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Auswahl der wissenschaftlichen Literatur zum Thema „Latex PISA“
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Zeitschriftenartikel zum Thema "Latex PISA"
Boussiron, Charlène, Mickaël Le Bechec, Julia Sabalot, Sylvie Lacombe und Maud Save. „Photoactive rose bengal-based latex via RAFT emulsion polymerization-induced self-assembly“. Polymer Chemistry 12, Nr. 1 (2021): 134–47. http://dx.doi.org/10.1039/d0py01128b.
Der volle Inhalt der QuelleKim, Hyun Jin, Fumi Ishizuka, Rhiannon P. Kuchel, Yin Yao, Shunsuke Chatani, Hiroshi Niino und Per B. Zetterlund. „Polymer film synthesis from an aqueous latex of polymerization-induced self-assembly (PISA) derived nanofibers“. European Polymer Journal 193 (Juli 2023): 112118. http://dx.doi.org/10.1016/j.eurpolymj.2023.112118.
Der volle Inhalt der QuelleJoumaa, Ahmad, Florence Gayet, Eduardo J. Garcia-Suarez, Jonas Himmelstrup, Anders Riisager, Rinaldo Poli und Eric Manoury. „Synthesis of Nixantphos Core-Functionalized Amphiphilic Nanoreactors and Application to Rhodium-Catalyzed Aqueous Biphasic 1-Octene Hydroformylation“. Polymers 12, Nr. 5 (12.05.2020): 1107. http://dx.doi.org/10.3390/polym12051107.
Der volle Inhalt der QuelleHuiyun, Li, Wang Yanglitao und Wu Xintian. „Chinese basic education and experience from three regions (Shanghai, Guangdong, Sichuan)“. Köz-gazdaság 15, Nr. 4 (30.12.2020): 117–33. http://dx.doi.org/10.14267/retp2020.04.10.
Der volle Inhalt der QuelleAraujo, Luisa, Andrea Saltelli und Sylke V. Schnepf. „Do PISA data justify PISA-based education policy?“ International Journal of Comparative Education and Development 19, Nr. 1 (13.02.2017): 20–34. http://dx.doi.org/10.1108/ijced-12-2016-0023.
Der volle Inhalt der QuellePaganelli, Jacopo. „Il soggiorno di Caterina da Siena a Pisa nel 1375“. Quellen und Forschungen aus italienischen Archiven und Bibliotheken 103, Nr. 1 (01.11.2023): 203–30. http://dx.doi.org/10.1515/qufiab-2023-0012.
Der volle Inhalt der QuelleRahmi, Fathur, Iltavia Iltavia und Ramzil Huda Zarista. „Mathematical Literacy of Junior High School Students in Solving Problems PISA in Minang Context“. JTAM (Jurnal Teori dan Aplikasi Matematika) 6, Nr. 4 (08.10.2022): 1112. http://dx.doi.org/10.31764/jtam.v6i4.10221.
Der volle Inhalt der QuelleGutierrez, F., C. Losada, M. López, C. Rozados, J. M. Olivares, M. Calado und C. Cinos. „Pysa syndrome: a case report“. European Psychiatry 26, S2 (März 2011): 1243. http://dx.doi.org/10.1016/s0924-9338(11)72948-0.
Der volle Inhalt der QuelleXu, Peng. „Editing Pipa Ji for the Late Ming Popular Theater: The Identity of the "Singing Hermit" and His Editorial Work“. Late Imperial China 41, Nr. 1 (2020): 159–201. http://dx.doi.org/10.1353/late.2020.0003.
Der volle Inhalt der QuelleCozzi, Elisa. „P. B. Shelley, George William Tighe, and the Irish Roots of ‘The Sensitive-Plant’“. Romanticism 30, Nr. 1 (April 2024): 42–55. http://dx.doi.org/10.3366/rom.2024.0627.
Der volle Inhalt der QuelleDissertationen zum Thema "Latex PISA"
Beaugendre, Maxime. „Etude et développement de latex vitrimères obtenus par PISA“. Electronic Thesis or Diss., Université Paris sciences et lettres, 2023. http://www.theses.fr/2023UPSLS003.
