Thematische Bibliographien / Katherine

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Auswahl der wissenschaftlichen Literatur zum Thema „Katherine“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2024

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Zeitschriftenartikel zum Thema "Katherine"

Sunderland, Patricia. „Speaking the Truth: God's Law and Prophecy in Seinte Katerine“. Florilegium 17, Nr. 1 (Januar 2000): 213–28. http://dx.doi.org/10.3138/flor.17.013.

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The early thirteenth-century Seinte Katerine, of the "Katherine Group" of anchoritic works, readily lends itself to comparison with two groups of texts. The companion saints' lives of Juliana and Margaret provide an obvious starting point: the three legends are associated in several manuscripts, they share a common genre, and they even have a number of themes and plot elements in common. Secondly, this version of the legend of Saint Katherine of Alexandria is one of many extant accounts of that saint's martyrdom, each of which varies from the others in details, but also in major elements. Jacqueline Jenkins has recently observed that "the ability to adapt, and in so doing represent or reflect contemporary social, political or religious trends, is an important feature of the St Katherine legends, and must account for a large part of the saint's enduring popularity." A number of scholars have noted that Katherine stands apart from Juliana and Margaret as much as she shares common features with them. However, the distinctive features of Scinte Kriterine, relative both to Seinte Juliene and Seinte Margarete and to other versions of the Katherine legend, warrant further attention. Foremost among these features is the thirteenth-century author's emphasis upon Katherine's learnedness in, and fidelity to, God's law. While this feature is present in the stories of Juliana and Margaret, and in various portrayals of Katherine, it achieves prominence uniquely in the Seinte Katerine legend. Two related themes in that legend appear to be inextricable from its focus on God's law: the author's emphasis on his heroine's "true belief," and her association with the great prophets of Holy Scripture. This multi-faceted focus results in a text which fashions Katherine (an alleged fourth-century Alexandrian saint who probably never existed) into an embodiment, in a single life, of the principles which were central to the lives of its anchoritic readers—even though Katherine's actions would not have served as literal models for their own.

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Wright, Sharon Hubbs. „Women in the Northern Courts: Interpreting Legal Records of Familial Conflict In Early Fifteenth-Century Yorkshire“. Florilegium 19, Nr. 1 (Januar 2002): 27–48. http://dx.doi.org/10.3138/flor.19.002.

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In her pioneering study of medieval English nunneries Eileen Power brought to light the plight of Katherine Northfolk, a young heiress in fifteenth-century Yorkshire. The tale evoked Power's pity in her discussion of nunneries as locations for the disposal of certain sorts of girls: the illegitimate, die deformed, the mentally ill, and the young heiress. Katherine Northfolk's enforced entrance into the monastery of Wallingwells is one of four cases which Power drew from legal sources to support her assertion that many "little heiresses" were hurriedly and unwillingly professed with little or no recourse to the law. Power's rendition of Katherine's case was as follows:

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Hunt, Joan. „Somebody’s Children“. Aboriginal Child at School 18, Nr. 2 (Mai 1990): 3–10. http://dx.doi.org/10.1017/s1326011100600728.

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Several months ago I was asked by a neighbour-friend, ‘Mrs James’, to help her get her eleven year-old son, ‘Stephen’ and eight year-old daughter, ‘Katherine’, back to school. Mrs James was in hospital in Sydney at the time, recovering from a serious operation, while Mr James, an invalid pensioner, was trying to look after the two remaining children at home. (An older son is with foster parents).Stephen had missed more than 100 days of school in 1988 and had not returned to school in 1989. Katherine had a somewhat better attendance record but had stopped going to school when her mother went off to Sydney. Stephen’s and Katherine’s absences had been drawn to the attention of the home-school liaison officers.

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Cheema, Zainab. „Adapting Whiteness Katherine of Aragon in Shakespeare and Fletcher’s All is True and Starz’s The Spanish Princess“. Borrowers and Lenders The Journal of Shakespeare Appropriations 15, Nr. 2 (01.04.2024): 66–76. http://dx.doi.org/10.18274/bl.v15i2.313.

