Dissertationen: „Kahini“

1

Roy, Brototi. „Koyla Kahini. The Political Ecology of Coal in India“. Doctoral thesis, Universitat Autònoma de Barcelona, 2021. http://hdl.handle.net/10803/672611.

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Aquesta tesi contribueix a examinar com i per què el carbó continua dominant la matriu energètica mundial, malgrat les velles i noves preocupacions socioecològiques i com i per què es posa en dubte, utilitzant narratives de justícia ambiental i climàtica. Tot i que el carbó continua regnant en la matriu energètica mundial, els patrons del comerç mundial de carbó estan canviant. L’Índia està preparada per jugar un paper de lideratge en un futur pròxim, ja que la producció, el consum i el comerç de carbó engloben noves geografies al sud global. Al mateix temps, l’Índia també lidera la transició cap a les energies renovables a nivell mundial. Primer exploro aquesta paradoxa mirant els patrons metabòlics socials i els factors d’ecologia política i argumento que la transició energètica es dirigeix, en realitat, cap a més carbó tot i una retòrica dominada per les renovables. A continuació, exploro com això s’està facilitant amb la creació d’una nova geografia costanera, en paral·lel a les antigues geografies del carbó. Tot seguit, exploro com s’està qüestionant aquesta pujada del carbó i com s’estan configurant les protestes en regions amb poblacions marginades amb desigualtats preexistents. Defenso la necessitat d’una justícia ambiental decolonial per esbrinar com interactuen les múltiples formes de violència i perpetuen les injustícies ambientals mitjançant el que anomeno violència processal. Finalment, examino les múltiples maneres com les protestes contra el carbó de tot el món que fan servir una narrativa de justícia climàtica estan connectades. Exploro 61 casos de resistència i esbosso tres grans tipus de classificacions sobre les connexions. Defenso la necessitat de moviments decolonials per la justícia climàtica que s’adhereixin a les preocupacions locals i que no impulsin una narrativa global de dalt a baix, proporcionant dos exemples de l’Índia en què aquest enfocament perjudica més que beneficia a un moviment. La tesi es basa en un enfocament de mètodes mixts, que se centra en la investigació transdisciplinària i coproduïda, i mobilitza conceptes de les tres disciplines interconnectades de l’ecologia política, la justícia ambiental i l’economia ecològica.
Esta tesis contribuye a examinar cómo y por qué el carbón continúa dominando la oferta energética global a pesar de las viejas y nuevas preocupaciones socio-ecológicas y cómo y por qué se cuestiona, utilizando narrativas ambientales y de justicia climática. Aunque el carbón sigue reinando en la cesta energética mundial, los patrones del comercio mundial de carbón están cambiando. India va a desempeñar un papel destacado en un futuro cercano a medida que la producción, el consumo y el comercio de carbón abarcan nuevas geografías en el Sur Global. Al mismo tiempo, paradójicamente, India también lidera la transición hacia las energías renovables a nivel mundial. Primero exploro esta paradoja estudiando los patrones metabólicos sociales y los factores ecológico-políticos. Sostengo que la transición energética es, de hecho, hacia más carbón a pesar de la retórica de las energías renovables. Luego estudio cómo esto se está facilitando con la creación de una nueva geografía costera, en paralelo a las geografías más antiguas del carbón. A continuación, analizo cómo se está impugnando este aumento del carbón y cómo se están configurando las protestas en regiones con poblaciones marginadas con desigualdades preexistentes. Abogo por la necesidad de justicia ambiental decolonial para desentrañar cómo interactúan las múltiples formas de violencia y se perpetúan las injusticias ambientales mediante lo que denomino violencia procesal. Finalmente, examino las múltiples formas en que se encuentran conectadas las protestas contra el carbón de todo el mundo que emplean una narrativa de justicia climática. Analizo 61 casos de resistencia y trazo tres tipos amplios de clasificaciones sobre las conexiones. Argumento que los movimientos decoloniales por la justicia climática deben apegarse a las preocupaciones locales en vez de imponer desde arriba una narrativa global, mostrando dos ejemplos de la India donde tal enfoque global hace más daño que bien al movimiento. La tesis se basa pues en métodos mixtos, está centrada en la investigación transdisciplinaria y coproducida movilizando conceptos de tres disciplinas interconectadas: ecología política, justicia ambiental y economía ecológica.
This thesis contributes to examining how and why coal continues to dominate global energy mix despite old and new socio-ecological concerns and how and why is it contested, using environment and climate justice narratives. Although coal continues to reign in the global energy mix, the patterns of global coal trade are shifting. India is primed to play a leading role in the near future as coal production, consumption and trade encompasses new geographies in the Global South. At the same time, India is also leading the transition towards renewables globally. I first explore this paradox by looking at social metabolic patterns and political ecological factors and argue that the energy transition is in-fact towards more coal despite a renewables-led rhetoric. I then explore how this is being facilitated with the creation of a new coastal geography, in parallel to the older coal geographies. This is followed by an exploration of how this rise in coal is being contested, and how are the protests being shaped in regions with marginalized populations with pre-existing inequalities. I argue for the need of decolonial environmental justice scholarship to unpack how the multiple forms of violence interact and perpetuate environmental injustices by what I term procedural violence. Finally, I examine the multiple ways in which coal protests from across the world which employ a climate justice narrative are connected. I explore 61 cases of resistance and draw three broad types of classifications about the connections. I argue for the need of decolonial climate justice movements which adheres to local concerns and doesn’t push for a global top-down narrative, by providing two examples from India where such approach does more harm than good to a movement. The thesis is based on a mixed-methods approach, focusing on transdisciplinary, co-produced research, and mobilizes concepts from the three interconnected disciplines of political ecology, environmental justice and ecological economics.
Universitat Autònoma de Barcelona. Programa de Doctorat en Ciència i Tecnologia Ambientals

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Chakraborty, Sudeshna. „Rabindrakabyadharay kahinimulok kabita : paryalochana o mulyayon রবীন্দ্রকাব্যধারায় কাহিনীমূলক কবিতা : পর্যালোচনা ও মূল্যায়ন“. Thesis, University of North Bengal, 2005. http://hdl.handle.net/123456789/1779.

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দত্ত, Dutta মিঠুন Mithun. „মানিক দত্তের চন্ডীমঙ্গল : কাহিনী গ্রন্থনা ও চরিত্র নির্মান Manik Dutter Chandeemangal: Kahinee Gronthana o Choritro nirman“. Thesis, University of North Bengal, 2014. http://hdl.handle.net/123456789/2764.

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Dwivedi, द्विवेदी Sunil Kumar सुनील कुमार. „Gyanranjan ki kahaniyon me madhyavarg ka swarup aur vishleshan ज्ञानरंजन की कहानियो में मध्यबर्ग का स्वरुप और बिश्लेषण“. Thesis, University of North Bengal, 2007. http://hdl.handle.net/123456789/1698.

