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1

Gunawan, Jessica, und Suzy Azeharie. „Studi Semiotika Makna Upacara Perayaan Dewi Kwan Im di Kelenteng Dewi Kwan Im Palembang“. Koneksi 5, Nr. 1 (04.03.2021): 165. http://dx.doi.org/10.24912/kn.v5i1.10221.

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This research discusses of rituals for Dewi Kwan Im celebration that is the day Dewi Kwan Im leaving the world. Dewi Kwan Im is the Goddess who was highly respected by Khonghucu people’s because Dewi Kwan Im trusted can be helps Khonghucu people’s who need helps. Therefore Khonghucu people’s always celebrate the biggest day of Dewi Kwan Im. Dewi Kwan Im Temple where located at KM 12 Palembang also held a celebration ceremony in welcoming the great day of Dewi Kwan Im with has its own rituals tradition in carrying out the celebration ceremony of Dewi Kwan Im. Every rituals procession which help held in Dewi Kwan Im Palembang Temple has a meaning in it. The purpose of this research is to know the meaning of rituals celebration for Dewi Kwan Im at Dewi Kwan Im Temple Palembang and to know the tradition which did by the Khonghucu people’s at Dewi Kwan Im Temple Palembang in celebrating the rituals of Dewi Kwan Im. The theories which used in this research are semiotics theory, transcendental communication theory and assimilation theory. The research methods that used is qualitative research methods with a case study approach. The data results were obtained through direct observation to Dewi Kwan Im Palembang Temple, interviews with five sources, and literature studies. The conclusion of this research is the celebration rituals of Dewi Kwan Im at Dewi Kwan Im Palembang Temple is a form of respect and gratitude of Khonghucu people’s to Dewi Kwan Im for the blessings and help which recieved by the Khonghucu people’s during this time. Other than that the tradition which there at Dewi Kwan Im Palembang Temple is a combination of Hokkien culture society.Penelitian ini membahas upacara perayaan Dewi Kwan Im yaitu hari Dewi Kwan Im meninggalkan dunia. Dewi Kwan Im merupakan dewi yang sangat dihormati oleh umat Khonghucu sebab Dewi Kwan Im dipercaya dapat membantu umat Khonghucu yang membutuhkan pertolongan. Oleh karena itu umat Khonghucu selalu merayakan hari besar Dewi Kwan Im. Kelenteng Dewi Kwan Im yang berada di KM 12 Palembang turut mengadakan upacara perayaan dalam menyambut hari besar Dewi Kwan Im dengan memiliki tradisi upacara sendiri dalam melaksanakan upacara perayaan Dewi Kwan Im. Setiap prosesi upacara yang dilaksanakan di Kelenteng Dewi Kwan Im Palembang mempunyai makna di dalamnya. Tujuan penelitian ini adalah untuk mengetahui makna upacara perayaan Dewi Kwan Im yang dilaksanakan di Kelenteng Dewi Kwan Im Palembang dan untuk mengetahui tradisi yang dilakukan oleh umat Khonghucu di Kelenteng Dewi Kwan Im Palembang dalam merayakan upacara Dewi Kwan Im. Teori yang digunakan dalam penelitian ini yaitu teori semiotika, teori komunikasi transendental dan teori asimilasi. Metode penelitian yang digunakan adalah metode penelitian kualitatif dengan pendekatan studi kasus. Hasil data diperoleh melalui observasi langsung ke Kelenteng Dewi Kwan Im Palembang, wawancara dengan lima narasumber, dan studi kepustakaan. Kesimpulan dari penelitian ini adalah upacara perayaan Dewi Kwan Im yang dilaksanakan di Kelenteng Dewi Kwan Im Palembang merupakan bentuk rasa hormat dan terima kasih umat Khonghucu kepada Dewi Kwan Im atas berkat dan pertolongan yang diterima oleh umat Khonghucu selama ini. Selain itu tradisi yang ada di Kelenteng Dewi Kwan Im Palembang merupakan gabungan dari budaya masyarakat Hokkien.
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2

Kim, Yongsang. „Meaning of Kwan-Kwang Concept as seen by Prajna“. Journal of Tourism Management Research 22, Nr. 4 (31.07.2018): 881–98. http://dx.doi.org/10.18604/tmro.2018.22.4.38.