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The sources influencing Shakespeare’s representation of racialized queens continue to shape popular media representations of queenship. In this article, I argue that Juan Luis Vives’ Instruction of a Christian Woman influenced Shakespeare’s representation of Katherine of Aragon’s idealized whiteness in All is True (Henry VIII). Moreover, I show how Vives and Shakespeare in turn influence Starz’s 2019 The Spanish Princess. Firstly, I how Vives represents the domestic space of the royal household a form of racial enclosure intended to manage the paradoxical confluence of the queen’s biological reproductivity and the social circulation of her image. Katherine’s patronage of Vives demonstrates her agency in cultivating her cult of queenship through gendered and racially charged notions of kinship, conduct, and labor. These tropes elevate the racial purity of the queen through and at the expense of lower class and enslaved peoples whose work is often rendered invisible. I also argue that Vives and Shakespeare’s praise of Katherine’s exemplary kinship, conduct and labor function as compensatory mechanisms that serve to reify Katherine’s whiteness even as her marriage to Henry VIII is failing. While Starz’s The Spanish Princess recasts Katherine of Aragon’s story through the contemporary lens of #MeToo and #BlackLivesMatter, it nevertheless borrows from Shakespeare and Vives’ construction of queenly whiteness at the expense of racial others.

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Jennings, Margaret. „Review Essay“. Florilegium 13, Nr. 1 (Januar 1994): 173–75. http://dx.doi.org/10.3138/flor.13.011.

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In St Katherine of Alexandria: The Late Middle English Prose Legend in Southwell Minster MS 7 , Professors Saara Nevanlinna and Irma Taavitsainen have produced an almost flawless model for editors of hagiographical material. With the exception of an initial, somewhat disjointed commentary on Katherine’s cult, the Legenda aurea, and the vast topic of “Saints’ Lives in Medieval Literature,” the introduction provides a thorough and eminently readable survey of English versions of the St Katherine story, emphasizing other late Middle English prose texts and focussing especially on that in Southwell Ms 7. A concluding twelve-page description of the manuscript clearly merits the label “tour de force.” This carefully edited text is surrounded by helpful explanatory notes, glossary, bibliography, index of proper names, and index of words and forms with their frequencies.

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Mallory, Delores. „Katherine M.Beattie“. Immunohematology 23, Nr. 1 (2020): 43. http://dx.doi.org/10.21307/immunohematology-2019-318.

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Smith, Angela, und Rhoda B. Nathan. „Katherine Mansfield“. Modern Language Review 85, Nr. 2 (April 1990): 426. http://dx.doi.org/10.2307/3731840.

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HAGEMAN, ELIZABETH H. „KATHERINE PHILIPS“. Notes and Queries 40, Nr. 4 (01.12.1993): 506–8. http://dx.doi.org/10.1093/nq/40-4-506.

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Frey, Adam. „Katherine Bradway“. Jung Journal 7, Nr. 4 (September 2013): 79–81. http://dx.doi.org/10.1080/19342039.2013.840880.

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Oransky, Ivan. „Katherine Detre“. Lancet 367, Nr. 9512 (März 2006): 724. http://dx.doi.org/10.1016/s0140-6736(06)68292-5.

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Dissertationen zum Thema "Katherine"

Morgan, Jane Mary Kathleen. „Like Katherine“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001814.

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Vicky, a thirty something English radio journalist, has moved to Cape Town to try and work out what it is that's missing from her life and to fill the gap. At first she thinks she's found what she's looking for, but a series of unsettling events makes her realise she has simply brought her problems with her. She goes back to England, ostensibly for work, where she is contacted by her stepbrother, Mark. They hardly know each other but he has a reason for wanting to find her. They meet and, for both of them, their encounters change the way they see themselves and their relationships. Vicky comes to understand more about her past and her family and, for the first time, to find a connection with her emotional life

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Johnstone, Vanessa. „"Divine warnings" : Katherine Mansfield“. Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8944.

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Includes bibliographical references (leaves 85-87).
On her death in January 1923, Katherine Mansfield bequeathed a body of work - both fictional and critical-sufficient to fill several volumes. Although she was not of English origin, she nevertheless counted many celebrated figures of the era as her consorts. Why then, does she remain peripheral to the canon? This dissertation probes the problem of Mansfield's reputation, examining the reasons that she remained (and remains) insufficiently recognised for her contribution to modernist literature. It further proposes that Mansfield's writing displays many of the hallmarks of modernism for which her peers - whose writing succeeded hers by several years - would later become famous.

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Richardson, Rebecca J. Richardson Rebecca J. Richardson Rebecca J. „The garden party must go on : class sympathy and characterization in Katherine Mansfield's short stories & "A surprise" and other original short stories /“. Connect to online version, 2005. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2005/105.pdf.

