Thematische Bibliographien / Leon / Dissertationen
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Dissertationen zum Thema „Leon“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 29. Juli 2024

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1

Fotinopoulou, Paraskevi. „The Corner : Hörnfåtöljen Leon“. Thesis, Linnéuniversitetet, Institutionen för design (DE), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-43574.

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Det jag ville under mitt examensarbete var att undersöka hörnet i hemmamiljön. Jag tycker att hörn är ett spännande område att arbeta med och därför ville jag försöka under mitt projekt aktivera detta.
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2

Syndikus, Candida. „Leon Battista Alberti : das Bauornament /“. Münster : Rhema, 1996. http://catalogue.bnf.fr/ark:/12148/cb370972620.

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3

Léon, Pierre-François. „Animation et contrôle de structures topologiques : application à la simulation d'évolution en couches géologiques 2D“. Poitiers, 2009. http://theses.edel.univ-poitiers.fr/theses/2009/Leon-Pierre-Francois/2009-Leon-Pierre-Francois-These.pdf.

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Cette thèse présente une nouvelle méthode d'animation basée sur la topologie. Elle consiste à animer une partition de l'espace et en assurer sa cohérence. Le système d'animation s’appuie sur un mécanisme événementiel qui détecte les incohérences topologiques. L'animation est générée à partir du traitement séquentiel de tous les événements. Lors du mouvement des entités, l'instant des collisions est calculé et des événements sont générés. Pour prendre en charge ces collisions, ces événements sont traités par rapport à leurs contextes locaux (géométrique, sémantique). Un traitement engendre des changements géométriques et topologiques et assure la cohérence entre le modèle géométrique et le modèle topologique. Cette thèse présente également une application en géologie permettant de générer l'animation de l'évolution du sous-sol à partir de phénomènes naturels décrits dans un scénario. Dans ce cadre, un scénario est composé d'une suite de phénomènes géologiques (sédimentation, érosion, création de failles et glissement) analysée par le système d’animation 2D. Un phénomène est traduit en un ensemble d’événements initiaux. Une fois l'animation générée, le géologue peut l'analyser et la valider grâce aux informations sémantiques et historiques fournies par le modèle
This thesis presents a new animation method based on topology. It consists in animating a space partition while ensuring its consistency. The scenes are described from a high-level language depending on the application. The animation system relies on an event approach which detects topological events. The animation is generated from the sequential processing of all events. During the motion of entities, the date of collisions is computed and events are generated. For processing those collisions, events are handled with respect to their local contexts (both geometrical and semantical). This thesis also presents an application in geology which allows the user to generate a subsoil evolution from some natural phenomena described by a scenario. A scenario is made of a sequence of geological phenomena (sedimentation, erosion, fault creation and sliding) analyzed by the animation system. A phenomenon is therefore translated into a set of initial events. After the animation has been generated, the geologist can analyze and validate it with the semantical and historical information given by the model
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4

Morin, Pauline Marie. „Leon Battista Alberti : architect as Orator“. Diss., Georgia Institute of Technology, 2002. http://hdl.handle.net/1853/22332.

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5

Challons-Lipton, Siulolovao. „Leon Bonnat and his Scandinavian pupils“. Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244170.

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6

Smuts, Leon. „Relasies in die chaosteorie / Leon Smuts“. Thesis, North-West University, 2005. http://hdl.handle.net/10394/778.

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The central purpose of this study is the integration of modem philosophical thinking with different chaos theory principles and definitions to form relational perspectives. Relations are used in different contexts to base the causes of deterministic chaos (chaost) in the laws of nature which constitutes order. The chaost-attractor is used as subjective conception to investigate the possibilities of hidden order in a seemingly chaotic state of the objective reality. Relevant definitions of the chaos theory were analysed methodically and transcendentally with the aid of concepts of order and relations. Attention is given to the broad associations and analogies from philosophy and other disciplines which relate to the connectivity of objects to form systems. Subjective model development was done which is used to consequentially analyse some statements from published research which applied principles of chaost. It is argued that: the intrinsic properties of objects determine the causality of forces which bind objects to compose systems; a web of interactive bonds functions subjective to laws of nature which determine whether a system is in a state of order, chaost or real chaos; a dynamical transfer of many intrinsic and asymmetric properties via internal bonds constitutes non-linear connectivity which causes a sensitivity for initial conditions. It is found that the chaost of the chaos theory is not the same as real, objective chaos. The random-like evolution of a dynamic system is determined by the occurrence of irregularities and uncertainties in its internal order. A web of interactive bonds distribute small changes self-similar and scale-relevant. The difficulty in describing and explaining the complex behaviour of composed entities is simplified by the proposed web-chaost model.
Thesis (M.A. (Philosophy))--North-West University, Potchefstroom Campus, 2006.
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7

Bichmann, Leon [Verfasser]. „Mass spectrometry guided immunoinformatics / Leon Bichmann“. Tübingen : Universitätsbibliothek Tübingen, 2021. http://d-nb.info/1237684544/34.

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8

Téllez, Sierra Aleyda. „Giardiasis in Leon, Nicaragua : prevalence and protection /“. Stockholm, 2006. http://diss.kib.ki.se/2006/91-7140-999-8/.

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9

Fontana, Michèle. „Leon bloy : journalisme et subversion 1874-1917“. Lyon 2, 1995. http://www.theses.fr/1995LYO20023.

