Dissertationen zum Thema „Joseph“
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Gonçalves, Reynaldo. „Joseph Conrad“. reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106190.
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Wucherpfennig, Ansgar. „Josef der Gerechte eine exegetische Untersuchung zu Mt 1 - 2“. Freiburg, Br. Basel Wien Barcelona Rom New York, NY Herder, 2008. http://d-nb.info/988459868/04.
Webb, Joseph Dee. „Joseph Holbrooke a study of the published and unpublished solo and chamber works for clarinet with an annotated bibliography /“. Thesis, connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9821.
Prioul, Didier. „Joseph Légaré, paysagiste“. Doctoral thesis, Université Laval, 1993. http://hdl.handle.net/20.500.11794/19329.
Roy, Alain-Louis. „Joseph Colomb, pédagogue“. Université Marc Bloch (Strasbourg) (1971-2008), 2000. http://www.theses.fr/2000STR20062.
Ritske, Rensma. „Understanding Joseph Campbell“. Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/3386.
Wong, Man Olive. „Men at work : masculinity, solidarity and solitude in Conrad's Fiction /“. Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161768.
Gardner, Alec Teresa. „Joseph as Father in Guido Reni's St. Joseph Images“. BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3169.
Lepp, Alexander. „Joseph Brodskys litterära exil“. Thesis, Södertörns högskola, Institutionen för genus, kultur och historia, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-4804.
Teng, Hong-Shu. „Joseph Conrad and conspiracy“. Thesis, Royal Holloway, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313431.
Rulyova, Natalia Evgenievna. „Joseph Brodsky : translating oneself“. Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619567.
Gojowy, Detlev. „Joseph Schillingers Deutschlandaufenthalt 1928“. Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2005. https://ul.qucosa.de/id/qucosa%3A15973.
Kim, Jong-Seok. „Seeing the self in the other : narcissism and the double in Joseph Conrad's fiction /“. free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901249.
Enselein, Thomas. „Der Kontrapunkt im Instrumentalwerk von Joseph Haydn“. Köln Dohr, 2008. http://d-nb.info/992910285/04.
Menath-Brosch, Marika. „Johann Joseph Huber (1737-1815)“. Diss., lmu, 2009. http://nbn-resolving.de/urn:nbn:de:bvb:19-145083.
Sasián, José. „Joseph Petzval lens design approach“. SPIE-INT SOC OPTICAL ENGINEERING, 2017. http://hdl.handle.net/10150/627184.
Kang, Sukjin. „Joseph Conrad : his dialogic poetics“. Thesis, University of Newcastle Upon Tyne, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244330.
Silva, Carlos Aldemir Farias da. „Joseph Campbell: trajetórias, mitologias, ressonâncias“. Pontifícia Universidade Católica de São Paulo, 2012. http://tede2.pucsp.br/handle/handle/2375.
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
As immemorial reserves of the human condition, the myths are present in all societies. They organize cosmovisions, propose solutions to dilemmas, enigmas and contradictions that the real world cannot solve. As machines of time suppression, as defined by Claude Lévi-Strauss, the mythic narratives do not submit themselves to the linearity of history. Joseph Campbell (1904-1987), centerpiece of this thesis, a north-american born in New York, occupies a place of great remark in the pantheon of mythological interpretations. The greatness of his work is more than recognized, although the comprehension of his ideas still remains shy in Human Sciences. It is a body of work that is open to the various cultural devices which, beyond science, include literature and cinema, the latter being responsible for the popularization of Campbell‟s ideas with the Star Wars series. The thesis invests in the life and work dialogism from a bibliographic incursion; it traces the most representative itineraries of Campbell‟s life (Stephen and Robin Larsen) which led him to discuss the functions and potentialities of myth in contemporary society; it sketches the scenery of science in the interior from which emerges the north-american mythologist; it exposes a synthetic archaeology of the figures which constitute The Hero of a Thousand Faces; it exposes the author‟s arguments concerning his treatment of the recurring themes in mythical narratives (cultural diversity) towards the universality of culture (archetypical unity of the myths); it presents the chronological mapping of the author‟s work in the original editions in English and its translations