Der volle Inhalt der QuelleDynamic covalent chemistry is an efficient tool to develop polymeric materials that respond to current ecological issues (recyclability, repairability). We have implemented imine bonds in latex films synthesized according to PISA concepts (Polymerization-Induced Self-Assembly). The latex particles consist of a hydrophilic shell of PMAA and a hydrophobic core of MMA, BA and a monomer bearing a benzaldehyde pendant function (B). The imine cross-linking of the latexes is achieved at the drying stage by adding a diamine. The characterization of these films shows that their mechanical and vitrimeric properties are limited by (i) a permanent cross-linking which appears during the polymerization due to transfer reactions of the BA monomer activated by the B monomer and (ii) the percolation of the polar and rigid PMAA shells, which restrict particules coalescence. To overcome these issues, the BA monomer was replaced by the EHMA monomer. The new films have mechanical properties comparable to the initial system and are soluble. In another study, the ionic RAFT macro-agent PMAA was replaced by a non-ionic agent, PNAM. The thermo-mechanical properties and the reprocessing of these films are significantly improved, thus demonstrating that the ionic nature of the shell is a hindrance to obtain efficient and durable coatings. Finally, we have shown the efficiency of vinylogous urethane bonds to provide creep resistance to the films (double cross-linking), especially at high temperatures when the imine exchange reactions are fast
Griveau, Lucie. „Emulsion polymerization in the presence of reactive PEG-based hydrophilic chains for the design of latex particles promoting interactions with cellulose derivatives“. Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE1329/document.
Der volle Inhalt der QuelleIn this thesis, polymer particles surface-functionalized with poly(ethylene glycol) (PEG) groups were synthesized to promote their interaction with cellulose derivatives via intermolecular hydrogen bond. Two synthetic routes were proposed to obtain such cellulose/latex composites.The first route was based on the polymerization-induced self-assembly (PISA) to form functionalized polymer nanoparticles prior to adsorption onto cellulosic substrate. PISA takes advantage of the formation of amphiphilic block copolymers in water by combining emulsion polymerization with reversible-deactivation radical polymerization (RDRP) techniques. The latter were used to synthesize well-controlled hydrophilic polymer chains, acting as both precursor for the emulsion polymerization of a hydrophobic monomer, and stabilizer of the final latex particles. Two RDRP techniques were investigated: reversible addition-fragmentation chain transfer (RAFT), and single electron transfer-living radical polymerization (SET-LRP). Low molar mass PEG-based hydrophilic polymers have been synthesized using both techniques, used for the polymerization of a hydrophobic block in water. The transfer of controlling agent at the locus of the polymerization was challenging for SET-LRP in emulsion conditions leading to surfactant-free large particles. Nanometric latex particles were obtained via RAFT-mediated emulsion polymerization, with morphology change from sphere to fibers observed depending on the size of the hydrophobic segment, which were then able to be adsorbed onto cellulose nanofibrils (CNFs).The second route used conventional emulsion polymerization performed directly in presence of cellulose nanocrystals (CNCs) leading to Pickering-type stabilization of the polymer particles. Cellulose/particle interaction was provided thanks to the addition of PEG-based comonomer. Original organization emerged where CNCs were covered by several polymer particles
Černý, Lukáš. „Konverze prezentací mezi platformou LaTeX a Microsoft Power Point“. Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2011. http://www.nusl.cz/ntk/nusl-236985.
Der volle Inhalt der QuelleCHUNG, CHI-FANG, und 鐘琦芳. „An Analysis and Interpretation of Lee Bo-Chen’s Late Autumn For Pipa and Piano“. Thesis, 2019. http://ndltd.ncl.edu.tw/handle/494jwx.
Der volle Inhalt der Quelle國立臺北藝術大學
傳統音樂學系碩士班
107
During recent years, Chinese composer Li Bo-Chan has been an active figure in the field of Chinese Orchestra in Taiwan and China, winning numerous awards of international composition competitions. In this thesis, I’d like to investigates his first piece of work composed for Pipa and piano, Late Autumn, commissioned in 2014 by Pipa performer Zhang Ya-Di for The Best of the Best Concert (BOB). This number is of arch structure with Coda part that creates beautiful melody and distinct use of chord comparing to other numbers of Pipa. The performer can thus communicate the sorrow and sentimentality of the departure of Fall through each note. This thesis includes music analysis, interviews and musical interpretation. First, through collecting literature and interviews, I develop understandings of Li’s ideas of music composition and his philosophy of music. Then I utilize music analysis to examine the section and chord arrangement of Late Autumn to explore its aesthetics of music.