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Alors que la critique bloyenne se renouvelle, les articles de bloy forment encore un coprus delaisse ou reduit a une production violente et reactionnaire. Bloy ne cessant de se proclamer "crieur public" de dieu, pamphletaire, mais aussi artiste, cette etude postule l'unite de ce corpus epars, et se propose d'etablir que sa force subversive provient davantage d'une demarche litteraire que de positions partisanes. Une perspective diachronique semble d'abord necessaire pour rendre compte d'un retournement : bloy, engage dans la presse conservatrice, est amene a renoncer a la polemique et a se faire pamphletaire solitaire, liberant douleur et revolte. Une approche synchronique tente ensuite de degager les caracteristiques des textes. Dans une presse liberee par la loi de 1881, bloy radicalise sa critique de la societe et lui donne un inflechissement mythique. Il developpe une parole de type prophetique, veritable acte de parole, et privilegie l'hyperbole et l'image, reactivant avec intensite des metaphores tirees de la litterature religieuse, en une vision apocalyptique. Bloy denonce le reportage et la critique comme des mensonges, et propose, sous forme de revelation, sa propre interpretation des faits divers et de la litterature. Cela autorise bien des ereintements, mais donne aussi acces a des oeuvres fortes, dont celle de lautreamont. L'unite des textes reside dans une ecriture qui, pratiquant l'intertextualite, abolit toute frontiere entre les textes de bloy, et place en reference centrale le texte divin, dont le texte bloyen ne serait qu'enluminure
While criticisms about bloy's works are resuming, his articles make a forsaken corpus which is most often reduced to a violent and reactionary production. As for him, bloy has never stopped proclaiming himself as "a town-crier" of god, a pamphleeter and an artist too. The unity of this corpus being postulated, this survey will establish that its subversive force comes much more from a literary process than from political positions. A diachronic view seems to be necessary in order to set up how bloy, committed in conservative newspapers, is forced to give up polemic and to become a lonely pampheleeter, giving free way to pain and revolt. Then, in a synchronic approach, it is possible to characterize articles. Bloy criticises the society in a radicalist way and he gives his remarks a muthical reorientation. In the press liberated by the law in 1881, he develops a prophetical way of speaking, real act of speaking, and he favours hyperbole and image, reusing with force metaphors from religious literature in an apocalyptic vision of the world. Bloy denouces reporting and criticism as lies and propounds his own view of the news item and literature, as a revelation which restores the truth. This determinedly subjective attitude justifies many attacks, but it gives him access to strong texts like these of lautreamont. The ultimate unity of his texts resides in the writing which, using intertextuality, abolishes all the limits between bloy's texts, putting the holy scriptures into central focus, and bloy's texts as illumination
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10

Stolf, Serge. „Ironie et discours chez Leon Battista Alberti“. Grenoble 3, 1994. http://www.theses.fr/1994GRE39033.

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Cette etude prend en consideration le discours ironique dans les oeuvres en latin ( pour une large part ) et en "volgare "de l. B. Alberti. L'ironie y est tout d'abord envisagee par la voie de l'intertextualite, puis dans sa relation avec les discours universaux (discours metaphysiqueet discours de la raison) dont elle met en question les certitudes omniscientes. Enfin, consideree dans sa dimension dialogique, elle souligne la necessite et les dfifficulttes d'une confrontation des savoirs, mais peut aussi assumer le statut incertain, entre dissimulation et synisme, d'une parole libre dejouant sanctions sociales et politques
This essay considers the works of l. B. Alberti, written in latin and in "volgare". First, it looks at irony following the way of the "intertextualite". Moreover, the irony calls in question the omniscient certitudes of universal speechs (metaphysical speech and speech of the reason). Lastly, the irony, considered as dialogue, underlines the necessary and difficult confrontation of learnings, but it can also assume the dubious status, between dissimulation and cynicism, of a free speech that eludes social and political sanctions
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11

Smart, Bonnie Jane. „Leon Caron and the music profession in Australia“. Connect to thesis, 2003. http://repository.unimelb.edu.au/10187/1427.

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Leon Francis Victor Caron (1850-1905) was one of the major figures in Australian nineteenth-century opera and orchestral circles. He was a well-known and well-liked public figure, regarded with respect and affection by musicians and audiences alike. Little has been written concerning Caron’s career. Given the amount he contributed to the Australian stage, an assessment of his importance within the music profession is warranted. Most areas of Caron’s life are, as yet, totally unexplored; it falls outside the ambit of this thesis to present every detail pertaining to his varied and extensive musical career. Nevertheless, new information about a selection of Caron’s ventures is drawn upon here for the first time. Much of this material is used to examine the impact of Caron’s conducting on the orchestral profession in Melbourne and Sydney. Many of Caron’s performances (orchestral or otherwise) often featured the popular music of the day. The popular aspect of Caron as a composer is also considered, with particular reference to the incredibly successful pantomime Djin Djin. An examination of Caron’s performances gives great insight not only into the part he played in the wider profession; but it also sheds light on orchestral standards, performance practices and public tastes of the time. His contribution to the music profession in nineteenth-century Australia is extremely significant.
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12

Jarzombek, Mark Michael. „Leon Baptista Alberti : the philosophy of cultural criticism“. Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/14984.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.
Bibliography: leaves 355-362.
This dissertation investigates Leon Baptista Alberti's cultural critique, taking into consideration a broad spectrum of Alberti's writings, including many which have remained relatively unknown and ignored. Alberti developed his cultural theories by means of a literary ontology which is based on the definition of the author, his role in society, and his function as catalyst for regeneration. His theory of art and of history, and even his views on the task of Humanism it self, are all subsumed in his comprehensive attempt to demonstrate that myth-making capabilities are central to society's self-definition. Unless society keeps alive the myths of destruction and regeneration, its historical viability, so Alberti argues, is endangered. Alberti's aesthetic theory, which has previously been sought exclusively in his treatises, De pictura and De re aedificatoria, emerges in this inquiry as inextricably interlocked with his cultural critique. For the first time, the treatises will be viewed from within the context of Alberti's own thought.
by Mark Michael Jarzombek.
Ph.D.
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13

Savoca, Brianna L. „Leon Bibb: A Pioneer in Ohio Broadcast Journalism“. Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1275605390.