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Kahili, Fisnik [Verfasser], und Petra [Akademischer Betreuer] Schmage. „Entfernung eines bakteriellen Biofilms von Implantatoberflächen / Fisnik Kahili. Betreuer: Petra Schmage“. Hamburg : Staats- und Universitätsbibliothek Hamburg, 2012. http://d-nb.info/1021499595/34.

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6

Juntunen, Roos Lisa. „(kahvi) Break With Tradition“. Thesis, Konstfack, Textil, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7231.

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In this project I explore the consequences of inventing traditions and the empowering effects of textile making. By looking at Swedish textile history, Finnish coffee packages, a 91 year old woman and a 31 year old aspiring textile artist I come to the conclusion that trying to control history trough traditions can have dire consequences and I am left wanting a more inclusive approach.

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Pool, Emile Maxime. „Playing to the stalls : George McTurnan Kahin and the Indonesian revolution 1945-1950 /“. Title page, contents and introduction only, 1989. http://web4.library.adelaide.edu.au/theses/09AR/09arp821.pdf.

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Petersen, Hans-Christian. „Verena Dohrn: Die Kahans aus Baku. Eine Familienbiographie“. HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2019. https://slub.qucosa.de/id/qucosa%3A36501.

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Ailenei, Ivona. „Kahn Skola“. Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-239172.

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Byggnaden letar i landskapets gömda sidor och tar upp en glänta som blir hjärtat av projektet. Skolan är en plats som borde vara upptäckt steg för steg, och detta borde öka kreativiteten. Den fungerar som ett hjärta, där cirkeln blir en symbol för interaktion och rörelse i alla olika delar av programmet och omgivningen. Byggnaden har sitt hjärta där den befintliga gläntan fins. Där finns de yngre barnen, matsalen som riktar sig utåt. En ny, större glänta är byggt för de större barnen. Den fungerar som en förbindelse mellan samhället och skolan. Den stora cirkeln aktiverar programmet och tar barnen genom alla delar av programmet. Det skulle bli en spännande upptäcktsresa att ta sig från klassrummet till matsalen och efter till biblioteket eller skolgården. Klassrummen får en artikulerad form som uppmuntrar iden om att alla borde hitta sin egen plats och skolan borde vara en plats för alla. Alla ateljéer är placerade i relation med skolgården, öppna mot en aula som kan sträcka sig mot utsidan, där barn kan komma lätt till stora gläntan, till skolgården,därifrån kan de bli sedda och uppskattade.
The building is searching for the site’s existing landscape with it’s forests and an existing hidden glade that becomes the core of the project. The school is a place which is meant to be discovered step by step, in order to increase the creativity. And it acts like a heart, where the circle becomes a symbol for interaction and movement through the parts of the programme and the surroundings. The building has its heart where the existing glade exists.There are the smaller children, the kindergarden and the dining room which are directed outward. A new , bigger glade is built for the children from the upper classes. This acts also as a social act between the society and the school. The big circle activates the place and takes the children through all parts of the program. There will be an challenging investigation to move from the classrooms to the dining room and then to the school garden or the workshops. The classrooms take an articulated form that also encourages the idea of that everyone should find her/his own place and provides a place for everyone. The workshops which are located on the ground floor open up to room where they can extend to the exterior and where the children can work and have acces to the outside and where they can be seen and appreciated.

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Kahn, Amanda E. „Ruppia maritima seed and Thalassia testudinum seedling responses to fluctuations in salinity and ammonium /“. Electronic version (PDF), 2004. http://dl.uncw.edu/etd/2004/kahna/amandakahn.pdf.

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11

Kahnis, Henning [Verfasser]. „Verbesserung des Wirkungsgrades heterogen katalysierter Mehrphasenreaktionen mittels periodischer Druckführung / Henning Kahnis“. Aachen : Shaker, 2008. http://d-nb.info/1161306307/34.

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Zeraoui, Nahla. „Les différents statuts de La Kahéna dans la littérature d'expression française“. Besançon, 2007. http://www.theses.fr/2007BESA1025.

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Plusieurs héroïnes ont su bouleverser le destin de l’humanité, dont la Kahéna. Cette reine rappelle le combat perpétuel de la femme et, depuis son époque lointaine, sa lutte ne cesse de séduire. Elle fut la dernière reine à pouvoir unir le peuple berbère, incarnant ainsi la résistance au nouveau conquérant de l’Afrique, l’Arabe. Les historiens ont fait d’elle un personnage héroïque et les écrivains un personnage mythique. Cette recherche, à travers ses trois parties, tente de souligner l’importance littéraire de cette dimension sociale et politique de la Kahéna. Dans la première, elle retrace l’ensemble des conquêtes qui ont précédé l’invasion arabe en Afrique, l’épisode qui fait surgir son personnage principal. Dans sa seconde partie, elle passe de l’historique au littéraire afin de mettre en avant les différents statuts de la Kahéna dans de multiples textes romanesques. L’image de la reine a été tantôt conforme à la tradition, tantôt en rupture. Chaque auteur adapte son écriture à ses personnages ainsi qu’à son public. Quant à sa troisième partie, elle la consacre à une étude comparative avec deux autres figures mythiques et historiques, Jeanne d’Arc et Cléopâtre ainsi que l’évolution de leur mythe dans la littérature. Cette étude permet d’évoquer les différents portraits de la Kahéna. Malgré la différence culturelle, le personnage garde son statut héroïque, imposant et symbolique, modelé ou embelli selon l’imaginaire romanesque ou l’exigence du siècle. Il devient mythe, demeure vivant et acquiert une richesse littéraire grâce à son actualisation qui répond aux multiples besoins de l’époque
Several heroines knew how to change the fate of humanity, among them the Kahena. This queen reminds people of the perpetual fight of woman. Her fight which fascinated many since her distant time is still captivating. She was the last queen who managed to unite the Berber people, thus representing the resistance against the new conqueror of Africa, the Arab. Historians made of her a heroic figure and writers considered her as a mythical figure. This research work, through its three parts, attempts to emphasize the literary importance of this social and political dimension of the Kahena. In the first part, it recounts all the conquests that preceded the Arab invasion in Africa, the episode which conjures up its main character. In its second part, it goes from historical to literary style in order to highlight the different status of the Kahena in many novelistic texts. The image of the queen was alternately in accordance with tradition and at odds with it. Each author adapts his writing to his characters as well as to his readers. As far as the third part is concerned, it is dedicated to a comparative study with two other mythical and historical figures, Joan of Arc and Cleopatra as well as the evolution of their myth in literature. This study enables us to refer to the various pictures of the Kahena. In spite of cultural difference, the character keeps his heroic, imposing and symbolic status, modelled or embellished according to novelistic imaginary or the requirement of the age. He becomes a myth, remains alive and acquires literary treasures thanks to his updating, which meets many contemporary needs

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Friedmann, Alexander. „Rabbi Meir Kahane (1932–1990), die Jewish Defence League und sowjetische Juden“. HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2020. https://slub.qucosa.de/id/qucosa%3A73367.

