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Thematische Bibliographien / Joseph / Dissertationen

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Dissertationen zum Thema „Joseph“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 31. Juli 2024

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1

Gonçalves, Reynaldo. „Joseph Conrad“. reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106190.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1982.
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Wucherpfennig, Ansgar. „Josef der Gerechte eine exegetische Untersuchung zu Mt 1 - 2“. Freiburg, Br. Basel Wien Barcelona Rom New York, NY Herder, 2008. http://d-nb.info/988459868/04.

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3

Webb, Joseph Dee. „Joseph Holbrooke a study of the published and unpublished solo and chamber works for clarinet with an annotated bibliography /“. Thesis, connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9821.

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4

Prioul, Didier. „Joseph Légaré, paysagiste“. Doctoral thesis, Université Laval, 1993. http://hdl.handle.net/20.500.11794/19329.

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5

Roy, Alain-Louis. „Joseph Colomb, pédagogue“. Université Marc Bloch (Strasbourg) (1971-2008), 2000. http://www.theses.fr/2000STR20062.

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Pretre sulpicien lyonnais, joseph colomb (1902-1979) a consacre une grande partie de sa vie a promouvoir un catechisme efficace dans le contexte social, de reconstruction et de dechristiani- sation, d'apres la guerre de 1939-45. Nous presentons le pedagogue, celui qui a tente d'organiser le contenu du catechisme et ses pratiques en tenant compte des recherches en psychologie des enfants et en liant les principes pedagogiques de l'education nouvelle a une approche de la liturgie et de l'histoire du peuple de dieu, notamment a travers l'ancien et le nouveau testament. La premiere partie retrace les origines et le fonctionnement du catechisme a l'usage des dioce- ses de france en vigueur durant les annees 1940-1950 et presente le diagnostic que joseph colomb formule sur l'inefficacite du catechisme de cette epoque. La deuxieme partie, consacree aux attendus de sa devise << fidelite a dieu, fidelite a l'homme >>, presente d'abord son approche de l'enfant et la mission du catechiste, puis montre que le pe- dagogue ne fuit pas les enjeux de la societe qui lui est contemporaine lorsque a. Latreille et j. Vialatoux signent a sa place, en 1949, dans la revue esprit un article sur << la laicite ouverte >>. Cette partie se termine par la crise du catechisme de 1957 a la suite de laquelle, brise, il demis- sionne de ses fonctions de directeur du centre national de l'enseignement religieux de l'episcopat de france. La troisieme partie porte sur sa conception de l'acte catechetique, lequel doit provoquer un acte d'intelligence de la foi. En proximite avec la pensee de j. Dewey, l'approche didactique de jo- seph colomb fait droit a l'experience humaine et en connivence avec e. Claparede, son ensei- gnement se veut fonctionnel. Il propose un catechisme progressif qui tient compte de la pro- gression des enfants et dont l'entree par la liturgie et l'histoire est de l'ordre de la methode ac- tive. Le pedagogue joseph colomb est l'un des acteurs ecclesiaux du passage du catechisme a la catechese.

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6

Ritske, Rensma. „Understanding Joseph Campbell“. Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/3386.

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In this thesis I will be offering an analysis of C.G. Jung’s influence on the theoretical framework of the American comparative mythologist Joseph Campbell. My first main argument will be that Campbell underwent what I am calling a ‘Jungian turn’ around 1968: before this date he was vague and sometimes even dismissive about Jung, while after that date he became suddenly highly positive about Jung’s ideas (particularly about his concept of the archetype). My second main argument will be that this shift in attitude towards Jung occurred because Campbell’s interpretation of Jung changed. Before 1968 Campbell thought of Jung’s concept of the archetype as a ‘closed system’: a completely innate psychological structure that isn’t open to ‘imprinting’ by the environment in any way whatsoever. From 1968 onwards, however, he came to think of the archetype as the equivalent of a so-called ‘open innate-releasing mechanism’, which is the ethologist Konrad Lorenz’s term for a psychological structure that, although it has an innate component as well, is nevertheless open to ‘imprinting’ by the environment. As Campbell’s ideas prior to 1968 had been based on this concept, he realised that his own theoretical framework was compatible with Jung’s to a large extent. My final argument will be that the theoretical position which Campbell arrived at in the final phase of his career (which revolves around the concept of the open innate-releasing mechanism, but which has several other specific characteristics) is the same as the interpretation of Jung put forward by the scholar Anthony Stevens. As Stevens’ work is indisputably Jungian in nature, we might therefore draw the conclusion that it is possible to think of Campbell’s work as ‘Jungian’ in nature as well. However, as there are also some important differences between Campbell and Jung, I am arguing instead that we think of Campbell’s work in the final phase of his career as ‘post-Jungian’: this is the scholar Andrew Samuel’s term for a thinker who may not agree with Jung about every single issue, but whose work is still firmly rooted in his core ideas.

