Auswahl der wissenschaftlichen Literatur zum Thema „LGBTQ film and television“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "LGBTQ film and television" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "LGBTQ film and television"
Demus, Axelle. „Queer Memory Beyond the Archive: Reading LGBTQ Pasts on Screen Towards Queer Futures“. Public 33, Nr. 65 (01.06.2022): 332–33. http://dx.doi.org/10.1386/public_00112_5.
Der volle Inhalt der QuelleLuo, Qing. „The Research on the Representation of LGBTQ in Eastern and Western Films“. Communications in Humanities Research 3, Nr. 1 (17.05.2023): 1116–26. http://dx.doi.org/10.54254/2753-7064/3/2022936.
Der volle Inhalt der QuelleNavalón Guzmán, Corpus. „Anamarija Horvat. Screening Queer Memory: LGBTQ Pasts in Contemporary Film and Television“. ES Review. Spanish Journal of English Studies, Nr. 43 (23.11.2022): 325–29. http://dx.doi.org/10.24197/ersjes.43.2022.325-329.
Der volle Inhalt der QuelleCortvriend, Jack. „Stylistic convergences between British film and American television: Andrew Haigh’s Looking“. Critical Studies in Television: The International Journal of Television Studies 13, Nr. 1 (25.02.2018): 96–112. http://dx.doi.org/10.1177/1749602017746115.
Der volle Inhalt der QuelleHorvat, Anamarija. „Crossing the Borders of Queer TV: Depictions of migration and (im)mobility in contemporary LGBTQ television“. Critical Studies in Television: The International Journal of Television Studies 15, Nr. 3 (September 2020): 280–301. http://dx.doi.org/10.1177/1749602020934091.
Der volle Inhalt der QuelleShaw, Gareth, und Xiaoling Zhang. „Cyberspace and gay rights in a digital China: Queer documentary filmmaking under state censorship“. China Information 32, Nr. 2 (30.10.2017): 270–92. http://dx.doi.org/10.1177/0920203x17734134.
Der volle Inhalt der QuelleCameron-Gardos, Paris. „Hand-out: Rethinking coming out in Flemish audio-visual culture“. Tijdschrift voor Genderstudies 23, Nr. 4 (01.12.2020): 337–53. http://dx.doi.org/10.5117/tvgn2020.4.002.came.
Der volle Inhalt der QuelleEngchuan, Rosalia Namsai. „A Political Dance in the Rain“. Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 176, Nr. 1 (19.03.2020): 7–36. http://dx.doi.org/10.1163/22134379-bja10002.
Der volle Inhalt der QuelleJackson, Maghan Molloy. „"Reading Too Much into It": Affective Excess, Extrapolative Reading, and Queer Temporalities in MCU Fanfiction“. JCMS: Journal of Cinema and Media Studies 63, Nr. 1 (September 2023): 30–52. http://dx.doi.org/10.1353/cj.2023.a910958.
Der volle Inhalt der QuelleGlenn, Clinton. „"We are the new Lithuania"“. lambda nordica 25, Nr. 3-4 (26.04.2021): 54–78. http://dx.doi.org/10.34041/ln.v25.708.
Der volle Inhalt der QuelleDissertationen zum Thema "LGBTQ film and television"
Olivo, Juliana Christina. „Where have all the queer kids gone?How Queers Got Abandoned by Film Then Got Adopted by The Cooler Sibling, TV“. Ohio University Honors Tutorial College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1620130222346199.
Der volle Inhalt der QuelleRazman, Diana Cristina. „Black Sails, Rainbow Flag: Examining Queer Representations in Film and Television“. Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22626.
Der volle Inhalt der QuelleFelix, José Carlos. „Film and television adaptation“. Florianópolis, SC, 2004. http://repositorio.ufsc.br/xmlui/handle/123456789/87828.
Der volle Inhalt der QuelleMade available in DSpace on 2012-10-22T02:29:14Z (GMT). No. of bitstreams: 0
A presente pesquisa tem como objetivo principal investigar o processo de adaptação de filmes baseados em textos literários em relação ao contexto histórico e social em que eles foram produzidos. Desta forma, a pesquisa apresenta uma análise comparativa de duas versões cinematográficas da peça do dramaturgo Tennessee Williams A Streetcar Named Desire produzidas em momentos históricos distintos, a primeira para o cinema, dirigida por Elia Kazan (1951) e a outra feita para a televisão, dirigida por Glenn Jordan (1995). Uma discussão sistemática sobre o processo de
Kurz, Lindsey H. „The Queer "Third Species": Tragicomedy in Contemporary LGBTQ American Literature and Television“. University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1525170405649783.