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Poon, Yuk-kang Anita. „A discourse analysis of Katherine Mansfield's The garden party and other short stories“. [Hong Kong : University of Hong Kong], 1987. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12754250.

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Reimer, Melissa. „Katherine Mansfield: A Colonial Impressionist“. Thesis, University of Canterbury. School of Humanities, 2010. http://hdl.handle.net/10092/5289.

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This thesis considers Katherine Mansfield’s development as a writer in relation to late nineteenth and early twentieth century developments and trends in the visual arts in New Zealand, England and France. Mansfield’s notebooks, letters and stories evidence a definite response to developments in modern art and reveal that she aligned herself more closely with painters than with her literary colleagues; something Francis Carco hints at in his fictional account of her in Les Innocents (1916): he describes Mansfield as a predatory and exploitative woman with a detached manner, who “used him just the way a painter uses a model, studying character and movements” (cited in Mortelier 150). There exists in Mansfield’s stories evidence of the influence of the Impressionist and, to a lesser degree, the Post-Impressionist painters. While this influence has been noted by a selection of critics or rather her work has been described as impressionistic, it has been neither explored nor substantiated from an art historical perspective. My methodology has entailed identifying the defining characteristics of Mansfield’s stories that are also found in Impressionism, in as much as two different aesthetic forms can be compared. I then trace the exhibition history and contemporaneous criticism of modern French art in London and Paris alongside Mansfield’s trajectory in adulthood to ascertain the degree of exposure she had to Impressionism. In addition to that which she encountered in Europe, much consideration has been given to the artistic milieu of New Zealand prior to and following her schooling in London. I have sought to identify which of the modern artists and styles Mansfield most closely identified with, and to determine how precisely and extensively she applied the Impressionists’ painterly techniques and stylistic effects to her own prose. Broadly speaking, Mansfield’s preferred subjects may be grouped under three titles: Domestic Interiors, Urban Landscapes and Rural Landscapes – these were also the Impressionists’ favoured subjects. These categories, then, form the basis of my investigations.1 This thesis also explores the degree to which Mansfield’s colonial upbringing influenced, inspired and determined the themes and issues she chose to address, from the various forms of expression that were available to her to inherit and modify. My research reveals how both the cultural climate and the unique light and landscape of her own country made her susceptible to the ideas of the Impressionists and Post-Impressionists, even before she reached the more art-oriented cities of London and Paris. Mansfield’s status as a foreigner in Europe allowed her greater freedom to experiment and greater licence to borrow from other cultural forms and traditions. Though strains of Realism, Naturalism, Symbolism and 1 The consequence of choosing to structure my material around Mansfield’s three dominant subjects has resulted in some degree of repetition within this manuscript. This also means, however, that the individual chapters are strong enough to stand alone and thus this doctoral thesis should prove a valuable reservoir for future research. 6 Expressionism are all evident in Mansfield’s modernist fiction, it is the impressionistic quality of her work – evident in the fleeting and evocative sketches of the everyday – that is the overriding feature. Her colonial heritage was not only a significant factor in this development, but to a degree, the enabling condition – allowing her to reconcile the lessons of Europe within a New Zealand literary context resulting in a unique brand of Colonial Impressionism. NOTE ON THE TEXT Mansfield’s inconsistent and idiosyncratic spelling and punctuation have been retained within quotes in this thesis. In her letters she often dispensed with apostrophes and rarely used commas, instead preferring the dash. When citing, I have chosen not to follow these particular oddities with [sic] as these would be too numerous and would disrupt the flow of the text. I have instead followed the conventions of Mansfield’s editors.

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Harland, Faye. „Katherine Mansfield and visual culture“. Thesis, University of Dundee, 2017. https://discovery.dundee.ac.uk/en/studentTheses/e2872ae4-1cb3-4efb-980f-01407629a6b1.