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3

Zhang, Muyi. „Gender Transformation of Kwan Yin in Central China: The Mother Stereotype“. World Journal of Social Science Research 8, Nr. 4 (06.11.2021): p29. http://dx.doi.org/10.22158/wjssr.v8n4p29.

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Kwan Yin, although typically depicted as female in Chinese literature and artworks, is originally a male deity Avalokite?vara in India. This essay examines the process, reason, and impact of Kwan Yin’s feminization in the ancient Chinese context and argues that her gender transformation is a transformation to the mother stereotype. The essay mainly relies on primary source of Buddhist texts and folklores of Kwan-Yin in China and secondary sources researching the gender transformation of Kwan-Yin through historical and sociological lens. The essay concludes that while the female Kwan Yin’s popularity could be seen as gender empowering, the mother stereotype she and female deities of other religions embody in fact dismisses woman’s individual value.
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4

Burns, Maya. „Will Kwan, Terra Economicus“. Journal of Curatorial Studies 10, Nr. 1 (01.04.2021): 131–34. http://dx.doi.org/10.1386/jcs_00037_7.

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5

SIN, William. „瀕死經驗的解釋及其在哲學上的限制“. International Journal of Chinese & Comparative Philosophy of Medicine 14, Nr. 2 (01.01.2016): 51–56. http://dx.doi.org/10.24112/ijccpm.141614.

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LANGUAGE NOTE | Document text in Chinese; abstract in English only.The objective of this paper is to reject Kwan’s claim in his paper “Does the Soul Exist? What Near-Death Experiences Reveal.” As Kwan draws heavily on references from Pim van Lommel, I also reject van Lommel’s position. Kwan and van Lommel’s claim is that the phenomenon of NDE supports the view that people’s experiential content and their consciousness exist independently of their physical bodies. I raise three objections to Kwan. First, I argue that there is a fundamental difference between life and death; therefore, the phenomena of NDE may give us little idea of whether some form of experience exists after death. Second, there is no evidence that an NDE happens at the exact moment the patient’s body shuts down. Third, the potential biological and physiological explanations of NDE are excluded by Kwan and van Lammel without good reason, and the explanations they offer to replace them are far from convincing.DOWNLOAD HISTORY | This article has been downloaded 181 times in Digital Commons before migrating into this platform.
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6

Tremaine, M. D. „FOOT INJURY - TAE KWAN DO“. Medicine & Science in Sports & Exercise 27, Supplement (Mai 1995): S132. http://dx.doi.org/10.1249/00005768-199505001-00746.

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7

Januar, Deri, und Mutia Nur Estri. „FUZZY NEURAL NETWORK DENGAN NEURON FUZZYKWAN DAN CAI SERTA APLIKASINYA UNTUK EVALUASI KINERJA PERTAHANAN KLUB SEPAK BOLA“. Jurnal Ilmiah Matematika dan Pendidikan Matematika 5, Nr. 1 (28.06.2013): 23. http://dx.doi.org/10.20884/1.jmp.2013.5.1.2913.

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In this paper, we discuss fuzzy neural network with neuron fuzzy Kwan dan Cai. The algorithm used in this fuzzy neural network is the feed forward algorithm. Futhermore, fuzzy neural network with neuron fuzzy Kwan and Cai can be applied to evaluate a defense performance of football clubs. In this application, we do calculation manually and using a program.
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8

Moog, Martina, John Quintner, Toby Hall und Max Zusman. „Reply to Drs. Kwan and Friel“. European Journal of Pain 7, Nr. 6 (Dezember 2003): 563. http://dx.doi.org/10.1016/s1090-3801(03)00035-1.

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9

Sterling, M., und G. Jull. „Response to Drs Kwan and Friel“. Manual Therapy 8, Nr. 1 (Februar 2003): 54–55. http://dx.doi.org/10.1054/math.2002.0494.

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10

Hill, Julian, Louis Lam und Shuet-keung Lo. „Tseung Kwan O Station and Tunnels“. HKIE Transactions 9, Nr. 1 (Januar 2002): 7–13. http://dx.doi.org/10.1080/1023697x.2002.10667862.

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11

Ulugbekovna, Safarova Farida. „Interpretation of the Concept of Time and Space in "Days Gone By" by Abdullah Khadiry and "Mujong" by Lee Kwang Soo“. International Journal for Research in Applied Science and Engineering Technology 10, Nr. 2 (28.02.2022): 973–75. http://dx.doi.org/10.22214/ijraset.2022.40216.