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14

Bauman-Szulak, Jolanta. „Leon Markiewicz. Boleslaw Szabelski. Jego iycie i dzielo“. Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-222966.

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Many years the author was working on Boleslaw Szabelski (1896-1979) - the great teacher of composition in the Katowice area: a senior of the \"Silesian School of Composition\" and tutor of many generations of composers.
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15

Graube, Markus Verfasser], Leon [Akademischer Betreuer] Urbas, Leon [Gutachter] Urbas und Christian [Gutachter] [Diedrich. „Linked Enterprise Data als semantischer, integrierter Informationsraum für die industrielle Datenhaltung / Markus Graube ; Gutachter: Leon Urbas, Christian Diedrich ; Betreuer: Leon Urbas“. Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2018. http://d-nb.info/1160875081/34.

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16

Hensel, Stephan Verfasser], Leon [Akademischer Betreuer] Urbas, Leon [Gutachter] Urbas, Alexander [Gutachter] Fay und Christian [Gutachter] [Diedrich. „Semantische Revisionskontrolle für die Evolution von Informations- und Datenmodellen / Stephan Hensel ; Gutachter: Leon Urbas, Alexander Fay, Christian Diedrich ; Betreuer: Leon Urbas“. Dresden : Technische Universität Dresden, 2021. http://d-nb.info/1232410284/34.

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17

Graube, Markus [Verfasser], Leon Akademischer Betreuer] Urbas, Leon [Gutachter] Urbas und Christian [Gutachter] [Diedrich. „Linked Enterprise Data als semantischer, integrierter Informationsraum für die industrielle Datenhaltung / Markus Graube ; Gutachter: Leon Urbas, Christian Diedrich ; Betreuer: Leon Urbas“. Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2018. http://d-nb.info/1160875081/34.

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18

Bozicanin, José Eduardo. „O processo transcriativo de São Bernardo de Leon Hirszman“. Universidade Federal de São Carlos, 2010. https://repositorio.ufscar.br/handle/ufscar/5594.

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Made available in DSpace on 2016-06-02T20:23:12Z (GMT). No. of bitstreams: 1 4099.pdf: 3580388 bytes, checksum: ccb5cb9df2f4822becd9045bc17ca99a (MD5) Previous issue date: 2010-05-10
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The purpose of our research was to recoup some of the ideas about the intersemiotic translation of Graciliano Ramos' novel Sao Bernardo (1934) to the cinema. In this masters dissertation we realised the creative genesis of Leon Hirszman's filmmaking processes by following the path traced by the film-maker since the reading of the homonymous novel to the to the writing of an unknown script and posteriorly in his film editing and sonorization approaches.
A proposta de nossa pesquisa no mestrado foi resgatar algumas das idéias quanto a tradução intersemiótica do romance São Bernardo (1934) de Graciliano Ramos para o cinema. Analisamos a gênese dos processos criativos do filme de Leon Hirszman percorrendo o caminho traçado pelo cineasta na elaboração de sua obra, desde o romance homônimo à confecção de um pouco conhecido roteiro cinematográfico. Nosso objetivo com este trabalho é tentar elucidar o ato de recriação do cineasta ao propor analises e discussões teóricas sobre os peculiares processos de roteirização, montagem e sonorização fílmica.
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19

Armitage, James Mark. „Urbanism and community in the work of Leon Krier“. Thesis, London School of Economics and Political Science (University of London), 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439088.

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20

Jeffery, Celina. „Leon Underwood and primitivism in 20th century British art“. Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394120.

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21

Madero, Marta. „Recherches sur l'injure. Castille et leon, xiiie-xive siecle“. Paris 7, 1990. http://www.theses.fr/1990PA070038.