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Sabri, Noureddine. „Le mythe de la Kahéna dans la littérature française et ses métamorphoses“. Montpellier 3, 1996. http://www.theses.fr/1996MON30043.

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Le personnage littéraire de la Kahéna doit beaucoup au personnage historique. Rarement et sommairement évoquée par les historiens arabes médiévaux, c'est au dix-neuvième siècle que la reine berbère se trouve d'un coup ramenée au premier rang d'un épisode dans lequel elle n'est pas censée avoir joué un rôle important, dans la perspective arabe de l'écriture historique de la conquête de l'Afrique du nord. Après l'indépendance des pays du Maghreb, la Kahéna, comme d'ailleurs l'histoire maghrébine de manière générale, connait à la fois une certaine nationalisation et une certaine universalisation, dans la mesure ou l'écriture colonialiste de l'histoire ancienne maghrébine est dénoncée, alors que d'autres historiens commencent à s'intéresser au personnage à l'extérieur du Maghreb. C'est par cette investigation historique que l'étude du mythe littéraire de la Kahéna devait commencer, d'autant que, le passage de l'écriture historique à l'écriture littéraire se fait à la fin du siècle dernier par des auteurs français qui ont intégré les motifs historiques à l'écriture dramatique, poétique et romanesque du destin de la Kahéna. Mythe historico-héroïque, la Kahéna commence tout d'abord par être utilisée comme un personnage prétexte, ce qui intéresse les écrivains colonialiste étant avant tout le contexte historique dans lequel elle a accompli sa geste et qui fait d'elle un personnage éminemment symbolique. La Jeanne d'Arc africaine a en effet essayé de repousser l'étranger, l'arabe. Les écrivains juifs de cette période, tout en revendiquant la judeïté du personnage, par ailleurs jamais entièrement prouvée par les historiens, adhérent à l'idéologie colonialiste. Ce qui donne une écriture idéologiquement uniforme du mythe de la Kahéna pendant la période coloniale

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Cussac, Anne. „Les tribunaux de Kahdi au Kenya : une institution symbolique?“ Paris 1, 2008. https://halshs.archives-ouvertes.fr/tel-01263127.

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Au Kenya, état de population majoritairement chrétienne, les musulmans peuvent se conformer au droit islamique en matière de statut personnel. Celui-ci est appliqué par des institutions particulières, les tribunaux de Kadhi, qui existent dans la région depuis l'instauration du Sultanat de Zanzibar. Ces cours de justice possèdent un statut constitutionnel, qui a fait l'objet de débats houleux à la fin des années 1990. Dans le cadre de ces débats, les juridictions kadhiales sont apparues comme un symbole rassembleur, perçues comme un acquis par les fidèles et faisant figure d'élément d'affirmation de l'identité musulmane. Pourtant, la controverse à leur sujet était disproportionnée, ces tribunaux apparaissant dans une position assez subalterne au sein de l'administration judiciaire et à laquelle les fidèles sont attachés sentimentalement, ce qui ne les empêche pas de se référer à des normes juridiques variées.

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Pedret, Annie. „Within the text of Kahn“. Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/69311.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1993.
Includes bibliographical references (leaves 96-98).
This thesis addresses the published writing, lectures and interviews of Louis I. Kahn between 1931 and 1974. It attempts to map the elaboration and unfolding of meaning that occur in four of his major concepts: Form and Design, realization, expression and Silence and Light. His textual production is aimed at trying to understand the nature of architecture and its beginnings. This interest leads him into ever widening fields of inquiry into the nature of nature, the nature of man and the nature of beginnings. Most of his concepts can be reduced to a polarity of the measurable and the unmeasurable. His thinking to has two distinct phases: in the first period, 1931 to 1960, he focuses on the tangible concerns of the nature of architecture; in the second phase, from 1960 to 1974, he investigates its more spiritual aspect. The premise of the thesis is that Kahn's writing is cryptic only insofar as one does not understand his particular meanings and definitions for words. The paper traces the continual transformation of specific concepts and their meaning and shows their remarkable consistency. It also demonstrates how Kahn achieves clarity through a strategy of differentiation. Kahn's underlying motivation is to understand the unmeasurable so that he can embody a sense of the eternal in his architecture.
by Annie Pedret.
M.S.

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Kahn, Amanda E. „Physiological ecology of the seagrass Halophila Johnosnii Eiseman in marine and riverine influenced environments“. View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-3/r1/kahna/amandakahn.pdf.

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Anisfeld, Rachel A. „Sustain me with raisin-cakes : Pesikta deRav Kahana and the popularization of rabbinic Judaism /“. Leiden : Brill, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9789004153226.

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Onunwor, Enyinda Nyekachi. „Lanczos and Golub-Kahan Reduction Methods Applied to Ill-Posed Problems“. Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1513207378684957.

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Esenwein, Frederick. „The Organic Imagination and Louis Kahn“. Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/32120.

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This thesis investigates the relationship between architecture, Romanticism, American Transcendentalism, myth, and religious mysticism in the ideas of the American architect, Louis Kahn. Part One builds a chronology from Hermeticism and Jewish mysticisms into German Romanticism and how they played a role in the world of Kahnâ s parents shortly before his birth. The first chapter looks at mysticism and how it resonates with Kahnâ s descriptions of silence and light. The second chapter outlines the transition from rational aesthetics during the German Enlightenment into German Romanticism. This exposes the beginning of organicism as a way of seeing the world as a growth from a mythic image towards a physical manifestation made by artists and poets. In chapter three, the ideas from Romanticism inspire a philosophical and political movement for independence and cultural expression in the native region of Kahnâ s parents. Part Two concentrates on the American approach to Romanticism via Transcendentalism and how Transcendentalism influenced Kahnâ s childhood education in Philadelphia. It shows how the ideas of German Romanticism influenced English literature and criticism, especially Coleridgeâ s theories of organicism and literary criticism. Chapter four presents how the American Transcendentalists correlated the mind and imagination to an organism. In chapter five, we see how Transcendentalismâ s aesthetic theory influenced the Public Industrial Arts School of Philadelphiaâ s approach to teaching art. Louis Kahn attended this school. The final chapter deciphers Kahnâ s ideas, such as â form and design,â â material as spent light,â â measurable and unmeasurable,â â law and rule,â â order,â and â nature.â Within the framework of Romanticism and American Transcendentalism, these ideas become intelligible and an enriching approach to understand his architecture.
Master of Science

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Kahn, Roland [Verfasser]. „Innerbetriebliches Recycling von Magnesium-Kreislaufmaterial / Roland Kahn“. Aachen : Shaker, 2004. http://d-nb.info/117260939X/34.

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Margalith, Dana. „Louis I. Kahn - Architectural history as mediation“. Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121259.