Tseng, Tzu-Ching, und 曾紫晴. „Research on the performance arts and techniques for the Vietnamese pipa since the late 19th century“. Thesis, 2014. http://ndltd.ncl.edu.tw/handle/71012735850942789978.
Der volle Inhalt der Quelle國立臺北藝術大學
傳統音樂學系碩士班演奏組
102
According to the historical records, the Vietnamese was affected by Chinese culture for up to two thousand years, especially after "The Canonized System" during the Ming Dynasty, the output of large-scale cultural phenomenon was even more obvious. Experiencing the revolution of dynasties, the Vietnamese pipa was circulating in Ming Dynasty, has six hundred years of heritage and development. From the introduction of the "Bent-neck pipa", developed to "Vietnamese pipa", which is commonly use in Vietnam, has obviously its own characteristics and stand out in Vietnamese society. In this paper, in addition to the introduction and conclusion, the study divided into four parts: firstly, explore the historical documents from the history fortune of spread to Vietnamese pipa and further understanding of the status in the Vietnamese community which was affected by the Vietnamese Culture. Secondly, the Vietnamese pipa instrument itself, structure with shapes, melody, music and other issues to sort out the inheritance and development of its instruments; Thirdly, to analyze the various regional classic tracks, roughly summed up northern, central and southern regions of the source materials and style tunes with further proposed musical interpretation techniques. Finally, according to the author''s experience of learning to play, elaborate Vietnamese pipa the basic holding posture and the playing method, and on the left hand and right hand playing techniques, in-depth dialysis essence of traditional Vietnamese music playing. Pertaining to Vietnamese pipa playing method related research, no more abundant than Chinese pipa literature. I hope the subject by discussing, enable pipa artists or music circle academia students can pay more attention to the pipa family members in Vietnam, thus providing multi-oriented traditional Vietnamese music, providing interpretation and performance analysis techniques applied fairly.
Springer, Victoria Suzanne. „Late Pleistocene Neandertal-Early Modern Human Population Dynamics: The Dental Evidence“. Thesis, 2013. http://hdl.handle.net/1969.1/149499.
Der volle Inhalt der QuelleDuarte, Marta Isabel Ricardo Marecos. „Vozes consoantes, Vozes dissonantes. Pina e Melo e a Cultura Literária do século XVIII: sujeito autoral, polémica e poéticas“. Doctoral thesis, 2021. http://hdl.handle.net/10316/95454.
Der volle Inhalt der QuelleRESUMO Com o objetivo de revisitar o séc. XVIII no âmbito da historiografia literária através da obra de Francisco de Pina e Melo, este estudo entronca em dois marcos de análise a que se associam duas facetas distintas do autor: o poeta e o teorizador da literatura. De um lado, propõe-se o estudo da sobrevivência do legado barroco na sua mais significativa obra de poesia (As Rimas, 1726); do outro, o estudo do campo da doutrinação estética, em que assume relevo o diálogo com os modernos comentadores europeus da Poética e, na sua esteira, os críticos e intelectuais portugueses de meados de Setecentos. No intuito de questionar uma leitura sequencial da evolução das correntes estéticas, determinante na projeção de uma ideia de rutura no trânsito da cultura barroca para a da Ilustração (Mendes dos Remédios, Hernâni Cidade, Saraiva e Lopes, etc.), conferimos especial atenção à formação de paradigmas estéticos e de pensamento crítico no âmbito das academias literárias do séc. XVIII, assinalando o debate entre antigos e modernos espelhado na evolução das diferentes perspetivas que em certo momento se sobrepõem. Como tal, afigurou-se-nos relevante indagar acerca da associação do poeta montemorense com a forma mentis do novator. Em que argumentos se funda a reação anti-barroca que configura uma inovação no campo literário de meados do séc. XVIII, e de que modo esta é recebida pelos conservadores da velha ordem barroca estabelecida? Como se configuram a poesia e pensamento estético de Pina e Melo no seio do confronto entre códigos fundados sobre noções de estilo divergentes e, simultaneamente, diferentes conceções da herança clássica. De que modo o poeta responde, teoricamente, ao “novo gosto” neoclássico, e como procura adaptar a “simplicidade francesa” e os modelos do arcadismo na sua prática poética? Qual é o resultado desse esforço conciliatório, que coloca no centro das querelas da Ilustração dois tipos de conceção estrutural do poema épico, um assente na alegorese e varietas barroca, e outro fundado nos princípios aristotélicos de verosimilhança e unidade? Nas reações de Melo aos diferentes julgamentos dirigidos às suas obras, é possível delinear a formação de uma consciência autoral, paralela da caracterização que o poeta faz do seu próprio estilo literário, num contexto em que o receio de difamação pessoal surge especialmente em relevo e determina uma idealização tanto do poeta como do crítico. Analisaremos, neste domínio, também a emergência de diferentes tipos de crítica e de público. O estudo do livro d’As Rimas I, II e III permite-nos, por sua vez, entender especificidades do código barroco de influência gongórica em Portugal. Veremos como o tenebrismo fúnebre e a melancolia “negra” na lírica de Melo, a par de outros elementos estruturais, evidenciam a presença de um subjetivismo que surge associado à construção e projeção de uma imagem autoral marcada. À luz da poesia de Pina e Melo, pode dizer-se que a ênfase dada ao “estilo” e ao seu ornato, na lírica da 1.