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Annotation: The article examines the interpretation of the concept of time and space in novels by leading Uzbek and Korean writers Abdullah Khadiry and Lee Kwan Su. In particular, Korean writer Lee Kwan Su's Majong and Uzbek novelist Abdullah Khadiry's "Days gone by" comment on the landscape of the period when these novels were created, and the ideas embodied in novels, the image of women, and the importance of women's problems. Keywords: concept, time and space, modern woman, kiseng, idea of enlightenment.
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Zhan, Caizhao, und Jian-Hua Yin. „Field static load tests on drilled shaft founded on or socketed into rock“. Canadian Geotechnical Journal 37, Nr. 6 (01.12.2000): 1283–94. http://dx.doi.org/10.1139/t00-048.

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The Mass Transit Railway Corporation proposes to construct the Tseung Kwan O Depot (TKD) within Area 86 reclamation at Tseung Kwan O as part of the Tseung Kwan O Extension. The proposed foundation for the TKD comprises about 1000 large-diameter, bored, cast in situ, drilled shafts founded on or socketed into rock. To confirm the design allowable end bearing capacity and rock socket side resistance for the drilled shaft foundations, two test piles were constructed and tested. Both test piles were instrumented with strain gauges and rod extensometers. This paper presents the static compressive load test results on both test piles. The test results indicate that an end bearing capacity of 20.8 MPa (design allowable 7.5 MPa) and rock socket side resistance 2.63 MPa (design allowable 0.75 MPa) are achieved during the pile load tests with no sign of failure.Key words: drilled shaft, static load test, end bearing capacity, rock socket, rock socket side resistance, load transfer.
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Kim, Jae In, Jung Ho Hwang, Dan Choi, Byung Kwan Lee, Yoon Yung Choi und Byung Joon Lee. „Development of solid fertilizer recovery technology using high concentration phosphorus wastewater and livestock wastewater“. Korea National Park Research Institute 12, Nr. 2 (31.12.2021): 29–36. http://dx.doi.org/10.54406/jnpr.2021.12.2.029.

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Kupelian, Patrick. „In response to Dr. Kwan et al.“ International Journal of Radiation Oncology*Biology*Physics 54, Nr. 5 (Dezember 2002): 1579. http://dx.doi.org/10.1016/s0360-3016(02)03732-x.

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15

Sterling, Michele, Gwendolen Jull und Bill Vicenzino. „Response to comment by Kwan and Friel“. Pain 105, Nr. 3 (Oktober 2003): 508. http://dx.doi.org/10.1016/s0304-3959(03)00289-6.

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16

Chamorro, Ángel, Martha Vargas und José Mensa. „Response to Letter by Kwan et al“. Stroke 37, Nr. 7 (Juli 2006): 1657. http://dx.doi.org/10.1161/01.str.0000227365.20670.af.

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17

Williams, Tony. „Kwan Tak-Hing and the New Generation“. Asian Cinema 10, Nr. 1 (01.09.1998): 71–77. http://dx.doi.org/10.1386/ac.10.1.71_1.

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18

Susanto, A. D., D. Widiyastoety und Y. Koesmaryono. „RESPON ANGGREK MOKARA CHARK KWAN TERHADAP PERBEDAAN INTENSITAS CAHAYA (LIGHT INTENSITY RESPONSE OF ORCHID MOKARA CHARK KWAN)“. Agromet 20, Nr. 1 (17.06.2006): 52. http://dx.doi.org/10.29244/j.agromet.20.1.52-58.

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<p>Orchid plant response to light intensity is dependent to crop variety. Generally, epyphyte orchid need less light intensity compare to teresterial orchid. The experiment aim to analyse the response of Mokara Chark Kwan to reducing light intensity. Randomised BlockDesign has been employed using five types of net with five replication. The main asumption to analyse is that plant well growing with sufficient nutrient and homogen age. The results indicated that more reducing light intensity is more increment of plant height and width of leave. Reducing light intensity, however, is not influence flower initiation and formation.</p>
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Kim, Changhee, und Jae-Kwan Hwang. „Correction to: Flavonoids: nutraceutical potential for counteracting muscle atrophy“. Food Science and Biotechnology 29, Nr. 12 (20.11.2020): 1773. http://dx.doi.org/10.1007/s10068-020-00846-z.

