory“. Sixteenth Century Journal 41, Nr. 1 (01.03.2010): 297–98. http://dx.doi.org/10.1086/scj27867751.

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Dr. Qasim Yaqub. „In Search Of Regional Theory Of Urdu Criticism“. Dareecha-e-Tahqeeq 3, Nr. 3 (16.01.2023): 15–35. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i3.50.

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Regarding Urdu criticism, this objection has been circulating a lot that the critics have used only Western theories instead of paying attention to the creation of a local theory , due to which local literature could not be properly understood. This objection is not correct. With the beginning of criticism in Urdu, there has been a tendency to examine and theorize literature in the local cultural tradition. The services of a few critics will always be remembered in giving a regular theoretical orientation to literature. These few literary ideas will be highlighted in this article. They are no less great ideas in the Urdu Literary tradition.

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Graulich, M. „Cultural Criticism, circa 1974“. American Literary History 16, Nr. 3 (01.09.2004): 536–42. http://dx.doi.org/10.1093/alh/ajh029.

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20

Shi, Jiaxin. „Analysis of Narrative Characteristics of the Novel "Life and Death Are Wearing Me Out" Using the Ideological Criticism Method“. Lecture Notes in Education Psychology and Public Media 41, Nr. 1 (14.03.2024): 1–15. http://dx.doi.org/10.54254/2753-7048/41/20240528.

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Ideological criticism in literature refers to the analysis and study of literary works from specific class or party perspectives, aiming to illustrate the ideological nature inherent in all literary creations. Ideological criticism in literature has existed since ancient Greek times and evolved into a systematic critical theory and doctrine in the nineteenth century. By the twentieth century, with the rise of Marxist literary criticism in the Western world, ideological criticism entered a new phase, giving rise to numerous critics and theorists, becoming a significant phenomenon in twentieth-century literary and cultural criticism. Since adopting Western models and concepts of literary criticism in the twentieth century, ideological criticism has been one of the most influential critical schools in domestic literary criticism practices in China. The extensive novel by the author Mo Yan, "Life and Death Are Wearing Me Out," can be thoroughly analyzed through the ideological criticism method, focusing on its content from the perspectives of characters, language, and plot.

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Dawes, J. „Racism and Violence in Current US Literary and Cultural Criticism“. American Literature 85, Nr. 1 (01.01.2013): 177–84. http://dx.doi.org/10.1215/00029831-1959580.

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STOICHEVA, T. „Post-1989 Bulgarian Literary Theory and Criticism“. Year's Work in Critical and Cultural Theory 2, Nr. 1 (01.01.1992): 330–40. http://dx.doi.org/10.1093/ywcct/2.1.330.

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Orlova, Ekaterina Iosifovna. „RUSSIAN CRITICISM AS A CULTURAL PHENOMENON“. Russkaya literatura 2 (2021): 254–55. http://dx.doi.org/10.31860/0131-6095-2021-2-254-255.

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Talafha, Ahmad, Mushira Talafha, Khetam Shraideh, Imad Ababneh, Lina AlJarah und May Al Shaikhli. „Embedded Cultural Patterns in Abu Firas Al-Hamadani’s Ra’iyyah: Arabic Poetry“. World Journal of English Language 13, Nr. 1 (28.12.2022): 319. http://dx.doi.org/10.5430/wjel.v13n1p319.

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This paper tackles the cultural patterns in Abu Firas Hamdani's captivity poetry, namely Ra’iyyah poem. The poet, who is normally a part of ideological, cultural, or social paradigms, represents and regenerates, consciously or unconsciously, the cultural patterns, especially those represented by his predecessors in their literary works, whether in prose or verse. Antonyms and displacement, and many other linguistic tools, allow a space for the poet to freely criticize, expose, and thus persuade authorities into setting him free. Undoubtedly, cultural criticism, a product of postmodern thoughts, is one of the prominent trends in the world of literary criticism, and it places the focus on culture as a platform from which the authors express their status and agenda. The embedded cultural patterns that are traced in Abu Firas’ poetry are divided into three major themes, based on the suggested cultural patterns as elaborated in the current study.

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Law, Hoi Lun. „Criticism working with theory“. Critical Quarterly 62, Nr. 1 (April 2020): 130–34. http://dx.doi.org/10.1111/criq.12537.