Der volle Inhalt der QuelleAnthony, Tyler Robert Daniel. „Análisis de la representación de la mujer en la serie Las chicas del cable (Netflix 2017-20XX)“. Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu15556849066262.
Der volle Inhalt der QuelleFrame, Gregory. „The American president in film and television“. Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/57046/.
Der volle Inhalt der QuelleStoiljkovic, Anna Sofia. „Representation of race, gender and LGBTQ+ on Modern Family“. Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21830.
Der volle Inhalt der QuelleJohns, Jennifer L. „Tracing the connections : Manchester's film and television industry“. Thesis, University of Manchester, 2004. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.676506.
Der volle Inhalt der QuelleMullin, Romano Francis. „Reimagining the Renaissance : afterlives in literature, film and television“. Thesis, Queen's University Belfast, 2017. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.728197.
Der volle Inhalt der QuelleWalsh, Angela. „Obscene intimacies : postmodern portraiture in documentary film and television“. Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/54728.
Der volle Inhalt der QuelleArts, Faculty of
Theatre and Film, Department of
Graduate
Bücher zum Thema "LGBTQ film and television"
Hakubutsukan, Waseda Daigaku Engeki, Hrsg. 2020-nendo Shūki Kikakuten, Inside/out, eizō bunka to LGBTQ+: Inside/out, LGBTQ+ representation in film and television. Tōkyō: Waseda Daigaku Tsubouchi Hakushi Kinen Engeki Hakubutsukan, 2020.
Den vollen Inhalt der Quelle findenClaire, Jackson, und Tapp Peter, Hrsg. The bent lens: A world guide to gay & lesbian film. St Kilda, Vic., Australia: Australian Catalogue Company, 1997.
Den vollen Inhalt der Quelle findenRichard, Dyer, Hrsg. Cine y homosexualidad. 2. Aufl. Barcelona: Laertes, 1986.
Den vollen Inhalt der Quelle finden1961-, Varro Gary, und Dunlop Art Gallery, Hrsg. Queer city cinema: Coming (out) to a theatre near you. Regina: Dunlop Art Gallery, 1996.
Den vollen Inhalt der Quelle findenJulianne, Pidduck, Hrsg. Now you see it: Studies in lesbian and gay film. 2. Aufl. London: Routledge, 2003.
Den vollen Inhalt der Quelle findenJulianne, Pidduck, Hrsg. Now you see it: Studies on lesbian and gay film. 2. Aufl. London: Routledge, 2003.
Den vollen Inhalt der Quelle findenJeanne, Hall, Hrsg. Gay and lesbian film production and reception. Baltimore, MD: Johns Hopkins University Press, 1992.
Den vollen Inhalt der Quelle findenJeanne, Hall, Hrsg. Gay and lesbian film production and reception. Athens, Ohio: Ohio University, School of Film, 1992.
Den vollen Inhalt der Quelle finden1947-, Gever Martha, Parmar Pratibha und Greyson John 1960-, Hrsg. Queer looks: Perspectives on lesbian and gay film and video. New York: Routledge, 1993.
Den vollen Inhalt der Quelle findenKünemund, Jan, und Christian Weber. Queer Cinema now: Die wichtigsten nicht-heteronormativen Filme aus 12 Jahren "sissy". Berlin: Salzgeber, 2022.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "LGBTQ film and television"
Beirne, Rebecca, und Samar Habib. „Trauma and Triumph: Documenting Middle Eastern Gender and Sexual Minorities in Film and Television“. In LGBT Transnational Identity and the Media, 41–58. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230373310_3.
Der volle Inhalt der QuelleKääpä, Pietari. „Film and television“. In Environmental Management of the Media, 187–206. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Routledge studies in environmental communication and media: Routledge, 2018. http://dx.doi.org/10.4324/9781315625690-9.
Der volle Inhalt der QuelleRockler-Gladen, Naomi. „Film and Television“. In Race/Gender/Class/Media, 141–44. Fourth edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781351630276-31.
Der volle Inhalt der QuelleLind, Rebecca Ann. „Film and Television“. In Race/Gender/Class/Media, 154–211. 5. Aufl. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003193708-7.
Der volle Inhalt der QuelleMcIntyre, Phillip, Susan Kerrigan, Janet Fulton, Evelyn King und Claire Williams. „Film and Television“. In Palgrave Studies in Creativity and Culture, 323–48. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-45972-6_13.