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The article “Flavonoids: nutraceutical potential for counteracting muscle atrophy”, written by Changhee Kim, Jae-Kwan Hwang was originally published electronically on the publisher’s internet portal on 16 September 2020 without open access.
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20

Ozaki, Yukiro. „Ozaki Group at “Kwan-Gaku” (Kwansei Gakuin University)“. NIR news 4, Nr. 3 (Juni 1993): 18–19. http://dx.doi.org/10.1255/nirn.194.

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21

Kholis, Nurman. „Vihara Avalokitesvara Serang: Arsitektur dan Peranannya dalam Relasi Buddhis-Tionghoa dengan Muslim di Banten“. Jurnal Lektur Keagamaan 14, Nr. 2 (31.12.2016): 327. http://dx.doi.org/10.31291/jlk.v14i2.504.

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The Vihara Avalokitesvara (a Buddhist place of worship) is located in Pama¬rican, Customs, Serang. This vihara is the oldest vihara in Banten and was built in the 16th century. Nuances of Chinese and Buddhist architecture may be seen in the dragon decoration among other things and in the menyeruapi burning paper of the pagoda and in the painting and sculpture of Kwan lm Pouw Sat, and the sculpture of Wie Tho Pou Sat. There is a large statue of the Buddha and a picture of the lotus flower. And yet there are Islamic nuances also. There is a relief depicting the wedding of Princess Ong Tin with Syarif Hidayatullah. This vihara is visited by many Muslims as well as by Buddhists. Keywords: Vihara, Buddha, Chinese, Islam, Banten Vihara Avalokitesvara berlokasi di Pamarican, Pabean, Serang. Vihara ini merupakan vihara yang tertua di Banten dan diperkirakan dibangun sekitar abad ke-16. Untuk mengungkapkan unsur-unsur etnis dan agama pada arsitektur vihara ini dianalisis secara semiotik. Berdasarkan analisis ini maka diketahui unsur-unsur bernuansa Tionghoa yaitu antara lain hiasan naga, tempat pembakaran kertas yang menyeruapi pagoda, lukisan dan patung Dewi Kwan Im, patung Kwan lm Pouw Sat, dan patung Wie Tho Pou Sat. Adapun unsur-unsur agama Buddha dalam vihara ini antara lain patung besar Buddha Gautama dan gambar bunga teratai. Selain itu juga terdapat unsur bernuansa Islam yaitu pada relief yang menggam¬barkan pernikahan Putri Ong Tin dengan Syarif Hidayatullah. Karena itu, vihara ini juga dikunjungi oleh banyak umat Islam. Kata Kunci: vihara, Buddha, Tionghoa, Islam, Banten
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Cho, Seong-kwan. „Theatre Censorship in South Korea: a Nation in Permanent Crisis“. New Theatre Quarterly 34, Nr. 3 (13.07.2018): 249–59. http://dx.doi.org/10.1017/s0266464x18000234.

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Between 1975 and 1988, the Korean Public Performance Ethics Committee (KPPEC) censored obscene language, body exposure, and extreme violence, as is common in all forms of theatre censorship. However, the KPPEC focused in particular on depictions of the President of South Korea, and proscribed any work that challenged or even questioned the public image of the President as a strong leader for a nation in crisis. Despite the official abolition of censorship in 1988, it was discovered in 2016 that a blacklist had been in operation that excluded ‘left’ and ‘pro-Pyongyang’ theatre directors and actors from accessing public funding. By exploring the process of censorship, Seong-kwan Cho in this article interrogates the relationship between the theatre and the nation. Seong-kwan Cho is a lecturer at the School of Global Communication at Kyung Hee University. With Jae-beom Hong, in his current research he has been exploring North Korean performance, and his article on this subject is forthcoming in Asian Theatre Journal.
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Schmied-Kowarzik, Anatol. „Jonathan Kwan, Liberalism and the Habsburg Monarchy, 1861–1895“. European History Quarterly 45, Nr. 4 (Oktober 2015): 777–79. http://dx.doi.org/10.1177/0265691415607130q.

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Choi, Jinhee. „Chunhyang, chunhyang, chunhyang: Poetics of Im Kwan-Taek's Chunhyang“. Asian Cinema 13, Nr. 1 (01.03.2002): 57–66. http://dx.doi.org/10.1386/ac.13.1.57_1.