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Valente, Luiz Fernando. „Post-Theory and Beyond“. Revista Brasileira de Literatura Comparada 23, Nr. 42 (April 2021): 21–37. http://dx.doi.org/10.1590/2596-304x20212342lfv.

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Abstract This article surveys and assesses the eclectic trends in literary theory and criticism in the post-theory age with a focus on three rubrics: the cultural turn, the historic turn, and the affective turn. It concludes with a consideration of the current debate about symptomatic reading versus surface reading.

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Lye, Colleen. „Identity Politics, Criticism, and Self-Criticism“. South Atlantic Quarterly 119, Nr. 4 (01.10.2020): 701–14. http://dx.doi.org/10.1215/00382876-8663603.

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If one of French Maoism’s main contributions to the sixties’ cultural turn was a theory of the relative autonomy of ideology, one of US Maoism’s main contributions was identity politics. A product of the application of Mao’s theory of contradiction to US circumstances, identity politics also represented a reinvention of ideology critique by US Third World and Black feminist movements, though in this case directed to practical ends.

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Bentley, Nancy. „Slow Criticism: American Literary Studies as a World“. American Literary History 34, Nr. 1 (01.02.2022): 387–93. http://dx.doi.org/10.1093/alh/ajab096.

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Abstract The authority of art in US society has declined even as cultural criticism has expanded and diversified, spreading to many sectors of society. While these conditions have affected American literary studies, scholars in the field produce criticism that can be distinguished from the criticism in other sectors by its commitment to historicist thought and by disciplinary standards for what it means to produce a “new reading.”

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Гундорова, Тамара. „MARXISM AND AMOR INTELLECTUALIS: TOWARD A THEORY OF SOCIALIST CULTURE BY VOLODYMYR YURYNETS“. Слово і Час, Nr. 1 (28.02.2024): 3–20. http://dx.doi.org/10.33608/0236-1477.2024.01.3-20.

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The paper analyzes the methodological framework of the philosophy of culture and new literary criticism of the Ukrainian philosopher and literary critic Volodymyr Yurynets (1891—1937) within his article “To the Problem of Socialist Culture (Introduction to the book ‘Mykola Bazhan’).” His ideas testify to the powerful methodological searches in the field of Marxist criticism of the 1920s aimed at substantiating the nature of post-revolutionary culture. Balancing between Marxism and Western idealist philosophy, Yurynets brings elements of the latter into his philosophical Marxist criticism. While elaborating a model of new criticism, Yurynets substantiates perception based on a “fluxion of intellectual sympathy.” In this process, the recipient becomes an organ of “amor intellectualis, indifferent amazement.” Yurynets considers his philosophical criticism of culture to be a Marxist form of cultural philosophy. He asserts that literature is a form of philosophical thinking and argues that literary criticism armed with philosophy is a phenomenon completely different from academic literary criticism. Justifying philosophical criticism as an active and modeling force of the modern time, Yurynets appeals to the ideas of the literary critic Leonid Grossman, the literary theorist Pavel Medvedev, and the linguist Nikolai Marr. Yurynets’s concept comes down to the search for the meaning of art in relation to the “life world” of a man. At the same time, he interprets the discovery of the “living forces of the epoch” in the context of historical materialism. In an effort to purify aesthetic perception from subjectivity, psychology, and emotion, Yurynets actually adapts E. Husserl’s ‘phenomenological reduction’ and applies it to the aesthetic reception. The scholar also refers to reflexology and Freudian psychoanalysis as sources of artistic inspiration and interpretive ideas for contemporary philosophical criticism.

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Dawidoff, Robert. „Criticism and American Cultural Repair“. American Literary History 1, Nr. 3 (1989): 665–74. http://dx.doi.org/10.1093/alh/1.3.665.

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31

King, Richard H. „The South and Cultural Criticism“. American Literary History 1, Nr. 3 (1989): 699–714. http://dx.doi.org/10.1093/alh/1.3.699.

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32

Young, Robert J. C. „The dialectics of cultural criticism“. Angelaki 2, Nr. 2 (Januar 1997): 9–24. http://dx.doi.org/10.1080/09697259708571929.

