Dissertationen zum Thema „Latin fiction – 21st century“
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Guzman-Medrano, Gael. „Post-Revolutionary Post-Modernism: Central American Detective Fiction by the Turn of the 21st Century“. FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/917.
Der volle Inhalt der QuellePopper, Rafael. „21st century foresight“. Thesis, University of Manchester, 2011. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:151961.
Der volle Inhalt der QuelleCoto-Rivel, Sergio. „Le roman centre-américain contemporain : fictions de l'intime et nouvelles subjectivités“. Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30031/document.
Der volle Inhalt der QuelleCentral America attracted greatly the media attention during the 1980s because of the armed conflicts and the increasing interest in testimonies linked to the political vindications. Now is the time to question the paths taken by Central American literature twenty years after the peace agreements were signed in the region. This question is found at the beginning of the present study on which we try to comprehend in what way the contemporary novel is interested in the construction of new subjectivities and in new means of representation specific to fiction. Contemporary Central American literature presents itself generally as a space of great diversity. We can read in it an important questioning of the contradictions, of the social struggles, and of the dominant discourses of isthmian societies. These questionings are, in our opinion, articulated on the literary text thanks to the privileged position given to subjectivity. It uses different ways to define the contemporary subject with the purpose of confronting the reader to a series of statements, intimist as well as political and transgressive, which express a crisis on the representation of national and personal identities. How far can we consider that contemporary Central American literature shows an important displacement related to the positions of the subjects represented in the novels? In what way said displacements interact in a conflictive region, a region which still has difficulties to define its own identity? On this thesis we make an effort to delve in the analysis of the subjective positions and in the literary and philosophical strategies which allow the construction of new subject-characters, in a corpus constituted of novels published between 1998 and 2009 by the following writers: Horacio Castellanos Moya, José Ricardo Chaves, Maurice Echeverría, Jacinta Escudos, Mauricio Orellana Suárez, Milagros Palma, Roberto Quesada, and Uriel Quesada. We are particularly interested in the narrative processes which relate intimacy and subjectivity with the representation of corporal spaces in the novels, as well as the geographical spaces and violence spaces. These elements will demonstrate new commitments and new discourses in a time that seems dominated by subjectivity
Allen, Claire. „Beyond postmodernism : London fiction at the millenium“. Thesis, University of Northampton, 2010. http://nectar.northampton.ac.uk/8845/.
Der volle Inhalt der QuelleLeiva, Diego. „Latin American Engagement Strategies towards China in the 21st Century“. Thesis, Griffith University, 2020. http://hdl.handle.net/10072/398090.
Der volle Inhalt der QuelleThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Govt & Int Relations
Griffith Business School
Full Text
Akhtar, Jaleel. „Dismemberment in the fiction of Toni Morrison“. Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/53849/.
Der volle Inhalt der QuelleWest, Mark Peter. „Between times : 21st century American fiction and the long sixties“. Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5621/.
Der volle Inhalt der QuelleRaulerson, Joshua Thomas. „Singularities: technoculture, transhumanism, and science fiction in the 21st Century“. Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/2968.
Der volle Inhalt der QuelleYa, Li. „La muerte en literatura contemporánea mexicana en comparación con el pensamiento oriental“. Doctoral thesis, Universitat de Barcelona, 2021. http://hdl.handle.net/10803/671143.
Der volle Inhalt der QuelleThis doctoral thesis aims to analyze death in contemporary Mexican narratives with a special focus on the parallel study of Mexican and oriental thoughts; more specifically, the Chinese thoughts. In order to unravel the essence of death presented in the narratives, first, we will make observations on the role of the myths of death and the landscape of indigenous and ancient Chinese communities. By exploring the cultural heritage of the past and monitoring the historical development of the perspective of death in the two cultures, we seek to clarify certain historical behaviors of the people and the nature of customs and public spirit. From this basis, we will study the various connotations of death and its colorful sensory aspects in the literary scene, with particular reference to contemporary writers such as Juan Rulfo, Carlos Fuentes, Fernando del Paso and some Chinese avant-garde writers. Through the parallel study of the Mexican and Chinese novels about their elaboration of the theme of death, we try to describe the similarities and highlight their peculiarities; in this way we will delve into the conformation of their ethnic and national identities, give coherence to the traditional legacy of the country, reflect on how the ideas of death shape its building and draw more or less faithfully the face that can characterize this era and represent the entrance to the future.
Crotty, Tammy J. „Left of mainstream : genre fiction and its ability to transcend formula“. Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1313073.