in Brazil; it exposes and problematizes stemming from the research on the Thesis‟ Database of Capes the resonance of Campbell‟s ideas in the Brazilian scientific production (1990-2010); and it presents, in full, interviews with two experts and translators of the author‟s works to Portuguese. The central argument of this thesis is the indissoluble relationship between the author‟s lived experience and interest for the study of myths, that is, the contingencies of life which illuminate the choice of a study theme, above all those which are rooted in infancy and adolescence. Because he is a transdisciplinary thinker who moved in the dominions of art, literature, science and religion, the polyphony contained in his compared study of world mythologies demanded, from this research, a dialogue with authors from different and complementary areas like Carl Gustav Jung, Jean-Pierre Vernant, Edgar Morin among others. The basic interpretative soil centered on nineteen fundamental works translated in Brazil. The thesis has as a horizon to establish connections between science and arts, towards the constitution of a fundamental anthropology of universalist, complex and transdisciplinary base
Reservas imemoriais da condição humana, os mitos estão presentes em todas as sociedades. Organizam cosmovisões, propõem soluções para dilemas, enigmas e contradições que o mundo real não consegue resolver. Máquinas de supressão do tempo, como definiu Claude Lévi-Strauss, as narrativas míticas não se submetem à linearidade da história. Tema central desta tese, Joseph Campbell (1904-1987), norte-americano nascido em Nova York, ocupa lugar de destaque no panteão das interpretações mitológicas. A grandeza de sua obra é mais do que reconhecida, embora a compreensão de suas ideias ainda permaneça tímida nas Ciências Humanas. Trata-se de uma obra aberta aos diversos dispositivos da cultura que, além da ciência, inclui a literatura e o cinema, esse último responsável pela popularização das ideias de Campbell com a série Guerra nas Estrelas. A tese investe na dialogia vida e obra a partir de uma incursão bibliográfica; traça os itinerários mais representativos da vida de Campbell (Stephen e Robin Larsen) que o levaram a discutir as funções e potencialidades do mito na sociedade contemporânea; esboça o cenário da ciência no interior do qual desponta o mitólogo norte-americano; expõe uma sintética arqueologia das figuras que constituem O herói de mil faces; expõe os argumentos do autor no que diz respeito ao seu tratamento dos temas recorrentes nas narrativas míticas (diversidade cultural) em direção à universalidade da cultura (unidade arquetípica dos mitos); apresenta o mapeamento cronológico da obra do autor nas edições originais em inglês e suas traduções no Brasil; expõe e problematiza, a partir da pesquisa no Banco de Teses da Capes, as ressonâncias das ideias de Campbell na produção científica brasileira (1990-2010); e apresenta, na íntegra, entrevistas com duas conhecedoras e tradutoras para o português da obra do autor. O argumento central da tese é a relação indissociável entre a experiência vivida do autor e o interesse pelo estudo dos mitos, isto é, as contingências da vida que iluminam a escolha de um tema de estudo, sobretudo aquelas que estão enraizadas na infância e adolescência. Por ser um pensador transdisciplinar que transitou nos domínios da arte, da literatura, da ciência, da religião, a polifonia contida em seu estudo comparado das mitologias do mundo exigiu, desta pesquisa, um diálogo com autores de áreas distintas e complementares, como Carl Gustav Jung, Jean-Pierre Vernant, Edgar Morin, entre outros. O solo interpretativo básico centrou-se em dezenove obras fundamentais traduzidas no Brasil. A tese tem como horizonte estabelecer conexões entre ciências e arte, em direção à constituição de uma Antropologia fundamental de base universalista, complexa e transdisciplinar
Estelrich, Arce Pilar. „Joseph Roths Romane in Spanien“. Universität Leipzig, 1999. https://ul.qucosa.de/id/qucosa%3A33292.
Hombert, Isabelle. „L'écriture romanesque de Joseph Delteil“. Paris 10, 1985. http://www.theses.fr/1985PA100282.
Rakotondradany, Josette. „L'univers de Jean-Joseph Rabearivelo“. Aix-Marseille 1, 1987. http://www.theses.fr/1988AIX10028.
Horlacher, Stefan. „“Joseph the dreamer of dreams”“. Brill | Rodopi, 2015. https://tud.qucosa.de/id/qucosa%3A36554.
Junqua, Amélie. „Joseph Addison et le langage“. Paris 7, 2007. http://www.theses.fr/2007PA070049.