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이대형. „Problems on interpretation of Kwan-uhui觀優戱“. Yeol-sang Journal of Classical Studies ll, Nr. 37 (Juni 2013): 9–29. http://dx.doi.org/10.15859/yscs..37.201306.9.

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Bayliss, Roger F. „Partnering on MTR Corporation Ltd’s Tseung Kwan O Extension“. HKIE Transactions 9, Nr. 1 (Januar 2002): 1–6. http://dx.doi.org/10.1080/1023697x.2002.10667861.

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Grossardt, Ted. „Transport - Edited by Susan Hanson and Mei-Po Kwan“. Area 41, Nr. 4 (Dezember 2009): 477–78. http://dx.doi.org/10.1111/j.1475-4762.2009.00916_3.x.

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Oetomo, Repelita Wahyu. „Vihara Setia Budi, Kelenteng Persembahan Bagi Kwan Tie Kong“. Berkala Arkeologi Sangkhakala 13, Nr. 26 (06.01.2018): 252–61. http://dx.doi.org/10.24832/bas.v13i26.176.

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AbstractSetiabudi Vihara is a holy building for the people of adherent Tridharma teachings (Confucianism, Taoism and Buddhism), but more specifically, the Vihara is known as an offering to the Gods of Kwan Tie Kong. The procedure of worship and layout of space in this vihara followed the teachings of Confucianism; it is reflected from the ornaments that decorate the buildings and architecture.
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Friedman, Eli, und Ching Kwan Lee. „China’s Global Statecraft: An Interview with Ching Kwan Lee“. Dissent 69, Nr. 2 (März 2022): 25–31. http://dx.doi.org/10.1353/dss.2022.0041.

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Hung, Chang-tai. „The Salt Merchants of Tianjin: State-Making and Civil Society in Late Imperial China. By Kwan Man Bun. [Honolulu: University of Hawai‘i Press, 2001. viii+239 pp. $42.00. ISBN 0-8248-2275-7.]“. China Quarterly 170 (Juni 2002): 477–502. http://dx.doi.org/10.1017/s0009443902250287.

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Salt merchants, despite their critical role in the traditional Chinese economy, have largely been ignored by historians. Indeed, Ping-ti Ho's pioneering article on the Yangzhou salt merchants was published nearly 50 years ago. With The Salt Merchants of Tianjin – a revision of his 1999 Chinese book – Kwan Man Bun intends to help fill this gap.
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박수천. „A Study on the poems of Sasija Nam, Keug-kwan“. Journal of Seokdang Academy ll, Nr. 50 (Juli 2011): 157–86. http://dx.doi.org/10.17842/jsa.2011..50.157.

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Villani, Vittoria L., Franca Caucia, Luigi Marinoni, Alberto Leone, Maura Brusoni, Riccardo Groppali, Federica Corana, Elena Ferrari und Cinzia Galli. „Characterization of Mexican Amber from the Yi Kwan Tsang Collection“. Journal of Gemmology 35, Nr. 8 (2017): 752–65. http://dx.doi.org/10.15506/jog.2017.35.8.752.

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Yam, Shui-yin Sharon, und Ching Kwan Lee. „Ideas Are Bullet-Proof: A Conversation with Ching Kwan Lee“. Made in China Journal 6, Nr. 3 (09.03.2022): 144–49. http://dx.doi.org/10.22459/mic.06.03.2021.17.

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Rosado, Juan A. „Discovering the mechanism of capacitative calcium entry“. American Journal of Physiology-Cell Physiology 291, Nr. 6 (Dezember 2006): C1104—C1106. http://dx.doi.org/10.1152/classicessays.00045.2006.

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This essay examines the historical significance of an APS classic paper that is freely available online: Kwan CY, Takemura H, Obie JF, Thastrup O, and Putney JW Jr. Effects of MeCh, thapsigargin, and La3+ on plasmalemmal and intracellular Ca2+ transport in lacrimal acinar cells. Am J Physiol Cell Physiol 258: C1006–C1015, 1990. ( http://ajpcell.physiology.org/cgi/reprint/258/6/C1006 )
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May, Khin. „Karyological identification of two taxa of the Anopheles balabacensis complex from Burma“. Genome 29, Nr. 6 (01.12.1987): 886–87. http://dx.doi.org/10.1139/g87-151.