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7

Wong, Man Olive. „Men at work : masculinity, solidarity and solitude in Conrad's Fiction /“. Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161768.

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8

Gardner, Alec Teresa. „Joseph as Father in Guido Reni's St. Joseph Images“. BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3169.

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This study presents a psychoanalytic examination of Guido Reni's motivations for creating an innovative painting series of St. Joseph and the Christ Child. The seventeenth-century artist developed a new depiction of Joseph as the tender and loving surrogate father of Christ. This new artistic emphasis on the intimate relationship between father and son reveals Reni's own psychological need to create a replacement father. Indeed, contemporary biographers report that Reni suffered from anxiety and an aversion to women throughout his life. These odd behavioral traits appear to have stemmed from Reni's lack of a supportive father figure. Thus, the artist created a symbolic artistic substitute of Joseph, who was himself a replacement figure for God, in order to fill this void in his own life.

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9

Lepp, Alexander. „Joseph Brodskys litterära exil“. Thesis, Södertörns högskola, Institutionen för genus, kultur och historia, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-4804.

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Nobel Prize Laureate Joseph Brodsky is a key figure in Soviet Russian literature. Expelled from the USSR in 1972, he became a US citizen in 1977 and Poet Laureate of the United States in 1991. In this essay, I have sought to examine the state of exile perceived in Brodsky’s poems. Using Russian literary critic Viktor Shklovsky’s concept of defamiliarization, I have strived to illuminate the formal composition of this state – its technique. This formalist approach, however, has one flaw: it fails to acknowledge the fact that the literature of exile, as pointed out by Edward Said, must never be reduced to mere ‘text’ in the narrow, technical sense. In consequence, the study of such literatures must seek to reconcile text and experience, literature and life. I thus hope that, while focusing mainly on the artistic creation of a state of exile within the text, this study may also shed some light on the extra-textual qualities of the literature of exile.

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10

Teng, Hong-Shu. „Joseph Conrad and conspiracy“. Thesis, Royal Holloway, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313431.

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11

Rulyova, Natalia Evgenievna. „Joseph Brodsky : translating oneself“. Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619567.

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12

Gojowy, Detlev. „Joseph Schillingers Deutschlandaufenthalt 1928“. Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2005. https://ul.qucosa.de/id/qucosa%3A15973.

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Der Weg aus dem futuristischen, langsam in den Stalinismus gleitenden Russland ins weltoffene Amerika führte Schillinger 1928 durch das noch weltoffene Deutschland der Weimarer Republik, wo ihm durchaus Beachtung geschenkt wurde. Amerikanische Kollegen wie Louis Pine, der sich anhand weiterer Nachlassmaterialien einer ausfführlichen Erforschung seiner Biographie gewidmet hatte, haben herausgefunden, dass Schillinger irgendwann nach dem 25. Juli in Deutschland eintraf und dort bis November blieb, um für die Leningrader Assotiation für Neue Musik Kontakte zu knüpfen.

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13

Kim, Jong-Seok. „Seeing the self in the other : narcissism and the double in Joseph Conrad's fiction /“. free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901249.

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14

Enselein, Thomas. „Der Kontrapunkt im Instrumentalwerk von Joseph Haydn“. Köln Dohr, 2008. http://d-nb.info/992910285/04.

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15

Menath-Brosch, Marika. „Johann Joseph Huber (1737-1815)“. Diss., lmu, 2009. http://nbn-resolving.de/urn:nbn:de:bvb:19-145083.