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The relationship between modernist fiction and visual culture has received substantial critical attention in recent years. However, many of the studies on this intermediality focus primarily on the drama, poetry, and novels of male authors, with Virginia Woolf being the only significant exception to this rule. I propose that this engagement with the visual in modernist fiction has a different social and cultural significance in the works of women writers. With reference to the short stories of Katherine Mansfield, I will explore the attempt to establish a female literary voice in what was perhaps the greatest transitory period for the role of women in the Western world. Although studies exist that consider the relationship between Mansfield’s writing and modern art and cinema, this thesis will provide a wider context for this period of cultural history. I take a variety of technological advancements into account, examining they ways in which they collectively provided the inspiration behind modernist literature’s new subjectivity of vision. As well as film, I will discuss the arts that developed prior to or alongside it, from the magic lantern to photography, and the impact they had on literature as writers sought new forms of representation. Furthermore, I believe that I will be able to examine this shift in cultural consciousness in a unique way through my focus on Mansfield, an author whose experimental work has received far less critical attention in terms of its engagement with other media than that of her contemporaries. Through reference to the visual arts, Mansfield was able to subjectively focalise her short stories through the eyes of her characters, presenting the ways in which women see and are seen in early twentieth-century society.

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Tolley, Rebecca. „Mary Katherine Goddard, Nancy Hart“. Digital Commons @ East Tennessee State University, 2006. https://www.amzn.com/1851094083.

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Book Summary: This definitive scholarly reference on the American Revolution―written by acclaimed researchers and military experts from around the world―covers the causes, course, and consequences of the war and the political, social, and military origins of the nation.

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Deb, Ajanta. „Katherine Mansfield: a thematic study“. Thesis, University of North Bengal, 1999. http://hdl.handle.net/123456789/1157.

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Hamilton, Dakota L. „The household of Queen Katherine Parr“. Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.332964.

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Kimber, Geraldine Maria. „Katherine Mansfield : the view from France“. Thesis, University of Exeter, 2007. http://hdl.handle.net/10036/33714.

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The aim of this thesis is to assess the reason why Katherine Mansfield’s reputation in France has always been greater than in England. The thesis examines the ways in which the French reception of Mansfield has idealised her persona to the extent of crafting a hagiography. I ask: what were the motives behind the French critics’ desire to put Mansfield on a pedestal? How did the three years she spent on French soil influence her writing? How do the translations of her work collude in the myth surrounding her personality? Although several other scholars have discussed the Katherine Mansfield myth in France, this thesis is the first sustained attempt to establish interconnections between her own French influences (literary and otherwise), and the mythmaking of the French critics and translators. I have divided my thesis into six chapters. The first places Mansfield in the general literary context of her era, exploring French literary tendencies at the time and juxtaposing them with the main literary trends in England. The second chapter focuses on the writer’s trips to France, demonstrating the influence of the French experience on her life and works. The third chapter highlights specific French literary influences and how these manifest themselves in her narrative art. In the fourth, I explain the workings of the writer’s narrative art, so that when in the next chapter I study the translations via close textual analysis, it will become clear whether the beliefs and principles expressed in the original texts have been diluted during the translation process. The last chapter prior to the conclusion will follow the critical appraisal of her life and work in France from her death up to the present day, by closely analysing the differing French critical responses. The division of the thesis in this way will enable me to show how these various strands combine to create a legend which has little basis in fact, thereby demonstrating how reception and translation determine the importance of an author’s reputation in the literary world.

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Bücher zum Thema "Katherine"

Seton, Anya. Katherine. London: Book Club Associates, 1995.

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Henden, Patrick. Katherine. New York: Blue Moon Books, 1990.

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Henden, Patrick. Katherine. New York: Blue Moon Books, 1990.

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Seton, Anya. Katherine. Chicago: Chicago Review Press, 2004.

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der, Made Aafke van, Hrsg. Katherine. Amsterdam [etc.]: Contact, 1995.

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Blutstein, Rebekah. All about Katherine (for Katherine). New York, NY: the author, 2011.

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Daly, Saralyn R. Katherine Mansfield. New York: Twayne Publishers, 1994.

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Kascakova, Janka, Gerri Kimber und Władysław Witalisz. Katherine Mansfield. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003199526.

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Bankston, John. Katherine Paterson. New York: Chelsea House, 2010.

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Bradford, Katherine. Katherine Bradford. New York: Victoria Munroe Gallery, 1989.

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Buchteile zum Thema "Katherine"

Weisel-Barth, Joye. „Katherine“. In Theoretical and Clinical Perspectives on Narrative in Psychoanalysis, 165–83. Abingdon, Oxon; New York, NY: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003088356-11.

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Williams, Merryn. „Katherine Mansfield“. In Six Women Novelists, 58–79. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18979-3_4.

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Alexander, Vera. „Mansfield, Katherine“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14250-1.

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Berensmeyer, Ingo. „Philips, Katherine“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14486-1.