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La recherche porte sur la structure d'un rapport social - l'injure (qui est autant verbale ou ecrite que physique) - et sur les representati0ns qui le sous-tendent. Elle couvre la region de castille et leon pendant la periode (extreme fin du xiie siecle - fin du xixe siecle) durant laquelle sont en vigueur les fueros extensos. L'analyse est conduite sur trois plans. Le premier est celui des logiques de l'injure, qui sont celle des luttes de pouvoir; celle de l'intention deshonorante, si proche parfois de la louange ou l'education; celle, enfin, de la theatralite des rapports quotidiens et des actes de la loi. Le deuxieme plan est celui des themes de l'injure et des lieux ou elle est agie, portant sur le corps, la parente, les minorites juive et musulmane, certains comportements negativement connotes et des aspects de l'animalite. Le troisieme plan de l'analyse est celui des modalites de reponse a l'injure, c'est a dire, comment l'on punit ou l'on se venge, comment la peine peut prendre par exemple les formes d'une injure sanglante, ou la vengeance celles de l'excomunication, ou d'une exigence d'ordalie; comment, enfin, le pouvoir procede a une redefinition des institutions pour privilegier la penalite au detriment des formes vindicatoires, ce qui implique, par exemple, une reelaboration de ce qu'est l'honneur et de son rapports au corps, ou des arguments fondes sur le temps ou les signes
The study deals xith the structure of a social relation - the insult (being verbal, written or physical) and it's underlying representations. It covers the region of castile and leon in spain between the end of the twelfth and the end of the fourteenth century, during which period the fueros extensos were in effect. The analysis is conducted at three levels. The first deals with the logics of insult: the struggle for power, the intention to dishonour, so often closely linked to praise or education, and, finally, the theatrical nature of daily social relations and of the acts of law. The second level is concerned with thematic aspects of the insult and it's setting, and deals with the body, the family, the jewish and muslim minorities, some negatively connotated types of behaviours, and aspects of animality. In the third level, the study analyses modalities of response to insults, i. E. How to punish and to avenge, how the punishment may take the form, for example, of injury, or of excommunication, or the demand for an ordeal; how, finally, the power takes steps to redefine the institutions to give priority to the punishment, at the expense of vindicatoriy forms. This implies for instance, a redefinition of the concept of honour and of how it is linked to the body, as well as arguments relating to time and symbols
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Avalos, Cutiri Milagros Liliana, Prado Juan Felipe Cuadros, Pastor Luis Eloy Duran und Romero Hernan Jesus Valdivia. „Planeamiento estratégico de Transportes Leon del Sur 2019 - 2023“. Master's thesis, Pontificia Universidad Católica del Perú, 2019. http://hdl.handle.net/20.500.12404/15495.

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La presente tesis ha desarrollado el Planeamiento Estratégico para Transportes León del Sur en función al Modelo Secuencial del Proceso Estratégico propuesto por D’Alessio (2016). Transportes León del Sur es una empresa que nace en la ciudad de Arequipa en 1985 y que actualmente brinda el servicio de transporte interprovincial de pasajeros y el servicio de envío de encomiendas. La empresa opera en 16 rutas a nivel nacional y centra sus operaciones en el sur del país. Se ha propuesto como visión para la empresa que para 2023 esta será una de las diez principales empresas de transporte terrestre de pasajeros en el Perú en nivel de ventas, actuando de manera socialmente responsable, generando rentabilidad para los accionistas buscando la satisfacción del cliente y manteniendo un compromiso con la seguridad, respetando las normativas legales que contribuyen al crecimiento del Perú. Asimismo, la misión propuesta para Transportes León del Sur es que la empresa busca conectar a las personas con sus destinos alrededor del territorio nacional; trabajando responsablemente por la calidad de su servicio y la seguridad, cuidando el impacto en la comunidad y el medio empleando una flota moderna con tecnología ecoeficiente, operando siempre comprometidos con el crecimiento del país y el bienestar de todos nuestros stakeholders; siendo la diferenciación ante sus competidores su principal ventaja competitiva. Finalmente, como resultado del Planeamiento Estratégico para Transportes León del Sur, se plantearon cuatro objetivos a largo plazo, se formularon 21 estrategias y se diseñaron 15 objetivos de corto plazo, los cuales han sido plasmados en el Tablero de Control Balanceado, herramienta que permite medir el logro de dichos objetivos.
This thesis has developed the Strategic Planning for Transportes León del Sur based on the Sequential Model of the Strategic Process proposed by D’Alessio (2016). Transportes León del Sur is a company that was born in Arequipa in 1985 and currently provides the interprovincial passenger transport service and the parcel delivery service. The company operates on 16 routes nationwide and focuses its operations in the south of Peru. It has been proposed as a vision for the company that by 2023 this will be one of the ten main passenger land transport companies in Peru in terms of sales, acting in a socially responsible manner, generating profitability for shareholders seeking customer satisfaction and maintaining a commitment to security, respecting the legal regulations that contribute to the growth of Peru. Likewise, the proposed mission for Transportes León del Sur is that the company seeks to connect people with their destinations around the national territory; working responsibly for the quality of its service and security, taking care of the impact on the community and the environment using a modern fleet with eco-efficient technology, always operating committed to the country's growth and the well-being of all our stakeholders; being the differentiation before its competitors, its main competitive advantage. Finally, as a result of the Strategic Planning for Transportation León del Sur, four long-term objectives were raised, 21 strategies were formulated and 15 short-term objectives were designed, which have been embodied in the Balanced Score Card, a tool that allows measuring the achievement of these objectives.
Tesis
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Bianchi, Nella. „Le monde relationnel dans l'oeuvre de Leon Battista Alberti“. Paris 3, 1994. http://www.theses.fr/1994PA030152.

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Le but de cette these est d'eviter les differentes relations qui se nouent au sein de l'oeuvre de leon battista alberti; elle est donc divisee en deux parties dont chacune comporte trois chapitres. Les trois premiers chapitres analysent le rapport que l'auteur etablit avec son public et son oeuvre: ses motivations, ses objectifs ouvertement declares ou dissimules dans le jeu et le fonctionnement du dialogue. Les chapitres iv, v, vi etudient comment alberti presente le reseau de relations sur lesquelles se fonde la vie sociale en proposant des solutions quii varient en fonction des points de vue choisis par l'autuer et l'incarnes par ses personnages
Ths thesis aims at studying the different relationships in leon battista alberti's work. . It is therefore divided into 2 parts with 3 chapiters each. The first 3 chapters analyse the link that the author establishes with the reader and his work: his desires and aims, expressed openly or indirectly in the functioning of the dialogue. Chapters iv, v, vi examine haw alberti presents the network of relationships on wich social life is bases; by putting forth solutions wich vary depending on the points of view chosen by the author and presented by his characters
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Wulfram, Hartmut. „Literarische Vitruvrezeption in Leon Battista Albertis "De re aedificatoria" /“. München : K. G. Saur, 2001. http://catalogue.bnf.fr/ark:/12148/cb38963958s.