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16

Sasián, José. „Joseph Petzval lens design approach“. SPIE-INT SOC OPTICAL ENGINEERING, 2017. http://hdl.handle.net/10150/627184.

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17

Kang, Sukjin. „Joseph Conrad : his dialogic poetics“. Thesis, University of Newcastle Upon Tyne, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244330.

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18

Silva, Carlos Aldemir Farias da. „Joseph Campbell: trajetórias, mitologias, ressonâncias“. Pontifícia Universidade Católica de São Paulo, 2012. http://tede2.pucsp.br/handle/handle/2375.

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As immemorial reserves of the human condition, the myths are present in all societies. They organize cosmovisions, propose solutions to dilemmas, enigmas and contradictions that the real world cannot solve. As machines of time suppression, as defined by Claude Lévi-Strauss, the mythic narratives do not submit themselves to the linearity of history. Joseph Campbell (1904-1987), centerpiece of this thesis, a north-american born in New York, occupies a place of great remark in the pantheon of mythological interpretations. The greatness of his work is more than recognized, although the comprehension of his ideas still remains shy in Human Sciences. It is a body of work that is open to the various cultural devices which, beyond science, include literature and cinema, the latter being responsible for the popularization of Campbell‟s ideas with the Star Wars series. The thesis invests in the life and work dialogism from a bibliographic incursion; it traces the most representative itineraries of Campbell‟s life (Stephen and Robin Larsen) which led him to discuss the functions and potentialities of myth in contemporary society; it sketches the scenery of science in the interior from which emerges the north-american mythologist; it exposes a synthetic archaeology of the figures which constitute The Hero of a Thousand Faces; it exposes the author‟s arguments concerning his treatment of the recurring themes in mythical narratives (cultural diversity) towards the universality of culture (archetypical unity of the myths); it presents the chronological mapping of the author‟s work in the original editions in English and its translations in Brazil; it exposes and problematizes stemming from the research on the Thesis‟ Database of Capes the resonance of Campbell‟s ideas in the Brazilian scientific production (1990-2010); and it presents, in full, interviews with two experts and translators of the author‟s works to Portuguese. The central argument of this thesis is the indissoluble relationship between the author‟s lived experience and interest for the study of myths, that is, the contingencies of life which illuminate the choice of a study theme, above all those which are rooted in infancy and adolescence. Because he is a transdisciplinary thinker who moved in the dominions of art, literature, science and religion, the polyphony contained in his compared study of world mythologies demanded, from this research, a dialogue with authors from different and complementary areas like Carl Gustav Jung, Jean-Pierre Vernant, Edgar Morin among others. The basic interpretative soil centered on nineteen fundamental works translated in Brazil. The thesis has as a horizon to establish connections between science and arts, towards the constitution of a fundamental anthropology of universalist, complex and transdisciplinary base
Reservas imemoriais da condição humana, os mitos estão presentes em todas as sociedades. Organizam cosmovisões, propõem soluções para dilemas, enigmas e contradições que o mundo real não consegue resolver. Máquinas de supressão do tempo, como definiu Claude Lévi-Strauss, as narrativas míticas não se submetem à linearidade da história. Tema central desta tese, Joseph Campbell (1904-1987), norte-americano nascido em Nova York, ocupa lugar de destaque no panteão das interpretações mitológicas. A grandeza de sua obra é mais do que reconhecida, embora a compreensão de suas ideias ainda permaneça tímida nas Ciências Humanas. Trata-se de uma obra aberta aos diversos dispositivos da cultura que, além da ciência, inclui a literatura e o cinema, esse último responsável pela popularização das ideias de Campbell com a série Guerra nas Estrelas. A tese investe na dialogia vida e obra a partir de uma incursão bibliográfica; traça os itinerários mais representativos da vida de Campbell (Stephen e Robin Larsen) que o levaram a discutir as funções e potencialidades do mito na sociedade contemporânea; esboça o cenário da ciência no interior do qual desponta o mitólogo norte-americano; expõe uma sintética arqueologia das figuras que constituem O herói de mil faces; expõe os argumentos do autor no que diz respeito ao seu tratamento dos temas recorrentes nas narrativas míticas (diversidade cultural) em direção à universalidade da cultura (unidade arquetípica dos mitos); apresenta o mapeamento cronológico da obra do autor nas edições originais em inglês e suas traduções no Brasil; expõe e problematiza, a partir da pesquisa no Banco de Teses da Capes, as ressonâncias das ideias de Campbell na produção científica brasileira (1990-2010); e apresenta, na íntegra, entrevistas com duas conhecedoras e tradutoras para o português da obra do autor. O argumento central da tese é a relação indissociável entre a experiência vivida do autor e o interesse pelo estudo dos mitos, isto é, as contingências da vida que iluminam a escolha de um tema de estudo, sobretudo aquelas que estão enraizadas na infância e adolescência. Por ser um pensador transdisciplinar que transitou nos domínios da arte, da literatura, da ciência, da religião, a polifonia contida em seu estudo comparado das mitologias do mundo exigiu, desta pesquisa, um diálogo com autores de áreas distintas e complementares, como Carl Gustav Jung, Jean-Pierre Vernant, Edgar Morin, entre outros. O solo interpretativo básico centrou-se em dezenove obras fundamentais traduzidas no Brasil. A tese tem como horizonte estabelecer conexões entre ciências e arte, em direção à constituição de uma Antropologia fundamental de base universalista, complexa e transdisciplinar