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Van Tilburg, Jo Anne. „Routledge, Katherine“. In The Palgrave Encyclopedia of Victorian Women’s Writing, 1382–85. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_277.

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Kennedy, Alexandra. „Thomas, Katherine“. In The Palgrave Encyclopedia of Early Modern Women's Writing, 1–3. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-01537-4_220-1.

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Eaton, Scott. „Collace, Katherine“. In The Palgrave Encyclopedia of Early Modern Women's Writing, 1–3. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-01537-4_159-2.

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Lazikani, Ayoush. „Katherine Group“. In The Palgrave Encyclopedia of Medieval Women's Writing in the Global Middle Ages, 1–6. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-76219-3_25-1.

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Drews, Jörg, und Vera Alexander. „Katherine Mansfield“. In Kindler Kompakt Englische Literatur 20. Jahrhundert, 45–46. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_5.

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Eaton, Scott. „Collace, Katherine“. In The Palgrave Encyclopedia of Early Modern Women's Writing, 1–3. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-01537-4_159-1.

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Konferenzberichte zum Thema "Katherine"

Wang, Ru. „Symbolism in Katherine Anne Porter’s Novelettes“. In Proceedings of the 2018 4th International Conference on Social Science and Higher Education (ICSSHE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icsshe-18.2018.169.

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Meneguelli, Geisiely Santos, LUANA MIRANDA ENGELHARDT, ROBSON BARBOSA SANTOS und Jorge da Silva Werneck. „Katherine Johnson: O computador humano da nasa“. In Anais da V Semana da Matemática - IFROMAT 2021. Recife, Brasil: Even3, 2021. http://dx.doi.org/10.29327/160611.2-2.

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„Schedule and abstract book for the Ninth Annual Undergraduate Research Conference at the Interface of Biology and Mathematics“. In Annual Undergraduate Research Conference at the Interface of Biology and Mathematics. National Institute for Mathematical and Biological Synthesis (NIMBioS), 2017. http://dx.doi.org/10.7290/aurcibm09.

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Collection of abstracts from the ninth Annual Undergraduate Research Conference at the Interface of Biology and Mathematics. Plenary speaker: Kiona Ogle, The School of Informatics, Computing, and Cyber Systems, Northern Arizona University. Featured speaker: Katherine J. Evans, Group Leader, Computational Earth Sciences, Oak Ridge National Laboratory.

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Kluessendorf, Joanne, und Donald G. Mikulic. „KATHERINE GREACEN NELSON: ADVOCATE FOR THE PUBLIC AWARENESS OF EARTH SCIENCE“. In 50th Annual GSA North-Central Section Meeting. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016nc-275094.

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Brice, William R. „KATHERINE VAN WINKLE PALMER (1895-1982): THE LADY AND HER FOSSILS“. In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-279326.

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„The Pursuit of Inner Peace—The Modernistic Narration in Katherine Mansfield’s Short Stories“. In 2019 International Conference on Advances in Literature, Arts and Communication. The Academy of Engineering and Education (AEE), 2019. http://dx.doi.org/10.35532/jahs.v1.005.

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Nihaayah, Lu’luin, Ianatul Khoiriyah und Adam Anshori. „The Emotional Maturity of Jesse Aaron in Bridge to Therabithia by Katherine Paterson“. In Proceedings of the UNNES International Conference on English Language Teaching, Literature, and Translation (ELTLT 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/eltlt-18.2019.49.

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Lechte, Maxwell A., Galen Halverson, Malcolm W. Wallace, Timothy M. Gibson, Ashleigh v. S. Hood, Changle Wang, Noah J. Planavsky, Alexie Millikin, Katie Maloney und Kelsey G. Lamothe. „IRONSTONES OF THE KATHERINE GROUP, YUKON: SHALLOW MARINE IRON CYCLING DURING THE TONIAN PERIOD“. In GSA 2020 Connects Online. Geological Society of America, 2020. http://dx.doi.org/10.1130/abs/2020am-359066.

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Andrade, Ester De Lima Pontes, Kamila Almeida Benevides, Kelly Bianca Araujo Silva, Letícia Medeiros, Luana Júlia Nunes Ferreira, Natália De Assis Sousa, Eliana Almeida und Sunny Kelma Oliveira Miranda. „Katie: saindo do buraco negro e impulsionando as meninas para a computação“. In Women in Information Technology. Sociedade Brasileira de Computação - SBC, 2020. http://dx.doi.org/10.5753/wit.2020.11302.