ª metade do séc. XVIII, se coaduna com a progressiva autonomização do campo literário na Europa moderna, traduzindo um trabalho que tem no horizonte uma singularização do autor, em busca de uma originalidade que lhe garanta um lugar de destaque no Parnaso. A problemática do autor afigura-se, pois, configuradora de um estudo que se propõe analisar as interações entre sujeito e instituição literária no quadro da sedimentação do pensamento moderno na literatura e cultura portuguesas, colocando em foco o jogo de espelhos patente no diálogo entre Melo e os seus críticos.
ABSTRACT This study’s objective is to revisit the eighteenth century’s Portuguese literary historiography through the work of Francisco de Pina e Melo by developing two frameworks of analysis that link two distinct aspects of the author: the poet and the literary theorist. From Francisco de Pina e Melo’s work as a poet, we pull his most significant contribution titled As Rimas, which was published in 1726 and survives as a prime example of Baroque literature. In exploring his work as a literary theorist, we will dig deep into the field of aesthetic indoctrination, as we review the dialogue of modern European poetics commentators and Portuguese critics which came in the wake of prominent mid-eighteenth century Portuguese intellectuals. In order to discuss a sequential reading of the evolution of the eighteenth century’s aesthetic movements that promotes the idea of a break in the transition from Baroque culture to that of Enlightenment (Mendes dos Remédios, Hernâni Cidade, Saraiva e Lopes, among others), we will base our inquiry in the form of aesthetic and critical thought paradigms within the literary academies, marking the debate between the old and the new mirrored in the evolution of the different perspectives that for a time overlapped. As such, it seems relevant to inquire into the relation between Pina e Melo and the novator’s mindset. It needs to be understood what the basis for the anti-baroque reaction is and in what terms it innovated the literary field of the mid-eighteenth century. Also, we need to consider how the anti-baroque reaction was received by the conservatives in the old established baroque order and how it shaped Melo’s poetry and aesthetic thought within the midst of confrontation between codes based on divergent notions of style and different conceptions of the classical heritage. Moreover, we intend to explored how the poet theoretically responded to the “new” classical taste and how he sought to adapt French simplicity and neoclassicism in his poetry. As the poet tries to reconcile these different influences, he creates something different, that can be understood in the context of Enlightenment’s quarrels over the structural conception of epic fiction; one based on the concept of Baroque allegory and Baroque varietas concept and the other based on the Aristotelian principles of verisimilitude and unity. As a reader, we can begin to see Melo’s authorial consciousness in reaction to the different criticisms directed at his work, and alongside this reaction to criticism his own characterization of his literary style, which, given the context, appears fearful of personal defamation and places a focus on building an idealized portrait of the poet and the critic. In connection to this, we will also analyze the emergence of different types of critics and audiences in regards to his work. The study of the book As Rimas I, II and III allows us to understand the nature of the Gongoric influence on the Baroque code in Portugal. We will see how funeral gloom and dark melancholy in Melo’s lyric poetry, along with other structural elements, are evidence of a subjectivism, which is connected with the building and projecting of a distinct authorial image. The emphasis given to ornate style and its grand embellishments in the Portuguese lyric poetry in the first half of the eighteenth century, which Melo was a well-known practitioner of, is consistent with the progressive autonomy of the literary field in modern Europe, preparing a path for future works which put the focus on the singularity of the author who was searching for an originality, what would guarantee him a prominent place in Parnassus. The author’s problem gives shape to a study whose purpose is to examine the interactions between the subject and the literary establishment in the context of the sedimentation of modern thought in Portuguese literature and culture, while placing a special focus on the game of smoke and mirrors which characterized the dialogue between Melo and his critics.