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Estelrich, Arce Pilar. „Joseph Roths Romane in Spanien“. Universität Leipzig, 1999. https://ul.qucosa.de/id/qucosa%3A33292.

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20

Hombert, Isabelle. „L'écriture romanesque de Joseph Delteil“. Paris 10, 1985. http://www.theses.fr/1985PA100282.

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21

Rakotondradany, Josette. „L'univers de Jean-Joseph Rabearivelo“. Aix-Marseille 1, 1987. http://www.theses.fr/1988AIX10028.

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L'oeuvre de Rabearivelo reflète son univers social et son univers littéraire. Son univers social se manifeste à travers des ouvrages où prédominent la chronique historique, le récit romance, l'expérience vécue et le symbolisme poétique. Lécrivain y peint la société sous la monarchie avec ses castes, et la société pendant la période pré-coloniale et coloniale avec les rivalités européennes et la prise de conscience des colonies. Le pacte colonial incite l'indigène à adopter la civilisation du vainqueur mais les traditions malgaches résistent et survivent. Une certaine philosophie de la société se dessine alors. Fondée d'une part sur le pouvoir et l'avoir et sur l'intedépendance des classes d'autre part. Le cycle de l'histoire semble aussi enfermer l'homme dans la loi de la retribution. Ainsi, face à l'humiliation coloniale, Rabearivelo prône-t-il le retour à la monarchie pour retrouver la souveraineté et l'identité perdues. Mais par l'écriture, il essaie aussi d'accéder à une nouvelle dignité. Sa création littéraire dévoile, certes, ses projets, réalisées ou non, et ses théories littéraires mais elle met surtout à nu la problématique de la traduction révélatrice de sa double appartenance culturelle.

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22

Horlacher, Stefan. „“Joseph the dreamer of dreams”“. Brill | Rodopi, 2015. https://tud.qucosa.de/id/qucosa%3A36554.

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Jude the Obscure is not only Thomas Hardy´s last but probably also his bleakest novel. Even the epigram on the frontispiece - 'The letter killeth [but the spirit giveth life]' - can be read as having negative forebodings; it can, however, also be interpreted as a commentary on the 'nature' of language and on the absolute necessity of understanding its founding mechanisms such as absence, difference and deferral if one is to lead a happy and meaningful life and if one endeavors to claim the freedom and the responsibility to construct one´s gender identity. This essay thus centers on the extent to which Hardy´s protagonist Jude Fawley, a man who desperately clings to the illusion of a transcendental signified, is able to understand and put into practice Hardy´s epigram when constructing his masculinity. Therefore, the focus of inquiry will be the hitherto largely neglected discursive construction of an ill-fated male gender identity in a discursive universe where 'nobody did come, because nobody does' and where taking words literally has lethal consequences.

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23

Junqua, Amélie. „Joseph Addison et le langage“. Paris 7, 2007. http://www.theses.fr/2007PA070049.