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25

Fernández-Ventura, Alvarez Lourdes. „Maria Teresa Leon, une écrivaine de la Géneration 1927“. Thesis, Pau, 2018. http://www.theses.fr/2018PAUU1051/document.

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Dans ce travail de recherche, il s'agit de mettre en lumière la qualité littéraire et la personnalité de l'écrivaine Marie Thérèse León (1903-1988), exilée après la Guerre Civile espagnole avec son mari, le poète Raphaël Alberti, et de montrer la place qu’elle mérite dans la lignée des auteurs de la bien connue “Generación del 27”, parmi lesquels on compte des figures-phares de la poésie espagnole telles que Lorca, Alberti, Aleixandre, Cernuda et d'autres.Cette étude essaie de faire sortir de l’oubli Marie Thérèse León, qui a été eclipsée par la renommée de son partenaire , Raphaël Alberti, lequel avait obtenu, après la mort de Franco, sa réhabilitation en tant que poète de renom. Dans cet objectif , la thèse identifie d'abord les caractéristiques communes des auteurs canoniques du groupe 1927 et, en deuxième lieu, démontre combien Marie Thérése Léon partage les traits qui leurs sont communs ainsi que des concours de circonstances similaires. La thèse aborde également la situation des femmes intellectuelles de l'époque et met en lumière nombre d'autres femmes de lettres de la génération 1927, telles que Rosa Chacel, Ernestina Champourcin, María Zambrano, dont les œuvre respectives ont autant de valeur que celles de leurs collègues masculins.Une place particulière est accordée à l'oeuvre capitale de Marie Thérèse Léon, « Mémoire de la mélancolie », laquelle révèle au mieux la qualité littéraire et l'originalité structurelle de son auteure. Ce livre dresse, à travers sa beauté de prose poétique, non seulement le panorama espagnol précédant la Guerre Civile, mais aussi, l’expérience terrible des expatriés politiques de l’Espagne
In this research, it is a question of claiming the literary quality and the rich personality of the writer Maria Teresa León (1903-1988), exiled after the Spanish Civil War together with her husband, the poet Rafael Alberti, and of showing her place deserved between the authors of the well known “Generación del 27”, among whom we count key figures of the spanish poetry such as Lorca, Alberti, Aleixandre, Cernuda and others.The study tries to repair the oblivion into which had fallen Maria Teresa León, darkened by the fame of his partner, Raphael Alberti, who had obtained , after the death of Franco, its rehabilitation as big poet. In this objective, the work identifies, at first, the common characteristics of the canonical authors of the group 1927, and, in the second place, demonstrates the sharing by Maria Teresa of the same common features and social circumstances.The research also approaches the situation of the intellectual women of the period, and highlights number of the other women of letters of the generation 1927, such as Rosa Chacel, Ernestina Champourcin, Zambrano, whose work has at least so much value as that of their colleagues men.A particular place is granted to the Maria Teresa León's major work, " Memory of the melancholy ", which reveals at best the literary quality and the structural originality of the author. This book raises, through the beauty of its poetic prose, not only the Spanish panorama preceding the Civil War, but also ,the terrible experience lived by the political expatriates of Spain
Este trabajo de investigación pretende reivindicar la calidad literaria y la activa personalidad cultural de la escritora María Teresa León (1903-1988), exiliada tras la Guerra Civil, junto con su marido el poeta Rafael Alberti, y reivindicar su lugar merecido entre el grupo de los grandes creadores de la conocida «Generación de 1927 » , entre quiénes estaban las figuras fundamentales de la poesía española, Lorca, Alberti, Aleixandre, Cernuda y otros.El estudio trata de reparar el olvido que cayó sobre María Teresa León, eclipsada por la fama de su compañero, Rafael Alberti, que si pudo obtener, después de la muerte de Franco, su reconocimiento como gran poeta.Con ese objetivo, la tésis identifica, primeramente, las características comunes de los autores canónicos del grupo de 1927 y, en segundo lugar, se demuestra cómo la obra de María Teresa León comparte muchos rasgos comunes y , por supuesto, el peso de las circunstancias sociales.La tésis aborda igualmente la situacion de las mujeres intelectuales de la época y pone en relieve a algunas otras autoras de la generación del 27 como Rosa Chacel, Ernestina Champourcin, Zambrano , cuyas obras tienen por lo menos el mismo valor que las de sus colegas varones. Un lugar muy especial se dedica en este trabajo a la obra fundamental de María Teresa León, su Memoria de la melancolía, que muestra a la autora en toda su magnitud, destacando el brillo de su calidad literaria y su riqueza estructural. El libro traza , a tráves de la belleza de su prosa poética, no sólo el panorama español inmediatamente anterior a la Guerra Cívil, sino también la terrible experiencia de los expatriados españoles tras la guerra
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26

Addis, Anna <1978&gt. „Artificio e maschera nel pensiero di Leon Battista Alberti“. Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/3218/1/Addis_Anna_tesi.pdf.

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Addis, Anna <1978&gt. „Artificio e maschera nel pensiero di Leon Battista Alberti“. Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/3218/.

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Benedetti, Samantha <1992&gt. „Edizione critica e commentata dell'Ecatonfilea di Leon Battista Alberti“. Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17909.