Bücher zum Thema "Latex PISA"
Kelly, Kathleen. A comparison of vigilance behaviour in magpies (Pica pica) during early morning and late afternoon feeding over winter and spring. [S.l: The author], 1997.
Den vollen Inhalt der Quelle findenNi, Shu-Lan Miranda. The development of a genre: Pina Bausch and late twentieth-century dance theatre. Texas: Texas Tech. University, 2002.
Den vollen Inhalt der Quelle findenZorzi, Andrea, Hrsg. Conflitti, paci e vendette nell'Italia comunale. Florence: Firenze University Press, 2010. http://dx.doi.org/10.36253/978-88-6453-117-5.
Der volle Inhalt der QuelleDotto, Diego, Dávid Falvay und Antonio Montefusco. Le Meditationes Vitae Christi in volgare secondo il codice Paris, BnF, it. 115 Edizione, commentario e riproduzione del corredo iconografico. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-509-4.
Der volle Inhalt der QuelleLadić, Zoran. Last will: Passport to heaven : urban last wills from late medieval Dalmatia with special attention to the legacies Pro remedio animae and Ad pias causas. Zagreb: Srednja Europa, 2012.
Den vollen Inhalt der Quelle findenUrquízar-Herrera, Antonio. The Antiquarian Appropriation of Islamic Monuments. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198797456.003.0007.
Der volle Inhalt der QuelleEverest, Kelvin. Keats and Shelley. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192849502.001.0001.
Der volle Inhalt der QuelleLower, Michael. The Crusade Begins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198744320.003.0005.
Der volle Inhalt der QuelleCortese, Maria Elena. Between the City and the Countryside. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198777601.003.0013.
Der volle Inhalt der QuelleBuchteile zum Thema "Latex PISA"
Gomendio, Montserrat, und José Ignacio Wert. „6. Spain“. In Dire Straits-Education Reforms, 245–68. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0332.06.
Der volle Inhalt der QuelleLahelma, Elina. „Controversies and Challenges in the History of Gender Discourses in Education in Finland“. In Finland’s Famous Education System, 257–72. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-8241-5_16.
Der volle Inhalt der QuelleAnsani, Fabrizio Antonio. „Le conseguenze economiche dell’innovazione bellica. La produzione di «artiglierie alla francese» a Firenze tra Quattro e Cinquecento“. In L’economia della conoscenza: innovazione, produttività e crescita economica nei secoli XIII-XVIII / The knowledge economy: innovation, productivity and economic growth, 13th to 18th century, 195–208. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0092-9.13.
Der volle Inhalt der QuelleBodner, Neta. „The Baptistery of Pisa and the Rotunda of the Holy Sepulchre: A Reconsideration“. In Cultural Encounters in Late Antiquity and the Middle Ages, 95–105. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.celama-eb.5.103067.
Der volle Inhalt der QuellePoloni, Alma. „Putting Pressure on the Lord. The Fiscal Reforms of Pietro Gambacorta, signore of Pisa (1370–1392)“. In Late Medieval and Early Modern Studies, 75–105. Turnhout, Belgium: Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.lmems-eb.5.128600.
Der volle Inhalt der QuelleAlberti, Antonio. „1. The City of Pisae from Late Antiquity to the Early Medieval Period“. In Archaeological Landscapes of Late Antique and Early Medieval Tuscia, 21–37. Turnhout, Belgium: Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.medito-eb.5.133991.