Der volle Inhalt der QuelleDepartment of English
Halliday, Sophie. „Representations of gender and subjectivity in 21st century American science fiction television“. Thesis, University of East Anglia, 2014. https://ueaeprints.uea.ac.uk/51483/.
Der volle Inhalt der QuelleHayes, Jacqueline. „Fighting for Protections| Challenging the 21st Century Sweatshop in New York State“. Thesis, State University of New York at Albany, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10682549.
Der volle Inhalt der QuelleThis dissertation examines how neoliberalism and immigration enforcement between 1980 and 2010 changed the nature of ‘sweated’ work in the U.S. This dissertation focuses on the particular case of Latino undocumented workers in New York State and the organizations fighting to win them protections. In order to answer my research questions, I conducted 30 semi-structured interviews over the course of 2 years (2013–2015), examined immigration enforcement data, and analyzed U.S. immigration and welfare policies between 1980 and the present. Research interviews made clear that both the lack of social and legal protections alongside the threat of immigration enforcement have a definitive impact on working conditions in low-wage sectors. Staff and volunteers from worker justice centers and immigration rights organizations also emphasized the fact that some of the old protections that were hard fought and won by prior generations of labor activists are ill-suited to address the needs of low-wage, non-citizen workers who face a number of new challenges. By focusing on undocumented Latino workers and worker centers in New York State this dissertation shifts the conceptual lens from a particular ‘worksite’ to the forces—historical, legal, and social—which make sweating possible once an individual enters a workplace. This dissertation contends that the specters of wagelessness and deportation collaborate to ensure the flexibility of undocumented labor and that these are the distinctive features of the contemporary U.S. sweatshop.
Smith, Olga. „Between reality and fiction : the art of French photography since the 1970s“. Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.
Der volle Inhalt der QuelleRoyters, Nathan Miller. „Ghosts Amid the Gears: Neoliberal Subjectivity in 21st Century Chinese and American Fiction“. Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/28053.
Der volle Inhalt der QuelleBakker, Barbara. „Arabic dystopias in the 21st century : A study on 21st century Arabic dystopian fiction through the analysis of four works of Arabic dystopian narrative“. Thesis, Högskolan Dalarna, Arabiska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27968.
Der volle Inhalt der QuelleMcMillan, Rebecca J. „Building “21st Century Sewer Socialism”: Sanitation and Venezuela’s Technical Water Committees“. Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/26255.
Der volle Inhalt der QuelleBakker, Barbara. „Arabic dystopias in the 21st century : A study on 21st century Arabic dystopian fictionthrough the analysis of four works of Arabic dystopian narrative“. Thesis, Högskolan Dalarna, Arabiska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-28495.
Der volle Inhalt der QuelleLee, Jason Eng Hun. „'All is not Well in the world' : critical cosmopolitanism in twenty-first century fiction“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/197089.
Der volle Inhalt der Quellepublished_or_final_version
English
Doctoral
Doctor of Philosophy
Gill, Josephine Ceri. „Race, genetics and British fiction since the Human Genome Project“. Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610822.
Der volle Inhalt der QuelleMajola, Fundile Lawrence. „Good-Gooder-Goodest“. Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015657.
Der volle Inhalt der QuelleAmabali am asekelwe ezilokishini yaye ahambelana neemeko ezimaxongo zokuphila zasezilokishini apho yaye amanye asukela kwixesha lengcinezelo yesizwe esimnyama. Imiba echatshazelwa kula mabali iquka intlupheko, intiyo kwakunye nokuphilisana koluntu ezilokishini, phantsi kwezo meko. Amabali la ndizame ukuwenza alandele indlela yokubalisa yhenkwenkwana enguSkhumba, ethi ibone iqwalasele iimeko zokuphila zabantu bohlanga lwayo. Ingqokelela esisiqendu sokuqala yona ibhalwe ze yangeniswa ngesiNgesi.
This thesis is presented in two parts: English and isiXhosa.
Graham, Felicia Christine. „Extracting the Truth| How Coexisting with the Black Gold Reshapes Lives and Livelihoods in 21st Century Colombia“. Thesis, University of California, Santa Barbara, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1603377.