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La presente tesi propone l'edizione critica dell’Ecatonfilea, uno degli opuscoli amatori di Leon Battista Alberti, ascrivibile alla sua produzione volgare e risalente alla prima metà del XV secolo. Lo studio si basa sullo spoglio degli undici manoscritti che tramandano l’opera; in base alla collazione dei testimoni è stato così possibile risalire a uno stemma codicum rappresentativo dei rapporti che intercorrono tra i codici della tradizione. Il testo redatto ha dunque permesso di presentare un commento linguistico ed esegetico, che l’intento di analizzare lo scritto in modo critico e puntuale.
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Pfeffer, Johannes [Verfasser], Leon [Gutachter] Urbas, Leon [Akademischer Betreuer] Urbas und Detlef [Gutachter] Zühlke. „App-Orchestrierung als Methode zur formalen Modellierung von App-Ensembles für industrielle Geschäftsprozesse / Johannes Pfeffer ; Gutachter: Leon Urbas, Detlef Zühlke ; Betreuer: Leon Urbas“. Dresden : Technische Universität Dresden, 2021. http://d-nb.info/1231917326/34.

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Ziegler, Jens [Verfasser], Leon [Akademischer Betreuer] [Gutachter] Urbas und Albrecht [Gutachter] Schmidt. „Wearables im industriellen Einsatz : Befähigung zu mobiler IT-gestützter Arbeit durch verteilte tragbare Benutzungsschnittstellen / Jens Ziegler. Betreuer: Leon Urbas. Gutachter: Leon Urbas ; Albrecht Schmidt“. Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2016. http://d-nb.info/1102086398/34.

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31

Biermann, Veronica. „Ornamentum : Studien zum Traktat "De re aedificatoria" des Leon Battista Alberti /“. Hildesheim ; Zürich ; New York : G. Olms, 1997. http://catalogue.bnf.fr/ark:/12148/cb37000762t.

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Bianchi, Bensimon Nella. „Unicité du regard et pluralité des voix : essai de lecture de Leon Battista Alberti /“. Paris : Presses de la Sorbonne nouvelle, 1998. http://catalogue.bnf.fr/ark:/12148/cb36985694f.

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Arnold, Rafael. „Leon Modena und Salamone Rossi Hebreo als Akteure kultureller Transformationen“. Universität Potsdam, 2012. http://opus.kobv.de/ubp/volltexte/2012/6155/.

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Im Jahr 1622/23 erschien in Venedig unter dem Titel „Lieder Salomons“ eine Vertonung hebräischer Texte, die der Komponist Salamone Rossi Hebreo anfertigte. Dabei handelt es sich um 33 Lieder, die wie im Vorwort zu lesen ist, auch für den synagogalen Gebrauch gedacht waren. An diesem außergewöhnlichen Projekt war der Rabbiner Leon Modena maßgeblich beteiligt, der die Drucklegung praktisch unterstützte und mittels mehrerer Paratexte (darunter positive Gutachten rabbinischer Kollegen) Einwänden gegen ein solches Unternehmen zuvorkommen wollte. Das Werk stellt ein Amalgam jüdischer und nicht-jüdischer Traditionen dar – bewerkstelligt von zwei Akteuren, die sich ihrer jüdischen Herkunft stets bewusst waren. Die Wiederentdeckung im 19. Jahrhundert und das heutige Interesse an dieser Musik stehen für einen späten Triumph der beiden Protagonisten.
In Venice in 1622/23, the Jewish composer Salamone Rossi Hebreo published “The Songs of Solomon”, a collection of 33 musically set Hebrew texts which, as the foreword reads, were supposed to be performed in synagogal liturgy. The exceptional project found considerable support from the Venetian Rabbi Leon Modena, who not only helped to prepare the printing but also provided promoting paratexts (also by other rabbis) as to ward off possible objections in advance. The publication process allows us to observe two agents of cultural transformation amalgamating Jewish and non-Jewish traditions – both of them being well aware of their Jewishness at all times. With the rediscovery of their music in the 19th century and the renewed interest in the present, “Rossi & Co.” is having a late triumph.
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Martinez, Franklin Leon [Verfasser]. „Investigation of atomic clusters in ion taps / Franklin Leon Martinez“. Greifswald : Universitätsbibliothek Greifswald, 2012. http://d-nb.info/1028397593/34.

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35

Löthman, Per Arvid [Verfasser], und Leon [Akademischer Betreuer] Abelmann. „Macroscopic magnetic self-assembly / Per Arvid Löthman ; Betreuer: Leon Abelmann“. Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2018. http://d-nb.info/1160938725/34.

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Tate, Mark Eugene. „Religious processions, folklore and parody : Holy Week in Leon, Spain“. Thesis, London School of Economics and Political Science (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294750.

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37

Loewen, Andrea Buchidid. „Lux pulchritudinis: sobre beleza e ornamento em Leon Battista Alberti“. Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-19052010-114309/.