Der volle Inhalt der QuelleHelbing, Mario Otto. „Mechanics and Natural Philosophy in Late 16th-Century Pisa: Cesalpino and Buonamici, Humanist Masters of The Faculty of Arts“. In Mechanics and Natural Philosophy Before the Scientific Revolution, 185–93. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-5967-4_7.
Der volle Inhalt der QuellePoloni, Alma. „Politics, Institutions, and Society in Pisa during the Communal Era (Late Eleventh to Late Fourteenth Century)“. In A Companion to Medieval Pisa, 139–62. BRILL, 2022. http://dx.doi.org/10.1163/9789004512719_008.
Der volle Inhalt der QuelleAlberti, Antonio, Alessandro Costantini und Claudia Rizzitelli. „Pisa, Piazza del Duomo:“. In LRCW 6: Late Roman Coarse Wares, Cooking Wares and Amphorae in the Mediterranean: Archaeology and Archaeometry, 438–48. Archaeopress Publishing Ltd, 2023. http://dx.doi.org/10.2307/jj.7193896.47.
Der volle Inhalt der QuellePetralia, Giuseppe. „The Late Middle Ages and the Florentine Conquest“. In A Companion to Medieval Pisa, 163–83. BRILL, 2022. http://dx.doi.org/10.1163/9789004512719_009.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Latex PISA"
PANCANI, Giovanni. „Integrated Digital Survey Methodologies for Late Medieval Fortifications in Tuscany: The Fortress of Malmantile“. In Mediterranean Architectural Heritage. Materials Research Forum LLC, 2024. http://dx.doi.org/10.21741/9781644903117-38.
Der volle Inhalt der QuelleChisalita, Oana, und Carmen Cretu. „WHAT DO PISA 2012 RESULTS TELL US ABOUT EUROPEAN STUDENTS' ICT ACCESS, ICT USE AND ICT ATTITUDES?“ In eLSE 2014. Editura Universitatii Nationale de Aparare "Carol I", 2014. http://dx.doi.org/10.12753/2066-026x-14-064.
Der volle Inhalt der QuelleBevilacqua, Marco Giorgio, und Piergiuseppe Rechichi. „Le fortificazioni di terra delle mura medievali di Pisa nel XVII secolo. Analisi tecnico-militare del progetto di Gabriello Ughi“. In FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18058.
Der volle Inhalt der QuelleKvizda, Boris, Alessandro Petruzzi und Francesco S. D’Auria. „Qualification and Uncertainty Evaluation of a Best Estimate Loca Study of the Mochovce NPP by RELAP5/3.2-Gamma and CIAU“. In 14th International Conference on Nuclear Engineering. ASMEDC, 2006. http://dx.doi.org/10.1115/icone14-89203.
Der volle Inhalt der QuelleGuyon, Olivier. „Imaging Earth-like planets around late-type stars with low-inner working angle PIAA coronagraphy“. In SPIE Optical Engineering + Applications, herausgegeben von Stuart Shaklan. SPIE, 2013. http://dx.doi.org/10.1117/12.2025319.
Der volle Inhalt der QuelleBevilacqua, Marco Giorgio, Ewa Jolanta Karwaca, Valeria Mininno, Michele Angelo Perrone und Luisa Santini. „The Fortress of Ripafratta, Tuscany. A research project for its conservation and enhancement“. In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11494.
Der volle Inhalt der QuelleScientific Committee, FORTMED. „Defensive Architecture of the Mediterranean Vol. XVII (FORTMED2024)“. In FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18552.
Der volle Inhalt der QuellePimsarn, Monsak, und Kazem Kazerounian. „Tooth Profile Modifications for Optimum Dynamic Load in Spur Gears Based on Pseudo-Interference Stiffness Estimation Method“. In ASME 2005 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/detc2005-84562.
Der volle Inhalt der QuelleKaralus, Megan, Dustin Brandt, Alistair Brown und Vincent Lister. „A Multi-Timescale Approach for the Prediction of Temperatures in a Gas Turbine Combustor Liner“. In ASME Turbo Expo 2020: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/gt2020-14719.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Latex PISA"
Blumwald, Eduardo, und Avi Sadka. Citric acid metabolism and mobilization in citrus fruit. United States Department of Agriculture, Oktober 2007. http://dx.doi.org/10.32747/2007.7587732.bard.
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