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Giemsa and Hoechst staining of neuroblast chromosomes were used to identify two strains of the Anopheles balabacensis complex from Burma. The laboratory colony of Kwan-ka-thaung (KKT) strain is shown to correspond to A. dirus A, while the laboratory colony of Taikkyi (TKK) strain corresponds to A. dirus C as defined by earlier studies on material from Thailand. Key words: Anopheles chromosomes, A. dirus A, A. dirus C.
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Cho, Seong-kwan, und Jae-beom Hong. „A Hero of the Two Koreas: Yi Sun-shin Dramatized in North and South“. New Theatre Quarterly 35, Nr. 1 (16.01.2019): 60–69. http://dx.doi.org/10.1017/s0266464x18000611.

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Yi Sun-shin (1545–98), an admiral of the Joseon dynasty, is a Korean national hero who is admired by both North and South Korea regardless of political ideology. Yet between 1960 and 1970 North and South Korea presented Yi from different perspectives in accordance with their own political interests. In South Korea, Yi was portrayed as a solitary hero who sacrificed himself to save the country despite the blame and entrapment he suffered as a result. Alongside, North Korea presented Yi as an ideal leader with the warmth of a father figure who embraced the people's aspirations to fight against their Japanese enemies. In this article, Seong-kwan Cho and Jae-beom Hong discuss these representations of Yi and survey North Korean theatre of the 1960s, which is rarely examined in theatre scholarship outside the Korean peninsula. Seong-kwan Cho (first author) lectures in the Korean Department of Konkuk University, and published in NTQ136 on South Korean theatre censorship. Jae-beom Hong (corresponding author) is a Professor in the same Department. The pair have recently been researching North Korean realist theatre, and this article is their third on the subject. This paper was supported by Konkuk University in 2016.
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David L., Eng. „La fuerza expresiva del deseo en Lan Yu de Stanley Kwan“. Revista de Estudios Sociales, Nr. 28 (Dezember 2007): 104–17. http://dx.doi.org/10.7440/res28.2007.07.

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박정해. „Feng shui Features in the Location of Dong-kwan-wang-myo“. 아시아문화연구 26, Nr. ll (Juni 2012): 273–300. http://dx.doi.org/10.34252/acsri.2012.26..010.

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Ryan, Christopher James, und Tarra Shaw. „BIID is not BDD – comment on Kwok-Kwan Chan et al“. Journal of Plastic, Reconstructive & Aesthetic Surgery 64, Nr. 1 (Januar 2011): 8–9. http://dx.doi.org/10.1016/j.bjps.2010.05.017.

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Albrecher, Hansjörg, Onno J. Boxma und Jevgenijs Ivanovs. „On Simple Ruin Expressions in Dependent Sparre Andersen Risk Models“. Journal of Applied Probability 51, Nr. 01 (März 2014): 293–96. http://dx.doi.org/10.1017/s0021900200010251.

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In this note we provide a simple alternative probabilistic derivation of an explicit formula of Kwan and Yang (2007) for the probability of ruin in a risk model with a certain dependence between general claim interoccurrence times and subsequent claim sizes of conditionally exponential type. The approach puts the type of formula in a general context, illustrating the potential for similar simple ruin probability expressions in more general risk models with dependence.
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41

Albrecher, Hansjörg, Onno J. Boxma und Jevgenijs Ivanovs. „On Simple Ruin Expressions in Dependent Sparre Andersen Risk Models“. Journal of Applied Probability 51, Nr. 1 (März 2014): 293–96. http://dx.doi.org/10.1239/jap/1395771431.

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In this note we provide a simple alternative probabilistic derivation of an explicit formula of Kwan and Yang (2007) for the probability of ruin in a risk model with a certain dependence between general claim interoccurrence times and subsequent claim sizes of conditionally exponential type. The approach puts the type of formula in a general context, illustrating the potential for similar simple ruin probability expressions in more general risk models with dependence.
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42

Howlett, Jonathan. „Chi-kwan Mark, The Everyday Cold War: Britain and China, 1950–1972“. Britain and the World 12, Nr. 2 (September 2019): 227–29. http://dx.doi.org/10.3366/brw.2019.0329.

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43

Seymour, James D. „Working in China: Ethnographies of Labor and Workplace Transformation. Ching Kwan Lee“. China Journal 60 (Juli 2008): 185–87. http://dx.doi.org/10.1086/tcj.60.20648010.