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On s'intéresse au travail précurseur de Joseph Addison sur le langage dans la presse périodique anglaise du début du XVIIIeme siècle, et à son impact sur le vaste lectorat de ces périodiques qui dépasse les frontières nationales (Addison est très tôt traduit et publié en Europe) et temporelles (il représente jusqu'au XIXeme siècle une référence incontestée). Notre première partie s'efforce de clarifier l'usage des ternies d'analyse, de reconstituer l'environnement culturel qui a nourri la réflexion addisonienne, ainsi qu'une évaluation de la plus ou moins grande influence de John Locke et de Thomas Hobbes. La deuxième partie considère Addison en tant que vecteur des théories lockiennes, et nous amène à préciser le contexte social, historique et politique déterminant le lectorat de la presse périodique. Le résultat de cette recherche fait considérablement douter qu'Addison se soit contenté d'une vulgarisation exhaustive des textes théoriques. On reconsidère donc en dernière partie la position d'Addison dans l'histoire des idées. La récurrence des signes et de leur lecture dans sa prose peut en effet s'interpréter comme une pratique, dénuée de rigueur scientifique, de cette discipline alors encore naissante, baptisée par Locke du nom de « sémiotique ». Des signes mêlés de la société, de l'espace et du corps, il se dégage une conception neuve et insolite des rapports entre signe, pensée et monde. Parce qu'elle naît d'une lecture personnelle des théories du langage, la réflexion addisonienne est paradoxale et créatrice : ses propres contradictions la divisent mais l'enrichissent, et alimentent une œuvre périodique en constante réinvention
Our analysis focuses on Joseph Addison's conception and practice of language, as exposed in his periodical essays and more generally his prose. If Addisonian periodicals have been variously interpreted, it has seldom been considered how they could be also read as a possible popularization of Locke's theories on words, or more generally as a transmission of linguistic theories and cultural attitudes towards language to a vast readership (both in Europe and in America, and well until the XIXth century). We therefore endeavour in a first part to recreate Addison's social and cultural 'milieu,' to consider thé various conceptions of language it exposed him to, and to appreciate the respective influences of Thomas Hobbes and John Locke. Our second part deals with the peculiar status Addison bestows upon John Locke, the latter becoming a philosophical landmark as well as an intellectual façade or mask for Joseph Addison; and questions the assumption that Addison wrote primarily as a popularizer. Our third part is devoted to Addison's practice and observation of language - his obsessive concern for signs, his amateur attempt at establishing a semiotics of urban space and sartorial codes - which yet rarely complies with Lockean theories. Addison's paradoxical interpretation and practice of linguistic theories lead him to the unsolved - and unsolvable - dead-end of ambiguity. This position however provides him with unbounded powers of literary creation, endlessly dividing yet enriching his periodical essays

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Otte, Sonja. „Joseph Roth und das Judentum“. [Heidelberg?] : S. Otte, 2001. http://catalog.hathitrust.org/api/volumes/oclc/59080151.html.

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25

Müller-Hogrebe, Cordula. „Der rheinische Jurist Joseph Bauerband : die Lehre des rheinischen Rechts im Spannungsfeld deutscher und französischer Rechtstraditionen /“. Frankfurt am Main [u.a.] : Peter Lang, 2005. http://www.gbv.de/dms/spk/sbb/recht/toc/482752866.pdf.

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26

Weller, Stephanie [Verfasser], Yvonne [Akademischer Betreuer] Joseph, Yvonne [Gutachter] Joseph und Edda [Gutachter] Rädlein. „Blitzlampentemperung von transparenten leitfähigen Oxidschichten / Stephanie Weller ; Gutachter: Yvonne Joseph, Edda Rädlein ; Betreuer: Yvonne Joseph“. Freiberg : Technische Universitaet Bergakademie Freiberg Universitaetsbibliothek "Georgius Agricola", 2018. http://d-nb.info/1221070487/34.

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27

Schacht, Christoph. „Ijob im Alten Testament und bei Joseph Roth : ein Vergleich /“. kostenfrei, 2008. http://othes.univie.ac.at/1154/.

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28

Ochse, Katharina. „Joseph Roths Auseinandersetzung mit dem Antisemitismus /“. Würzburg : Königshausen & Neumann, 1999. http://catalogue.bnf.fr/ark:/12148/cb37630026p.