Der volle Inhalt der QuelleThere have been many pitfalls resultant from our current civilization’s dependence on oil and gas, though none has been more ignored than the impacts of hydrocarbon production on our fellow human beings. This thesis has three primary aims: (1) to make clear the theoretical frameworks that have led these human impacts to be ignored, including Resource Curse Theory, and to propose Political Ecology as a new framework for understanding the challenges that resource extraction levies on individuals and communities; (2) to detail, document, and highlight the widespread, complex, and generative impacts that resource extraction itself produces in order to begin seeking real solutions; and (3) to bring to the fore the struggles of the Colombian people in relation to hydrocarbon production and resource extraction. As shall be seen, Colombia is a unique though entirely ignored case study of rapidly expanding hydrocarbon production. While thought to be a ‘success’ in the eyes of many, this thesis shows the true nature of oil and gas production by focusing in on the deep structural changes that the southern community of Puerto Gaitan has endured since the arrival of Canadian oil company Pacific Rubiales, and explaining how these deeper problems are reproduced in other extractive areas across Latin America and the world.
Rave, Maria Eugenia B. „Magical Realism and Latin America“. Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/RaveMEB2003.pdf.
Der volle Inhalt der QuelleDougherty, Mary Ann. „Betrayal : Short Stories“. PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2233.
Der volle Inhalt der QuelleCarvalho, Alyssa May. „The novel as cultural and historical archive: an examination of Marlene van Niekerk's Agaat (2006)“. Thesis, Nelson Mandela Metropolitan University, 2009. http://hdl.handle.net/10948/1224.
Der volle Inhalt der QuelleZaharchenko, Tanya. „Where the currents meet : frontiers of memory in the post-Soviet fiction of East Ukraine“. Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708117.
Der volle Inhalt der QuelleMahlangu, Songeziwe. „Penumbra“. Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1015207.
Der volle Inhalt der QuelleMusavengana, Shelter K. „Before before & after after“. Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017775.
Der volle Inhalt der QuelleMasters, Benjamin Scott. „The ethics of excess : style and morality in British fiction since the 1960s“. Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648740.
Der volle Inhalt der QuelleShishkin, Timur. „Marginalized Characters in Contemporary American Short Fiction“. PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/297.
Der volle Inhalt der QuelleShea, Maureen Elizabeth. „Latin American women writers and the growing potential of political consciousness“. Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184310.
Der volle Inhalt der QuelleAmrhein, Saundra Marie. „Cuba's Chords of Change: Music, Race, Class & Motherhood at the turn of the 21st Century“. Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4277.
Der volle Inhalt der QuelleKuit, Henali. „Dear space dad and other stories“. Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017774.
Der volle Inhalt der QuelleCartwright, Robert Oliver. „Third crime unlucky“. Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1015729.
Der volle Inhalt der QuelleSoria, Luján Daniel. „21st Century illiberal democracies in Latin America and the Inter-American Democratic Charter: Two models of democracy in the region?“ Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/115347.
Der volle Inhalt der QuelleLa Carta Democrática Interamericana (CDI) fue adoptada en el año 2001 por los Estados miembros de la Organización de Estados Americanos (OEA) como un instrumento renovado para la defensa de la democracia, no sólo contra el golpe de Estado tradicional, sino también para hacer frente a las graves violaciones de la responsabilidad horizontal. El segundo supuesto consideró, como precedente, la situación política en el Perú durante el gobierno de Alberto Fujimori (1995-2000), el cual fue definido por los académicos de Ciencias Políticas y Derecho Constitucional como un régimen autoritario competitivo. Sin embargo, durante la última década hasta la actualidad hemos hallado en América Latina varios países con gobiernos en donde el principio de equilibrio de poderes ha erosionado como resultado de las medidas adoptadas por sus respectivas ramas ejecutivas. Esta situación sugiere las siguientes preocupaciones: ¿El modelo democrático liberal de la CDI se encuentra en crisis? ¿Este modelo ha sido vencido por los gobiernos liberales lo cuales privilegian a los derechos económicos y sociales y restringen los derechos civiles y políticos? ¿O ambos modelos están condenados a coexistir en la región?
Duggan, Lucy. „Reading the city : Prague in Czech and Czech-German narrative fiction since 1989“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3827cf9c-fa91-4fb5-aa7e-8942de885729.
Der volle Inhalt der QuelleHolgate, Ben. „Porous borders : the amorphous nature of magical realist fiction in Asia and Australasia“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:32abdfeb-baa7-40ee-b721-89b66bc74043.
Der volle Inhalt der QuelleRawlins, Isabel Bethan. „Counting planes“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001816.
Der volle Inhalt der QuelleWelstead, Adam. „Dystopia and the divided kingdom : twenty-first century British dystopian fiction and the politics of dissensus“. Thesis, University of St Andrews, 2019. http://hdl.handle.net/10023/17104.