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Louis I. Kahn - Architectural History as Mediation investigates the work of one of the most active architects of the 20th century who has been acknowledged by scholars as a modern thinker and architect, but is also known for his interest in history, and the clear references to historical precedents in his work. In studying Kahn's architectural training, writings, readings, travel experience, personal contacts, the context in which he practiced, and through investigating his personal drawings and two of his design projects, Kahn's layered approach to architectural history is unveiled.In describing the architectural context of Kahn's education and work, this thesis deals with important aspects of architectural thought and making, which Kahn was exposed to, and sheds light on the motivation behind Kahn's unique philosophical quest. When investigating Kahn's drawings done during his travelling experiences, the manner in which he embodied historical sites becomes apparent. Studying archival material it tracks Kahn's studies of architectural references, and analyzing his architectural drawings and designs for the Dominican Motherhouse of St. Catherine de Ricci, Media, Pennsylvania (1965-1969, un-built) and the Hurva Synagogue in the Old City of Jerusalem (1967-1974, un-built) it exemplifies the poetic references made by his projects to historical precedents - all while concentrating on hermeneutic and phenomenological concepts relating to perception, memory and understanding of the past.Thus, through Kahn, this dissertation addresses the contextual debate regarding the use of historical references in modern architecture from the 18th century up until the postmodern era, and deals with the importance of continuity of references in the age of fragmentation. Louis I. Kahn - Architectural History as Mediation reveals the possible intricate potential lying in the consideration of tradition and history in modern architecture, and sheds light on suitable endeavors in architectural thought and making which at once integrate historical references and promote originality and progress - both fundamental for innovative poetic architectural expressions.
Dans Louis I. Kahn – L'histoire de l'architecture comme médiation, on explore le travail de l'un des architectes le plus actifs du 20e siècle. Il a été reconnu par les intellectuels pour son rôle d'architecte et de penseur moderne, ainsi que pour ses recherches en histoire et ses références aux œuvres historiques importantes. En étudiant Kahn et son éducation, sa formation en architecture, ses écrits, lectures, voyages, contacts personnels, le contexte dans lequel il travaillait, en plus d'examiner ses dessins personnels et deux de ses projets de design, on comprend son approche de l'architecture sous plusieurs angles. En décrivant le contexte dans lequel Kahn a été éduqué et dans lequel il a pratiqué son métier, la thèse traite d'importants aspects de la pensée et pratique architecturale auxquels Kahn a été exposé, dévoilant ainsi les motivations derrière sa quête philosophique unique. En examinant les dessins de Kahn, la manière dont il incarne les sites historiques qu'il a vus durant ses voyages devient apparent. À travers l'étude du matériel d'archives, la trace des références architecturales que Kahn a étudiées devient visible. Ainsi, dans ses dessins et la conception architecturale pour le Dominican Motherhouse de St. Catherine de Ricci, Media, Pennsylvanie (1965-1969, jamais construit) et le Hurva Synagogue dans la vieille ville de Jérusalem (1967-1974, jamais construit), les références poétiques aux œuvres historiques que sont ses projets sont clairement illustrées, tout en soulignant des concepts herméneutiques et phénoménologiques en relation avec la perception, la mémoire et la compréhension du passé. Par conséquent, à travers Kahn, cette thèse examinera le débat contextuel concernant l'usage de références historiques dans l'architecture moderne du 18ième siècle jusqu'au postmodernisme, et abordera l'importance de la continuité des références dans l'âge de fragmentation. Louis I. Kahn – L'histoire de l'architecture comme moyen de médiation dévoilera le complexe potentiel dans l'étude de la tradition et l'histoire de l'architecture moderne. Elle éclairera les efforts acceptables dans la pensée et la pratique de l'architecture qui intègrent des références historiques et promeuvent l'authenticité et le progrès – deux éléments fondamentaux de l'expression architecturale poétique et innovatrice.

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Fahl, Steffen. „Tradition der Natürlichkeit : zu Biographie, Lyrikvertonung und Kammermusik des spätromantischen Klassizisten Robert Kahn /“. Sinzig : Studio, 1998. http://catalogue.bnf.fr/ark:/12148/cb399961195.

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Dubrau, Alexander. „Kahana, Menahem I., Sifre Zuta Deuteronomy, citations from a New Tannaitic Midrash / [rezensiert von] Alexander Dubrau“. Universität Potsdam, 2007. http://opus.kobv.de/ubp/volltexte/2008/2233/.

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Kahnt, Max [Verfasser]. „Numerical approximation of non-isothermal multi-component, multi-phase field systems / Max Kahnt“. Berlin : Freie Universität Berlin, 2021. http://d-nb.info/1240674694/34.

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Kahnt, Maik [Verfasser], und Christian G. [Akademischer Betreuer] Schroer. „3D nano-tomography using coherent X-rays / Maik Kahnt ; Betreuer: Christian G. Schroer“. Hamburg : Staats- und Universitätsbibliothek Hamburg, 2020. http://d-nb.info/1216998132/34.

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Basabose, Augustin Kanyunyi. „Ecological studies on chimpanzees inhabiting the montane forest of Kahuzi-Biega national park, Democratic Republic of Congo“. 京都大学 (Kyoto University), 2005. http://hdl.handle.net/2433/145061.

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Rodell, Sam. „The influence of Robert Venturi on Louis Kahn“. Online access for everyone, 2008. http://www.dissertations.wsu.edu/Thesis/Spring2008/S_Rodell_042508.pdf.

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Senbabaoglu, Bilge. „Understanding lighting in architecture of Louis I. Kahn /“. free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422963.

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Kahnt, Michael [Verfasser], René [Gutachter] Csuk und Dieter [Gutachter] Schinzer. „Synthese antitumoraktiver Triterpen-Carbonsäure-Derivate : [kumulative Dissertation] / Michael Kahnt ; Gutachter: René Csuk, Dieter Schinzer“. Halle (Saale) : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2019. http://d-nb.info/1210727609/34.

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Gomes, Na Noah. „Meha ka Leo i ka Nahele| He Noi'ina i ka Po'e Ka pili Manu o ke Au Kahiko“. Thesis, University of Hawai'i at Hilo, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1597904.

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In this paper I have researched the kinds of bird hunting practiced traditionally throughout the Hawaiian Archipelago. I have collected, analyzed, and documented all of the sources that could be found on the subject of traditional Hawaiian bird hunting, commonly referred to as called kapili manu. Sources utilized include Hawaiian language newspaper articles, old manuscripts, journal publications, old interviews, and traditional Hawaiian stories. This paper has been divided up into three major parts. In Mahele 1, the bird hunters themselves are examined, as well as their lifestyle when on hunting trips. This is done in five chapters: 2. The Konohiki System, 3. The Qualities of a Bird Hunter, 4. Mountain Living, 5. Trespassing on Land Boundaries, 6. The Spiritual Aspects of Bird Hunting. In Mahele 2, native Hawaiian birds and how often they were caught are examined through two chapters: 7. The Traditional Categorization System of Native Birds Used by Hawaiians, and 8. The Birds Most Hunted on Hawai‘i Island. The last section, Mahele 3 looks at hunting methods of specific kinds of birds. First examined are the general traditional methods of catching small forest birds. Then the hunting of the ‘o‘o (Moho spp. ), the mamo (Drepanis pacifica), ‘ua‘u (Pterodroma sandwichensis) and kolea (Pluvialis fulva ) each have their own chapter. The business of bird hunting was important in ancient Hawai‘i. Birds were hunted for food, feathers, and for tools.