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29

Krause, Alexandra. „Medizinisches in ausgewählten Romanen Joseph Roths“. Köln Deutsche Zentralbibliothek für Medizin, 2010. http://d-nb.info/1000935337/34.

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30

Du, Laney Michael A. „Joseph Roth's feuilletons as historiographical paradigm“. Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1206388187.

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31

Beaulieu, Etienne. „La fatigue romanesque de Joseph Joubert /“. Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84470.

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The opus of Joseph Joubert (1754--1824) was for a long period barely known, due to the fact that it languished unpublished, both during his lifetime and after his death, until the complete version of his Notebooks was brought out in 1938 by Andre Beaunier (reissued in 1994). It was thanks to this new form which his thoughts now took that a completely new Joubert came into view. No longer was he merely a moralist, as portrayed by Sainte-Beuve, whose version held sway for a number of decades, but a diarist as well, i.e., writing his thoughts on a daily basis, in the bourgeois tradition of the books of hours. However, there is something else visible in Joubert's works, for, as Maurice Blanchot put it, "[Joubert's] journal, while it still takes days as its starting point, is not a reflection thereof, but reaches toward something other than them" (Le Livre a venir). Toward what does it reach? On the one hand, one can see, as Georges Poulet does, that Joubert "is not a philosopher, a moralist or an aphorist, but a wonderful poet of light." (Etudes sur le temps humain ). On the other hand, however, Joubert, in a way which is surprising and as yet unexplored, is also a thinker who takes on novelistic thought, that is, the Hegelian world, and thus the world of prose in all of its fullness. If we consider novelistic thought as superimposing essence onto existence in an attempt to discover the former within the latter (which makes the novel the locus, through the experience of weariness, of the question of man's salvation in a world in which religion's possibilities are elusive), this study ventures a survey of the Notebooks, paying particular attention to the forms taken by return in Joubert's thought and then following the uncompleted circles of detour which Jacques Ranciere has called "The Book of Life" (La parole muette). Notebooks also provide one of the first manifestations of what today is known, with all of the contradictions which this entai

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Erdinast-Vulcan, D. „Joseph Conrad and the modern temper“. Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384049.

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Thurston, Benjamin. „Joseph de Maistre : logos and logomachy“. Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391047.

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Blair, Lindsay F. „The working method of Joseph Cornell“. Thesis, University of Essex, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.279414.

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Stenberg, Katarina. „Hornkonsert nr 1 av Joseph Haydn“. Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1998.

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Upton, John Dominic. „Constitutional thought of Joseph de Maistre“. Thesis, London School of Economics and Political Science (University of London), 2009. http://etheses.lse.ac.uk/2732/.

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This thesis, the first in English on this topic, is an examination of central aspects of Joseph de Maistre's constitutional thought: namely the concepts of constituent power, constitutions, sovereignty and forms of government. Research for the thesis has been conducted with the use of archival sources and French texts and it describes and analyses the above concepts in some detail. The thesis also takes into account both historical and modern scholarship written in French and English. It argues that Maistre's constitutional thought is a useful tool with which to investigate some contemporary constitutional problems in liberal constitutional theory, e.g. those of constitutional self - binding, the circularity of the notion of the sovereignty of the people and the nature of sovereignty in the modern state. Maistre's thought provides a view of constitutional matters which opposes certain enlightenment - inspired perspectives that now dominate constitutional discourse and which treat the constitution as a purely normative phenomenon, rather than as a relational concept which cannot be separated entirely from political considerations. The thesis carries out these tasks with reference to other constitutional and public law thinkers in order historically and intellectually to contextualise Maistre's constitutional thought. It seeks to place Maistre within an intellectual tradition stretching from Bodin, Hobbes and Pufendorf, through Rousseau and Montesquieu, to Carl Schmitt and Michael Oakeshott. In doing this, the thesis argues that Maistre is a modern thinker, whose work although cast in the language of reaction, actually belongs to a mainstream constitutional tradition.

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Pereira, Daniela Alves 1982. „Joseph Beuys : o pensamento em ação“. [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285331.