Our analysis focuses on Joseph Addison's conception and practice of language, as exposed in his periodical essays and more generally his prose. If Addisonian periodicals have been variously interpreted, it has seldom been considered how they could be also read as a possible popularization of Locke's theories on words, or more generally as a transmission of linguistic theories and cultural attitudes towards language to a vast readership (both in Europe and in America, and well until the XIXth century). We therefore endeavour in a first part to recreate Addison's social and cultural 'milieu,' to consider thé various conceptions of language it exposed him to, and to appreciate the respective influences of Thomas Hobbes and John Locke. Our second part deals with the peculiar status Addison bestows upon John Locke, the latter becoming a philosophical landmark as well as an intellectual façade or mask for Joseph Addison; and questions the assumption that Addison wrote primarily as a popularizer. Our third part is devoted to Addison's practice and observation of language - his obsessive concern for signs, his amateur attempt at establishing a semiotics of urban space and sartorial codes - which yet rarely complies with Lockean theories. Addison's paradoxical interpretation and practice of linguistic theories lead him to the unsolved - and unsolvable - dead-end of ambiguity. This position however provides him with unbounded powers of literary creation, endlessly dividing yet enriching his periodical essays
Otte, Sonja. „Joseph Roth und das Judentum“. [Heidelberg?] : S. Otte, 2001. http://catalog.hathitrust.org/api/volumes/oclc/59080151.html.
Müller-Hogrebe, Cordula. „Der rheinische Jurist Joseph Bauerband : die Lehre des rheinischen Rechts im Spannungsfeld deutscher und französischer Rechtstraditionen /“. Frankfurt am Main [u.a.] : Peter Lang, 2005. http://www.gbv.de/dms/spk/sbb/recht/toc/482752866.pdf.
Weller, Stephanie [Verfasser], Yvonne [Akademischer Betreuer] Joseph, Yvonne [Gutachter] Joseph und Edda [Gutachter] Rädlein. „Blitzlampentemperung von transparenten leitfähigen Oxidschichten / Stephanie Weller ; Gutachter: Yvonne Joseph, Edda Rädlein ; Betreuer: Yvonne Joseph“. Freiberg : Technische Universitaet Bergakademie Freiberg Universitaetsbibliothek "Georgius Agricola", 2018. http://d-nb.info/1221070487/34.
Schacht, Christoph. „Ijob im Alten Testament und bei Joseph Roth : ein Vergleich /“. kostenfrei, 2008. http://othes.univie.ac.at/1154/.
Ochse, Katharina. „Joseph Roths Auseinandersetzung mit dem Antisemitismus /“. Würzburg : Königshausen & Neumann, 1999. http://catalogue.bnf.fr/ark:/12148/cb37630026p.
Krause, Alexandra. „Medizinisches in ausgewählten Romanen Joseph Roths“. Köln Deutsche Zentralbibliothek für Medizin, 2010. http://d-nb.info/1000935337/34.
Du, Laney Michael A. „Joseph Roth's feuilletons as historiographical paradigm“. Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1206388187.
Beaulieu, Etienne. „La fatigue romanesque de Joseph Joubert /“. Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84470.
Erdinast-Vulcan, D. „Joseph Conrad and the modern temper“. Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384049.
Thurston, Benjamin. „Joseph de Maistre : logos and logomachy“. Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391047.
Blair, Lindsay F. „The working method of Joseph Cornell“. Thesis, University of Essex, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.279414.
Stenberg, Katarina. „Hornkonsert nr 1 av Joseph Haydn“. Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1998.
Upton, John Dominic. „Constitutional thought of Joseph de Maistre“. Thesis, London School of Economics and Political Science (University of London), 2009. http://etheses.lse.ac.uk/2732/.
Pereira, Daniela Alves 1982. „Joseph Beuys : o pensamento em ação“. [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285331.