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Hirji, Fatima Amir. „Building new thoughts : the Aga Kahn Award for Architecture“. Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/11453.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1995.
Includes bibliographical references (leaves 66-68).
The Aga Khan Award for Architecture (AKAA) is an architectural award instituted by His Highness Karim Aga Khan to recognize the achievements of architects, planners, and community organizations that have contributed to architecture in the Muslim world. The scope of the AKAA enterprise is vast and informed by a vision that builds on establishing a critical foundation for the project of rethinking architecture for Muslim societies. That vision began with a challenge set by His Highness which simply asked, "What is the physical environment that Muslims should seek for themselves and for future generations in their homelands?" This question set into motion a diverse set of activities under the aegis of the Award, one of which was the establishment of a forum for debate, the AKAA seminars, to struggle with the intellectual groundwork needed to confront the challenges of the built environment in Muslim societies. Through a critical review and analysis of the issues raised within these seminars, this thesis examines the intellectual concerns of the AKAA and attempts to show how the formulation of these concerns have evolved over the last two decades. The results of this study show that in attempting to become a voice for issues revolving around the built environment of Muslim societies, the AKAA has generated a mediating discourse that integrates the rich architectural heritage of the Islamic world with the technological advances of modernity. However, as a strategy to deal with the impact of modernity within the Muslim world, the intellectual debate stops short of challenging the social and ideological structures within Muslim societies itself that have contributed to problems related to modernization and its impact on the built environment.
by Fatima Amir Hirji.
M.S.

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Lorentz, Rafael de Conti. „A qualidade espacial na obra de Louis I. Kahn“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/142992.

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Essa dissertação apresenta um estudo analítico sobre a obra do arquiteto Louis I. Kahn, desde o ponto de vista da sua qualidade espacial, compreendida esta no modo como ocorre a interação entre espaço e usuário. Foram selecionados três edifícios como estudos de caso capazes de representar a síntese evolutiva da concepção de espaço ao longo da obra de Kahn, os quais foram submetidos a uma análise empírica baseada na experiência espacial do observador em movimento, lançando mão de um conjunto de ferramentas no assim denominado método do observador. Os edifícios estudados viabilizam o desenvolvimento de análises que abrangem desde as primeiras obras de Kahn, na década de 1930, até o seu falecimento, em 1974. A análise realizada registra o desempenho dos edifícios em termos de sua legibilidade e funcionalidade, compreendidas como qualidades inerentes ao espaço e ao modo como este condiciona a experiência do usuário, relacionandoas à concepção espacial do edifício. Procura-se ampliar a compreensão dos resultados obtidos à luz da evolução da obra teórica do autor, traçando relações de causa e efeito entre esta e os fenômenos registrados na realidade concreta dos edifícios. O trabalho busca ainda ampliar a compreensão da relação da obra de Kahn com o contexto da produção arquitetônica de sua época, investigando as influências que recebe e as contribuições que oferece, especialmente no que tange à continuidade da arquitetura moderna.
The present dissertation is as an analytical study about the work of architect Louis I. Kahn, focusing on its spatial quality, as funded in the interaction between space and people in motion. Three buildings were selected as case studies in order to capture the evolutionary synthesis of space conception happened during Kahn’s career. Each building was submitted to an empirical scrutiny based upon the spatial experience of a moving observer, using a set of tools named as the “method of the observer”. The buildings investigated are put in relation with other Kahn’s buildings, so allowing the development of an analytical discourse embracing since his first works, in the 1930’s, until his death, in 1974. The analysis registers the performance of the buildings in terms of their legibility and their functionality, both understood as qualities inherent to space and the way they shape the user’s experience, so relating them to the building’s spatial conception. The dissertation intends to enlarge the understanding of the findings by considering the evolution of Kahn’s theoretical work, so bringing cause-effect connections between theory and the registered phenomena in the concrete reality of buildings. Eventually, this study aims to enlarge the understanding of the link between Kahn’s work and the architectural environment of the time, so exploring the influences he received and contributions he gave, especially concerning the evolution of modern architecture.

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Forsström, Adam. „Herakleitos logos : Om några tolkningar av filosofins grundbegrepp“. Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-18693.

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The philosopher Heraclitus has been renowned for a great amount of time. Despite that fact the remaining fragments of his work have just recently been assembled to the composed form they have today. Among these fragments there are a couple of terms that stands out amongst others; one of them is the term logos. The main focus of this thesis is devoted to the mystery and usage of the term logos, which comes into a great display in fragment number 50. The ambition of the thesis is to evaluate and compare three interpreters’ readings of Heraclitus while having a close focus on his usage of the word logos in fragment 50. One of these interpreters, Martin Heidegger, may have the most radical reading of Heraclitus’ logos among the three. Because of his philosophical standpoint he interprets Heraclitus in a way which has never been done before. The other two do not have Heidegger’s phenomenological perspective, by which Heidegger broadens our understanding of Heraclitus fragments, which isn’t as the thesis will show unproblematic. The other two interpreters G.S. Kirk and Charles H. Kahn both do a thorough reading and translation of all the fragments, whereas Heidegger is more selective in his reading of the fragments. Heidegger doesn’t have the same intention in his interpretation as Kirk or Kahn; therefore may he be said to be more selective in his reading of Heraclitus. While Kirk and Kahn depict a more naturalistic ethic tendency in Heraclitus, Heidegger illustrates an ontological tendency which speaks about being and its’ constitution and expression as such. At the end of the thesis there is an analytic part which compares and investigates the possible difficulties in comparing the three readings. The thesis acknowledges the possibility of impossibility in ever understanding the extent of Heraclitus thoughts around logos; the three interpreters hopefully show the scope of understanding Heraclitus’ thoughts around this term.

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Weber, Bendicht. „La structure, une question d'architecture : Louis I. Kahn 1944-1974“. Paris 8, 2002. http://www.theses.fr/2002PA082161.