Der volle Inhalt der QuelleKingston, Matthew Patrick. „(Re)inventing the Novel: Examining the Use of Text and Image in the Twenty-First Century Novel“. Fogler Library, University of Maine, 2008. http://www.library.umaine.edu/theses/pdf/KingstonMP2008.pdf.
Der volle Inhalt der QuelleMorgan, Jane Mary Kathleen. „Like Katherine“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001814.
Der volle Inhalt der QuelleMolino, Nicolene Chloe. „Dog wars : a Victorian steampunk adventure“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001815.
Der volle Inhalt der QuelleGuerra, Noriega Alex Alí. „Climate-related disaster risk in mountain areas : the Guatemalan highlands at the start of the 21st Century“. Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:3d6941f4-da2e-42c6-85cd-890af8797c58.
Der volle Inhalt der QuelleДенісова, Дар'я Данилівна, und Daria Danylivna Denisova. „Weird Fiction у сучасному літературному процесі англомовних країн“. Видавничий дім «Гельветика», 2016. http://repository.sspu.sumy.ua/handle/123456789/3484.
Der volle Inhalt der QuelleThe research presents a comparative analysis of contemporary trends in Anglophone 21-st-century literature and the tradition of Weird Fiction and defines the place of Weird Fiction in contemporary literary process.
Madingwane, June. „Kaffirmeid and other stories“. Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015659.
Der volle Inhalt der QuelleSparks, Catriona Margaret Mullineaux. „Capitalocene Dreams: Dark Tales of Near Futures & The 21st Century Catastrophe: Hyper-capitalism and Severe Climate Change in Science Fiction“. Thesis, Curtin University, 2018. http://hdl.handle.net/20.500.11937/70516.
Der volle Inhalt der QuelleMaharaj, Keshav. „Rehab is for quitters“. Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1011901.
Der volle Inhalt der QuelleWoudstra, Ruth. „Touching Brýnstone“. Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1015032.
Der volle Inhalt der QuelleReed, Graham Conan. „The talisman“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001817.
Der volle Inhalt der QuelleCarstens, Johannes Petrus (Delphi). „Uncovering the apocalypse : narratives of collapse and transformation in the 21st century Fin de Siècle“. Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85700.
Der volle Inhalt der QuelleENGLISH ABSTRACT: This dissertation examines the idea of apocalypse through the lens of science fiction (sf) written during the current fin de siècle period. I have dated this epoch, known as the information era, as starting in 1980 with the advent of personal computing and ending in approximately 2020 when the functional limits of silicon-based digital manufacturing and production are expected to be reached. By surveying the field of contemporary sf, I identify certain trends and subgenres that relate to particular aspects of apocalyptic thought, namely, conceptions of the ‘terror of history,’ the sublimity of accelerated techno-scientific advance, the ‘affective turn’ in media-culture and posthuman philosophy. My principal method of inquiry into how the apocalypse is imagined or ‘figured’ in sf is the concept of hyperstition – a neologism (combining the words ‘hyper’ and ‘superstition’) coined by the Cybernetic Culture Research Unit (CCRU). Hyperstition describes an aesthetic response whereby cultural fictions – principally, ideas relating to apocalypse – are imagined as transmuting into material realities. I begin by scrutinizing two posthumanist works of theory-fiction (theory written in the mode of sf) by the CCRU and 0rphan Drift which anticipate immanent human extinction and imagine the inception of a new evolutionary cycle of machine-augmented evolution This sensibility is premised on the sociallydestabilising cycles of exponential growth that characterise information-era technological developments, particularly in the digital industries, as well as the accelerated human impact on the natural environment. Central to my argument is the romantic materialist philosophy of Deleuze and Guattari and their concepts of accelerationism, schizoanalysis and Bodies without Organs (BwO’s). Their ontology is constructed around the idea that exponential rates of development necessitate a new aesthetic paradigm that ventures beyond philosophies of human access. The narrative of apocalypse, approached from this perspective, can be interpreted in catastrophic or anastrophic terms; either as a permanent ending or as the beginning of something radically new. Using hyperstition, I also investigate the sf of Russell Hoban, Michael Swanwick, Brian Stableford, Charles Stross, Dan Simmons, M. John Harrison and Paul McAuley to see not only how these authors interpret the concept of cultural acceleration, but also to identify common threads. Countering the catastrophic ‘death of affect’ postulated by theorists such as Jean Baudrillard and Paul Virilio with the anastrophic rejoinder of cyberdelic information-era countercultures, I conclude by investigating the new ‘affective turn’ in contemporary media theory. The works of theoretical fiction and sf that I investigate are informed, as I demonstrate, by the Situationist techniques of psychogeography, dérive and detournement, as well as by the literary tropes of 18th and 19th century fin de siècle Gothic and dark Romantic fiction.
