Dissertationen zum Thema „Leonardo , 1452-1519“
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Calabrese, Filomena. „Il Bestiario : scienza e letteratura in Leonardo da Vinci“. Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82691.
Der volle Inhalt der QuelleWright, Christopher M. „Mona Lisa's lover“. Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61765.
Der volle Inhalt der QuelleKickhofel, Eduardo Henrique Peiruque. „A ciencia anatomica de Leonardo da Vinci“. [s.n.], 1999. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278846.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-07-28T16:15:08Z (GMT). No. of bitstreams: 1 Kickhofel_EduardoHenriquePeiruque_M.pdf: 14003217 bytes, checksum: d3b83a70a1c00ad4919421bb6d3ada7d (MD5) Previous issue date: 1999
Resumo: Não informado.
Abstract: Not informed.
Mestrado
Mestre em História
Economides, Aliki. „Everything comes from everything, and everything is made out of everything, and everything returns into everything : Leonardo's analogical (re)search“. Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29559.
Der volle Inhalt der QuelleBarone, Juliana. „O paragone do tratado da Pintura de Leonardo da Vinci : introdução a comparação entre as artes e tradução anotada“. [s.n.], 1996. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278838.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-07-21T19:33:46Z (GMT). No. of bitstreams: 1 Barone_Juliana_M.pdf: 8694668 bytes, checksum: 178e3c052d289b5128b2ae56d5f6e7ee (MD5) Previous issue date: 1996
Resumo: Não informado.
Abstract: Not informed.
Mestrado
Mestre em História
Marinho, Fernanda 1982. „Leonardo da Vinci e Giampietrino : a Virgem amamentando o menino e São João Batista criança em adoração, do Museu de Arte de São Paulo“. [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278853.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-13T06:34:11Z (GMT). No. of bitstreams: 1 Marinho_Fernanda_M.pdf: 9334262 bytes, checksum: 7cd8fafbe43e835ea1582ddaa49ff168 (MD5) Previous issue date: 2009
Resumo: A pintura Virgem amamentando o Menino e São João Batista criança em adoração, do Museu de Arte de São Paulo, atribuída a Giovanni Pietro Rizzoli, conhecido como Giampietrino aponta relações com o cenário produtivo do Cinquecento Lombardo caracterizado pela presença de Leonardo da Vinci. No entanto, a partir desta pintura podemos ampliar as possibilidades de diálogos artísticos traçados por este autor, enriquecendo a sua trajetória ainda pouco conhecida
Abstract: The painting Virgin nursing the Child and Saint John the Baptist in adoration, of the Museu de Arte de São Paulo, attributed to Giovanni Pietro Rizzoli, known as Giampietrino points out relations with the productive scenario of the Lombard Cinquecento characterized by the presence of Leonardo da Vinci. However, by this painting we can amplify the possibilities of the aesthetics dialogs traced by this author, improving the knowledge of his trajectory still obscure
Mestrado
Historia da Arte
Mestre em História
Vila, Colldeforns Jordi. „I cavalli di Leonardo Da Vinci: La utopía pactada“. Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/404014.
Der volle Inhalt der QuelleCorry, Maya. „Masculinity and spirituality in Renaissance Milan : the role of the beautiful body in the art of Leonardo da Vinci and Leonardeschi“. Thesis, University of Oxford, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669816.
Der volle Inhalt der QuelleWalker, Wendy. „Three Feminist Artists Respond to The Last Supper“. Honors in the Major Thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/732.
Der volle Inhalt der QuelleBachelors
Arts and Sciences
Humanities
Le, Palec Anne. „L'art et les plantes : les dessins de léonard de Vinci“. Paris 5, 1996. http://www.theses.fr/1996PA05P198.
Der volle Inhalt der QuellePooler, Richard Shaw. „The lost manuscripts of Leonardo Da Vinci“. Thesis, 2014. http://hdl.handle.net/10500/18507.
Der volle Inhalt der QuelleArt History, Visual Arts & Musicology
D. Litt. et Phil. (Art History)
Duarte, Helena Cristina Alcoforado 1970. „A perspectiva linear e orgãnica na conceção do desenho de paisagem“. Master's thesis, 2016. http://hdl.handle.net/10451/24059.
Der volle Inhalt der QuelleSan, Payo Manuel 1958. „O desenho em viagem : album, caderno ou diário gráfico, o album de Domingos António Sequeira“. Doctoral thesis, 2009. http://hdl.handle.net/10451/2732.
Der volle Inhalt der QuelleBeginning with the paradigmatic cases of Leonardo da Vinci, with his large production of manuscripts and Albrecht Dürer with his little sketchbook from his voyage to the Netherlands, we want to stress the coincidence in the usage of those sketchbooks with emergence of the author or the individual as an artist and these implements show themselves as supports of great value. They reflect an attitude that relates directly to the artistic process and show how the artist projects himself by means of a self-reference that precedes the work of art itself through drawing. The artist‘s sketchbook is supposed to be, in the end, a constant presence, becoming thus an accomplice and a confident of the daily artistic process. I t becomes, in this case, the ideal support for the registering of a self-reflection and a self-representation. The album accompanies the artist in his travels and wanderings, reflecting his living and acquiring an autobiographical character. We acknowledge here the life of the artist, even only from some fragments, as one or several metaphorical travels of study or artistic curiosity. By choosing Domingos António de Sequeira‘s sketchbook we want to confirm this idea of self-reference, apparent in one of the most important and polemical drawing masters in the transition of the XVIIIth to the XIXth century. We can already find this same idea in Francisco de Holanda‘s sketchbook of his Antigualhas. Reflecting various periods of his life as an artist, Sequeira´s sketchbook summons in itself, even overlooking some lapses of time, that what we would consider today as a ―graphic diary‖. The practical part of our work presents itself, again in a circular way, in the format of a ―graphic diary‖ or sketchbook. It is the result of drawings and sketches taken from several sketchbooks that were made in parallel to this study.
Raimundo, Maria Madalena de Figueiredo 1961. „Acaso, automatismo e olhar interpretativo no desenho“. Master's thesis, 2015. http://hdl.handle.net/10451/22250.
Der volle Inhalt der QuelleMonteiro, Maria Sarreira Ferrão. „Esboço: a procura da forma no design“. Master's thesis, 2019. http://hdl.handle.net/10451/40699.
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