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La thèse étudie les positions successives de Kahn à l'égard de la question de la structure. Elle analyse ce qui apparaît comme un véritable travail d'investigation développé au cours de trente ans de pratique et d'exercice (1944-1974). Les documents permettant de cerner l'implication de Kahn dans les débats contemporains, les rapports qu'il établit avec l'Histoire, les dessins de projet, les maquettes d'étude et les édifices sont examinés en tant que témoignages d'un travail d'architecture et d'une entreprise intellectuelle. L'étude est centrée sur l'analyse comparative des projets, des variantes et des variations de leurs thèmes, qui vise à faire apparaître les déplacements et l'enrichissement de l'approche théorique de l'architecte par les échanges et débats continus avec les ingénieurs et les collaborateurs. Ainsi la pratique de Louis I. Kahn, étudiée à l'aune de la question de la structure, restitue la démarche intellectuelle de l'architecte
This thesis studies the successive positions of Kahn with regard to the question of structure. It is an analysis of what appears as a true work of investigation, developped over thirty years of pratice and experience (1944-1974). Documents that allow to grasp Kahn's implications in contemporary debates and his attitude toward history, his working drawings, study models and buildings are examined as testimonies of a work of architecture as well as of an intellectual undertaking. Centered on the comparative analysis of designs and of variants or variations of their themes, the research aims to demonstrate how the theoretical approach shifts and is enriched by continuous exchange with engineers and collaborators. Louis I. Kahn's working practice, studied under the light of the question of structure, reveals in this way the intellectual process of the architect

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Bhatt, Ritu. „Louis I. Kahn and the organic tradition in American architecture“. Kansas State University, 1993. http://hdl.handle.net/2097/36025.

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Brown, Matthew Allen. „On the Use of Arnoldi and Golub-Kahan Bases to Solve Nonsymmetric Ill-Posed Inverse Problems“. Thesis, Virginia Tech, 2015. http://hdl.handle.net/10919/51546.

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Iterative Krylov subspace methods have proven to be efficient tools for solving linear systems of equations. In the context of ill-posed inverse problems, they tend to exhibit semiconvergence behavior making it difficult detect ``inverted noise" and stop iterations before solutions become contaminated. Regularization methods such as spectral filtering methods use the singular value decomposition (SVD) and are effective at filtering inverted noise from solutions, but are computationally prohibitive on large problems. Hybrid methods apply regularization techniques to the smaller ``projected problem" that is inherent to iterative Krylov methods at each iteration, thereby overcoming the semiconvergence behavior. Commonly, the Golub-Kahan bidiagonalization is used to construct a set of orthonormal basis vectors that span the Krylov subspaces from which solutions will be chosen, but seeking a solution in the orthonormal basis generated by the Arnoldi process (which is fundamental to the popular iterative method GMRES) has been of renewed interest recently. We discuss some of the positive and negative aspects of each process and use example problems to examine some qualities of the bases they produce. Computing optimal solutions in a given basis gives some insight into the performance of the corresponding iterative methods and how hybrid methods can contribute.
Master of Science

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Masumbuko, Céphas Ndabaga. „Ecologie de Sericostachys scandens, liane envahissante dans les forêts de montagne du Parc national de Kahuzi-Biega, République démocratique du Congo“. Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209962.

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Le Parc National de Kahuzi-Biega (PNKB) se localise dans l’Est de la R.D. Congo, à une trentaine des kilomètres au Nord de la ville de Bukavu, (province du Sud-Kivu). Ce parc couvre une superficie de 6.000 km² dont 5.400 km² situés en basse altitude (600-1200 m d’altitude) et 600 km² constituent le secteur de haute altitude occupée par les forêts de montagne (1800-3308 m).

Depuis environ une décennie, la liane indigène Sericostachys scandens Gilg & Lopr. (Amarantaceae) se répand rapidement dans les forêts de montagne au PNKB. L’extension de cette liane, et ses conséquences supposées sur la biodiversité et la régénération de la forêt inquiètent les gestionnaires du Parc.

Le travail a examiné trois aspects de l’écologie de l’invasion par S. scandens dans le Parc.

Premièrement, on a examiné les traits fonctionnels susceptibles d’expliquer une aptitude élevée à l’invasion chez S. scandens. Une approche comparative avec trois espèces de lianes non envahissantes coexistant dans le même habitat montre que S. scandens présente une allocation de biomasse aux diaspores significativement plus élevée. En plus, elle combine une reproduction sexuée intense et une capacité de reproduction végétative. Cette liane se distingue également des trois autres par un taux de ramification plus élevé. Par contre, les traits foliaires ne sont pas systématiquement différents. De même, le taux de germination des graines de S. scandens ne diffère pas significativement de ceux des autres lianes étudiées. Cependant, il est significativement plus élevé en canopée ouverte qu’en canopée fermée, et en forêt ombrophile qu’en forêt de bambous. L’ensemble des traits qui caractérisent S. scandens peut contribuer à expliquer sa plus grande capacité d’invasion, comparativement aux trois autres lianes.

Deuxièmement, on a examiné les attributs des écosystèmes susceptibles de les rendre vulnérables à l’invasion. Les résultats suggèrent que les perturbations favorisent les invasions dans les écosystèmes. Les perturbations (coupes, feu, …) qui ont accompagné les conflits dans la zone du Parc sont, très probablement, le facteur ayant déclenché l’invasion.

Enfin, le travail a examiné les impacts de l’invasion sur la biodiversité et la régénération des forêts. Les résultats montrent que, effectivement, S. scandens a un impact négatif, et que cet impact pourrait contribuer à renforcer le succès invasif de S. scandens (feed-back positif).

Le travail aboutit à des recommandations pour la gestion du Parc. La gestion doit avant tout être préventive, c’est-à-dire i) empêcher de nouveaux déboisements et ii) éliminer S. scandens au tout début de son installation dans un site perturbé.

Doctorat en Sciences
info:eu-repo/semantics/nonPublished

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Kahnt, Ariane [Verfasser], Hartmut [Akademischer Betreuer] Herrmann, Hartmut [Gutachter] Herrmann, Yoshiteru [Akademischer Betreuer] Iinuma und Thorsten [Gutachter] Hoffmann. „Semivolatile compounds from atmospheric monoterpene oxidation / Ariane Kahnt ; Gutachter: Hartmut Herrmann, Thorsten Hoffmann ; Hartmut Herrmann, Yoshiteru Iinuma“. Leipzig : Universitätsbibliothek Leipzig, 2012. http://d-nb.info/1238150489/34.

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Morshed, Adnan Zillur. „Dialectics of vision : the voyages of Louis I. Kahn, 1950-59“. Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/68769.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1995.
Includes bibliographical references (p. 110-115).
Kahn's genre of travel sketches offers us a visual basis to map his philosophical meandering. This thesis addresses the sketches produced from Kahn's voyages around the Mediterranean in 1950-51 and 1959 with an aim to understanding the premises that underlie them. During the trips, Kahn conjectured in his graphic oeuvre a dialogical method with the built forms of antiquity. On the one hand, he sought answers to his architectural and epistemological questions to these buildings; at another level, he re-contextualized the buildings in an imagined landscape that would in tum inform his imperatives. The sketches also permit an interesting theoretical commentary as they parallel Kahn's emergence into active architectural career in the fifties. At first encounter, some of them seem to be perplexing, but once extended into the context in which Kahn operated, they reveal an interwoven terrain of concepts that would continuously flower. There is no doubt that in his travel sketches Kahn was fighting a protracted battle about his architecture and that he benefited from the buildings of the past--but mostly at an epistemological level. Kahn raised questions on architecture that could have not been addressed by a formal retrieval of history. In that sense Kahn's travel sketches reappraise and re-propose the lessons of history.
by Adnan Zillur Morshed.
M.S.