AFRIKAANSE OPSOMMING: Hierdie proefskrif ondersoek die idee van apokalips deur die oogpunt van wetenskap fiksie (wf) soos geskryf gedurende die huidige ‘fin de siècle’ tydperk. Ek dateer hierdie epog, bekend as die inligtings-era, as die tydperk wat in 1980 begin met die koms van persoonlike rekenaars en nagenoeg eindig in 2020, wanneer die funksionele limiete van silikon gebaseerde digitale vervaardiging en produksie na verwagting bereik sal word. Deur die veld van kontemporêre wf in oënskou te neem, identifiseer ek sekere neigings en sub-genres wat vergelyk met sekere kenmerke van apokaliptiese denke, naamlik: begrippe soos die ‘verskrikking van geskiedenis’, die verhewendheid van versnelde tegno-wetenskaplike vooruitgang, die ‘emosionele omkeer’ in media-kultuur en post-humanistiese filosofie. My primêre metode van ondersoek van hoe die apokalips voorgestel of ‘beskryf’ kan word in wf, is die begrip van hiper-bygelowigheid - ‘n neologisme (samevoeging van die woorde ‘hiper’ en ‘bygeloof’) soos geskep deur die Kubernetiese Kultuur Navorsings-Eenheid (KKNE) en Nick Land, medestigter van die KKNE. Hiper-bygelowigheid beskryf die proses waarvolgens kulturele versinsels - hoofsaaklik opvattings met betrekking tot apokalips – in materiële realiteite omgeskakel kan word. Ek ondersoek ek twee post-humanistiese werke van teorie-fiksie (teorie geskryf volgens die wf metode) deur KKNE en 0rphan Drift, wat inherente menslike uitwissing verwag en die ontstaan van ‘n nuwe evolusionêre siklus van masjien-toename voorstel. Hierdie proses is gebaseer op die sosiaal-destabiliserende siklus van eksponensiële groei wat kenmerkend is van die inligtings-era se tegnologiese ontwikkelinge, veral in die digitale industrie, sowel as versnelde menslike impak op die natuurlike omgewing. Die kern van my beredenering is die goties-materialisties-teoriese standpunt soos deur Land ingeneem, sowel as die romanties-materialistiese filosofie van Deleuze en Guattari. Hierdie gevalle van neo-materialistiese (of objek-georiënteerde) filosofië word toegelig deur ‘n apokalipties-teoretiese basis bekend as akseleerasionisme. Hierdie uitgangspunt is ontwikkel rondom die idee dat die eksponensiële tempo van ontwikkeling ‘n klimaks sal bereik in ‘n evolusionêre ‘wipplank punt’ en dat ‘n nuwe estetiese paradigma nodig is wat dit bokant die filosofie van menslike vermoë kan waag sodat daar oor hierdie waarskynlikheid geteoretiseer kan word. Die beskrywing van apokalips, soos vanuit hierdie oogpunt beskou, kan vertolk word in beide katastrofiese of anastrofiese terme of as ‘n permanente einde of as die begin van iets wat radikaal nuut sal wees. Deur gebruik te maak van die hiperbygelowigheidsteorie, wat ‘n onderafdeling is van akseleerasionisme, ondersoek ek WF van Russell Hoban, Michael Swanwick, Brian Stableford, Charles Stross, Dan Simmons, M. John Harrison and Paul McAuley ten einde vas te stel hoe hierdie skrywers die konsep van kulturele akseleerasie interpreteer, maar ook om gemeenskaplike leidrade te identifiseer. Met teenargumentering ten opsigte van die katastrofiese ‘dood van affek’ gepostuleer deur teoretici soos Jean Baudrillard en Paul Virillio met die anastrofiese samevoeging van kuberdeliese inligtings-era-kontra-kulture, ondersoek ek die nuwe ‘gemoedsomkeer’ in kontemporêre mediateorie. Die werke van teoretiese fiksie, sowel as baie van die ander gevalle van wf wat ek ondersoek en soos deur my gedemonstreer, word toegelig deur Situasienistiese tegnieke van psigo-geografie, dérive en detournement, sowel as deur die literêre menigtes van die 19de eeu ‘fin de siècle’ donker Romantiese en Gotiese fiksie.
Fetile, Khanyisa. „An analysis of the representation of sexual abuse in selected post-apartheid novels“. Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/3822.
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