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Orientador: Cassiano Sydow Quilici
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-26T23:37:06Z (GMT). No. of bitstreams: 1 Pereira_DanielaAlves_M.pdf: 598883842 bytes, checksum: 6cc7d749e9b14d3eb45d0b2b6c6f7438 (MD5) Previous issue date: 2015
Resumo: Joseph Beuys pertence a uma geração de artistas que buscou discutir a arte como uma possibilidade de ação e conhecimento. Este trabalho tem como ponto de partida a discussão das Aktiones do artista, que a partir de 1960 passam a ser sua principal prática. As ações apontam as tentativas de Beuys de encontrar na arte uma lugar de recriação dos conceitos de pensamento, vontade, criatividade e sensibilidade. A partir daí, elegemos uma possível crise da ação como mote para análise do teatro contemporâneo. Iniciamos a discussão com uma tentativa de contextualizar a ação teatral contemporânea e como ela tem se distanciado de suas referências dramáticas aproximando-se das ideias de experiência e acontecimento. Em seguida, introduzimos as Aktiones beuysianas para podermos repensar o processo de criação do ator/performer dentro de um possível campo de produção artística diversificado e com limites estéticos expandidos, até mesmo além da arte. Chegamos, por fim, a aproximação do conceito de escultura, proposto por Beuys e do seu conceito de ação numa tentativa de entendê-la como indissociável da vida e dos pensamentos do artista, como uma atitude politica e estética capaz de provocar transformações na qualidade do agir humano
Abstract: Joseph Beuys belongs to a generation of artists who aimed to discuss art as a possibility of action and knowledge. This research takes as its starting point the discussion of the artist Aktiones, which since 1960 become his main practice. The actions leads to Beuys¿ attempts to find a place in the art of recreating concepts of thought, will, creativity and sensitivity. From this point, we elected a possible crisis of the action as a theme for analysis of the contemporary theater, a discussion its started with the attempt to contextualize contemporary theatrical action and how it has distanced itself from the dramatic references and approached the idea of experience and event; then we introduce the beuysians Aktiones in order to rethink the creative process of the actor / performer within a possible diverse artistic production field and expanded aesthetic limits, even beyond art. We finally arrived to an approach to the concept of sculpture, proposed by Beuys and the concept of action in an attempt to understand the action as inseparable from the life and thoughts of the artist, as a political and aesthetic attitude capable of causing changes in the quality of the human act
Mestrado
Teatro, Dança e Performance
Mestra em Artes da Cena

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du, Laney Michael Anthony. „Joseph Roth's Feuilletons as Historiographical Paradigm“. Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1206388187.

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Courter, Andrew M. „The Ecological Christology of Joseph Sittler“. University of Dayton / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1554981790012285.

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Grossin-Bugat, Muriel. „Le pharmacien bordelais Jean-Joseph Fauré“. Bordeaux 2, 1994. http://www.theses.fr/1994BOR2P051.

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Rhys, Dulais. „Joseph Parry : ei fywyd a'i waith“. Thesis, Bangor University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319474.

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Josupeit-Neitzel, Elke. „Die Reformen Joseph II. in Siebenbürgen /“. München : R. Trofenik, 1986. http://catalogue.bnf.fr/ark:/12148/cb34886966t.

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Lepaludier, Laurent. „Ordres et désordres chez Joseph Conrad“. Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb375949057.

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Szafarkiewicz, Bruno Joseph [Verfasser]. „De theoremate Tayloriano / Bruno Joseph Szafarkiewicz“. Berlin : Humboldt-Universität zu Berlin, 2006. http://d-nb.info/1206195223/34.

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Gimenez, Mathieu. „Joseph Delteil, le vivant à l'oeuvre“. Electronic Thesis or Diss., Amiens, 2021. http://www.theses.fr/2021AMIE0102.