Der volle Inhalt der QuelleCoelho, Inês Rebanda. „Cinema and Television“. In Philosophy and Film, 319–41. New York : Taylor & Francis, 2019. | Series: Routledge research in aesthetics ; 10: Routledge, 2019. http://dx.doi.org/10.4324/9780429435157-19.
Der volle Inhalt der QuelleSanders, Steven. „Television Noir“. In A Companion to Film Noir, 440–57. Oxford: Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118523728.ch26.
Der volle Inhalt der QuelleGiannini, Erin. „Life isn't a John Hughes film“. In Meta Television, 69–80. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003333029-8.
Der volle Inhalt der QuelleAdler, Thomas P., und Nicolas Tredell. „Film and Television Adaptations“. In Tennessee Williams, 115–26. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-29283-4_10.
Der volle Inhalt der QuelleHill, John. „From Television into Film“. In Ken Loach, 104–33. London: British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-349-92473-8_6.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "LGBTQ film and television"
Sun, Jing. „On Film and Television Education for Film and Television Industry“. In 2018 3rd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icesame-18.2018.31.
Der volle Inhalt der QuelleDickson, Stewart, und Bill Villarreal. „The Gemini Process: A Theatrical-Quality Video-to-Film Transfer Process“. In SMPTE Television Conference. IEEE, 1989. http://dx.doi.org/10.5594/m00737.
Der volle Inhalt der QuelleLucht, Philip. „Variable-Resolution Rendering System Extends Television Animation Graphics to Film and Print Media“. In SMPTE Television Conference. IEEE, 1987. http://dx.doi.org/10.5594/m00876.
Der volle Inhalt der QuelleLi, Xinxin. „Study on Film and Television Literature Criticism“. In 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccese-18.2018.94.
Der volle Inhalt der QuelleYang, Lun. „The Art of Film and Television Packing“. In 2016 International Conference on Education, Management and Computer Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemc-16.2016.40.
Der volle Inhalt der QuelleNing Guan, Hiroiku Tayama und Koichi Ito. „A film antenna for digital terrestrial television reception“. In 2010 IEEE International Symposium Antennas and Propagation and CNC-USNC/URSI Radio Science Meeting. IEEE, 2010. http://dx.doi.org/10.1109/aps.2010.5561242.
Der volle Inhalt der QuelleJing, Jiayi. „Analysis of Fashion in Film and Television Works“. In 2021 International Conference on Social Development and Media Communication (SDMC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220105.277.
Der volle Inhalt der QuelleHodge, Winston, Bill Harvey und Robert S. Block. „A Film Quality Digital Archiving & Editing System“. In SMPTE Advanced Television and Electronic Imaging Conference. IEEE, 1993. http://dx.doi.org/10.5594/m00673.
Der volle Inhalt der QuelleZhang, Chulei, und Kushalatha M R. „Deep Learning Technology in Film and Television Post-Production“. In 2023 IEEE International Conference on Integrated Circuits and Communication Systems (ICICACS). IEEE, 2023. http://dx.doi.org/10.1109/icicacs57338.2023.10100148.
Der volle Inhalt der QuelleGuan, Ning, Hiroiku Tayama, Ryouhei Hosono und Hirotaka Furuya. „A folded film antenna for digital terrestrial television reception“. In 2011 IEEE-APS Topical Conference on Antennas and Propagation in Wireless Communications. IEEE, 2011. http://dx.doi.org/10.1109/apwc.2011.6046757.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "LGBTQ film and television"
Paslavskyi, Ihor. Ukrainian television: problem-content analysis. Ivan Franko National University of Lviv, Februar 2022. http://dx.doi.org/10.30970/vjo.2022.51.11397.
Der volle Inhalt der QuelleRyan, Mark David, Andrew Couzens, Peter Innes und Sue Cake. A Re-Evaluation of Screen Production on the Gold Coast After COVID-19. Queensland University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.244107.
Der volle Inhalt der QuelleSmith, N. A., K. J. Austin, J. Lecocq, D. Lewis, G. Major, T. K. Nielsen, G. Page und P. Schwarcz. Guide for the Lighting of Sports Events for Colour Television and Film Systems, 3rd Edition. International Commission on Illumination (CIE), April 2019. http://dx.doi.org/10.25039/tr.083.2019.
Der volle Inhalt der QuelleCunningham, Stuart, Marion McCutcheon, Greg Hearn, Mark Ryan und Christy Collis. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Sunshine Coast. Queensland University of Technology, Dezember 2020. http://dx.doi.org/10.5204/rep.eprints.136822.
Der volle Inhalt der Quelle