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Kahan, Lina [Verfasser], Martin [Akademischer Betreuer] Sack und Peter [Akademischer Betreuer] Henningsen. „Optimierung eines interventionellen Gruppenangebots zur Förderung von Ressourcen / Lina Kahan. Gutachter: Martin Sack ; Peter Henningsen. Betreuer: Martin Sack“. München : Universitätsbibliothek der TU München, 2013. http://d-nb.info/1034420801/34.

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Kahan, Lina Verfasser], Martin [Akademischer Betreuer] [Sack und Peter [Akademischer Betreuer] Henningsen. „Optimierung eines interventionellen Gruppenangebots zur Förderung von Ressourcen / Lina Kahan. Gutachter: Martin Sack ; Peter Henningsen. Betreuer: Martin Sack“. München : Universitätsbibliothek der TU München, 2013. http://nbn-resolving.de/urn:nbn:de:bvb:91-diss-20130321-1099150-0-8.

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Rosén, Felix. „Kabīrs många ansikten : En analys av Bhisham Sahnis dramatext Kabirā khaḍā bazār meṃ“. Thesis, Uppsala universitet, Institutionen för lingvistik och filologi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-414360.

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Kabīr stands as one of the most, if not the most, influential nirguṇbhakti poet of the so-called Sant movement in northern India during the 15th century. Even though his fame is far and widely spread, there is no extensive historical evidence regarding his own life. The understanding one might have surrounding Kabīr is mostly inspired by his poems, or following the information which is available through the rich traditions regarding Kabīr, mostly authored by his followers in the Kabīr Panth. His critical view on high caste society, and rough rhetoric regarding the institutionalized religious traditions of his era, made him a victim of hate and violence during his lifetime. After his death, this rough rhetoric and critical view, ignited a full on dispute between Hindus and Muslims on the subject of which group he belonged to. The teachings of Kabīr has not only sparked an interest in the field of academia but also in movies, literature and theater alike. The latter is the main subject of interest for this paper. The renowned Indian writer Bhisham Sahni has during his life been recognized as one of the most influential writers in the so-called Nayī Kahānī movement, which sprung from a new found vision of the future after Indian independence 1947. Sahnis is mostly famous for his novels and short stories, with such titles as Tamas and Amṛtsar ā gayā hai. But in this paper we shall instead take a closer look into his play Kabirā khaḍā bazār meṃ and how Kabīr is portrayed and understood by Sahni, as well as, if and how Sahni’s Kabīr can be understood within a comparative analysis with how he is portrayed in the introduction to Rabindranath Tagore’s One hundred poems of Kabir by Evelyn Underhill and in Linda Hess’s The Bījak of Kabīr.

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Gérard, Léonard. „Programmer le parallélisme avec des futures en Heptagon un langage synchrone flot de données et étude des réseaux de Kahn en vue d’une compilation synchrone“. Thesis, Paris 11, 2013. http://www.theses.fr/2013PA112202/document.

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Les langages synchrones ont été fondés pour modéliser et implémenter les systèmes réactifs temps-réels critiques. Avec la complexité toujours croissante des systèmes contrôlés, la vitesse d'exécution devient un critère important. Nous sommes donc à la recherche d'une exécution parallèle, combinant efficacité et sûreté.Les langages synchrones ont toujours intégré la notion de parallélisme, mais ce, pour l'expressivité de la modélisation. Leurs compilations visent principalement les circuits ou la génération de code séquentiel. Tous ont une sémantique formelle, qui rend possible la distribution correcte du code. Mais la préservation de cette sémantique peut être un obstacle à l'efficacité du code généré, particulièrement s'il est nécessaire de préserver une notion d'instant global au système.Le modèle sémantique qui nous intéresse est celui des réseaux de Kahn. Ces réseaux modélisent des calculateurs distribués, communiquant au travers de files de taille non bornée. Dans ce cadre, la distribution ne demande aucune communication ni synchronisation supplémentaire. En considérant l'histoire des files de communication, la sémantique de Kahn permet de s'abstraire de l'exécution effective, tout en garantissant le déterminisme du calcul. Pour cela, chaque nœud du réseau doit avoir une sémantique fonctionnelle continue.Le langage que nous développons est Heptagon, un langage synchrone fonctionnel du premier ordre, déscendant de Lustre. Son compilateur est un prototype universitaire, apparenté à l'outil industriel Scade. Grâce à sa sémantique de Kahn, la distribution d'un programme Heptagon ne pose pas de question, son efficacité beaucoup plus.L'efficacité requiert de minimiser les synchronisations. Cela revêt deux aspects non indépendants. Avoir un découplage suffisant des calculs : il y a des délais dans les dépendances entre calculs. Avoir une granularité importante des calculs : un fort ratio temps de calcul sur fréquence de communication. Or la sémantique synchrone et les horloges d'un programme Heptagon reflètent exactement l'inverse. Elles permettent au programmeur de se contenter d'un découplage d'un instant et à chaque instant, au maximum une valeur est calculée. De plus, les instants sont typiquement courts, pour assurer que le système réagit rapidement.Des précédents travaux sur le sujet, nous tirons deux constats.Le premier est que nous souhaitons le contrôle du parallélisme par le programmeur, directement dans le code source. Il doit pouvoir maîtriser à quels instants il y a communication ou synchronisation. La solution que nous proposons dans ce manuscrit est l'utilisation des futures dans Heptagon. Ils fournissent ce pouvoir au programmeur, tout en restant des annotations qui peuvent être supprimées sans changer la sémantique dénotationnelle du programme.Le deuxième constat est que la question de la granularité des calculs est une question profonde, touchant en particulier aux questions de dépendance de données, de choix des horloges et de compilation modulaire. Heptagon, comme ses parents, restreint les réseaux de Kahn qui peuvent être écrits, de telle sorte que ces trois questions se traitent séparément. Pour mieux comprendre le lien entre ces éléments, nous revenons aux réseaux de Kahn. Notre principal résultat est la définition de la sous-classe des réseaux ordonnés réactifs. Ceux-ci sont les seuls pour lesquels nous pouvons décrire modulairement le comportement avec des horloges, sans restreindre les contextes d'appels. Ces réseaux ont une signature d'horloge en forme normale, qui maximise la granularité. Pour l'exprimer, nous introduisons les horloges entières, décrivant la communication de plusieurs valeurs en un seul instant. Nous appliquons ensuite nos résultats pour voir sous un nouveau jour Heptagon, Signal, les politiques des objets de Lucid Synchrone, mais aussi proposer une analyse pleinement modulaire de Lucy-n langage synchrone le plus fidèle aux réseaux de Kahn
Synchronous languages are used to program critical reactive systems. Today, systems require to find a way to execute them safely and in parallel. Parallelism has always been part of synchronous langages, but for modeling purpose. Their formal semantics allow to distribute them, but preserving the semantics may be ressource costly and prevent good parallel execution.The Kahn networks model is of great interest. It models distributed computers, communicating through unbounded FIFOs, ensuring that the computed values are deterministic, without any need of added synchronization.We develop the langage Heptagon, a first order functional synchronous son of Lustre.The compiler is an academic prototype of the industrial tool Scade. Thanks to its Kahn semantics, it can be distributed. In order to be efficient, one need to maximize the decoupling of computations and maximize the computation granularity. However, synchronous langages allow for very tight computation coupling and usually require thin computation granularity to ensure reactivity of the system.We opt for two research directions. The first one is to give the control of the execution parallelism to the programer. To this mean, we add futures to the source langage Heptagon. They provide control over starting and end of parallel computations, while preserving the functional semantics. Moreover, we provide a compilation for embedded systems, using statically allocated memory. The second one is to study Kahn synchronous semantics to understand data dependencies and maximize granularity of the computations. This touches deeply to the synchronous languages, mixing the usually separated questions of causality and clock calculus. We define the class of reactive ordered Kahn networks. They are the one which may be modularly compiled and whose behavior may be expressed with a clock signature. Moreover, we show that their is a normal form for this signature, maximizing the granularity of the network. To express it, we extend clocks to integer clocks. Then we come back to the synchronous languages we know to understand how to use it. The result is fully used and explained on Lucy-n, the synchronous language closest to Kahn networks