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Joseph Delteil, auteur phare de l'entre-deux-guerres, ayant fait ses armes chez les surréalistes notamment, sans tomber tout à fait dans l'oubli, n'a pas aujourd'hui l'attention qu'il mérite. Pour un écrivain chez qui la nature a joué un rôle essentiel, il était étonnant de voir que ce sujet n'avait jamais été traité pour lui-même. Cela était d'autant plus étonnant que Joseph Delteil est l'auteur de textes profondément écologiques tels que Jésus II ou bien encore François d'Assise, tous deux publiés après la Seconde Guerre mondiale. Outre ces textes, c'est tout un travail sur la réceptivité, sur l'état poétique et sur l'attention au vivant qui est à l'œuvre au sein du processus créateur de Joseph Delteil, et ce depuis les œuvres de jeunesse jusqu'aux œuvres de la maturité. Notre travail analyse, à partir de la formation intellectuelle de Delteil et du regard qu'il pose sur le vivant, les mouvements de sa pensée en lien avec le devenir des sociétés humaines. Pour cela, nous avons utilisé les outils de l'écopoétique, discipline encore récente et qui doit se développer dans le champ des études universitaires francophones, ce qui nous permet de mettre en lumière ce que nous avons appelé l'"écopoétique chrétienne", à savoir une sensibilité poétique et écologique partagée par un ensemble d'écrivains aux XXème et XXIème siècles se reconnaissant comme chrétiens et fortement marqués par les questions environnementales (André Dhôtel, Marie Gevers, Christian Bobin, René Guy-Cadou, Colette Nys-Mazure, Philippe Forcioli…). Cette mise en lumière nous permet de montrer toute la part prise par les écrivains chrétiens au sein de la création littéraire française moderne et contemporaine
Joseph Delteil is a leading author from the interwar years, who cut his teeth with the surrealists, in particular. Although he has not fallen entirely into oblivion, he is not receiving the attention he deserves these days. Considering that he is a writer for whom nature has played an essential role, it is astonishing to observe that he never dealt with this subject himself. This was all the more astonishing that Joseph Delteil was the author of deeply ecological texts such as "Jesus II" or even "François d'Assise", both published after the Second World War. We can add "Jeanne d'Arc" or "La Deltheillerie", of course. Each of these powerfull books, in his own way, questions the the relationship to living things and the future of human societies. In addition to these texts, it is a whole work on receptivity, on the poetic state and on attention to the living that is at work within the creative process of Joseph Delteil, and this from the works of youth until to the works of maturity. This study analyses the movements of Delteil's thoughts in relation to the future of human society, based on his intellectual education and view of living things. To this end, the tools of ecrocritism and ecopoetics have been used to highlight 'Christian ecopoetics', namely a poetic and ecological sensitivity shared by a set of writers in the XX and XXI centuries, who saw themselves as Christians and strongly affected by environmental issues (André Dhôtel, Marie Gevers, Colette Nys-Mazure, Philippe Forcioli, René Guy Cadou, Frédéric Jacques Temple, Christian Bobin…). This highlighting allows us to show all the price part by Christian writers within modern and contemporary French literary creation

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Păcurar, Gelu. „The setting of the Joseph narrative a study in historical background /“. Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p001-1178.

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Lisewski, Krzysztof Dariusz. „Studien zu Motiven und Themen zur Josefsgeschichte der Genesis /“. Frankfurt am Main ; New York : Peter Lang, 2008. http://d-nb.info/990411737/04.

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Kebekus, Norbert. „Die Joseferzählung : literarkritische und redaktionsgeschichtliche Untersuchungen zu Genesis 37-50 /“. Münster : Waxmann Verl, 1990. http://catalogue.bnf.fr/ark:/12148/cb35551023v.

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Taylor, Robert Louis. „The Role of Analysis and Comparison in the Performance of Selected Single-Movement Compositions for Trumpet and Piano by Joseph Turrin with an Interview of the Composer, a Lecture Recital, Together with Three Recitals of Selected Works by Handel, Honegger, Tomasi, and Others“. Thesis, connect to online resource, 2005. http://www.unt.edu/etd/all/Dec2005/taylor%5Frobert%5Flouis/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2005.
System requirements: Adobe Acrobat Reader. Accompanied by 5 recitals, recorded July 1, 1996, June 22, 1998, June 24, 2002, Sept. 8, 2003, and Oct. 27, 2005. Includes bibliographical references (p. 56).

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Lerm-Hayes, Christa-Maria. „James Joyce als Inspirationsquelle für Joseph Beuys /“. Hildesheim : Georg Olms, 2001. http://catalogue.bnf.fr/ark:/12148/cb38940547w.

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