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33

Hentzi, Gary, und Juliet Flower MacCannell. „Figuring Lacan: Criticism and the Cultural Unconscious“. SubStance 17, Nr. 3 (1988): 65. http://dx.doi.org/10.2307/3684929.

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Donadey, Anne, Marie-Pierre Le Hir und Dana Strand. „French Cultural Studies: Criticism at the Crossroads“. SubStance 31, Nr. 1 (2002): 132. http://dx.doi.org/10.2307/3685816.

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35

Kinkley, Jeffrey C., und Ben Xu. „Disenchanted Democracy: Chinese Cultural Criticism after 1989“. World Literature Today 74, Nr. 4 (2000): 812. http://dx.doi.org/10.2307/40156131.

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Lew, Laurie Kane. „Cultural Anxiety in Anna Jameson's Art Criticism“. Studies in English Literature, 1500-1900 36, Nr. 4 (1996): 829. http://dx.doi.org/10.2307/450978.

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SHEA, COLLEEN. „Literary Authority as Cultural Criticism in Aemilia Lanyer's The Authors Dreame“. English Literary Renaissance 32, Nr. 3 (September 2002): 386–407. http://dx.doi.org/10.1111/1475-6757.00015.

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Meng, Ou. „The Self-value Construction of Female Characters in Hidden Figures from the Perspective of Feminism“. International Journal of Education and Humanities 3, Nr. 2 (07.07.2022): 64–67. http://dx.doi.org/10.54097/ijeh.v3i2.802.

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The Feminist criticism theory, which originated in the 1960s, is a literary criticism theory that interprets literary and cultural phenomena with female gender consciousness as its focus. The theory of criticism has gradually penetrated from political life to all aspects of culture, economy and social life, and has exerted a profound influence in the field of film. Film hidden figure depicts three women from 7 to revolt, from weak to strong career growth process, in the male-dominated field of science and technology have the courage to explore and create our own a piece of heaven and earth, through the career women are the epitome of difficulties and resistance, shows the wisdom of women dried fruits and individual consciousness. From the perspective of feminist criticism, Text Tong explores the self-worth construction process and important influence of the three women in Hidden Figures.

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Suzani, Samad Mirza. „Thorns and Flowers of Teaching English Literary Criticism to the Speakers of Persian as a Globally Less Widely Taught Language: a Case of MA Students of Translation Studies in Iran“. Sustainable Multilingualism 12, Nr. 1 (01.05.2018): 202–24. http://dx.doi.org/10.2478/sm-2018-0010.

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Summary The main aim of this study is to probe into major impediments in teaching literary criticism to the Persian speaking Iranian students of translation studies and to argue in which ways teaching literary criticism may be a successful undertaking in the educational establishments in globally less widely taught and learnt languages like Persian. For this purpose, following a mandatory literary criticism course, 35 male and 65 female graduate students from Fars and Isfahan universities were selected through convenience sampling and encouraged to fill in “record-of-work” forms, including reflection on learning strategies as well as their personal experiences and impressions. Next, to triangulate the results, fifty participants were selected to partake in semi-structured interviews, and findings were sorted and content analyzed based on Oxford’s (1990) dimensions of Strategy Inventory for Language Learning (SILL) and the tenets of grounded theory. It was revealed that there exist major defects with the current socio-pragmatic and pedagogical status of teaching literary criticism to the Iranian MA students and educational gaps are typically ascribed to the learners’ cultural conditions in Iranian EFL context. Results can hopefully provide EFL teachers with ways to recover defects in teaching literary criticism in less widely taught and learnt languages and provide learners with immediate feedback to meet cultural requirements in doing literary criticism.

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B. O. Orazova und Zh. Zharylgapov. „PERIODS OF THE THEORY DEVELOPMENT AND FORMATION ON LITERARY TRANSLATION IN KAZAKH LITERARY STUDIES“. Bulletin of Toraighyrov University. Philology series, Nr. 1,2024 (29.03.2024): 319–32. http://dx.doi.org/10.48081/ynlh7711.