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Beyer, Michael [Verfasser]. „Static Analysis of Run-time Modes in Kahn Process Networks / Michael Beyer“. Aachen : Shaker, 2012. http://d-nb.info/1067736123/34.

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Ho, Jeffrey Kiat. „The philosophy of Louis I. Kahn and the ethical function of architecture“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0004/MQ43979.pdf.

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Pagliara, Sally F. „The understanding and the application of the "unmeasurables" of Louis I. Kahn“. Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/23422.

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Kahn, Johannes [Verfasser]. „Kompressions-Sonoelastographie zur Beurteilung der chronischen Transplantatschädigung bei nierentransplantierten Patienten / Johannes Kahn“. Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2012. http://d-nb.info/1030380996/34.

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Boyer, Jean Marie. „Psychanalyse et architecture : un regard insolite sur Louis Kahn et Le Corbusier“. Paris 8, 2014. http://www.theses.fr/2014PA084071.

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Toute architecture est effet d’un sujet/architecte. La psychanalyse peut éclairer la dialectique nouée entre œuvres tangibles et sources subjectives, les trajectoires de Louis Kahn 1901-1974 et Le Corbusier 1887-1965, illustrent cette thèse. L’étude des périodes primordiales et de l’entrée en architecture dessinent les contours d’Un sujet/architecte. Comme divisé, il est vecteur de manifestations de l’inconscient perceptibles dans ses Ecrits essentiels et durant ses voyages initiatiques. Avec la psychanalyse sont relevés des indices de traits psychiques, auxquels sont assujetties les praxis, situant L. Kahn au champ de la névrose et Le Corbusier de la psychose, hors considérations cliniques. L’analyse de leurs projets manifeste chez l’un l’insistance de deux signifiants, lumière et masse, et chez l’autre des images de volumes géométriques, repérables depuis leurs petites enfances. La praxis Kahnienne s’origine d’un fantasme - $$<˃a - où l’objet a conjugue lumière et masse. Le Corbusier, quant à lui, soumit à une lourde pulsion scopique fait de l’architecture « le jeu [. . . ] des volumes assemblés sous la lumière ». L’architecture de L. Kahn associe ses objets causes du désir à d’autres recherchés chez l’Autre. L’usage y passe avant le design, elle est in finissable et établie sur le mode de la condensation. Le Corbusier élabore des standarts - objets universels, mortifiés, destinés à un homme type imaginaire sensible à une jouissance scopique universelle créée par l’assemblage des objets qu’il tient « dans sa poche ». A travers deux sujets/architectes, la psychanalyse met en évidence les enjeux de l’architecture entre esthétique, usages, et pertinence dans la culture. Al architecture is produced by a subject/architect. Psychoanalysis can illuminate the dialectic established between tangible works and the subjective sources, trajectories of Lois Kahn and Le Corbusier (1901-1974, 1887-1965) illustrate this thesis. The study of primordial periods and those of entry into architecture draw the contours of the singularity of the subject as architect. As divided he is the place of manifestations of the unconscious noticeable in his essential writings and during his initiatory journeys. With psychoanalysis are indicated some indices of psychological traits. They influence architectural works and allow situating L. Kahn in the field of neurosis - and Le Corbusier in psychosis. The analysis of their projects is showing in Kahn architecture the insistence of two signifiers - the light and the mass - and in the one of Le Corbusier the images of geometric volumes, identifiable since their childhoods. Kahn’s praxis originates a fantasy - [symbole du dollar]<˃a - where the object a combines the light and the mass. Le Corbusier, meanwhile, submits a heavy scopic drive feels architecture as “game […] of volumes brought together under light. ” The architecture of Louis Kahn combines its own cause’s objects of desire with others found in the Other. The use going on before aesthetics. Le Corbusier develops universals objects, mortified, he calls “standarts”. They must satisfied an imagined man, sensitive to universal scopic enjoyment created by assembling of objects he hold “in is pocket”
Al architecture is produced by a subject/architect. Psychoanalysis can illuminate the dialectic established between tangible works and the subjective sources, trajectories of Lois Kahn and Le Corbusier (1901-1974, 1887-1965) illustrate this thesis. The study of primordial periods and those of entry into architecture draw the contours of the singularity of the subject as architect. As divided he is the place of manifestations of the unconscious noticeable in his essential writings and during his initiatory journeys. With psychoanalysis are indicated some indices of psychological traits. They influence architectural works and allow situating L. Kahn in the field of neurosis - and Le Corbusier in psychosis. The analysis of their projects is showing in Kahn architecture the insistence of two signifiers - the light and the mass - and in the one of Le Corbusier the images of geometric volumes, identifiable since their childhoods. Kahn’s praxis originates a fantasy - [dollar sign]<˃a - where the object a combines the light and the mass. Le Corbusier, meanwhile, submits a heavy scopic drive feels architecture as “game […] of volumes brought together under light. ” The architecture of Louis Kahn combines its own cause’s objects of desire with others found in the Other. The use going on before aesthetics. Le Corbusier develops universals objects, mortified, he calls “standarts”. They must satisfied an imagined man, sensitive to universal scopic enjoyment created by assembling of objects he hold “in is pocket”

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Kahn, Johannes [Verfasser]. „Iterative Rekonstruktion – Klinische Anwendungen in der qualitäts- und dosisoptimierten Computertomographie / Johannes Kahn“. Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2020. http://d-nb.info/1209130831/34.

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