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Inspirado em ares toscanos, inflamado por fontes antigas e cingido por ruínas romanas, Leon Battista Alberti compõe, em letras latinas, uma doutrina moderna do belo semeada nos tratados das Artes. Nela, a beleza esplende em pulchritudo e ornamentum: aquela, harmonia proporcional das partes de um corpo que não admite acréscimos ou subtrações ou alterações, é qualidade inerente; este, aderente à figura, é luz auxiliar e pulcro complemento. Evocando a Retórica de Cícero e Quintiliano, e avocando vêneras metáforas, orgânicas, a preceptiva albertiana, ao fundir noções de decorum e aptum e acomodar esteses e motivações éticas, supera a separação entre estrutura e ornamento, atenuando a idéia de uma beleza emersa tão-só de relação proporcional, a encerrar modernas oposições entre ornatus e utilitas.
Inspired in tuscan airs, inflamed by ancient sources and girded by Roman ruins, Leon Battista Alberti composes, in latin letters, a modern doctrine of beauty sowed upon the treatises on the Arts. In that, beauty glares in pulchritudo and ornamentum: the former, proportional harmony of the parts within a body that does not accepts additions or subtractions or alterations, is inherent quality; the latter, adherent to the figure, is auxiliary light and fair complement. Evoking the rhetoric of Cicero and Quintilian, and invoking comely, organic, metaphors, the albertian precepts, by fusing the notions of decorum and aptum and accommodating aesthethical principles and ethical motivations, surpasses the separation between structure and ornament, attenuating the idea of a beauty only emerged from proportional relation, ending modern oppositions between ornatus and utilitas.
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Hernandez, Samanta Godinez-Arrieta. „Leon, Mexico| A Needs Assessment of an Age-Friendly Community“. Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10785050.

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A needs assessment was conducted with participants from the city of León in México. The AARP Age-Friendly Community framework was used to look at four domains: Social Participation, Respect & Social Inclusion, Work & Civic Engagement and Community & Health Services to evaluate the needs of older adults, to detect services available and to identify gaps between needs and services available. A non-random, snowball sampling technique was used to survey twenty-six adults aged 60 and older receiving health services, and twenty-seven service providers working in organizations that serve older adults. The results indicated that Work and Civic Engagement have the largest gap between needs and services available from the perspective of both groups. The domain with the second largest need-service gap is Respect and Social Inclusion, followed by Community and Health Services. The domain reported to be the strongest with the most needs covered is Social Participation.

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Martín, Luis P. „La Franc-maçonnerie en Castille et Leon au XIXe siècle“. Tours, 1991. http://www.theses.fr/1991TOUR2001.

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A cause de la persecution systematique menee par l'etat et l'eglise, la franc-maconnerie n'a pu s'installer en castille et leon qu'au dernier tiers du dix-neuvieme siecle, lors de l'essor de la bourgeoisie urbaine; mais l'organisation maconnique montre des faiblesses structurelles, tant l'institution elle-meme que les membres qui la constitue, qui l'ont empechee de jouer un role important dans la societe regionale
Because of the systematic persecution lad by the state and the catholic church, the freemasonry only established itself in castilla and leon during the last two-thirds of the ninteenth century, due to the rapid expansion of the urbain middle class; but the masonic organisation showed its structural weaknesses in institution itself and its members, which have prevented it from playing an important role in the regional society
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Keul, Leon [Verfasser]. „Die Norminterdependenzen des Grunderwerbsteuergesetzes bei Umstrukturierungen inländischer Konzerne. / Leon Keul“. Berlin : Duncker & Humblot, 2019. http://d-nb.info/1238443842/34.

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Pelegrín, José García. „Studien zum Hochadel der Königreiche Leon und Kastilien im Hochmittelalter /“. Münster : Aschendorff, 1991. http://catalogue.bnf.fr/ark:/12148/cb36662895p.

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Popejoy, Traci Glyn. „Zooarchaeology and Biogeography of Freshwater Mussels in the Leon River During the Late Holocene“. Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc801918/.

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The Leon River, a small-medium river in central Texas, is highly impacted by multiple impoundments, enrichment from agricultural runoff, and decreased dissolved oxygen levels. This degraded river contains sixteen unionid species, two of which are both endemic to the region and candidates for the federal endangered species listing (Quadrula houstonensis and Truncilla macrodon). While there is a short historical record for this river basin and a recent modern survey completed in 2011, zooarchaeological data adds evidence for conservation efforts by increasing the time depth of data available and providing another conservation baseline. Zooarchaeological data for the Leon River is available from the two Late Holocene archaeological sites: 41HM61 and the Belton Lake Assemblages. Data generated from these assemblages describe the prehistoric freshwater mussel community of the Leon River in terms of taxonomic composition and structure. By comparing this zooarchaeological data to the data generated by the longitudinal modern survey of the Leon River, long term changes within the freshwater mussel community can be detected. A conceptual model is constructed to evaluate how robusticity, identifiability, and life history ecology affect unionid taxonomic abundances in zooarchaeological data. This conceptual model functions as an interpretive tool for zooarchaeologists to evaluate forms of equifinality in zooarchaeological assemblages. This thesis determines differences between the late Holocene and modern freshwater community of the Leon River, explores how different alternative mechanisms influence zooarchaeological data, and exemplifies of how zooarchaeological data can be used for conservation biology.
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Ludwig, Aaron B. „Lonely Cello: A Performer's Analysis of Leon Kirchner's "For Cello Solo"“. Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/533.

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The purpose of this essay is to examine Leon Kirchner’s "For Cello Solo" for the preparation of a performance. The score, manuscripts, and recordings were analyzed to better inform the author’s interpretation of the work. Backgrounds for both the piece and the composer are included to illuminate the origins of the work. Additional information was accumulated through interviews with Carter Brey and Maria Kitsopoulos, performers of the work who collaborated with the composer. This essay aims to aid a performer’s preparation and interpretation of the composition by describing the piece’s historical and biographical context, analyzing its compositional design, and addressing specific sound and musicality issues related to the work.
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Tavernor, Robert William. „Concinnitas in the architectural theory and practice of Leon Battista Alberti“. Thesis, University of Cambridge, 1985. https://www.repository.cam.ac.uk/handle/1810/239042.