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The article deals with the formation of the theory of translation in the Kazakh literary criticism and the periods of its development in the 1950–60’s. In the course of consideration of specific, individual problems of translation by the example of a number of studies analyzes the fact that its theory has also received considerable development. The historical-political and spiritual - cultural factors of development of methodology and methods of research the theory of literary translation are revealed. In this context, the research works of scientists S. Talzhanov, A. Satybaldiev, S. Kuspanov, Kh. Sadykov are taken as a basis. Several concepts related to the scientific framework of translation research, research methods, general methodology of translation research are defined. The term in the formation and development of translation theory, structural systems of the translated language, the style of the original author, inversion in fiction translation, idiomatic and phraseological word combinations, dialectism in the original, etc. are compared and studied from the position of researchers whose works are devoted to literary criticism. Conclusions are drawn on the formation and development of the theory of literary translation, and the peculiarities of each stage are considered. Keywords: Kazakh literary studies, translation, translation studies, translation methods, general theory of translation, fiction translation, methodology of translation theory.

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Wang, Ning. „Remembering Raymond Williams: His Theoretical Heritage to China’s World Literature and Culture Studies“. Journal of Foreign Languages and Cultures 6, Nr. 2 (28.12.2022): 88–98. http://dx.doi.org/10.53397/hunnu.jflc.202202008.

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Raymond Williams, the eminent British Marxist literary theorist, was introduced to China in the late 1980s, and his theories have since been increasingly attractive to China’s literary and cultural studies. He not only touched upon some of the fundamental issues of Marxist literary theory, such as ideology, culture, hegemony and aesthetics, but also developed it with his dynamic construction of a sort of cultural materialism, thus bridging between Marxist socio-historical and aesthetic criticism and cultural and linguistic factors. While literary and cultural theory is in decline in the West, Williams’s legacy is still appreciated in international circles, which ought to be cherished and inherited by us Chinese scholars in our studies of world literature and culture.

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Thornton, Peter Byron, und Mae G. Henderson. „Borders, Boundaries, and Frames: Essays in Cultural Criticism and Cultural Studies“. Journal of the Midwest Modern Language Association 30, Nr. 1/2 (1997): 140. http://dx.doi.org/10.2307/1315433.

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43

DiPuccio, Denise M. „Don Quixote: A Touchstone for Literary Criticism“. Comparative Literature Studies 43, Nr. 4 (01.01.2006): 535–37. http://dx.doi.org/10.2307/25659551.

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DiPuccio, Denise M. „Don Quixote: A Touchstone for Literary Criticism“. Comparative Literature Studies 43, Nr. 4 (01.01.2006): 535–37. http://dx.doi.org/10.2307/complitstudies.43.4.0535.

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45

Gans, Eric. „Aesthetics and Cultural Criticism“. boundary 2 25, Nr. 1 (1998): 67. http://dx.doi.org/10.2307/303936.

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46

Taleb-Khyar, Mohamed B. „The Languages of Literary Criticism“. Callaloo 14, Nr. 3 (1991): 611. http://dx.doi.org/10.2307/2931465.

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Morrison. „Beyond Bad Faith: Cultural Criticism and Instrumentality“. Criticism 61, Nr. 2 (2019): 167. http://dx.doi.org/10.13110/criticism.61.2.0167.

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Lee, Tong King. „The Role of Translation in the Worlding of Poetics“. Philosophy and Literature 48, Nr. 1 (April 2024): 132–48. http://dx.doi.org/10.1353/phl.2024.a930334.

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Abstract: Following Wang Ning's postulation that world poetics is "an open theoretical body that gains in translation and cross-cultural interpretation and can be constantly reconstructed," I expound on the role of translation in the making of world poetics. I argue that the worlding of poetics manifests as a mode of circulating and reading literary theory and criticism by transcending the boundaries of languages and cultures. With reference to two polemical episodes in a Chinese literary context, I illustrate how world poetics serves as a platform for the cross-cultural engagement of literary theory; and conversely, how it is contingent on translation and cross-cultural interpretation.

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Tuttleton, James W., und Mark Krupnick. „Lionel Trilling and the Fate of Cultural Criticism.“ American Literature 58, Nr. 4 (Dezember 1986): 669. http://dx.doi.org/10.2307/2926475.

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Ingwersen, N., und Sverre Lyngstad. „Sigurd Hoel's Fiction: Cultural Criticism and Tragic Vision“. World Literature Today 59, Nr. 3 (1985): 446. http://dx.doi.org/10.2307/40140984.

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Zeitschriftenartikel zum Thema „Literary criticism and cultural theory“

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