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Joseph Beuys pertence a uma geração de artistas que buscou discutir a arte como uma possibilidade de ação e conhecimento. Este trabalho tem como ponto de partida a discussão das Aktiones do artista, que a partir de 1960 passam a ser sua principal prática. As ações apontam as tentativas de Beuys de encontrar na arte uma lugar de recriação dos conceitos de pensamento, vontade, criatividade e sensibilidade. A partir daí, elegemos uma possível crise da ação como mote para análise do teatro contemporâneo. Iniciamos a discussão com uma tentativa de contextualizar a ação teatral contemporânea e como ela tem se distanciado de suas referências dramáticas aproximando-se das ideias de experiência e acontecimento. Em seguida, introduzimos as Aktiones beuysianas para podermos repensar o processo de criação do ator/performer dentro de um possível campo de produção artística diversificado e com limites estéticos expandidos, até mesmo além da arte. Chegamos, por fim, a aproximação do conceito de escultura, proposto por Beuys e do seu conceito de ação numa tentativa de entendê-la como indissociável da vida e dos pensamentos do artista, como uma atitude politica e estética capaz de provocar transformações na qualidade do agir humano
Abstract: Joseph Beuys belongs to a generation of artists who aimed to discuss art as a possibility of action and knowledge. This research takes as its starting point the discussion of the artist Aktiones, which since 1960 become his main practice. The actions leads to Beuys¿ attempts to find a place in the art of recreating concepts of thought, will, creativity and sensitivity. From this point, we elected a possible crisis of the action as a theme for analysis of the contemporary theater, a discussion its started with the attempt to contextualize contemporary theatrical action and how it has distanced itself from the dramatic references and approached the idea of experience and event; then we introduce the beuysians Aktiones in order to rethink the creative process of the actor / performer within a possible diverse artistic production field and expanded aesthetic limits, even beyond art. We finally arrived to an approach to the concept of sculpture, proposed by Beuys and the concept of action in an attempt to understand the action as inseparable from the life and thoughts of the artist, as a political and aesthetic attitude capable of causing changes in the quality of the human act
Mestrado
Teatro, Dança e Performance
Mestra em Artes da Cena
du, Laney Michael Anthony. „Joseph Roth's Feuilletons as Historiographical Paradigm“. Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1206388187.
Courter, Andrew M. „The Ecological Christology of Joseph Sittler“. University of Dayton / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1554981790012285.
Grossin-Bugat, Muriel. „Le pharmacien bordelais Jean-Joseph Fauré“. Bordeaux 2, 1994. http://www.theses.fr/1994BOR2P051.
Rhys, Dulais. „Joseph Parry : ei fywyd a'i waith“. Thesis, Bangor University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319474.
Josupeit-Neitzel, Elke. „Die Reformen Joseph II. in Siebenbürgen /“. München : R. Trofenik, 1986. http://catalogue.bnf.fr/ark:/12148/cb34886966t.
Lepaludier, Laurent. „Ordres et désordres chez Joseph Conrad“. Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb375949057.
Szafarkiewicz, Bruno Joseph [Verfasser]. „De theoremate Tayloriano / Bruno Joseph Szafarkiewicz“. Berlin : Humboldt-Universität zu Berlin, 2006. http://d-nb.info/1206195223/34.
Păcurar, Gelu. „The setting of the Joseph narrative a study in historical background /“. Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p001-1178.
Lisewski, Krzysztof Dariusz. „Studien zu Motiven und Themen zur Josefsgeschichte der Genesis /“. Frankfurt am Main ; New York : Peter Lang, 2008. http://d-nb.info/990411737/04.
Kebekus, Norbert. „Die Joseferzählung : literarkritische und redaktionsgeschichtliche Untersuchungen zu Genesis 37-50 /“. Münster : Waxmann Verl, 1990. http://catalogue.bnf.fr/ark:/12148/cb35551023v.
Taylor, Robert Louis. „The Role of Analysis and Comparison in the Performance of Selected Single-Movement Compositions for Trumpet and Piano by Joseph Turrin with an Interview of the Composer, a Lecture Recital, Together with Three Recitals of Selected Works by Handel, Honegger, Tomasi, and Others“. Thesis, connect to online resource, 2005. http://www.unt.edu/etd/all/Dec2005/taylor%5Frobert%5Flouis/index.htm.
System requirements: Adobe Acrobat Reader. Accompanied by 5 recitals, recorded July 1, 1996, June 22, 1998, June 24, 2002, Sept. 8, 2003, and Oct. 27, 2005. Includes bibliographical references (p. 56).
Lerm-Hayes, Christa-Maria. „James Joyce als Inspirationsquelle für Joseph Beuys /“. Hildesheim : Georg Olms, 2001. http://catalogue.bnf.fr/ark:/12148/cb38940547w.
Boyle, Tucker John. „Joseph Smith's View of His Own Calling“. Diss., CLICK HERE for online access, 2007. http://contentdm.lib.byu.edu/ETD/image/etd1964.pdf.