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In his treatise on architecture, de re aedificatoria, Leon Battista Alberti (1404 - 72) described Beauty in architecture as concinnitas: a harmony or congruity of the various parts of a building assembled according to principles :summarised by three categories of numerus, finitio and collocatio . This term has been interpreted variously and most famously in recent times by Rudolph Wittkower. Starting with his and other scholars' interpretations, this dissertation proposes a new definition for concinnitas based on studies of Alberti's architectural theory and practice and the work of his contemporaries. Chapters 1, 3 and 4 of the dissertation focus on the application of numerus and finitio in Alberti's architectural practice and observations made here are supported by separate historical studies of the buildings (be found in the appendices) and survey drawings (bound together at the end of the dissertation). Chapter two is a study of the symbolic references, traditions and themes which appear to underlie the design of centralised churches and points raised here are expanded in later chapters. The third category, collocatio, is examined in the final chapters when the continuity of tradition in Alberti's approach to architecture is outlined within the framework of the city and the urban ensemble of church, palace, piazza and loggia.
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Ephrem, el-Boustani Leila. „La femme au cœur du dialogue des cultures dans Leon l'Africain /“. Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31103.

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The purpose of our thesis is to show the important role of the woman in the novelistic autobiography of Leon l'Africain. Inspired by the Description de l'Afrique, written by the famous arab geographer Mohamed al-Wazzan ez-Zayyati, Maalouf converted this autobiography to a quest of a man in search of an identity exceeding the geographic, ethnic and religious boundaries. If he succeeded in arriving to the end of his journey, it's mainly due to the contribution of the woman who is present under different names and faces throughout the novel and who leads him to the dialogue of cultures.
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McCluskey, Raymond. „The life and works of Martin of Leon (c. 1130-1203)“. Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304862.

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Thurner, Leon [Verfasser]. „Structural Optimizations in Strategic Medium Voltage Power System Planning / Leon Thurner“. Kassel : Kassel University Press, 2018. http://d-nb.info/1166352412/34.

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Pearson, Caspar. „Visions of the city in Leon Battista Alberti's 'De re aedificatoria'“. Thesis, University of Essex, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248667.

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Furlan, Francesco. „Les Livres de la famille (De familia) de Leon Battista Alberti“. Paris, EHESS, 1994. http://www.theses.fr/1994EHESA002.

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Cette these etudie le contexte, la genese te le processus d'ecriture du de familia de leon battista alberti (1404-1472). Elle comprend deux volumes respectivement intitules "contexte, genese et ecriture d'un dialogue" et "tradition et texte". Le premier volume aborde dans l'introduction le probleme des differentes formes d'ecriture d'alberti (traite, dialogue, ludus) et de leur signification epistemologique; il etudie ensuite les modeles antiques, les formes, les methodes et le contexte humaniste (chapitre i et ii), puis la chronologie, la typologie, la conception et la composition des dialogues italiens d'alberti (chapitre iii), ainsi que la progression du dialogie, les fonctions des personnages et la production de la verite dans le de familia (chapitre iv). Clot le volume un appendice consacre a "la famille, la femme, l'amour" qui etudie les perceptions et les idees d'alberti en la matiere dans l'ensemble de son oeuvre et a la lumiere des conceptions ecclesiastiques ainsi que des pratiques concretes des milieux marchands de l'epoque. Le second volume comprend une edition critique des quatre livres du de familia precedee d'une substantielle introduction dans laquelle la genese de l'oeuvre et les modalites de sa circulation sont retracees d'une maniere nouvelle et les rapports entre les manuscrits connus sont pour la premiere fois reconstruits de facon rationnelle: trois stemma distincts, correspondants aux trois sections (prologue et livres i-ii, livre iii precede par le proemio ou lettre de dedicace a francesco d'altobianco alberti, livre iv) dans lesquelles l'ouvrage a effectivement circule, sont ainsi proposes
This thesis studies the context, the genesis and the process of the writing of de familia by leon battista alberti (1404-1472). It is composed of two volumes respectively entitled "context, genesis and writing of a dialogue" and "tradition and text". The first volume tackles in its introduction the problem of the different forms of alberti's writing (treatise, dialogue, ludus) and of their epistemological significance; it studies next the ancient models, the forms, the methods and the humanist context (chapter i and ii), then chronology, typology, conception and composition of alberti's italian dialogues (chapter iii), as well as the progression of dialogue, the fonction of characters and the production of the truth in de familia (chapter iv). The volume ends with an appendix dedicated to "family, woman and love" which studies, in the whole of his work, the perceptions and ideas of alberti on these subjects in the light of ecclesiastical conceptions and practices of the merchant milieu of the time. The second volume contains a critical edition of the four books of de familia. It is precedeed by a substantial introduction which retraces in a new manner the genesis of the work and the modalities of its circulation and which reconstructs for the first time the connection between the known manuscripts in a rational way. Three distinct stemmata corresponding to the three sections, under which the book was effectively circulated, are proposed
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Madec, Michel. „Diazeza reolennou renabli anoiou kêriadennou hag o distagadur : skwer Bro-Leon“. Brest, 1995. http://www.theses.fr/1995BRES0002.

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Le patrimoine des noms de lieux-dits du Léon (Bretagne) étant mal transcrit et non complet, un inventaire a été mené à bien auprès de 1184 personnes du cru. Ce faisant des règles méthodologiques ont du être créées, qui sont ici presentées. Puis le corpus collecté est mis en forme
The heritage of place-names of Leon (Brittany) being badly transcripted and incomplete, an investigation was done among 1184 local persons. Thus doing, methodological rules had to be created, and are here presented. Then the collected corpus is put into form
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