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44

Blishen, A. O. „Mark Chi-Kwan. The Everyday Cold War: Britain and China, 1950–1972“. Asian Affairs 49, Nr. 3 (03.07.2018): 555–57. http://dx.doi.org/10.1080/03068374.2018.1487725.

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45

Wilcox, Emily. „Kinesthetic City: Dance and Movement in Chinese Urban Spaces by SanSan Kwan“. Asian Theatre Journal 31, Nr. 1 (2014): 329–32. http://dx.doi.org/10.1353/atj.2014.0018.

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46

Dasgupta, Anindita. „Book Review: Looking East to Look West: Lee Kwan Yew’s Mission India“. India Quarterly: A Journal of International Affairs 67, Nr. 4 (Dezember 2011): 380–82. http://dx.doi.org/10.1177/097492841106700409.

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47

Cho, Jun Ho. „The Report of Whang Byung-Kwan`s Participation in London Olympic Games“. Journal of Sport and Leisure Studies 54 (31.12.2013): 115–26. http://dx.doi.org/10.51979/kssls.2013.12.54.115.

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48

Nanta Adhitya, Galant, und Novi Wulandari. „REPRESENTASI INDONESIA DALAM NOVEL TRILOGI TERJEMAHAN KAYA TUJUH TURUNAN KARYA KEVIN KWAN“. Adabiyyāt: Jurnal Bahasa dan Sastra 5, Nr. 1 (17.06.2021): 26. http://dx.doi.org/10.14421/ajbs.2021.05102.

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The presence of literary works translated from foreign languages in Indonesia enriches the literary readership in region (Adi, 2016). In addition to gaining a wider readership, the understanding of the literary text will improve. Readers who may not fully understand the version in the original language have the opportunity to digest the story thoroughly. The comprehensive understanding becomes more important when dealing with foreign literature talking about Indonesia, such as Kevin Kwan's Crazy Rich Asians trilogy. The trilogy was translated into Bahasa as Kaya Tujuh Turunan (2016), Kekasih Kaya Raya (2017), and Masalah Orang Kaya (2018). This article examines how Indonesia is represented in the trilogy what factors influence the construction. The three novels were analyzed using the representation theory proposed by Stuart Hall with the descriptive-qualitative method. There are two representations of Indonesia, as a nation and as a state. Indonesian is represented of as a nation Chinese-Indonesians with their newly acquired wealth who are obsessed with having white skin and foreign husbands, on the one hand, non-Chinese Indonesians who work as manual due to lack of education on the other hand. Meanwhile, Indonesia as a state is represented as a developing rural country with rich and beautiful natural resources, yet are exploited by other countries and stolen by few government officials, resulting in weak economic and military situation.
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Chung, Kuo-Liang, Tzu-Hsien Chan und Szu-Ni Chen. „Effective Three-Stage Demosaicking Method for RGBW CFA Images Using The Iterative Error-Compensation Based Approach“. Sensors 20, Nr. 14 (14.07.2020): 3908. http://dx.doi.org/10.3390/s20143908.

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As the color filter array (CFA)2.0, the RGBW CFA pattern, in which each CFA pixel contains only one R, G, B, or W color value, provides more luminance information than the Bayer CFA pattern. Demosaicking RGBW CFA images I R G B W is necessary in order to provide high-quality RGB full-color images as the target images for human perception. In this letter, we propose a three-stage demosaicking method for I R G B W . In the first-stage, a cross shape-based color difference approach is proposed in order to interpolate the missing W color pixels in the W color plane of I R G B W . In the second stage, an iterative error compensation-based demosaicking process is proposed to improve the quality of the demosaiced RGB full-color image. In the third stage, taking the input image I R G B W as the ground truth RGBW CFA image, an I R G B W -based refinement process is proposed to refine the quality of the demosaiced image obtained by the second stage. Based on the testing RGBW images that were collected from the Kodak and IMAX datasets, the comprehensive experimental results illustrated that the proposed three-stage demosaicking method achieves substantial quality and perceptual effect improvement relative to the previous method by Hamilton and Compton and the two state-of-the-art methods, Kwan et al.’s pansharpening-based method, and Kwan and Chou’s deep learning-based method.
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Béja, Jean-Philippe. „The Other Hong Kong Report 1998. Larry Chuen-ho Chow , Yiu-kwan Fan“. China Journal 45 (Januar 2001): 240–41. http://dx.doi.org/10.2307/3182420.

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