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No ano letivo de 2018, apenas 10% dos ingressantes nos cursos de Ciência e Engenharia de Computação da Universidade Federal de Alagoas (UFAL) foram mulheres, um dos fatores que evidenciam a sub-representação do público feminino na área de computação da UFAL. Nesse cenário, surge o Grupo Katie, formado por alunas dos cursos de computação, determinado a iniciar o processo de reversão da baixa representatividade feminina, com uma atuação tanto no pré-ingresso acadêmico quanto na esfera universitária. Assim, com intuito inspiracional, o grupo leva o nome da cientista da computação responsável pelo algoritmo usado na criação das primeiras imagens de um buraco negro supermassivo, Katherine Bouman.

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Karnes, David B., James W. St. John und Karl A. Stambaugh. „Results of Investigation of USCGC 175 WLM Class Buoy Tender Performance in Ice“. In SNAME 10th International Conference and Exhibition on Performance of Ships and Structures in Ice. SNAME, 2012. http://dx.doi.org/10.5957/icetech-2012-160.

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The United States Coast Guard 175-ft WLM buoy tenders are designed to perform Aids to Navigation (AtoN) in the major rivers and coastal waters during the winter ice season. No dedicated ice performance measurement program had been conducted when these vessels entered service. Therefore, in January 2011, USCG SFLC ESD, Science and Technology Corporation, and the crew of the USCGC Katherine Walker conducted such ice trials on the Hudson River in various ice conditions including level, broken, and brash ice. These tests were used to document the performance for an icebreaking operations manual for the ships. This paper describes the results of icebreaking performance measurements.

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Berichte der Organisationen zum Thema "Katherine"

Ruddick, Ryan. 2010 Katherine VLBI Observatory local tie survey : technical report. Geoscience Australia, 2014. http://dx.doi.org/10.11636/record.2014.035.

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Kramer, Rene. That Mysterious, Remisse Knot: Katherine Philips?s Unincorporated Fraternity. Portland State University Library, Januar 2015. http://dx.doi.org/10.15760/honors.122.

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MacNaughton, R. B. Stratigraphic context of petrographic samples, Katherine Group and Mount Clark Formations, eastern Mackenzie Mountains, N.W.T. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2013. http://dx.doi.org/10.4095/292915.

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Park, J. K., und J. D. Aitken. Paleomagnetism of the Katherine Group in the Mackenzie Mountains: Implications For Post - Grenville [Hadrynian] Apparent Polar Wander. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1986. http://dx.doi.org/10.4095/8935.

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Barnes, Cris William. MaRIE 1.0: A briefing to Katherine Richardson-McDaniel, Staff Member for U. S. Senator Martin Heinrich (D-NM). Office of Scientific and Technical Information (OSTI), Februar 2015. http://dx.doi.org/10.2172/1170709.

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Aitken, J. D., E. C. Turner und R. B. MacNaughton. Thirty-six archival stratigraphic sections in the Katherine, Little Dal, Coates Lake, and Rapitan groups (Neoproterozoic), Mackenzie Mountains, Northwest Territories. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2011. http://dx.doi.org/10.4095/288059.

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Fallas, K. M. A reconnaissance section through the Neoproterozoic Katherine Group of the northern Mackenzie Mountains, Northwest Territories, and implications for mapping its subdivisions. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2019. http://dx.doi.org/10.4095/314498.

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Long, D. G. F., und E. C. Turner. Formal definition of the Neoproterozoic Mackenzie Mountains Supergroup (Northwest Territories), and formal stratigraphic nomenclature for terrigenous clastic units of the Katherine Group. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2012. http://dx.doi.org/10.4095/292168.

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Parallel Realities: Five Pioneering Artists from Barbados. Inter-American Development Bank, Mai 1999. http://dx.doi.org/10.18235/0006427.

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Sixty-four pieces executed in a variety of media: sculpture, painting, pastel and pencil drawing, watercolor, linoleum and metal engraving, monotype and stencil, by two generations of Barbadian artists considered pioneers in 20th century Barbadian art: Golde White, Aileen Hamilton, Katherine Hawkins, Karl Broodhagen, and Ivan Payne; from the collections of the Barbados Gallery of Art, the Barbados Museum and Historical Society, and private collectors. Upon the exhibition¿s return to Barbados, it was reenacted at the Barbados Gallery of Art and the Barbados Museum and Historical Society in Bridgetown.

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